An Old Quebec view with the Château Frontenac in the distance using a Canon 11-24mm zoom lens.
Luck plays a significant role in the acquisition of an original shot. To put chance on our side, we need to go on photo expeditions frequently, whatever the weather, and seize opportunities when they arise.
For this outing in Old Quebec, I thought I’d use a Canon 11–24mm f/4L USM super-wide-angle zoom lens. It allows you to get very close to a tall building and obtain vertical lines without the top of the structure disappearing.
Indeed, many high-performance zooms require the utilization of image-processing software to produce an almost perfect vertical effect. But doing so cuts off the top of the edifice.
So, I was looking for a different perspective to shoot the Château Frontenac. I saw it more in the background, as a point of arrival for the eye, rather than taking up all the space. Even as a small edifice in a photo, you recognize it before any other structure.
To do this, I chose an architecturally interesting building as my starting element. It reminded me vaguely of the Flatiron Building in New York. Naturally, it’s not as high and offers that rounded effect when captured in wide-angle format.
I’ve observed a lot of representations of Old Quebec so far. However, I don’t recall previously noticing the street and the old edifices in this way. Usually, the building in the foreground is partially visible.
Lost in the analysis of the ideal angle, I heard a strange engine sound. On my left, a vintage car was moving slowly and would pass in front of the Canon 5DSr lens in a few seconds.
I quickly lifted the camera and placed it in the right spot. The auto was already gaining speed and I had to seize the opportunity. This vintage car blended perfectly into the scene. Only the slightly more contemporary station wagon indicates a more recent picture.
Modernity and the past still come together in harmony in a developer-protected Old Quebec. To capture interesting pictures, you need to get out into the old town frequently.
The visit being improvised, I did not have a tripod. So, I put the full frame cameraCanon 5DSr directly on the ground. However, the lens was pointing straight ahead, preventing me from capturing the architecture and colors of the vault. I put my wallet and the lens cap on the floor to provide support for the camera to point towards the ceiling. Considering the circumstances, the result could have been worse.
Two months earlier, this 2007 Canon 14mm lens broke and could not focus automatically or manually anymore. I had sent it to Canon in Toronto. The company had written back that the lens was beyond repair and that I would unfortunately have to get a new one, at an estimated cost of $2700.
With nothing left to lose, I took the chance to have it repaired in Quebec City in a small workshop that repairs just about everything. The technician only needed a few hours of work on the lens and I received a bill for $200 plus taxes.
It was explained to me that the big camera companies do not repair equipment that is fifteen years old or more: they declare it “irreparable” when a few hours are all it takes for an experienced and competent technician to do the job.
The breakdown came just in time as the technician retired within a few weeks…
The Old Quebec in winter is always exciting to photograph. The continually changing weather presents new opportunities that must be seized. Moreover, for the same weather system, each hour that passes also offers a different luminosity. The photographer is spoilt for choice.
For the picture above, taken with a Canon 5DSr, I positioned myself in a place that is normally off-limits during winter. That’s why you can only see my footprints in the snow. But hey! The risk was minimal and the angle of view perfect to capture the Château Frontenac.
The street lamp emits a light that needs to be corrected in the camera. Instead of “AWB”, select “tungsten”. This adjustment allows you to reflect exactly what you see, rather than ending up with tones that are too contrasty. HDR photography allows for some correction of large contrasts in brightness.
The lights on the roof of the Chateau Frontenac illuminate the snow falling around the building. This snow makes for interesting sky tones, even though the blue hour has long since passed.
In terms of the photographic composition, the low wall and fence serve as the entry point into the photo. The lamp post is located at a point respecting the rule of thirds. The building on the right blocks the view and invites the eye to continue its exploration to the left of the photo, which leads the viewer to the Chateau Frontenac.
The photo below, taken a few minutes later, uses the stairs as an entry point into the photo to quickly lead the eye to the Château Frontenac. In this case, a vertical format lends itself better to the scene.
The Château Frontenac, winter 2023.
The snow on the railings and steps adds an alternating black and white effect. Otherwise, everything would be quite dark and we would lose a little interest. A nearby street lamp provides enough ambient light to illuminate the scene; however, I was careful not to include the light source directly in the photo, as it distracts the viewer from the main subject.
In winter as well as in summer, I use a tripod to reduce camera shake and improve resolution in low light conditions.
Cyclists turning for côte Gilmour in Quebec City in 2022
An interesting vantage point to photograph the Grand Prix Cycliste de Québec is at the intersection of Grande-Allée and the avenue leading to the famous Gilmour hill. The cyclists are riding at high speed and must brake hard before making a sharp left turn to begin the descent to the portion that will take them along the St. Lawrence River. There are no obstructions for the photographer at this point.
2022 Quebec City Grand Prix Cycliste
To capture the effect of the cyclists’ movement, the shutter speed must not be set too fast, preferably between 1/125 and 1/160. Otherwise, everything looks immobile, even the wheel spokes.
