There are only a few leaves left in the trees of this clearing in Quebec City, but the scene retains all its charm. The broken tree cuts the landscape diagonally and guides the eye to the center of the photo where a small pond reflects part of the blue sky.
For me, this peaceful place represents the opposite of what we keep seeing as a standardized representation of autumn, without losing interest.
Want to try an out-of-the-ordinary excursion in the Quebec City area? Here is an idea: if you have a car, start by parking (for free) in one of the spaces available at Domaine Cataraqui. The new staircase designed in 2022 in the forest behind the domain allows you to go from the heights of Sillery to the bottom of the cliff giving access to the Promenade Samuel-De Champlain (Note, however, that the Promenade is not maintained in winter). Walking from this point to the Petit-Champlain district in Old Quebec takes two hours, without hurrying. If you do it in the Autumn, you may even be able to see the cruise ships.
The photo above shows a section of the Caribbean Princess cruise ship moored in the port of Quebec. When it comes to a floating hotel, this ship is a good example.
You now have the option of staying in Old Quebec for as long as you wish, and then take St. Jean Street and walk a few minutes to Place d’Youville to take bus #25 which will bring you back comfortably on St-Louis Street, at a stop very close to the place where you parked your car initially.
You will have had a great day that allowed you to exercise, see the St. Lawrence Seaway and the beauties of Old Quebec. All this for the price of a bus ticket ($4.00).
Here is a view at dusk of the Château Frontenac and the surroundings of Old Québec. Even before taking a first shot, you can anticipate that the illuminated tower of the castle will distort the reading of the camera sensor, because it is much brighter than the surroundings.
To correct this frequent error in advance, it is best to look for an HDR (High Dynamic Range) effect by taking five photos with complementary apertures which will then be compiled in an appropriate software.
The most important challenge for this night photography photo was however to avoid taking pictures of too many tourists walking in the foreground. When they are in five close-up photos, people form what are called “ghost images“. You see them in duplicate or triplicate, half decomposed. They are useful when comes the time to add special effects, but this is not the case in the scene above.
The fall colors are particularly intense in Quebec towards the end of the first week of October. Rather than sticking to pure landscape photography by framing only the trees and mountains, one can choose to include in the foreground the result of the work of one or more people. Far from distracting, the addition of people or objects related to everyday activities often increases the interest of a photo.
In the photo above, an apple grower from Île d’Orléansis spreading out his harvest.
Another great time for Quebec City merchants begins with the arrival of multiple cruise ships each fall. Not only do the thousands of tourists pour into Old Quebec and its Petit-Champlain neighborhood, but the ships must also be restocked in anticipation of the continuing voyage.
In terms of photography technique, the Promenade des Gouverneurs and its staircase act as an entry point to the center of the photo above. It is of course important to preserve some autumn colors, as they are so ephemeral. A wide-angle lens helps the photographic composition, but it certainly distorted the street lamps on the left of the photo, which had to be straightened with an image processing software. Finally, the rule of thirds worked perfectly here to highlight the magnificent view from the heights of Quebec City.
An interesting vantage point to photograph the Grand Prix Cycliste de Québec is at the intersection of Grande-Allée and the avenue leading to the famous Gilmour hill. The cyclists are riding at high speed and must brake hard before making a sharp left turn to begin the descent to the portion that will take them along the St. Lawrence River. There are no obstructions for the photographer at this point.
To capture the effect of the cyclists’ movement, the shutter speed must not be set too fast, preferably between 1/125 and 1/160. Otherwise, everything looks immobile, even the wheel spokes.
Positioning yourself immediately after the curve allows you to capture a long line of bicycles. You can focus on the cyclists on the right in the viewfinder and leave the line of cyclists around the curve out of focus. To do this, make sure that the chosen aperture will blur the background. It is also important to follow the movement of the cyclists with the camera. If you stand still, all the riders will be out of focus, as the shutter speed is too slow for the high speed of these riders.
An occasional close-up obtained through cropping allows us to see details that we would otherwise miss. In the case of the photo above, it is clear that not only is the rider in the front relaxed, but he has also recently crashed, with his right arm still in recovery. Sometimes we also see the result of deformities in the knees of cyclists following numerous surgeries.
The cyclists want to maintain their position in this tightly packed group that must maneuver in a small space. With a telephoto lens, one can see the facial expressions change as they approach the turn for the Gilmour hill. Note the concentration on the faces of the cyclists in the foreground…
Following moving cyclists with a camera remains a difficult art to master. Several pictures are taken before a successful one is achieved. Fortunately, film photography is behind us and we don’t worry as much about missed shots. The important thing is to have fun and try to get a little better with each photo session!
If you don’t have privileged access, the main difficulty in photographing the arrival of Pope Francis in Old Quebec in 2022 lies in the vague and sometimes contradictory information offered to journalists in an obvious effort to protect the itinerary of the head of state.
You also have to deal with the strong police presence and the barriers that open and close according to the mood of the moment, blocking bicycles and pedestrians long before the Pope has crossed the Saint-Louis gate. As a photographer, you don’t want to find yourself suddenly stuck in a place of no interest.
