The Château Frontenac in the evening with low clouds during Spring 2026
In Quebec City, we had several consecutive days of rain in April while there was still snow on the ground. The warm rain melts the snow quickly, saturating the air with moisture and leading to fog and low-hanging clouds. Night photography enthusiasts know that this is an opportunity not to be missed for capturing special effects.
In the photo above, you can see low-hanging clouds above the Château Frontenac in Old Quebec. Fortunately, the central tower remains clearly visible. This is the perfect moment to capture the light reflecting off the clouds and onto the street.
Photographic Composition
Train in foggy weather in Quebec City during Spring 2026.
Tonight, the wind is blowing less strongly near Gilmour Hill than in the Port of Québec. A persistent fog covers this section of Champlain Boulevard.
For the composition, I use the stationary railcar as the focal point between the lit road on the left and the headland on the right. It serves as a link for an imaginary diagonal line that cuts the image in half, running from the lower left corner to the upper right corner of the frame.
The Boulevard Champlain in Quebec City in fog, April 2026
The fog softens and unifies the elements of the scene above. The photographic composition takes into account the path that guides the eye toward the center of the photo. There, a strategically placed fir tree prevents the gaze from wandering off toward the horizon. On either side of the image are two contrasting elements, differing in height, color, and state (nature vs. industry).
HDR picture of the Château Frontenac at Christmas 2025 from Côte de la Montagne in Quebec City.
During the holiday season, the Château Frontenac is decked out in red and green. For an interesting effect, try taking a picture of the castle’s main tower from Côte de la Montagne. To do this, you have to point the camera upward, but all the lines that are normally vertical become slanted.
Photographic Technique
To correct this effect and restore the architectural lines to near verticality, some computer work is necessary. In a few minutes, after cropping and changing the photographic plane, the photo regains the natural appearance that the eye observes when climbing Côte de la Montagne.
HDR photo of the Château Frontenac and surroundings in winter in Quebec City.
The photo above shows another beautiful view of the Château Frontenac. In the middle of the tourist season, passersby in Old Quebec are plentiful in front of the camera lens. Long exposure times mean that several “ghosts” will appear to be moving around when taking nighttime photographs.
How can you avoid these “ghosts” as much as possible? Timing is important. Once the blue hour has passed, complete darkness provides uniform lighting. This allows you to choose a moment when no one is passing by the camera when taking each shot to achieve the HDR effect. Five shots with different apertures will give you the desired HDR result. I use a tripod and a Canon EF 11-24mm f/4L USM wide-angle lens mounted on a Canon 5DSR full-frame camera.
There is only one person very close to the camera lens during the entire session. I remove her from the HDR photo. Since she was working with a tripod, she moved very little during my five shots, which allowed the correction tool in the digital processing software to teleport her to a parallel universe.
On a beautiful day in December 2025, I spent a few hours in Old Quebec and its surroundings to take some pictures on the eve of the holidays.
Two pedestrians in Old Quebec during winter 2025.
At this time of year, the German market in Quebec City attracts residents from neighboring towns and tourists alike. Today, it’s -10°C and very windy, but people are still out and about.
Since photography requires the use of a tripod and often involves standing still, the priority is to dress as warmly as possible.
A stand in the Quebec German market in Old Quebec 2025
I challenged myself to work only with a 300mm telephoto lens for part of the evening, in order to isolate scenes that my eye would not automatically see. This method sometimes leads to beautiful visual discoveries, such as the close-up of the kiosk above.
The Christmas German market of Quebec City and the Glühwein Bar 2025
In contrast to the previous photo, the above result cannot be achieved without the help of a wide-angle lens. A cell phone solved the problem of low light and captured this winter scene from the German market. It even allowed the “Glühwein Bar” to be included in the shot.
This year, the Alsace pavilion at the German market is still offering hot food and drinks, but like many businesses, it is ignoring official inflation and significantly exceeding it. Be sure to read the menu and associated costs carefully before ordering, or you may be in for a big surprise.
