Categories
Aviation photography

Aviation photography: Quebec’s CL- 415s heading towards Fort McMurray, Alberta

A Bombardier CL-415 water bomber, property of the Government of Quebec, is being prepared for its flight towards Fort McMurray, May 2016
A Bombardier CL-415 water bomber, property of the Government of Quebec, is being prepared for its flight towards Fort McMurray, May 2016

Quebec’s CL-415s helping out in Fort McMurray

On May 5th, 2016, according to what had been announced by the Government of Quebec, four CL-415s took off from the Quebec Jean-Lesage international airport (CYQB) heading to Fort McMurray, Alberta, to help in the fight against widespread forest fires in that province. It is the worst natural disaster that Canada has known in its history.

Preparing flight crews and aircrafts for such a long cross-country trip naturally demands much coordination from the SOPFEU (Society for the protection of forests against fires). Once they will have landed at the Fort McMurray airport, the pilots of those CL-415s will be under the direct command of the Albertan authorities in charge of fighting the wildfires, since the latter are best positioned to know exactly what the local needs are.

I figure that the flight service specialists (FSS) of the Nav Canada flight information center (FIC) in Edmonton must have quite busy days with the increased aerial activity associated with the numerous fires…

Crew members are walking towards the Government of Quebec CL-415; they will soon be airborne and heading to Fort McMurray in Alberta, to fight the forest fires (2016)
Crew members are walking towards the Government of Quebec CL-415; they will soon be airborne and heading to Fort McMurray in Alberta, to fight the forest fires (2016)

The picture above shows crew members heading towards their assigned aircraft. Once they start working in the Fort McMurray region, they will not only have to directly fight the forest fires but also head to sectors that have not yet been touched by fire and water the area thoroughly to prevent new wildfires.

A Government of Quebec CL-415 number 245 is taxiing at the Quebec Jean-Lesage international airport to take-off towards Fort McMurray, in Alberta, to help fight the out of control forest fires in that province during May 2016.
A Government of Quebec CL-415 number 245 is taxiing at the Quebec Jean-Lesage international airport to take-off towards Fort McMurray, in Alberta, to help fight the out of control forest fires in that province during May 2016.

Taking pictures of propeller-driven aircrafts

A Bombardier CL-415 water bomber takes off from the Quebec Jean-Lesage international airport heading to Fort McMurray, in Alberta, to help fight the forest fires (2016)
A Bombardier CL-415 water bomber takes off from the Quebec Jean-Lesage international airport heading to Fort McMurray, in Alberta, to help fight the forest fires (2016)

It is a bit touchy to photograph propeller-driven aircrafts while making sure that there is a sensation of movement. In a natural reflex to want to avoid blurred pictures, the photographer uses a shutter speed that corresponds to the focal used for the shot. In the case of the picture above, the focal was 400mm. But if a shutter speed of 1/400 had been used, the propellers would have been totally immobilized and the aircraft would have looked like its climbing while not using its engines.

It was necessary to reduce the speed to 1/160, thus increasing the risk of obtaining a blurred picture. In order to get both image sharpness and moving propellers visual effect, the photographer has to follow exactly the movement of the aircraft with the camera so that it looks totally immobile in the viewfinder. This asks for a bit of practice but allows for more realistic photos.

The CL-415 in a black and white photo

Black and white photo of a Bombardier CL-415 (C-GQBG) flying over Quebec City in 2015
Black and white photo of a Bombardier CL-415 (C-GQBG) flying over Quebec City in 2015

The government of Canada helping out Alberta’s citizens

The government of Canada, under Justin Trudeau, has promised to match the amounts of money offered by all Canadians to the Red Cross society toward helping the Fort McMurray population.

Obviously, its contribution will not stop there (in fact, far from it), but the message is for the whole Canadian population to contribute generously to support the efforts of the Red Cross. It is already estimated that the material damages will reach at least nine billion dollars and that numerous years will be required to rebuild everything. The Liberal Party of Canada had built its political campaign around the need to invest for the renewal of infrastructures. With the Fort McMurray fires, there will be plenty of new unplanned expenses ahead.

More than 1,400 firemen are fighting the wildfires. So few, there has been very few lives lost, although “very few” is always too much. The crisis is, according to everyone, well managed by the government of Alberta.

At the time of writing, there was still no rain forecasted for days to come and the drought was also extending to the southern half of Saskatchewan and part of Manitoba. The winds were expected to increase, which would mean that even more resources would be needed in the near future to bring those wildfires under control.

It seems to me that the government of many Canadian provinces would benefit in acquiring new water bombers like the CL-415 to give them an increased margin of manoeuver that would allow them to react more quickly, if we take into account the tendency for the ever growing number and size of forest fires. In the picture below, the government of Quebec CL-415 number 247 is just airborne from Quebec to Fort McMurray.

A Bombardier CL-415 C-GQBK airborne from the Quebec Jean-Lesage international airport heading to Fort McMurray, Alberta, in May 2016
A Bombardier CL-415 C-GQBK airborne from the Quebec Jean-Lesage international airport heading to Fort McMurray, Alberta, in May 2016

The CL-215s will not head to Fort McMurray

While several CL-415s are leaving for Alberta, few water bombers, like the two Canadair CL-215s shown below, stay at the Quebec Jean-Lesage international airport in case of forest fires in the province and also to be used for the seasonal rehearsal needed for every pilot before they are dispatched across the province of Quebec.

Two Canadair CL-215 water bombers parked at the Quebec Jean-Lesage international airport in May 2016.
Two Canadair CL-215 water bombers parked at the Quebec Jean-Lesage international airport in May 2016.

Global warming

Some people can say that global warming is not responsible for the increasing number of extended wildfires. They might be right, but I prefer to adopt a wider view than only what is going on in Alberta. Heat transfer between the north and south are now more extreme in order to equalize the temperatures around the globe. All means to reduce the difference in temperatures between the equator and the poles are at work and this causes increasing problems to particular regions.

The Kamloops region in British-Columbia, when numerous forest fires were raging 2014.
The Kamloops region in British-Columbia, when numerous forest fires were raging 2014.

A powerful El Nino phenomenon, repetitive Omega blocks, the air circulation in different cells (Hadley, Ferrell, polar, Walker) all participate in the heat exchange. At a more reduced scale, we also regularly hear of cold and warm fronts in the meteorological forecasts.

It is certainly not local warm fronts that are responsible for the fact that a thinner layer of permafrost is unable to ensure the stability of Arctic runways anymore. Nor are fronts responsible for the fact that houses on stilts do not have a stable foundation anymore. Many heat records have been established these past years in northern Canada. There will certainly be large amounts of money to spend to rebuild the Nordic infrastructures.

Brush fires as soon as April in Alberta

This year, as soon as April, there were widespread brush fires in a region as north as Fort McMurray in Alberta because winter has not brought much snow to humidify the land during Spring. I thus wondered what would happen once in July. Albertans did not need to wait that long to get the answer.

Western Canada forest after a fire (2014)
Western Canada forest after a fire (2014)

The modelization of climatic changes indicates that, in the Fort McMurray region, the forest fire season is already fifteen days longer that it used to be. More heat might favor more droughts. But an increase in temperature also favors the development of thunderstorms and with them comes lighting that will start up new fires.