Other aspects to consider are purely photographic, such as the ambient light and the distance from the subject at the time of the photo, which will influence the choice of equipment carried.
The official convoy arrives on Saint-Louis Street. It is important to know that in the afternoon, the sun crosses directly the axis of the Saint-Louis Street in its slow descent towards the west. If you position yourself along this street to take the picture, there is no physical obstacle, but you photograph against the light a convoy which passes at full speed. The camera sensor does not appreciate backlighting, because it has difficulty evaluating which light takes precedence. The choice of a straight line on Saint-Louis Street is therefore not very interesting.
The Pope’s driver sits on the left (at least in Canada). The Pope will therefore be on the right, whether forward or backward. If one stands in the Place d’Armes, one gives priority to the driver rather than to the Pontiff.
As the sun travels progressively from the axis of St. Louis Street to the west, the tall trees of the Place d’Armes will create a natural veil blocking the effects of backlighting. This will increase the chances of successful photos.
On St. Louis Street, the convoy is moving quickly in a long straight line. The chances of getting a good picture decrease. When the security cars reach the end of Saint-Louis, they have to brake because of a sharp curve near the Château Frontenac. If you position yourself immediately after the curve, the chances of getting an acceptable picture increase greatly.
As for photographic equipment, a camera lens that requires little light will help optimize shutter speed and depth of field, especially in the late afternoon. The Canon EF 85mm f/1.2L II USM lens offers more flexibility.
A camera with a full-frame sensor will also allow the cropping necessary to magnify the photo without loss of quality. For the photos included in this article, the camera used was a Canon 5DSR.
The riskiest technique which therefore requires a little more experience is to take the picture of the head of state in his car in focus while leaving the outside blurred, to show that the car is moving fast. You follow the car with the camera’s viewer. The closer it gets to you, there is an obvious feeling of acceleration. It is thus necessary to increase the rotation of your body to adjust to the car’s relative speed change. The autofocus does its job as the vehicle approaches.
There is only a fraction of a second where you get a completely clear view of the head of state. A second too early and you only see a portion of the face with a piece of the car, a second too late and you get a three-quarter rear view. A continuous shooting mode becomes absolutely necessary.
An adequate shutter speed captures the face of the head of state accurately and keeps the background blurred. A shutter speed that is too fast makes the whole scene clear and sharp, and the photo loses its dynamism. Too slow a speed and the face lacks definition. There is only one chance to get it right.
So, those were a few ideas to remember if you want to photograph important events in Old Quebec. A prior knowledge of the terrain and of the sun’s position at specific times remains essential if you want to increase your chances of success.
Tonight, the weather is too nice to stay at home. Thousands of people are already walking in the streets of Old Quebec on this day of Saint-Jean-Baptiste, the national holiday of Quebecers.
People are positioning themselves early around the Tourny Fountainand on the Parliament grounds in anticipation of a multimedia show whose images will be projected on the façade of the National Assembly.
Once the show is over, it’s the rush to Old Quebec or the restaurants of the Grande-Allée. The photo above was taken from the top of the St. Louis Gate.
I love this view of the northern sector of Quebec City in the late evening. Normally, a filter would be needed to neutralize the intense light generated by a setting sun. But tonight, the clouds act as a natural attenuator and the sensor of the Canon 5DSr camera can do its job well.
The last picture below is of St-Jean Street, in Old Quebec, in the late evening of June 24, 2022. This street is being revitalized and new businesses and restaurants have recently settled there. During the summer, a section of the street is reserved to pedestrians and the strollers have access to many terraces.
The small portable tripod that I carried during the photo session made my life much easier, because the lack of light required a fairly long exposure and a total absence of movement. In the background, you can see the Hotel Le Concorde Québec and its revolving restaurant.
In the center of the garden is a large monument of Joan of Arc by American sculptor Anna Hyatt Huntington and donated by her and her husband Archer Huntington in 1938.
Several publications and websites state that the donors of this statue are anonymous. This possibly adds a bit of mystery to this beautiful work, but nonetheless shadows the gift the couple gave in honor of the patriotism and courage of the fighters of the battles of 1759 and 1760.
Both photos were taken with a Canon 5DSr full frame camera equipped with a Canon EF 16-35mm f2.8L II USM lens. Click on the link for more pictures of Quebec City in summer on my blog.
The historic area of Brockville in Ontario is surprising for its architecture, its large mature trees and the presence of a very well-planned marina. At the end of each day, many vehicles come to park along the boardwalk which provides a beautiful view of the St. Lawrence River near the Thousand Islands Archipelago.
The photo above shows one of these old buildings covered with ivy and other vines. The unstable weather on this day allowed us to capture a towering cumulus cloud (TCU) in the background, which adds to the overall atmosphere.
While walking around the historic district of Brockville, we spotted this huge tree standing alone at the curb. Although it is not protected by other trees in the area to endure the storms and high winds over the years, it managed to survive and reach maturity without too much damage.
Both pictures were taken with a Canon 5DSr full frame camera.