The Grande-Allée and some Christmas decorations in Quebec City 2025.
A final nighttime photograph shows a small section of Grande-Allée with some Christmas decorations, with the Le Concorde hotel highlighted in blue in the background. This part of Quebec City has received a lot of attention from retailers.
I will explore the city again in a few days to bring back more memories of this Christmas atmosphere before it’s too late.
A paddleboard enthusiast on the Jacques-Cartier River in Quebec 2025
An excellent spot for paddleboarding (SUP) in the Quebec City area is located at kilometer 25 (EKWATEK) of Jacques-Cartier National Park. There are no services as such at this location, but a large free parking lot provides easy access to the riverbank, which is only a few meters away.
The natural surroundings are breathtaking. Bring a good camera (or at least a cell phone) in a waterproof bag. There are several splendid spots for landscape photography.
As summer progresses, the water level drops. However, even in fall, the river remains deep enough to enjoy your sport in complete peace of mind. At first, paddleboarders follow the gentle current of the Jacques-Cartier River southward. So there’s no need to paddle vigorously! You can just let yourself go. You’ll know when it’s time to turn back when you see small waterfalls in the distance. To avoid damaging the board, you turn around.
On the return trip, the effort required is greater, but not excessive. In strong north winds, bring a paddle to which you can attach an oar in place of the handle, giving you the feeling of paddling like a kayaker. Sitting or kneeling on the board, you will return to your starting point more quickly.
In the event of a southerly wind, the energy required to return is minimal. This allows you to make several round trips and spend a few hours on the river without getting exhausted!
A beautiful summer day in Jacques-Cartier National Park
On your way to kilometer 25, you can admire several scenes like this. The surroundings are magnificent! Green, yellow, and orange are the colors of autumn. There is very little red in the area. The orange color is concentrated mainly at the beginning of autumn, while the yellow persists much longer. The photo above was taken at the beginning of August.
Reflections in Jacques-Cartier National Park in summer.
Photography technique
Even if the initial goal is to go paddleboarding on the Jacques-Cartier River, you can bring a camera, just in case a special scene merits a photo. It is best to shoot in RAW mode to make it easier to correct imperfections later.
Today, the complete absence of wind allows for exceptional reflections for landscape photography. But you have to choose your environment carefully: no distractions should break the effect. The goal is to create momentary confusion through a mirrored scenery.
A tight frame keeps the panorama identical in both parts of the photo. You must then ensure that the horizon is as straight as possible. Finally, you can improve the initial image by reducing the smoke haze. Indeed, the summer of 2025 in Quebec will have been the one where forest fires in Western Canada considerably impacted on visibility in Quebec.
The sun slowly sets over Jacques-Cartier National Park.
I took this photo of the Jacques-Cartier National Park Valley in the late afternoon to profit from the soft lighting. Also, in August at this time, the sun in the southwest hits the eastern slope. The light is then reflected in the middle of the valley and diffused through the smoke. Some of the haze can be removed, but it is important to keep enough of it to preserve the majestic effect of the landscape.
In the foreground, paddleboarders, barely visible, enjoy the exceptional light of the late afternoon.
Each one in his own bubble in the Willows Beach Park, Oak Bay, Victoria
In the foreground sits a man in the Willows Beach Park of Oak Bay in Victoria, British Columbia. He is totally in his bubble, absorbed by his book. I have been looking at him for few minutes wondering how I should position myself in order to get an interesting picture.
Suddenly, a bubble, very real this time, appears in the viewfinder of the camera. The bubble is moving, thanks to the efforts of a child that is walking inside of it. An adult is monitoring to situation to prevent accidents.
Street photography sometimes requires luck. For every successful photo, many opportunities are missed. The fraction of a second offered to a photographer to capture an unusual scene always imposes to have the camera settings already set for the ambient light and the expected use.
The picture was taken with a Canon 5DSR full-frame camera.
