The photograph shows a view of the fertile land along the St. Lawrence River in the Kamouraska region. A public observatory allows visitors to admire the panorama.
In the evening, in Rivière-du-Loup, these two kayakers enjoy the tranquility of the St. Lawrence River as they indulge in their favorite sport.
This HDR shot of a unit at the Auberge de la Pointe in Rivière-du-Loup features seven superimposed photos, for a total of 354 megabytes of data. This ensures that the sky is correctly exposed and that the rooms in the foreground are not completely obscured.
The journey takes us to Saint-Siméon on a calm seaway. A Canon EF 11-24mm F/4 USM wide-angle zoom lens captures the scene without exaggerated distortion.
Here’s a shot of one of the corridors of the Auberge Châtelaine, in La Malbaie. One of the reasons to stop by is the excellent breakfast included after a good night’s rest. No fat bacon or greasy potatoes here: just homemade bread and jams.
Photographers make little use of the intense midday light when it comes to achieving an interesting effect. However, as in this HDR photo of the stairs of an Old Quebec street above, bright light can be used to create shadow effects with horizontal, vertical and oblique lines.
Above, another staircase with lines running in all directions. But it plays only a partial role in this HDR photo, the rest being taken up by the scene in the distance. I was looking for a double effect of chiaroscuro and atmosphere. The foreground, dark and cold, contrasts with a brighter background with an uncertain sky. On the right-hand side of the photo, the tension eases and the blue sky and sun appear.
This image is what is known as “street photography“. Chance has placed this person in the right place with the right dress and the right umbrella. She is wearing a horizontally lined dress and holding an obliquely lined umbrella in front of the vertically lined fence of the “station de la Plage” in Quebec City. The gray sky avoids distractions and focuses attention on the main subject.
For this last photo, I didn’t have my full-frame camera, but a cell phone. The file was of inferior quality, so I had to improve the focus using photographic software with artificial intelligence capability.
Above, a photo of the Saint-Jean-Baptiste districtin Quebec City, taken in June 2023. Five photos of 50.6 Megs each in RAW format and with different apertures make up this HDRscene.
After adjusting the basic HDR photo using Photomatix software, I worked with an image processing software to optimize the final result without exaggerating hue and saturation, which is not always obvious in photography today. Finally, I converted the whole thing to JPEG format for distribution.
The photo shows a partial view of the window of Magasin Général P. L. Blouin Enr on rue St-Jean in Old Quebec. This store sells all kinds of traditional items and souvenirs in French and English, popular with tourists and locals alike. Digital image processing applied a pseudo HDR effect to bring out details and reflections.
The Old Quebec in winter is always exciting to photograph. The continually changing weather presents new opportunities that must be seized. Moreover, for the same weather system, each hour that passes also offers a different luminosity. The photographer is spoilt for choice.
For the picture above, taken with a Canon 5DSr, I positioned myself in a place that is normally off-limits during winter. That’s why you can only see my footprints in the snow. But hey! The risk was minimal and the angle of view perfect to capture the Château Frontenac.
The street lamp emits a light that needs to be corrected in the camera. Instead of “AWB”, select “tungsten”. This adjustment allows you to reflect exactly what you see, rather than ending up with tones that are too contrasty. HDR photography allows for some correction of large contrasts in brightness.
The lights on the roof of the Chateau Frontenac illuminate the snow falling around the building. This snow makes for interesting sky tones, even though the blue hour has long since passed.
In terms of the photographic composition, the low wall and fence serve as the entry point into the photo. The lamp post is located at a point respecting the rule of thirds. The building on the right blocks the view and invites the eye to continue its exploration to the left of the photo, which leads the viewer to the Chateau Frontenac.
The photo below, taken a few minutes later, uses the stairs as an entry point into the photo to quickly lead the eye to the Château Frontenac. In this case, a vertical format lends itself better to the scene.