One thing is sure: insurance companies will not lose time with the different theories on global warming. The reinsurers (those who insure the insurance companies) have the obligation to limit their losses to stay afloat and premiums will quickly increase to answer to the thousands of claims following an increasing number of natural disasters.

Photos of the local air traffic in Quebec, just after the CL-415s departed to Fort McMurray

FedEx ATR 72-202F C-FTAR and Air Canada Express Bombardier DHC-8-Q-402NG (C-GIJZ) at the Quebec Jean-Lesage international airport in May 2016
FedEx ATR 72-202F C-FTAR and Air Canada Express Bombardier DHC-8-Q-402NG (C-GIJZ) at the Quebec Jean-Lesage international airport in May 2016

At the Quebec airport, between the take offs of the four Bombardier CL-415 towards Fort McMurray, I was able to take few pictures of the local air traffic. In the photo above, it is possible to see a FedEx ATR 72 (C-FTAR) taxiing toward the ramp after a landing runway 06. An Air Canada Express Bombardier DHC-8-402 (Q-400) (C-GIJZ) was also being towed for is imminent departure.

ATAC’s Hawker Hunter N339AX

Being in luck, I was able to capture a Hawker Hunter (N339AX) belonging to the American company  ATAC, just airborne from Quebec. As for any military jet, it is difficult to ignore them on take-off: the reactor’s noise is there to remind you of their presence…

A Hawker Hunter belonging to the american company ATAC is airborne from the Quebec Jean-Lesage international airport (CYQB), May 2016
A Hawker Hunter belonging to the american company ATAC is airborne from the Quebec Jean-Lesage international airport (CYQB), May 2016
A Hawker Hunter, from the american company ATAC, is airborne from the Quebec Jean-Lesage international airport (CYQB) in May 2016
A Hawker Hunter, from the american company ATAC, is airborne from the Quebec Jean-Lesage international airport (CYQB) in May 2016

The pictures above have been taken with a Canon 5D MKII camera, equipped with a telephoto lens Canon 70-200 f2.8L IS II USM with a polarizing filter and a Canon Extender EF 2X III which brought the focal length to 400 mm. Even then, more cropping was necessary to enlarge the aircraft since I was quite far away from the runway.

Wishing to ensure that the image was sharp (a blurred picture is more probable with a 400 mm focal length while the photographer attempts to follow a fast flying jet), I adjusted the shutter speed to 1/1600 and made sure that the automatic focus was set on AI servo.

I now realized that a slower speed could have worked a bit better since it would have allowed showing a blurred forest in the background while keeping the aircraft sharp. But it is not often that you have the opportunity to see a Hawker Hunter in flight these days and I played safe with the shutter speed. The ideal shot will be for another day…

CL-415s and CL-215s together in Quebec (2012 photo)

CL-415 and CL-215 water bombers belonging to the Gouvernment of Quebec. Quebec Jean-Lesage international airport (CYQB) 2012
CL-415 and CL-215 water bombers belonging to the Gouvernment of Quebec. Quebec Jean-Lesage international airport (CYQB) 2012

A last picture, taken few years ago, during autumn 2012, shows numerous water bombers CL-415 and CL-215 parked at the Quebec Jean-Lesage international airport (CYQB). During the off- season, the water bombers are brought back to Quebec City from the different bases were they have been in operation during summertime.

For other articles on aviation and photography, click on the following link: Aviation photography

Categories
Photos of Europe

Photography in Europe: Gruyères and the Moléson in Switzerland

Gruyères and the Moleson in the background, Switzerland 2013
Gruyères and the Moleson in the background, Switzerland 2013

The city of Gruyères is located in the Prealps, in the Friburg County in Switzerland. It is a very charming small medieval town where cars are forbidden (the white van shown in the picture above is only used for morning delivery). In the city, one can visit the Gruyères Castle (Château de Gruyères), the H.R.Giger Museum (creator of the “Alien” in the movie Alien), the Tibet Museum, a cheese factory and boutiques. There are also some restaurants.

In the picture above, shot with a Canon 5D MKII, it is possible to see the Molson in the background, a mountain that rises only 512 metres above the surrounding terrain but is still at more than 2000 meters above sea level. It is a tourist attraction that should not be neglected since it is very well equipped for all types of visitors, with a funicular and cable car. The visitors also have access to very interesting walking paths, for all ages and experiences.

Moleson cable car, in the Gruyeres region, Switzerland 2013
Moleson cable car, in the Gruyeres region, Switzerland 2013

When you use a cable car and do not see where it is leading due to the presence of clouds, you have to trust human engineering. But we are in Switzerland, so it should be all right!

The Moleson cable car, Switzerland 2013
The Moleson cable car, Switzerland 2013

The Molson summit offers superb views. The small cumuliform clouds visible in the morning around the mountain progressively lift up due to daytime heating and eventually become beautiful cumulus clouds that add life to any pictures.

Moleson summit in the clouds, Switzerland 2013
Moleson summit in the clouds, Switzerland 2013

Once on top of the Molson, it is possible to use a modern metal stairway to gain even more height and access a platform allowing an unobstructed panoramic view. The picture above was taken with a Canon EF 16-35mm f2.8L II USM wide-angle zoom lens equipped with a polarizing filter.

Metal stairs leading to an observation post on top of the Moleson, Gruyeres region, Switzerland 2013
Metal stairs leading to an observation post on top of the Moleson, Gruyeres region, Switzerland 2013

When ready to go down the mountain, the visitor has two choices: travel with the cable car and funicular he used when coming up, or slowly walk along an easily accessible path through beautiful green landscapes. The more experienced trekkers might decide to walk along the crests of surrounding mountains. We chose to walk on paths covered with flowers.

Path on the Moleson, Switzerland 2013
Path on the Moleson, Switzerland 2013

Back to Gruyères, a visit of the Château de Gruyères and both museums is a must, as well as a tour of the cheese factory. You might want to spend some time in the boutiques too and try the local restaurants. It is also the moment to take a few pictures…

Inside the Gruyeres medieval city, Switzerland, 2013
Inside the Gruyeres medieval city, Switzerland, 2013

The old architecture of the buildings in Gruyères as well as the neighbouring countryside allow for very interesting photographic compositions. A well-known photography technique consists in using an opening in a building and using it as a second frame (a frame within a frame). I made sure that the background was clear enough to improve the visual effect. An aperture around 16 allowed for an appropriate depth-of-field.

Spiraling stairs in the Gruyeres Castle, Switzerland 2013
Spiraling stairs in the Gruyeres Castle, Switzerland 2013

The picture above shows a spiraling staircase inside the Château de Gruyères. I can barely imagine what the results would have been if I had had access to the new Canon 11-24mm wide-angle lens. But nonetheless, the Canon EF 16-35mm f2.8L II USM zoom lens did a good job.

The beauty of the full frame sensor mounted on the Canon 5D MKII DSLR is that a wide-angle shot taken at a 16mm focal will stay at 16mm while with a smaller sensor, like the APS-C, the photographer is facing a conversion factor of 1.5 or 1.6X, which transforms the 16-35mm wide-angle into a 24-52mm, in the best of cases. The APS-C sensor is interesting when used with a telephoto lens but a bit less when comes the time to take wide-angle shots.

The picture below presents the Château de Gruyères seen from a neighbouring field.