The picture above represents an improvised artwork that was done on Willows Beach in Oak Bay, a municipality in Victoria, British Columbia. The work, created during a summer afternoon in 2014, was made slightly out of the way from the main activity area of the beach and, by luck, was not damaged after its author left the beach.
However, during the evening, while taking a walk, I saw that a group of young people had installed a volleyball net on the beach, not far from where the artwork was located. The players often sent the ball very close to where the eyes where so I decided to take a picture to immortalize the work.
Shells and rocks of multiple colours had been assembled by a real artist to give the eyes an extremely realistic appearance, full of life. You may note that the artist took care of designing the eyes of different size, as it is necessery to add a three dimensional effect. Few white shells had even been added near the centre of the eyes to add the reflection appearance and bring the eyes to life. A real artist creation!
This street photography shot, taken in Paris with a Canon 5D MKII full-frame camera, works better in the French language since the word « occupé » placed on the banner plays a crucial role. In French, “occupé” can mean that there is a labour unrest and that the activity of a company is being disturbed by its employees. “Occupé” can also mean “busy”. This street photography shot uses both meanings.
In the background, some people are removing the stickers that have been placed on the wall of a store representing an international company. One can see the word “occupé” written on a banner, which here means “labour unrest”. In the mid-plane, everyone is in movement. Each person is looking somewhere except toward the foreground where a beggar without legs waits for donations.
Three levels of wealth are represented in the picture. There is the fortune associated with the owner of a very well-known international company (the name is mostly hidden for legal reasons), there is the standard financial situation associated with the citizens in the mid-plane and there is the beggar’s financial situation.
I wanted to include the word “occupé” (busy) in the photo in order to express something else: people who are walking and who seem to benefit from an acceptable financial situation do not have any time for the man who cannot walk and who certainly does not benefit from an acceptable comfort. The banner announces that everyone is “occupé” (busy).
A green apple, put down on the sidewalk in front of the beggar, and a green bag behind him seem to summarize the belongings of the disabled beggar.
For other street photography pictures posted on my site, click on the following link:
Here is a night picture that speaks volume about the ambiance that generally prevails in Quebec City. Wherever he walks, the photographer will notice citizen and tourists admiring the town.
The photo was captured with a Canon 5D MKII full-frame camera equipped with a Canon EF 50mm f/1.4 fixed lens. This kind of maximal aperture allows to take pictures at this time of the day without the need of a tripod and without grossly increasing the ISO, thus protecting the picture’s quality. The use of a tripod is always giving better results, but for the occasions where the photographer does not have one with him, the maximal aperture of 1.4 (or even better 1.2 for the lucky ones) can save the day.
The stars surrounding the city lights do not result from using a special photography equipment. Instead, they are produced by the multiple elements present in the Canon EF 50mm f/1.4 fixed lens. Since every lenses available on the market are not of equal quality, some lenses naturally offer a much nicer bokeh than others.
It is quite difficult to obtain something else than human silhouettes when the light is so weak. The lower third of the image also proves to be a problem for the camera, as the luminosity created by the streetlights is much more intense. Nonetheless, it was not too difficult to correct the contrasts using an image editing software, since the photo was taken using RAW files.
For other photos on the province of Quebec and also Quebec City, click on the following links from my blog:
The container ship Maersk Pembroke under the Quebec Bridge, May 2016
Choosing what is important in a camera
Since there is actually no camera that has everything, whatever the brand, the buyer of a new camera must make choices: the type of sensor, the number of megapixels, the weight and size of the camera, the automatic focus’s speed and ability to follow a subject, the number of images per second, the performance under low light, the possibility to greatly enlarge a picture while maintaining its quality, advanced video functions, electronic communications with other devices, an extensive choice of lenses, etc. The list can be quite long…
The Canon 5DS(R): a specialized camera
A photographer happy with the Canon 5DS or 5DSR is one who needs a specialized camera offering both sharp images and the possibility of greatly enlarging the pictures it takes while maintaining the initial quality. This camera allows for more creativity as the possibility of extreme cropping beats, for now, everything that is on the market in the DSLR format.