The snow on the railings and steps adds an alternating black and white effect. Otherwise, everything would be quite dark and we would lose a little interest. A nearby street lamp provides enough ambient light to illuminate the scene; however, I was careful not to include the light source directly in the photo, as it distracts the viewer from the main subject.
In winter as well as in summer, I use a tripod to reduce camera shake and improve resolution in low light conditions.
In the foreground, on the right, the ramparts of Old Quebec. From this height, you can access the Porte St-Jean which is certainly more difficult to access in winter, but which offers a perfect viewpoint to photograph Place d’Youville. You can see the very popular skating rink. A section of the German village is located this year at the end of the rink, waiting for the work near Quebec City Hall to be completed.
The photo above includes several photos juxtaposed on top of each other to provide an HDR effect. The darker areas of the photo are better exposed, while the brighter lights are dimmed to provide a more balanced photo. As always, there is life in Old Quebec! Click on the link for more photos of Quebec City in winter on my blog.
I took this picture of the houses in Old Quebec one day before the great stormof December 23, 2022 that left hundreds of thousands of Quebecers without electricity. At the time the picture was taken, the winds were already blowing pretty hard and the windchill factor was around -20C. The tripod had to be held securely to avoid unnecessary vibrations.
The scene captured during the “blue hour” consists of three photos superimposed in order to obtain an HDR result .
As I finished the shoot, I saw a young couple walking up the snowy slope in the foreground in the photo above. The young man approached me and asked me to make a video of the proposal he was about to make to his girlfriend on his cell phone. She didn’t know anything about it.
He got down on one knee, proposed and she said yes. Then came the ring, the kisses and hugs. Without gloves to hold the cell phone for several minutes, I was hoping for the most concise ceremony possible. A few moments later, half frozen, he came back to get his cell phone. Everything had gone as he had planned. You never know what to expect when you go out for a photo shoot!
Here is a view at dusk of the Château Frontenac and the surroundings of Old Québec. Even before taking a first shot, you can anticipate that the illuminated tower of the castle will distort the reading of the camera sensor, because it is much brighter than the surroundings.
To correct this frequent error in advance, it is best to look for an HDR (High Dynamic Range) effect by taking five photos with complementary apertures which will then be compiled in an appropriate software.
The most important challenge for this night photography photo was however to avoid taking pictures of too many tourists walking in the foreground. When they are in five close-up photos, people form what are called “ghost images“. You see them in duplicate or triplicate, half decomposed. They are useful when comes the time to add special effects, but this is not the case in the scene above.
We have arrived at the last article in the “ Building a patio ” series. The photo above shows the two-tiered flower box as well as the three-step staircase that has been completely redone. The last step must be cut at an angle to follow the pronounced drop in the ground at this point, under the patio.
A general view of the railing and of the black metal fence to the left of the photo which has been sawn and set back in cement.
Above is a view of the red cedar siding built under the patio. I kept an access to the hose and didn’t block out all of the light entering in the basement window. Another fixture has also been reactivated.
The photo above shows a close-up of the siding under the patio. We can see a metal pole near the watering can which seems to support the terrace: its practical function is null; it is only there for appearance (all the siding is firmly fixed from the top).
Overview of the terrace.
Another overview of the patio. This time, I took the picture in HDR, meaning five pictures were taken with a different aperture and compiled on a computer to achieve a result that fights the highlights in the background. When you shoot westward with the sun going down, that’s what it looks like: you have to correct the photo in order to see something. The terrain looks larger than it actually is: this is due to the effect of the wide-angle lens.
The last photo is of a squirrel and a blue jay who regularly invite each other for a peanut meal on the patio. If you want to see some close-up photos of these blue jays, click on these pages of my site: Blue Jay in Autumn and Blue Jay and Russian Mountain Ash.
I hope this series on renovation and on building a patio has been helpful to you.
The city of Gruyères is located in the Prealps, in the Friburg County in Switzerland. It is a very charming small medieval town where cars are forbidden (the white van shown in the picture above is only used for morning delivery). In the city, one can visit the Gruyères Castle (Château de Gruyères), the H.R.Giger Museum (creator of the “Alien” in the movie Alien), the Tibet Museum, a cheese factory and boutiques. There are also some restaurants.