Gruyeres old architecture, Switzerland 2013
Gruyeres old architecture, Switzerland 2013

As the sun was setting down, I tried a shot from inside the castle. It was interesting to see the two little boys standing up alongside the wall and admiring the sunset. At the same time, it was possible to see the Molson in the distance, its summit hidden in the clouds.

Due to the strong light contrasts, it was necessary to use a Hi-Tech ND graduated filter installed on my Canon 16-35mm wide-angle zoom lens. The Digital SLR Photography magazine, in one of its recent editions, made a comparison between ND grad filters and indicated that the Hi-Tech filter had a slight magenta coloration instead of a neutral grey. I think it is easily visible in the picture below. The photo could have been corrected with Photoshop but I thought of keeping it as it was since the scenery looked somewhat unreal already.

View from the Gruyeres Castle and the Moleson, Switzerland 2013
View from the Gruyeres Castle and the Moleson, Switzerland 2013

Once the sun was below the horizon, the more subtle colours gave a totally new look to the countryside. On the picture below, it is possible to see on the right a small path that a visitor can take to head down to the nearby village.

Gruyeres region in the sunset, Switzerland 2013
Gruyeres region in the sunset, Switzerland 2013

All the sceneries are not that easy to capture and it is sometimes necessary to use HDR photography to extend the dynamic range and take care of extreme light contrasts. The photo below needed five different exposures that were subsequently processed with the Photomatix image editing software. Useless to say, it was necessary to use the mirror lock-up function, a tripod and a remote control release.

View from the Gruyères Castle, Switzerland, in HDR 2013
View from the Gruyères Castle, Switzerland, in HDR 2013

Here is, as the final picture, an idea of what is waiting for you at the H.R. Giger Museum. If there is a strange but very interesting museum, it is this one.

Artwork in front of the H R Giger Museum, Gruyeres, Switzerland 2013
Artwork in front of the H R Giger Museum, Gruyeres, Switzerland 2013

Other pictures of Europe and around the world will be posted in the coming months…

Categories
Photos of Canada

Photography: wildlife in Alberta and British Columbia, Canada

A Canada goose about to take off from Oak Bay, Victoria, British-Columbia in 2014
A Canada goose about to take off from Oak Bay, Victoria, British-Columbia in 2014

Obviously, the Canon 5D MKII is not the ideal camera for sport photography, but it still can offer very good results with its full frame sensor. You don’t get a high number of frames per second, but you get the benefit of a bigger image than one produced with an APS-C sensor. I was thus able to capture the full take-off run of this Canada goose in Victoria, British Columbia, while leaving enough space on the right side of the frame, which was essential for a balanced photographic composition.

Deer on a private property in Uplands, Victoria, British-Columbia in 2014
Deer on a private property in Uplands, Victoria, British-Columbia in 2014

Deer move freely in Victoria’s Uplands sector and you can easily find them on private property lots. Since they are so numerous and have no natural enemies, the city has imposed new regulations to control their ever growing number. The picture above was taken from my vehicle: it was only necessary to slow down and proceed quickly to capture the animal while it was looking at the car.

Heron in flight in Oak Bay, Victoria, British-Columbia 2012
Heron in flight in Oak Bay, Victoria, British-Columbia 2012

There are numerous herons in Victoria’s Oak Bay sector. This picture was taken very early in the morning, while there was a mixture of mist and low clouds and the rising sun was still blocked by some low clouds. The wind was calm. A graduated filter was nonetheless necessary to tone down the contrasts caused by a horizontal light.

Fighting herons in Oak Bay, Victoria, British-Columbia in 2012
Fighting herons in Oak Bay, Victoria, British-Columbia in 2012

Every bird has to fight for its own territory and those two herons are no exception.

Eagle observed in the Campbell River region, British-Columbia, Canada. Summer 2012.
Eagle observed in the Campbell River region, British-Columbia, Canada. Summer 2012.

While taking a little scenic cruise in British-Columbia’s Campbell River area, we were able to see numerous eagles diving to catch fishes then climbing back up in high trees to deliver the catch of the day. Pictures were hard to take since the captain had to keep the boat at a good distance from the eagles to respect their hunting territory. Moreover, it was windy and the boat was constantly moving.

Two eagles near Campbell River, British-Columbia, Canada in 2012
Two eagles near Campbell River, British-Columbia, Canada in 2012

The two pictures of eagles were taken with a Canon 5D MKII equipped with a Canon 70-200 f2.8L IS II USM telephoto lens. An extender (2X) was also added to increase the focal distance to 400mm. Even then, I had to crop quite a lot to bring the birds to an acceptable distance, which increased the digital noise. A quality APS-C equipped camera (like the Canon 7D MKII) would have been very useful here (10 frames per second and a reduced amount of cropping, if you are ready to compromise on the size of the image).

A full frame camera like the Canon 5DSr would have also been appropriate, with its 50.6 MP resolution, as long as a high shutter speed is selected. Due to all those pixels crammed on a regular full frame sensor (not a medium format), the slightest camera movement is recorded. But if you succeed in totally freezing a long distance shot, the exceptional resolution of the Canon 5DSr would allow you to greatly increase the size of the bird while protecting the sharpness of the image, especially now that the low pass filter has been neutralized in the model R.

Chipmunk near highway 93 towards Jasper, Alberta
Chipmunk near highway 93 towards Jasper, Alberta

On the car ride between Lake Louise and Jasper, we had to stop on numerous occasions to take pictures in the fantastic Jasper National Park. At one point, a little chipmunk, familiar with rest areas, paid us a visit hoping to add something new to his diet. The picture’s depth-of-field has deliberately been adjusted to make sure the chipmunk would be easily visible, since both animal and background had the same colours.

Mountain goats in the Jasper National Park, Alberta, Canada in 2014
Mountain goats in the Jasper National Park, Alberta, Canada in 2014

It was hot, very hot, during summer 2014 in the Jasper National Park. The car’s thermometer was recording 38C between Lake Louise and Jasper. Numerous forest fires were raging. So much so that we had to delay our trip towards Jasper by 24 hours since Highway 93 had been closed by authorities. Mountain goats nonetheless had to endure part of their winter fur in that very high heat…

Canadian bighorns near Kamloops, Alberta, Canada in 2014
Canadian bighorns near Kamloops, Alberta, Canada in 2014

Near Kamloops, in Alberta, we were able to observe about twenty Canadian bighorns coming down from the surrounding mountains to help themselves from the cultivated lands in the valley. The picture above was taken with a Canon 70-200 f2.8L IS II USM telephoto lens, almost without cropping, the bighorns being close enough.

Brown bear near the Yellowhead Highway, Alberta, Canada in 2014
Brown bear near the Yellowhead Highway, Alberta, Canada in 2014

The picture above was taken alongside the Yellowhead Highway in Alberta. We saw the bear in a field and when he detected our presence, he changed direction and started moving toward us. Here, everything is about moderation and although I love photography, comes a time when a bear is big enough in the viewfinder to indicate that it is time to retreat…

Other pictures on Western Canada will be available in the coming months…

For more articles in the category « Photos of Canada », click on the following link : Photos of Canada

Categories
Photography Books

Photography Books: The New Street Photographer’s Manifesto

Livre de photographie: "The new street photographer's manifesto" par Tanya Nagar
Livre de photographie: “The new street photographer’s manifesto” par Tanya Nagar

Tanya Nagar is an award-winning photographer from London. Her book, “The new street photographer’s manifesto” is perfect for those who aim to improve their street photography techniques. The present article is not a comprehensive critic of her book but an overview of what a reader will find. I also highlighted some tips in photography that will help to improve the street photographer’s performance.