Testing the potential of the Canon 5DSR when it comes to enlarging a picture
Here is an example of what this means: the photo below shows the yellow M of the McDonald’s restaurant photographed with a 50mm lens. Not easily visible…
Mc Donald’s restaurant’s yellow M captured with a 50 mm lens. Hard to see, of course!
Then the next photo was taken with a Canon EF 70-200mm f/2.8L IS II USM telephoto lens set at a 200mm focal length.
Testing the Canon 5DSR: the Mc Donald’s restaurant’s yellow M enlarged through a Canon EF 70-200mm f/2.8L IS II USM telephoto lens. Focal length used: 200mm.
But the picture can be enlarged a lot more using the amazing resolution of the Canon 5DSR. The following picture shows the result after cropping the 200mm image: the yellow M now takes the whole vertical space available in the picture without any loss in quality.
The Mc Donald’s restaurant’s yellow M, after having been enlarged (focal 200mm) and cropped within the Canon 5DSR.
From my position on the hill, the yellow M was barely visible with the naked eye. By using a 200mm focal length, followed by serious cropping, I was able to obtain the result above. So it is possible to photograph a subject that is almost invisible without a telephoto lens and transform it into the principal subject of the picture without any loss in quality.
I chose the 5DSR because the anti-aliasing filter has been neutralized in the model R to offer even sharper images, although there is a risk of occasional moire effect when there are repetitive patterns in a scene. This is the compromise that Nikon users must also have to deal with.
Rethinking photography
The 50.6 megapixel full frame sensor in the Canon 5DS or 5DSR allows a new approach of photography for those who do not have access to a much more expensive and larger medium format camera that does not necessarily give really superior pictures.
When I go outside for a photo session, it seems to me that I now carry a huge telephoto lens without the weight and the cost. A lot of what seemed to be unavailable possibilities are now accessible.
Taking pictures of people in the street is now less complicated: there are no more suspicious looks, artificial poses or people hiding their face. This is an ideal camera to capture people acting naturally without disrupting their routine. Gone is the feeling that you are bothering them in any way.
Quartier Petit-Champlain Old Quebec May 2016
The photo below was taken while I was standing at least 300 meters from the scene, just after sunset. For those who are from Quebec City, I positioned the tripod on a high wall on the other side of Chemin St-Louis, near the St. Louis Gate. I had to slightly brighten up the picture to make the details more visible, risking at the same time to increase the digital noise. It was a May 2016 warm misty evening, which is clearly visible by the lack of details in the background as we look in the distance.
Quebecers defying gravity in Old Quebec, May 2016
But those are not the only possibilities of this camera. The Canon Company, in its promotional video, explains what exactly the camera was designed for:
How can someone maximize the use of a 50.6 megapixel full frame sensor
In order to bring a subject closer to you while fully benefiting from the Canon 5DSR 50.6 megapixel full frame sensor, it is obvious that there must be absolutely no vibrations. The photographer must therefore use a tripod, a remote control release and the mirror lock-up function. This allows for a very low ISO setting while avoiding a blurred picture.
The mirror lock-up function is very well thought through, with the possibility to choose a totally automatic processus according to a timing chosen by the photographer (between 0 and 2 seconds). The system eliminates any secondary micro vibrations.
In order to ensure an even better picture, the photographer must use Liveview and set it to the 16X enlargement available on that camera (versus 10X on my Canon 5D MKII) to manually adjust the focus. It is then possible to see the slightest vibrations caused by the wind. Doing so, I realized that my camera strap, lightly swaying in the wind, was causing some minimal vibrations. Every detail taken into consideration will improve the final result.
One must then ensure to immobilize the strap and even diminish the tripod height if possible when the wind is blowing. These steps will allow an incredible enlargement of a subject while maintaining the initial quality of the image offered by a full frame sensor.