In the picture above, shot with a Canon 5D MKII, it is possible to see the Moléson in the background, a mountain that rises only 512 metres above the surrounding terrain but is still at more than 2000 meters above sea level. It is a tourist attraction that should not be neglected since it is very well equipped for all types of visitors, with a funicular and cable car. The visitors also have access to very interesting walking paths, for all ages and experiences.
When you use a cable car and do not see where it is leading due to the presence of clouds, you have to trust human engineering. But we are in Switzerland, so it should be all right!
The Moléson summit offers superb views. The small cumuliform clouds visible in the morning around the mountain progressively lift up due to daytime heating and eventually become beautiful cumulus clouds that add life to any pictures.
Once on top of the Moléson, it is possible to use a modern metal stairway to gain even more height and access a platform allowing an unobstructed panoramic view. The picture above was taken with a Canon EF 16-35mm f2.8L II USM wide-angle zoom lens equipped with a polarizing filter.
When ready to go down the mountain, the visitor has two choices: travel with the cable car and funicular he used when coming up, or slowly walk along an easily accessible path through beautiful green landscapes. The more experienced trekkers might decide to walk along the crests of surrounding mountains. We chose to walk on paths covered with flowers.
Back to Gruyères, a visit of the Château de Gruyères and both museums is a must, as well as a tour of the cheese factory. You might want to spend some time in the boutiques too and try the local restaurants. It is also the moment to take a few pictures…
The old architecture of the buildings in Gruyères as well as the neighbouring countryside allow for very interesting photographic compositions. A well-known photography technique consists in using an opening in a building and using it as a second frame (a frame within a frame). I made sure that the background was clear enough to improve the visual effect. An aperture around 16 allowed for an appropriate depth-of-field.
The picture above shows a spiraling staircase inside the Château de Gruyères. I can barely imagine what the results would have been if I had had access to the new Canon 11-24mm wide-angle lens. But nonetheless, the Canon EF 16-35mm f2.8L II USM zoom lens did a good job.
The beauty of the full frame sensor mounted on the Canon 5D MKII DSLR is that a wide-angle shot taken at a 16mm focal will stay at 16mm while with a smaller sensor, like the APS-C, the photographer is facing a conversion factor of 1.5 or 1.6X, which transforms the 16-35mm wide-angle into a 24-52mm, in the best of cases. The APS-C sensor is interesting when used with a telephoto lens but a bit less when comes the time to take wide-angle shots.
The picture below presents the Château de Gruyères seen from a neighbouring field.
As the sun was setting down, I tried a shot from inside the castle. It was interesting to see the two little boys standing up alongside the wall and admiring the sunset. At the same time, it was possible to see the Moléson in the distance, its summit hidden in the clouds.
Due to the strong light contrasts, it was necessary to use a Hi-Tech ND graduated filter installed on my Canon 16-35mm wide-angle zoom lens. The Digital SLR Photography magazine, in one of its recent editions, made a comparison between ND grad filters and indicated that the Hi-Tech filter had a slight magenta coloration instead of a neutral grey. I think it is easily visible in the picture below. The photo could have been corrected with Photoshop but I thought of keeping it as it was since the scenery looked somewhat unreal already.
Once the sun was below the horizon, the more subtle colours gave a totally new look to the countryside. On the picture below, it is possible to see on the right a small path that a visitor can take to head down to the nearby village.
All the sceneries are not that easy to capture and it is sometimes necessary to use HDR photography to extend the dynamic range and take care of extreme light contrasts. The photo below needed five different exposures that were subsequently processed with the Photomatiximage editing software. Useless to say, it was necessary to use the mirror lock-up function, a tripod and a remote control release.
Here is, as the final picture, an idea of what is waiting for you at the H.R. Giger Museum. If there is a strange but very interesting museum, it is this one.
Other pictures of Europe and around the world will be posted in the coming months…