Tanya’s manifesto not only contains technical advices helping a photographer to improve his shots but also some tips to avoid common mistakes. Subjects include: timing, composition, shooting portraits, framing and juxtaposition, perspective and angles, the choice between landscape and portrait, depth of field, shutter speed, exposure, night photography, rule of thirds, etc.

The book’s content is divided in six categories: 1. Street Photography 2. Where & What to Shoot 3. Seize the Moment 4. Equipment 5. Digital Processing 6. Showcase.

1. Street photography requires the ability to seize a life moment with precision and timing. It is about candid shots and does not have to include humans, as long as it fixes a moment in life. It certainly can include animals (in fact, animals are a very popular subject).

2. It is best if you use a light, discrete camera (even an I-Phone). Walking with a huge camera with big lenses makes you look like a professional photographer and people will see you coming. The trick is to avoid drawing attention. Coughing while clicking drowns out the sound of the camera. You might also think of “shooting from the hip” or “shooting blind”. Those techniques are explained in the book and can be mastered with a bit of practice.

3. It takes a bit of courage to photograph situations that include people since you never know what to expect when you raise your camera. Respect the different cultures and personal space and don’t be afraid to smile and explain what you are doing. If somebody refuses to be photographed, move on, don’t dwell on the situation.

4. In order to gain experience and a feeling of security at taking pictures of people on the street, start with protests or parades.

5. It is a good thing to know the laws pertaining to photography of the country you are visiting. Police officers in some countries might be tempted to order you to delete a shot while they actually don’t have the right to. Often, a misunderstanding by police or security guards of anti-terrorism legislation leads to different interpretations and subsequently to abuse towards a photographer. Just make sure you stay up to date with the country’s regulations.

6. You might think of shooting from within your vehicle to obtain interesting results (while respecting the country’s laws).

7. Use graffitis, signs, graphical billboards, text and advertising logos.

8. Use contrasts like big versus small, light versus dark, rich versus poor, etc.

9. Bear attention to details and look for second degree interpretation of a situation.

10. Look for amusing, funny and unusual captures.

11. Make sure you master your camera in order to be quick when the perfect opportunity comes. Set most of the parameters of the camera before actually arriving on a scene (you already have an idea of the light intensity in the area and the ISO setting that will be required to obtain the speed you desire).

12. Be cautious when it comes to taking pictures of children. Societies change and authorization from the child’s parents is required almost every time.

13. “The only way to avoid missing a moment is by carrying your camera at all times”. Therefore, get something small and light.

Endos du livre de photographie "The new street photographer's manifesto"
Endos du livre de photographie “The new street photographer’s manifesto”

The book holds a section dedicated to multiple types of cameras: rangefinders, SLR and DSLR, four thirds and micro four thirds, medium format, point-and-shoot compact cameras, camera phones, toy and pinhole cameras. Their advantages and disadvantages are clearly explained.

The reader will also find some information about lenses (the best for street photography and what to avoid) and the effects obtained through the use of different type of films (colored, black and white, expired).

The fifth section of the book relates to digital processing and the basic image editing techniques like cropping, rotating, the use of the “Curves” command, as well as dodging and burning.

The final section, “Showcase”, presents many well-known street photographers from around the world, including few photos taken by each of them to allow the reader to have an overview of each photographer’s personal style and creativity. Presented in order are: Antonio Navarro Wijkmark, Brian Quentin Webb, Charlotte Gonzalez, Claire Atkinson, Danny Santos II, Felix Lupa, Ferhat Çelik, Mustafa Abdulaziz, Ronya Galka, Seamus Travers and Severin Koller.

This is certainly a very interesting and practical photography book that will help you avoid costly mistakes (missed photo opportunities or buying the wrong photography equipment) while helping you to improve your knowledge on street photography as much as the quality of your shots.

Here is a link towards Tanya Nagar’s website: Tanya Nagar

For other photography book reviews, click on the following link: Other photography books

Title: The new street photographer’s manifesto.
Author: Tanya Nagar
©The Ilex Press Limited 2012
ISBN: 978-1-4547-0417-1

Categories
Aviation photography

Aviation photography: plane spotting at the Toronto Lester B. Pearson international airport (CYYZ)

Air Canada Airbus A330-343 C-GHLM in Toronto 2016
Air Canada Airbus A330-343 C-GHLM in Toronto 2016

Here is some information aimed at helping tourists visiting Toronto, who like photography and aviation, and would think of booking one day during their visit to head to the Toronto Lester B. Pearson international airport (CYYZ) for a plane spotting photo session.

Initial planning

If you can, get a scanner or download an app on your cell phone to get real time information on air traffic around the airport: you will then know in advance the type and nationality of inbound or departing aircrafts.

Search for websites giving you access to Toronto airport VHF frequencies and program your scanner if you decided to get one.

Have a look at different plane spotting websites for the Toronto airport: there are many precious advices from experienced plane spotters that will prove useful in heading to the best spots and avoiding common mistakes.

Print two or three maps of secondary routes around the airport so that you can orient yourself when there is a change in runway use due to different winds or if you use a taxi ride to move around the airport: the driver will always ask you details on how to get there since those secondary routes are not a common destination for him (and chances are that he will not know where to go if you ask him to head to threshold of runway 05. Basically, he needs road names, not runway numbers).

Cessna 560XL S5-BAV Toronto 2016
Cessna 560XL S5-BAV Toronto 2016
British Airways Boeing 777-236 G-ZZZA in Toronto 2016
British Airways Boeing 777-236 G-ZZZA in Toronto 2016

Before leaving your Toronto hotel

Before you leave the hotel, look at the Toronto weather forecast, among them the TAF, to know the wind pattern for the day. The Nav Canada site has everything you need to know and there is a possibility to choose between coded or plain aviation language.

The Environment Canada site is also very useful.

Don’t forget to bring many snacks as well as a bottle of water since you will possibly be at a good distance from a restaurant for many hours, depending on which runway is in use. The same goes for additional batteries and memory cards for the camera.

Don’t forget the scanner, the cell phone (to call a taxi driver or get access to the arrivals and departures information) and all the photo equipment needed, as well as an abnormally high number of clothing layers necessary in case of winter photography: eight hours almost immobile outside in February calls for an appropriate preparation if you want to appreciate your experience. If you economize on clothing, it is certain that you will have to shorten your photography session.

I chose February for its very interesting light and not for its temperature! Most of the shots in this article were taken in only one day at the Toronto airport, between 10h30am and 18h30.

American Airlines MD-82 N482AA final 05 Toronto 2016
American Airlines MD-82 N482AA final 05 Toronto 2016

From the hotel to the airport

If you chose to stay at a downtown hotel in Toronto, the best way to get to the Toronto international airport is to use the UP Express train, from the Union Station on Front Street. Its use is very simple and departures are made every fifteen minutes. In February 2016, the cost was CDN $44.00 for a return trip to the airport, while a taxi ride cost $130.00.

UP Express Toronto 2016
UP Express Toronto 2016

The UP Express ride only takes 25 minutes and the train stops at Terminal 1.

It is preferable to avoid using your car around the Toronto international airport since some secondary roads are private and no stopping is allowed. You will take more time to look for police than to enjoy your plane spotting photography session.

Once you are at Terminal 1

Once you exit the UP Express at Terminal 1, get your scanner and monitor the ATIS frequency (120.825) to get the latest information on the runways in use for take offs and landings. For my photo session, the ATIS announced that runway 05 and 06L were in use, both for arrivals and departures. I took a taxi, showed the map with secondary roads to the driver and within few minutes I was where I needed to be and started the photo session.

Air Transat Airbus A-330 C-GTSN Toronto 2016
Air Transat Airbus A-330 C-GTSN Toronto 2016

A preliminary internet search allowed to discover that heavies mostly arrive from Europe during the afternoon et that runway 05/23 is favored for Emirates Airline Airbus A-380 arrival. I thus decided to position myself near runway 05 instead of 06L.

There are two or three quite isolated spots around the airport that provide interesting point of views for aircraft photos but that can present security problems for a photographer working alone with expensive equipment. Experienced plane spotters suggest that you should be accompanied by friends if you decide to opt for those spots (see the “plane spotting” internet sites suggested at the beginning of this article).

Emirates A-380 final for Toronto (CYYZ)
Emirates A-380 final for Toronto (CYYZ)
Emirates A-380 on final for Toronto (CYYZ) 2016
Emirates A-380 on final for Toronto (CYYZ) 2016
Emirates A-380 on final 05 for Toronto (CYYZ) 2016
Emirates A-380 on final 05 for Toronto (CYYZ) 2016

Technical advices

For precise photos of aircrafts in movement, I use the following parameters with my Canon 5D MKII camera:

1. Only the central AF Point of the auto focus system is selected and not the surrounding ones in order to avoid that the camera sets the focus on other objects than what I desire (trees, ILS structure, buildings).

2. The AI Servo setting is more efficient than the AI Focus or One Shot. The aircraft will be followed precisely.

3. If I want to include surrounding objects in the photo, I adjust the aperture to 7.1 or 8, instead of 11 or 13. I thus avoid increasing the ISO too much, which would affect the picture’s quality if it has to be enlarged with Photoshop.

Westjet Boeing 737-8CT C-GWSV Disneyland Livery in Toronto 2016
Westjet Boeing 737-8CT C-GWSV Disneyland Livery in Toronto 2016

4. To take pictures of an approaching propeller powered aircraft, a speed adjusted to 1/125 is generally adequate. You must pivot according to the aircraft movement so that it looks like it is immobile in your viewfinder. The picture is easier to take when the aircraft is farther away but becomes more of a challenge when it gets closer and flies by you since you must constantly change your pivoting speed.

Porter Q-400 C-GLQD on final for Toronto Billy Bishop airport (CYTZ) 2016
Porter Q-400 C-GLQD on final for Toronto Billy Bishop airport (CYTZ) 2016
Air Canada DHC-8-102 C-FGQK Toronto 2016
Air Canada DHC-8-102 C-FGQK Toronto 2016

5. A shutter speed that is too high will immobilize the propeller of an aircraft and make it look like the engine is not working, which will take away realism.

6. Throughout the day, position yourself so as to have the sun behind you (if there is any sun!), unless you are looking for special effects.

Global 5000 GL5T C-GJET in Toronto 2016
Global 5000 GL5T C-GJET in Toronto 2016

7. A very high quality lens, like the Canon 50mm 1.4, allows for beautiful pictures during the evening since there is no compromise on ISO, as the lens does not need much light. The grain size stays relatively small.

Air Canada Boeing 777 final 05 Toronto 2016
Air Canada Boeing 777 final 05 Toronto 2016

8. I use a very low ISO if the photo includes an interesting but far away aircraft, in order to be able to crop the picture with Photoshop. Since I cannot compromise on the speed to avoid a blurred picture, it becomes obvious that it is the aperture that pays the price.

Air Canada Airbus A-330 final 06L Toronto 2016
Air Canada Airbus A-330 final 06L Toronto 2016

9. If the situation allows it, add visual references other than clouds to get a bit more variety in your aircraft photo collection.

Air Canada Boeing 777 final runway 05 Toronto 2016
Air Canada Boeing 777 final runway 05 Toronto 2016

10. Try a black and white photo if the cloud formation is particularly interesting.

C-GQBG CL-415 and cirrus clouds on a black and white picture
C-GQBG CL-415 and cirrus clouds on a black and white picture

11. RAW+JPEG files allow for important adjustments when necessary. A JPEG only photo gives you little leeway when you want to correct mistakes or during problematic lighting conditions.

12. Variable sky conditions and constant direction winds are preferable for your photo session since the runway in use will not be changed in the afternoon and your pictures will benefit from different light intensity and cloud formations.

13. If you want to take the aircraft in relation to the ILS poles and you are looking for a symmetrical photo, just move few inches to the right or left while the aircraft is approaching or going away from you. You will also want to avoid that the horizontal poles of the ILS cut the plane and make it difficult to see.

Westjet Boeing 737-800 final 05 Toronto 2016
Westjet Boeing 737-800 final 05 Toronto 2016

14. Have fun experimenting, like taking a shot just above your head while including other objects for added interest.

On the ILS 05 for Toronto 2016
On the ILS 05 for Toronto 2016

15. Instead of always showing the whole aircraft, try a close-up view.

Air Canada Boeing 787-9 C-FNOI in Toronto 2016
Air Canada Boeing 787-9 C-FNOI in Toronto 2016

16. The close-up view might be such that even passengers of an aircraft on final will look at you while you immortalize them.

United Express on final at the Quebec Jean-Lesage international airport.
United Express on final at the Quebec Jean-Lesage international airport.

17. Chances are that you will meet other enthusiast plane spotters in the same area as yours since they also prepared themselves for a successful photo session.

Westjet Boeing 737-800 C-FYPB in Toronto 2016
Westjet Boeing 737-800 C-FYPB in Toronto 2016

18. Since you are in Toronto, head to Toronto Harbour when you are back downtown. You will witness the air traffic surrounding the Toronto Billy Bishop airport (CYTZ), formerly known as Toronto Island, and possibly take some original shots.

Porter Q-400 C-GLQM and C-GLQB at Toronto CYTZ 2016
Porter Q-400 C-GLQM and C-GLQB at Toronto CYTZ 2016

19. This is the photo equipment used for my Toronto airport plane spotting session: Canon 5D MKII camera and the following Canon lenses: EF 50mm f/1.4 USM, EF 16-35mm f/2.8L II USM, EF 24-70mm f/2.8L USM, EF 70-200mm f/2.8L IS II USM. No polarizer was used that day since I wanted to increase my margin of manoeuver with fast moving aircrafts under the February low intensity light.

Air Canada Rouge Boeing 767-300ER final 05 at Toronto 2016
Air Canada Rouge Boeing 767-300ER final 05 at Toronto 2016
American Eagle CRJ-701ER N523AE Toronto 2016
American Eagle CRJ-701ER N523AE Toronto 2016

Aviation photography requires much planning for successful photos. But all your efforts will rapidly bear fruits once you are on site and you will not see time pass! Have a great plane spotting session and give me some news of your experience if you can!

Air Canada Boeing 767-375 (ER) C-FCAB in Toronto 2016
Air Canada Boeing 767-375 (ER) C-FCAB in Toronto 2016

You can have access to other aircraft photos taken at Toronto through this link on my site:
photo galleries/aviation only

For other articles on aviation and photography, click on the following link: Aviation photography

Categories
Photography Books

Street Photography – Le savoir-faire du photographe de rue

Street photography - Le savoir-faire du photographe de rue (french version of The Street Photographer's Manual)
Street photography – Le savoir-faire du photographe de rue (french version of The Street Photographer’s Manual)

We buy this book with the initial intent to learn about the different aspects of street photography, the goal being to increase our practical knowledge. We close the book with the feeling that we learned way more than we anticipated.

David Gibson’s work offers more than advices. In order to make it more fulfilling for the reader, the writer takes care of adding twenty very interesting portraits of renowned photographer’s working method and interests. Those names include Blake Andrews, Johanna Neurath, Matt Stuart and Maria Plotnikova. The reader improves his knowledge of photography history at the same time as he acquires new tools that will help him in his street photography practice.

Photographing people on the street is not necessarily easy. It takes determination to carry out a project that will include a person, especially if you are not working with a telephoto and you want to capture a scene where all the faces are visible. The author explains what kind of preparation is needed and he insists on the importance of avoiding disrespect toward others.

But street photography is not only about people, although approximately 75% of those pictures include a person. Other subjects of interest are, for example, experimentation with objects, shadows, empty spaces, abstraction, photographing through glass or wet surfaces, etc.

The writer has divided his book into twenty projects, to which he added, for each project, a road map. The latter can be used as a concise guide every time the street photographer puts in practice his newly acquired knowledge. If he wishes, the reader can rapidly get to work, using the ideas proposed within the twenty different themes.

The book is easy to understand and goes straight to the point. If the reader wishes to dig deeper in a specific aspect of street photography, he is given multiple internet site references.

This high quality book will surprise you and certainly be an inspiration in the preparation of your next street photography session.

For more photography books, click on the following link: Other photography books

Title: The Street Photographer’s Manual
Author: David Gibson
©2014 Quintet Publishing Limited
ISBN: 978-2-10-071135-2
Author’s internet site: www.gibsonstreet.com

Categories
Photography

HDR Photography

HDR (High Dynamic Range) Photography

Quebec Bridge, 2012.

1. A picture you would never have thought possible, because of extreme contrasts between brightness and darkness, is now accessible to you through HDR.

2. For a good HDR picture, you need at least 1) an interesting subject 2) an appropriate setting or background 3) the appropriate light and 4) a wide range in contrasts. That seems basic, but HDR will not save a picture that was not thought through.

3. You need a software like Photomatix, to transform several pictures taken at different exposures into one HDR picture. But this is only the first step. You will also need another editing software to improve the general result after Photomatix has been used.

4. A tripod is required to help Photomatix align the pictures and create the HDR effect.

5. As with your normal pictures, it is always better to try to use the lowest ISO as possible.

Gruyères, Switzerland, 2013.
Gruyères, Switzerland, 2013.

6. It is safer to work with manual focus. This way, none of your shots will have been influenced by external objects without you noticing. It will always be the exact same focus throughout the HDR photo session. With automatic focus, you generally notice your blurred pictures when you’re back home and then it is too late (it will often happen under low light conditions).

7. The greater the contrast, the more exposures you need to take (up to nine) in order to match the dynamic range of your eyes.

8. The idea is to take each exposure at a different exposure setting. If you need seven exposures, an example of settings would be: -1, -2/3, -1/3, 0, +1/3, +2/3, +1. You might decide that three exposures only are necessary and go for -2, 0, +2 or -1, 0, +1. The choice is yours but you must take only the required number of exposures to avoid including too much noise in your shots.

A tractor with a large tire sitting next to a pile of wood.
Canon, 16-35mm, HDR format.

9. Throughout your HDR exposures of a specific scene, always keep the same aperture.

10. A scene is rarely perfectly balanced with light and shadows. If there are many shadow areas in the photo you want to take, then take more exposures over the recommended settings to ensure that you caught the whole dynamic range of the scene.

A house in Sainte-Pétronille, on Île d'Orléans, autumn 2012. HDR picture.
A house in Sainte-Pétronille, on ÃŽle d’Orléans, autumn 2012. HDR picture.

11. Inversely, if your scene has lots of highlight areas, take more exposures under the recommended settings.

12. Setting your camera to “automatic bracketing” is preferable because all the pictures are taken quickly thus avoiding to show any blurred picture in the final HDR picture. But if you want to show the movement of water in a creek, you don’t need bracketing: just take few shots with different time of exposure (in number of seconds). Just don’t overdo it otherwise it will give place to an uninteresting undefined white surface.

13. Check your LCD monitor so that none of the highlights are blown out. There would be a loss of details. For the same reason, you must avoid to block the shadows.

14. Always work with RAW files, it gives you better results. The RAW file already provides you with more f/stops then the JPEG file, and this before the transformation in HDR has even started).

15. Of all the lenses I’m using, the wide angle lens is my preferred one with it comes to HDR photography.

A street with many buildings and some people walking
Spring light in the lower town of Quebec City

16. To improve the composition or enhance the general impact, crop the picture.

17. Not all pictures are appropriate for HDR transformation. If you want a dramatic silhouette as the final result, for example, HDR will not be appropriate. It will reveal too many details in the shadows and you will lose the high contrast effect that you were looking for. With practice, you will recognize where HDR is the most effective.

18. Whether you want a realistic picture or not, you can obtain surprising results with the combined effects of softwares like Photomatix, Topaz, Photoshop, Nik Software, Lightroom, Lucis Pro and so on. It’s only a matter of taking your time to experiment.

19. If you have only one picture on hand, like a shot you took years ago, and you would like to give it an HDR effect, you can use a software likeTopaz Adjust. There is an HDR effect section in that software that allows you to get a wide range of effects. But this is not going to be nearly as good as the real HDR resulting out of many pictures. The final editing step is, most of the time, done using Photoshop.

20. An unpretentious book about HDR is “Rick Sammon’s HDR Photography Secrets for Digital Photographers”. It is simple, colorful, well written and loaded with practical informations.

Eiffel Tower at night with HDR effect
Eiffel Tower at night with HDR effect

Note: All the photos were taken with a Canon 5D MKII

Categories
Photography

Photography and weather

Some cloud families

Cumuliform clouds add energy to any photo. Even photos in black and white benefit from them largely, whether it is for a normal or an HDR photo.

Cumuliform clouds add dynamism to this Abbaye du Mont St-Michel scenery. France (1978)
Cumuliform clouds add dynamism to this Abbaye du Mont St-Michel scenery. France (1978)
Black and white HDR picture of lamp posts installed along the St-Lawrence, Quebec City 2012.
Black and white HDR picture of lamp posts installed along the St-Lawrence, Quebec City 2012.

The stratiform clouds add to the tranquillity and the stability of a photo.

Daytona Beach under stratus clouds in 2011. The end of the afternoon allows the fresh air from the sea to move over the heated land, which helps create few cumulus fractus, visible near the buildings.
Daytona Beach under stratus clouds in 2011. The end of the afternoon allows the fresh air from the sea to move over the heated land, which helps create few cumulus fractus, visible near the buildings.