Superior mirage effect (cold mirage)
The photo below shows a ship being helped by two Ocean tugboats on its way towards the Quebec Harbour. The ship was at a good distance from the harbour; it is then possible to witness the superior mirage effect (cold mirage) resulting from a temperature inversion immediately over the water. The boats are deformed but the important close-up has not lowered the image quality. It has instead allowed to increase the atmospheric phenomenon effect.
Superior mirage (cold mirage) effect. Vessel and two Ocean tugboats on the St-Lawrence seaway heading to the Quebec Harbour, May 2016.
Once closer to the Quebec Harbour, the cold mirage effect decreased, as shown on the picture below:
Quebec Harbour, May 2016
The Canon 5DS or 5DSR without the use of a tripod or mirror-lock
Obviously, a tripod is not necessary if you do not intend to use a lot of cropping to enlarge a photo. You will obtain excellent results with the hand-held camera providing that you remember that this Canon DSLR is a specialized tool.
So many megapixels on a sensor of that size require that the photographer adapts his technique. But, as you can see from the picture below, it is totally possible to capture an aircraft in movement, even at dusk (May 11, 19:49), when the camera’s parameters are correctly adjusted. A higher shutter speed than normal is, in this case, absolutely mandatory.
The photo below shows an Air Canada Express Bombardier DHC-8-402NG (C-GSJZ) on final for runway 29 at the Quebec Jean-Lesage international airport (CYQB).
Bombardier DHC-8-Q-402NG (C-GSJZ — Air Canada Express) on final for the Quebec Jean-Lesage international airport, May 2016. Photo taken with a DSLR Canon 5DSR.
The Maersk Pembroke with the camera hand-held
The photo below shows the Maersk Pembroke container ship photographed with a hand-held camera using a Canon EF 70-200mm f/2.8L IS II USM telephoto lens during Spring 2016 near Quebec City. The focal length was only 140mm and the shutter speed 1/1000. The lens was equipped with a polarizing filter and the photo taken when the vessel was approaching the Quai des Cageux.
The Maersk Pembroke container ship on the St-Lawrence seaway near Quebec City, May 2016
The colours produced by the Canon 5DSR
The digital processing of the image and colours produced by the Canon 5DSR require different adjustments than what was necessary with the Canon 5D MKII. I am still learning how to handle the results produced by this camera so I will wait a bit before commenting.
View of Old Quebec from the St. Louis gate. Quebec City, May 2016
Night photography
Here are two photos taken during the evening in Quebec City. The photo below required a 200mm focal, an ISO set at 4000 and a shutter speed at 1/30 in order to obtain something else than trailing lights. Luckily, the traffic was moving slowly…
Night photography, Grande-Allée avenue, Quebec City, May 2016
The picture below, taken with a 200 mm focal, required an exposure time a bit longer that one second with the ISO set at 800. To take the photo, I took advantage of the fact that the cars were momentarily stopped at a red light, so that they would be clearly visible.
Night photography, Tourny fountain and Quebec lower town, May 2016
The images per second of the Canon 5DS(R)
The Canon 5DSR is so far quite an impressive camera. I would have appreciated that Canon offer a higher rate of images per second (7 instead of 5) to make it more versatile.
The camera allows taking pictures with smaller formats than 50.6 MP, the two other options being 28 MP and 12 MP. If the camera can deliver five images per second with 50.6 MP RAW files, we can deduct that it is able to offer more speed for smaller formats. But the camera is blocked at 5 IMS so that it, I suppose, does not compete with other existing Canon models of the same category…
Nonetheless, Canon says that the rapid sequence of shooting lasts longer if the photographer uses the smaller files provided. So it is not faster, but it keeps on firing for a longer period. My guess is that it would only require a new firmware version to improve this camera’s number of images per second.
For other night pictures, click on the following link to my site:
