The Espace Riopelle-Pavillon Michael Audain opened its doors to the general public on October 22, 2026. It houses the world’s largest collection of public works by Canadian artist Jean-Paul Riopelle. The high-quality works on display reflect painter Jean-Paul Riopelle’s artistic exploration throughout his life.

By naming the pavilion after the prominent patron Michael Audain, the MNBAQ (Musée national des beaux-arts du Québec) recognizes the contribution of the Audain Foundation, located in British Columbia, Canada.

In fact, Michael Audain and his wife, Yoshiko Karasawa, donated dozens of works by Jean-Paul Riopelle and also helped fund the building. Added to these are other bequests from donors such as Pierre Lassonde. This brings the total number of donated works to more than sixty.

We had booked our tickets back in August so we could visit the Espace Riopelle—Pavillon Michael Audain on its first day open to the public. And there was quite a crowd!

What a treasure this place is—a place many are already calling the Riopelle Museum. It is the only building in North America designed specifically to showcase the works of a single artist.
But people don’t come during the first few days just to quietly admire Riopelle’s paintings, drawings, and sculptures. The initial visit is mainly about exploring the space. How did the architects at the Montreal firm FABG conceive this pavilion? This first visit sets the stage for all the others—the ones that will follow once the media buzz has died down a bit.

From the top of the Espace Riopelle—Pavillon Michael Audain, visitors can enjoy a terrace. From there, they can take in the natural surroundings and the St. Lawrence River. Jean-Paul Riopelle had similar views while creating his works on L’Isle-aux-Grues and Île aux Oies.
This new building is yet another gem to be added to the MNBAQ’s collection of pavilions, following the recently opened Pavillon Lassonde.
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