Clouds including a stratiform and cumuliform components (stratocumulus) produce an effect that is more energizing than the simple stratus, while avoiding the explosion of energy of the cumuliform clouds.

A stratocumulus adds to this otherwise peaceful scenery captured on board the Lyria train between Paris and Geneva in 2013.
A stratocumulus adds to this otherwise peaceful scenery captured on board the Lyria train between Paris and Geneva in 2013.

The cold front

The approach of a cold front enhances the possibility of interesting photos. If it is a fast moving cold front of moist and unstable air, the photos will probably be more spectacular, as some thunderstorms will be associated with the system. A dew point of more than 15 C indicates the presence of a lot of water vapor which can be transformed into precipitation, thus releasing a lot of energy. When these conditions are combined with a really strong contrast between the new air mass which approaches and the one which goes away, the produced meteorological phenomena will certainly be intense.

In the photos below, the meteorological system approaching the Quebec Jean-Lesage international airport also had to cross a small mountain range.

A roll arcus cloud in development ahead of a thunderstorm approaching the Quebec Jean-Lesage airport in 2012.
A roll arcus cloud in development ahead of a thunderstorm approaching the Quebec Jean-Lesage airport in 2012.
A roll arcus cloud in development ahead of a thunderstorm approaching the Quebec Jean-Lesage airport in 2012.
A roll arcus cloud in development ahead of a thunderstorm approaching the Quebec Jean-Lesage airport in 2012.
View under a developing arcus cloud at the Quebec Jean-Lesage international airport (2012)
View under a developing arcus cloud at the Quebec Jean-Lesage international airport (2012)
An arcus cloud ahead of a thunderstorm approaching the Quebec Jean-Lesage airport in 2012
An arcus cloud ahead of a thunderstorm approaching the Quebec Jean-Lesage airport in 2012
A roll arcus cloud ahead of a thunderstorm heading for Quebec City in 2012
A roll arcus cloud ahead of a thunderstorm heading for Quebec City in 2012

The morning fog

The morning fog offers many opportunities for interesting photos. You can choose an isolated tree and capture the combined effects of the morning sun and fog. Or you may choose a cluster of trees, for a completely different effect. Both photos below were taken in Domaine Cataraqui, Quebec City.

Trees in fog at Domaine Cataraqui, Quebec City 2009
Trees in fog at Domaine Cataraqui, Quebec City 2009
Sun and fog provide for a special atmosphere at the Domaine Cataraqui, Quebec City 2009
Sun and fog provide for a special atmosphere at the Domaine Cataraqui, Quebec City 2009

A morning fog resulting from a cold cloudless night will persist for hours if there is no wind. The cold morning air, motionless over a slightly hotter stretch of water, creates a fog that will finally disappear just before noon, when the atmosphere has been heated enough. If there had been an overcast sky during the night, chances are that the air over the water would have remained at a higher temperature, preventing the formation of fog.

The opportunities for more interesting photos arise when you witness the first holes in the fog layer.

The Ocean tugboats during a dense fog in the Bassin Louise in Quebec (2012).
The Ocean tugboats during a dense fog in the Bassin Louise in Quebec (2012).

We can take into account the season to estimate the speed of the diurnal reheating of the lower atmosphere. A morning fog will need more time to dissipate from late autumn to early spring: that leaves more time for the photographer to prepare. The forecasts can announce the disappearance of fog while it will not be the case if, over your sector, there is an invading layer of stratocumulus preventing the morning sun from reaching the ground.

To determine if the fog is going to dissipate as expected or will remain and possibly intensify, watch the difference between the temperature and the dew point on the hourly meteorological observations issued by weather stations near your place of residence. If the temperature and dew point spread increases, the fog is going to lift. If the difference between those two decreases, the fog is going to persist and possibly intensify.

The mist

The mist can be qualified as such when the visibility is superior to ½ mile, but do not exceed 6 miles for an observer on the ground. If the visibility is of ½ mile or less, it is called fog. This photo of the Bic National Park, near Rimouski, shows the interesting effect that the mist adds to a beautiful landscape.

Mist in the Bic National Park, Province of Quebec (2009)
Mist in the Bic National Park, Province of Quebec (2009)

Hot and unstable air in winter

When there is a warm and unstable air advection (about 0 degrees) while winter has already settled, there are good opportunities for photos. A moderately developed cumulus produces significant snow showers and this snow sticks on all the surrounding objects. All that snow would have begun to melt on contact of objects if the latter had had a temperature superior to zero degree. But, the winter being already settled, the snow persists. It gives enough time to capture some souvenirs.

A Quebec City street after a snow shower
A Quebec City street after a snow shower

The local effects

A photographer might benefit from learning about the meteorological local effects influencing the regions he intends to visit. The local effects are often simple to understand and they repeat themselves regularly, according to wind and season changes. The knowledge of these effects allows the photographer to be ready and position himself even before the phenomenon occurs. It limits the comments like: “If I had known that it would occur, I would have settled down here one hour earlier!

The local terrain as well as large size bodies of water produce predictable meteorological phenomenon that can be used by a well prepared photographer. It can consist of persistent fog, repetitive snowstorms over a small sector, strong winds, cumuliform clouds alongside the mountain summits, etc. By being positioned at the right place, at the right time, the desired photo can be realized.

A change in the wind direction

A change in the wind direction suddenly increases the opportunities of interesting photos. It might announce the approach of a cold front, a warm front, a sea or land breeze, etc. In the photo below, a bit of fresher air suddenly began crossing the St-Lawrence seaway at the end of the day, thanks to the approach of a weak cold front. The water was still relatively warm and the moisture which was present over the surface became visible due to the cool air supply. The conditions were now ideal for a short-term thin fog, as long as the wind speed would not increase. Just in time for a photo.

The new wood pellets silos in Anse au Foulon in Quebec City en 2014
The new wood pellets silos in Anse au Foulon in Quebec City en 2014

Familiarization with weather radars

It can be useful to get acquainted with weather radars which, for the needs of photography, remain simple to interpret. Multiple echoes of small dimension with a steep gradient of various colors indicate precipitation resulting from cumuliform clouds. The showers associated with these clouds are often moderated or strong and will be the result of approaching towering cumulus or cumulonimbus (thunderstorms). A towering cumulus presents a dark base and a white summit to the photographer. At sunset, their vertical development can be used to emphasize the last rays of light.

The side of a towering cumulus (TCU) is benefiting from the remaining sunlight over Quebec
The side of a towering cumulus (TCU) is benefiting from the remaining sunlight over Quebec

Large echo areas of similar colors of low intensity indicate a relatively stable air generally producing steady light rain or drizzle. This should be understood as a possibility of increased humidity limiting the visibility through mist or fog.

Hoar frost

Hoar frost is a short-term phenomenon. It is thus necessary to capture the scene before the sun melts everything. The photo below shows some small twigs on which hoar frost has settled. It was taken at the beginning of the seventies. Although the quality of the photo is not exceptional, the meteorological phenomenon is well demonstrated.

A combination of snow and hoar frost observed on a Quebec field in 1976.
A combination of snow and hoar frost observed on a Quebec field in 1976.

Forest fires

Wishing to make photos of western Canada during summer 2014, I came up against a season where hundreds of forest fires were raging. The smoke was covering some parts of Alberta and British Columbia. Some fires were important enough to require the closure of the sole highway connecting Lake Louise to Jasper. I thus decided to include the effects of those fires in the holiday souvenirs.