Quebec City Grand Prix Cycliste in 2022
Positioning yourself immediately after the curve allows you to capture a long line of bicycles. You can focus on the cyclists on the right in the viewfinder and leave the line of cyclists around the curve out of focus. To do this, make sure that the chosen aperture will blur the background. It is also important to follow the movement of the cyclists with the camera. If you stand still, all the riders will be out of focus, as the shutter speed is too slow for the high speed of these riders.
Cyclists racing on Grande-Allée in Quebec City 2022
An occasional close-up obtained through cropping allows us to see details that we would otherwise miss. In the case of the photo above, it is clear that not only is the rider in the front relaxed, but he has also recently crashed, with his right arm still in recovery. Sometimes we also see the result of deformities in the knees of cyclists following numerous surgeries.
Quebec City Grand Prix Cycliste 2022
The cyclists want to maintain their position in this tightly packed group that must maneuver in a small space. With a telephoto lens, one can see the facial expressions change as they approach the turn for the Gilmour hill. Note the concentration on the faces of the cyclists in the foreground…
Grand Prix Cycliste in Quebec City in 2022
Following moving cyclists with a camera remains a difficult art to master. Several pictures are taken before a successful one is achieved. Fortunately, film photography is behind us and we don’t worry as much about missed shots. The important thing is to have fun and try to get a little better with each photo session!
Saint-Nicolas is full of quality blueberry fields. While the family is having fun picking the delicious berries, I take the opportunity to do a little photography and try to create something other than a traditional photo of a blueberry plant. The right light and a Canon EF 100mm f/2.8 USM macro lens are a good start to maximize the chances of success.
Arriving at the time of the season when the blueberries are not all mature makes it possible to capture several colors. The next step is to choose a plant with healthy flowers and fruit, because in macro photography a damaged plant is magnified several times and the defects become distracting.
Finally, it is necessary to take several pictures with different apertures. We must find the right balance. A bush with too much detail may become conventional, while too many blurred areas lose interest because the eye does not know where and what to look at.
Motorcycle policemen lead the convoy bringing the Pope to Old Quebec in 2022.
If you don’t have privileged access, the main difficulty in photographing the arrival of Pope Francis in Old Quebec in 2022 lies in the vague and sometimes contradictory information offered to journalists in an obvious effort to protect the itinerary of the head of state.
You also have to deal with the strong police presence and the barriers that open and close according to the mood of the moment, blocking bicycles and pedestrians long before the Pope has crossed the Saint-Louis gate. As a photographer, you don’t want to find yourself suddenly stuck in a place of no interest.
Other aspects to consider are purely photographic, such as the ambient light and the distance from the subject at the time of the photo, which will influence the choice of equipment carried.
The official convoy arrives on Saint-Louis Street. It is important to know that in the afternoon, the sun crosses directly the axis of the Saint-Louis Street in its slow descent towards the west. If you position yourself along this street to take the picture, there is no physical obstacle, but you photograph against the light a convoy which passes at full speed. The camera sensor does not appreciate backlighting, because it has difficulty evaluating which light takes precedence. The choice of a straight line on Saint-Louis Street is therefore not very interesting.
The crowd greets Pope Francis on his arrival in Old Quebec in 2022.
The Pope’s driver sits on the left (at least in Canada). The Pope will therefore be on the right, whether forward or backward. If one stands in the Place d’Armes, one gives priority to the driver rather than to the Pontiff.
As the sun travels progressively from the axis of St. Louis Street to the west, the tall trees of the Place d’Armes will create a natural veil blocking the effects of backlighting. This will increase the chances of successful photos.
On St. Louis Street, the convoy is moving quickly in a long straight line. The chances of getting a good picture decrease. When the security cars reach the end of Saint-Louis, they have to brake because of a sharp curve near the Château Frontenac. If you position yourself immediately after the curve, the chances of getting an acceptable picture increase greatly.
As for photographic equipment, a camera lens that requires little light will help optimize shutter speed and depth of field, especially in the late afternoon. The Canon EF 85mm f/1.2L II USM lens offers more flexibility.
A camera with a full-frame sensor will also allow the cropping necessary to magnify the photo without loss of quality. For the photos included in this article, the camera used was a Canon 5DSR.
The riskiest technique which therefore requires a little more experience is to take the picture of the head of state in his car in focus while leaving the outside blurred, to show that the car is moving fast. You follow the car with the camera’s viewer. The closer it gets to you, there is an obvious feeling of acceleration. It is thus necessary to increase the rotation of your body to adjust to the car’s relative speed change. The autofocus does its job as the vehicle approaches.
There is only a fraction of a second where you get a completely clear view of the head of state. A second too early and you only see a portion of the face with a piece of the car, a second too late and you get a three-quarter rear view. A continuous shooting mode becomes absolutely necessary.
Pope Francis arrives in Old Quebec on his trip to Canada in 2022.
An adequate shutter speed captures the face of the head of state accurately and keeps the background blurred. A shutter speed that is too fast makes the whole scene clear and sharp, and the photo loses its dynamism. Too slow a speed and the face lacks definition. There is only one chance to get it right.
So, those were a few ideas to remember if you want to photograph important events in Old Quebec. A prior knowledge of the terrain and of the sun’s position at specific times remains essential if you want to increase your chances of success.
