A Cathay Pacific Cargo Boeing 747 and the London Eye in London (2015)
The photo above requires a very quick moment of reflection before being correctly interpreted. Most of the people who have seen the picture for the first time immediately had the feeling that the aircraft was heading toward one of the London Eye’s capsules.
The viewers referred to images that they had already seen during the 9/11 attacks, images that were printed in their memory.
The Cathay PacificBoeing 747 cargo was inbound for the London Heathrow international airport while my family and I were waiting in line to live the London Eye experience, the Ferris wheel installed in the center of London, United Kingdom.
Instead of capturing a large scene, which would have given a far better idea of the scale of objects and eliminated any confusion, I opted for a close-up plan, leaving the viewer with the work of interpreting the photo correctly.
One of the pleasures of street photography is to find a second interpretation to what would normally be an ordinary scene.
For other street photography pictures posted on my site, click on the following link:
Discussion between a London, United Kingdom, policeman and a pedestrian 2015
It is essential to always carry a camera in order to profit from the rare opportunities and coincidences offered in everyday life. This is now getting easier with the miniaturization of cameras and the popularity of intelligent cellular phones.
The street photography above, that I took in London in 2015, offers a good example of an ephemeral subject that a street photographer should not miss.
A policeman posted in front of an embassy is having a chat with a citizen. This normally innocuous situation is suddenly rendered more interesting because of the difference in size and the relax attitude between both interlocutors. They have almost the same posture and are dressed in the same colors. Here, the skin color is not the dominating subject although it certainly adds some interest.
This street photography represents a good example of contrasts in photography.
For other street photography pictures posted on my site, click on the following link:
Photos of England: a London view from the London Eye in 2015
England’s London Eye was initially a Ferris wheel that was to be dismantled after only five years. But this touristic attraction has rapidly become very popular and has been attracting tens of millions of tourists since its installation alongside the Thames in 2000. The London Eye can accomodate approximately twenty-five people in each of its thirty-two capsules, which brings the total to about height hundred visitors on every ride during the peak season.
A complete rotation lasts about thirty minutes and allows everybody to get a superb view of London. There is really no feeling of movement once you’re on board due to the relatively low speed of the rotation. As an attraction to present the city and provide visitors with an excellent point of view to take pictures, there is nothing better!
Photos of England: inside one of the London Eye’s capsule in 2015
With regards to photography, it is obvious that a wide-angle lens is ideal to capture London from the London Eye’s capsule. The two photos above have been taken with a Canon 5D MKII camera using a Canon 14mm 2.8L fixed lens.
I also attempted another photo of that famous touristic attraction by positioning myself under the trees alongside the Thames, on a rainy day.
Photos of England: a London Eye view from the Thames, during a rainy day in 2015.
Luck struck when I saw a Cathay Pacific CargoBoeing B-747 approaching the London Heathrow international airport as I was looking at the sky near the London Eye to find an interesting shot. I just had to wait for the aircraft to get closer to the wheel in order to try a shot.
Photos of England: the London Eye and a Cathay Pacific Cargo B-747 in 2015
Finally, using compressed perspective provided by a Canon 70-200 f2.8L IS II USM lens, as well as an image editing software to retouch my photo, it was possible to tightly regroup the capsules and to produce a photo allowing the presentation of the London Eye under a different angle.
Photos of England: the London Eye in 2015
Other pictures of England and Europe in general will regularly be posted during the next few months. Have a good visit!
Livre de photographie: “The new street photographer’s manifesto” par Tanya Nagar
Tanya Nagar is an award-winning photographer from London. Her book, “The new street photographer’s manifesto” is perfect for those who aim to improve their street photography techniques. The present article is not a comprehensive critic of her book but an overview of what a reader will find. I also highlighted some tips in photography that will help to improve the street photographer’s performance.
Tanya’s manifesto not only contains technical advices helping a photographer to improve his shots but also some tips to avoid common mistakes. Subjects include: timing, composition, shooting portraits, framing and juxtaposition, perspective and angles, the choice between landscape and portrait, depth of field, shutter speed, exposure, night photography, rule of thirds, etc.
The book’s content is divided in six categories: 1. Street Photography 2. Where & What to Shoot 3. Seize the Moment 4. Equipment 5. Digital Processing 6. Showcase.
1. Street photography requires the ability to seize a life moment with precision and timing. It is about candid shots and does not have to include humans, as long as it fixes a moment in life. It certainly can include animals (in fact, animals are a very popular subject).
2. It is best if you use a light, discrete camera (even an I-Phone). Walking with a huge camera with big lenses makes you look like a professional photographer and people will see you coming. The trick is to avoid drawing attention. Coughing while clicking drowns out the sound of the camera. You might also think of “shooting from the hip” or “shooting blind”. Those techniques are explained in the book and can be mastered with a bit of practice.
3. It takes a bit of courage to photograph situations that include people since you never know what to expect when you raise your camera. Respect the different cultures and personal space and don’t be afraid to smile and explain what you are doing. If somebody refuses to be photographed, move on, don’t dwell on the situation.
4. In order to gain experience and a feeling of security at taking pictures of people on the street, start with protests or parades.
5. It is a good thing to know the laws pertaining to photography of the country you are visiting. Police officers in some countries might be tempted to order you to delete a shot while they actually don’t have the right to. Often, a misunderstanding by police or security guards of anti-terrorism legislation leads to different interpretations and subsequently to abuse towards a photographer. Just make sure you stay up to date with the country’s regulations.
6. You might think of shooting from within your vehicle to obtain interesting results (while respecting the country’s laws).
7. Use graffitis, signs, graphical billboards, text and advertising logos.
8. Use contrasts like big versus small, light versus dark, rich versus poor, etc.
9. Bear attention to details and look for second degree interpretation of a situation.
10. Look for amusing, funny and unusual captures.
11. Make sure you master your camera in order to be quick when the perfect opportunity comes. Set most of the parameters of the camera before actually arriving on a scene (you already have an idea of the light intensity in the area and the ISO setting that will be required to obtain the speed you desire).
12. Be cautious when it comes to taking pictures of children. Societies change and authorization from the child’s parents is required almost every time.
13. “The only way to avoid missing a moment is by carrying your camera at all times”. Therefore, get something small and light.
Endos du livre de photographie “The new street photographer’s manifesto”
The book holds a section dedicated to multiple types of cameras: rangefinders, SLR and DSLR, four thirds and micro four thirds, medium format, point-and-shoot compact cameras, camera phones, toy and pinhole cameras. Their advantages and disadvantages are clearly explained.
The reader will also find some information about lenses (the best for street photography and what to avoid) and the effects obtained through the use of different type of films (colored, black and white, expired).
The fifth section of the book relates to digital processing and the basic image editing techniques like cropping, rotating, the use of the “Curves” command, as well as dodging and burning.
The final section, “Showcase”, presents many well-known street photographers from around the world, including few photos taken by each of them to allow the reader to have an overview of each photographer’s personal style and creativity. Presented in order are: Antonio Navarro Wijkmark, Brian Quentin Webb, Charlotte Gonzalez, Claire Atkinson, Danny Santos II, Felix Lupa, Ferhat Çelik, Mustafa Abdulaziz, Ronya Galka, Seamus Travers and Severin Koller.
This is certainly a very interesting and practical photography book that will help you avoid costly mistakes (missed photo opportunities or buying the wrong photography equipment) while helping you to improve your knowledge on street photography as much as the quality of your shots.
Here is a link towards Tanya Nagar’s website: Tanya Nagar