A visibility reduced in forest fire smoke allows a photographer to obtain, without special editing, sunsets with interesting colors.

Sunset and smoke from forest fires in Kamloops in 2014
Sunset and smoke from forest fires in Kamloops in 2014

The smoke also produces an effect similar as fog, but a fog which would be impossible to obtain at the end of a summer afternoon while the sun shines and there is a 38 degrees Celsius temperature.

An area near Kamloops, Canada, that was touched by forest fires in 2014
An area near Kamloops, Canada, that was touched by forest fires in 2014

At dusk, the residual smoke is visible near tree tops while the setting sun strikes the mountain side. The effect is of two horizontal lines of complementary colors, blue and orange.

Forest fire smoke and sunset combined in Lake Louise, Alberta en 2014
Forest fire smoke and sunset combined in Lake Louise, Alberta en 2014

Metar decode and description

Metar Decode and Description
Metar Decode and Description

Significant Present Weather Codes

Significant Present Weather Codes
Significant Present Weather Codes
Categories
Photography

Night Photography

Empress Hotel at dusk, Victoria Harbor, Canada 2014
Empress Hotel at dusk, Victoria Harbor, Canada 2014

1. Ensure you bring : tripod, remote cable, flashlight and timer.

2. Use of RAW (.TIFF) is highly recommended. There is a greater potential for corrections afterward, if something is not according to your taste.

3. Noise reduction activated on the camera.

4. If the winds are calm: ISO between 50 and 200.

5. If there are strong winds: ISO 400 might be useful to avoid a blurred picture caused by the continual small vibrations of the tripod due to a long exposure. That is why a heavy tripod is always preferable.

Trailing lights on boulevard Champlain, Quebec City
Trailing lights on boulevard Champlain, Quebec City

6. If you wish to take a picture of people moving at a normal pace, and you have access to quality lenses, it will often be necessary to use ISO 800 to get a clear shot. This setting could allow the shutter speed to be adjusted at about 1/200 which is plenty to obtain a picture that is not blurred; that is unless you are not using a long focal like 200mm or more.

7. For people shots, it is better to have your back to the remaining light on the horizon, unless your goal is to capture a silhouette.

8. For extended exposure, use the autofocus “one shot” setting until it stops working due to insufficient light. Then use manual focus. Or use manual focus all along, with Liveview, if you prefer it that way, for extra precision.

9. Mirror lock-up function must be activated to avoid vibrations caused by the shutter action.

10. Use a remote cable when taking the picture to avoid useless vibrations.

Old Qubec at dusk
Old Qubec at dusk.

11. If you wish, you might think of selecting a specific AF point to ensure a better focus if there is a small area that matters the most to you in the picture.

12. Do not use the FULL AUTO mode during night photography.

13. The three most important modes are 1. Aperture (taking care of slightly overexposing for surrounding lights) 2. Speed 3. Manual. There is one more reason to overexpose a bit if you work with the RAW format: there is more data information in light than in shadow, so once the picture is taken you have access to more data to play with to adjust the dark sections of the picture.

14. If you expect an exposure longer than 30 seconds, use BULB mode.

15. Night pictures are best taken using the camera bracketing funtion (-1,0,+1) and this, every two minutes.

A Christmas tree in Sillery
A Christmas tree in Sillery

16. The best period for night shots is 15 minutes after sunset, until official night time, which you can find on the internet. As this period is quite short, it is important that you know in advance what is of interest to you and where you will position yourself when comes the time for the picture.

17. Total darkness is not what is the most favourable in night photography. But you can certainly obtain interesting results using black and white.

18. Beware of surrounding light reflection in your lens.

19. Histogram has to be reviewed to ensure that there is no serious overexposure.

20. It is preferable to choose an aperture between F11 and F16 for maximum sharpness as well as an adequate depth-of-field.

21. If shooting a subject against the remaining light over the horizon, there might be quite a contrast in lighting between where you stand and where your subject is positioned. You might think of using grad filters (3-6-9-10) to help correct this huge light difference, or you can transform the standard photo session into an HDR one. Or both! There are also filters specifically designed for sunrise and sunset periods that can improve your shots.

Paris, Le Marais 2013
Paris, Le Marais 2013

All the photos were taken with a Canon 5D MKII

Categories
Photography

Aperture, ISO and Speed

A Decision Has to be Taken

You must decide the ideal combination between the following: aperture, speed and ISO. All three are interrelated and choosing one has a direct influence on the other two.

You are facing a beautiful landscape in which you want everything to be in focus: you decide that the aperture is what matters the most. Choosing aperture as the priority is a very popular choice. Let’s consider that you choose F16, which should give you a very interesting depth-of-field but will demand a lot of light. You have to compensate somewhere. If there is not much movement in the scene, and you have access to a tripod, you might decide to choose a slow speed, which allows more time for the light to enter the camera. Doing so, you won’t need to crank the ISO and you will avoid adding useless noise to your picture.

In the picture below, aperture is set at F16. The vegetation in the left corner draws the viewer’s eye toward the pedestrians, and then progressively to the quai des Cageux. We finally see the Quebec bridge, the longest cantilever bridge in the world.

Quai des Cageux, Qubec 2012.
Quai des Cageux, Qubec 2012.

If you decide that speed is a priority, you will have to compromise ISO or aperture. ISO will have to be increased to improve light sensibility, but doing so will increase the size of the grain in the picture. Depth-of-field will have to be adjusted as well since a higher speed does not let much light enter the camera. You won’t be able to pick F16 this time. So you will eventually find that there are some out of focus areas in your picture. With a bit of practice, you can be less demanding on the speed, providing you can follow the subject with your camera (it is like if you were slowing down the subject, so less speed is required).

The picture below was a bit particular: it was taken when I was on a boat rocked by waves. The eagle was far away and was traveling in the opposite direction, thus increasing the relative speed of the subject. The Canon 5D MKII was hand held and 400mm focal was necessary. Speed was crancked at 1/1600 and the ISO required was set at 5000. Naturally, the grain in the picture being larger, slightly diminishes the quality. This was a necessary compromise if the eagle was to be taken in flight.

Eagle observed in the Campbell River region. Summer 2012.
Eagle observed in the Campbell River region. Summer 2012.

It is getting dark and you want a photo with absolutely no noise and you decide that the aperture is what matters the most. You make no compromise and choose ISO 50. This setting requires a lot of light, because the lower the ISO, the higher the demand for light. In order to make sure that your picture will not be blurred, a tripod will be necessary, since there will be an extended exposition time. In the picture below, the shutter has been opened for ten seconds, with a 9.0 aperture, 200mm focal and 50 ISO. Only the small branches in the foreground are blurred.

IMG_0617 - Resize Queen Mary 2 Qubec 2012 watermark eng

Note: in general, it is better to use a tripod as often as possible, even in daylight, in order to optimize quality. Choose a heavy enough tripod to prevent vibrations under windy conditions. A light tripod is easy to carry but does not allow for acceptable pictures in adverse weather. It’s obvious that this Queen Mary II photo would not have been as precise if a light tripod had been used. In this case, it would have meant that continual vibrations would have been recorded during 10 seconds. The boat would have been totally blurred.