An American Robin and its fledgling in Sillery, Quebec City.
In Quebec City, an American Robin came to make its nest near our back door. Since it had been there brooding without giving birth to anything, we were beginning to believe that the mother was sterile.
Major construction work was to begin shortly at our home and would last a few weeks. We were almost glad that no chicks were born, as this would simplify the transportation of materials.
A day before the renovations were to begin, the first chick was born. From then on, all construction workers would have to be blocked off and asked to make a detour each time they needed to take scraps out of the house or bring in new material.
All labor groups agreed to our request without a second thought. For two weeks, electricians, plumbers, floor layers, delivery people and installers of all kinds came and went, sometimes asking for updates on the condition of the mother and her chicks.
In Quebec City, three two week old American Robins.
The photo above shows the three chicks one day before they fledge. The lack of light due to the location of the nest, as well as the desire not to disturb the fledglings, necessitated the use of a powerful telephoto lens and a camera capable of cropping without loss of quality. A full-frame cameraCanon 5DSR with a Canon 70-200 f2.8L IS II USM telephoto made the job easy. The ISO was set to 200 and I severely limited the depth of field to get the best possible shutter speed to avoid motion blur.
This morning, all the birds had left the nest. The parents were flying around nervously, attacking predators while the young were quickly learning to become independent. The blue jay that regularly visits us for its “dish of the day” was denied access to the backyard by both parents.
There are now three new American Robin in the area and it is almost certain that the mother will return next year to the same location, given the success this year.
A young girl dances through the water jets near Quebec City’s city hall.
The water fountains near theQuebec City’s City Hall Gardens attract crowds during the summer season. The changing colors of the lights offer many opportunities for night photography.
Patience becomes the first rule when it comes to capturing the scene that will stand out. Usually, children run indiscriminately left and right. But there are exceptions, like that evening when a young girl started dancing through the programmable fountains. She moved quickly, adding more dynamism to the scene. I had to take a chance with a night photo.
As far as the photography technique is concerned, the challenge was interesting. I wanted to capture the feeling of movement in her dance. But this demanded a high shutter speed to avoid too much motion blur. On the other hand, the low ambient light called for a slow shutter speed. Those two requirements were completely opposite.
A Canon EF 85mm f/1.2L II USM lens mounted on a Canon 5DSR camera was part of the solution. A recycling garbage can positioned near the scene also served as a support for the portable tripod. Both Canon lens and tripod allowed for more light to be captured while avoiding unnecessary vibrations.
However, those two actions would not have been enough to allow the scene to stand out. There were still too many contrasts between light and shadow. A digital image processing software facilitated the use of the essential data included in the RAW file of the photo, revitalizing the background while diminishing the foreground’s highlights of the water jets.
Some purists lose sleep over the idea that contemporary photographers use digital processing software to get a better picture. When a RAW file contains 50 million megapixels and you refuse to use its data on principle, it’s a bit like Charles Leclerc deciding to drive his Formula 1 car using only the settings of the ’60s, for nostalgia’s sake.
Click on the link for more night photos on my blog.
Tonight, the weather is too nice to stay at home. Thousands of people are already walking in the streets of Old Quebec on this day of Saint-Jean-Baptiste, the national holiday of Quebecers.
The fontaine de Tourny in Quebec City on June 24th 2022.
People are positioning themselves early around the Tourny Fountainand on the Parliament grounds in anticipation of a multimedia show whose images will be projected on the façade of the National Assembly.
The Grande-Allée in Quebec City on June 24th 2022.
Once the show is over, it’s the rush to Old Quebec or the restaurants of the Grande-Allée. The photo above was taken from the top of the St. Louis Gate.
North sector of Quebec City Summer 2022.
I love this view of the northern sector of Quebec City in the late evening. Normally, a filter would be needed to neutralize the intense light generated by a setting sun. But tonight, the clouds act as a natural attenuator and the sensor of the Canon 5DSr camera can do its job well.
The last picture below is of St-Jean Street, in Old Quebec, in the late evening of June 24, 2022. This street is being revitalized and new businesses and restaurants have recently settled there. During the summer, a section of the street is reserved to pedestrians and the strollers have access to many terraces.
The small portable tripod that I carried during the photo session made my life much easier, because the lack of light required a fairly long exposure and a total absence of movement. In the background, you can see the Hotel Le Concorde Québec and its revolving restaurant.
The Joan of Arc Garden in Quebec City on the night of St-Jean-Baptiste 2022.
In the center of the garden is a large monument of Joan of Arc by American sculptor Anna Hyatt Huntington and donated by her and her husband Archer Huntington in 1938.
Several publications and websites state that the donors of this statue are anonymous. This possibly adds a bit of mystery to this beautiful work, but nonetheless shadows the gift the couple gave in honor of the patriotism and courage of the fighters of the battles of 1759 and 1760.
Both photos were taken with a Canon 5DSr full frame camera equipped with a Canon EF 16-35mm f2.8L II USM lens. Click on the link for more pictures of Quebec City in summer on my blog.
