Categories
Street photography

Street photography: the delivery man.

On his knees he could have carried on more box in the grocery store.
On his knees he could have carried on more box in the grocery store.

The deliveryman above avoids unnecessary trips by carrying a stack of boxes so high that he can barely fit through the door of the St-Olivier grocery store in the St-Jean-Baptiste neighborhood in Quebec City. He could have added another box to the pile, but he would have had to enter the establishment on his knees. We don’t ask for that much…

Scenes like this feed street photography, which requires the photographer to be ready to capture ephemeral situations. The time allowed to camera settings is reduced to a minimum. Sometimes a photo is taken without looking through the viewfinder, hoping to have captured the essential.

This is the case of the scene above. I had just parked in the area and was getting out of the car with the camera still in the bottom of my backpack. Across the street, a delivery man was walking with a stack of boxes taller than him. In a few seconds he would be in the establishment, if the stack didn’t collapse after catching the top of the door frame.

To capture the scene and gain speed, I pulled the camera out of the bag with its preset settings adjusted for street photography and shoot without taking the time to make sure the subject was captured.

Just looking through the viewfinder to frame perfectly would have taken a few extra seconds and been enough to ruin the scene, as in the absence of the delivery man, only the man holding the door would have appeared in the photo. And it is obvious that he is not the main subject. He is very kind to hold the door (it’s the least he can do), but apart from the fact that he seems to have a white support stocking on his left leg (because of the sun), he was the secondary subject from the beginning…

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Photography Books

Street Photography – Le savoir-faire du photographe de rue

Street photography - Le savoir-faire du photographe de rue (french version of The Street Photographer's Manual)
Street photography – Le savoir-faire du photographe de rue (french version of The Street Photographer’s Manual)

We buy this book with the initial intent to learn about the different aspects of street photography, the goal being to increase our practical knowledge. We close the book with the feeling that we learned way more than we anticipated.

David Gibson’s work offers more than advices. In order to make it more fulfilling for the reader, the writer takes care of adding twenty very interesting portraits of renowned photographer’s working method and interests. Those names include Blake Andrews, Johanna Neurath, Matt Stuart and Maria Plotnikova. The reader improves his knowledge of photography history at the same time as he acquires new tools that will help him in his street photography practice.

Photographing people on the street is not necessarily easy. It takes determination to carry out a project that will include a person, especially if you are not working with a telephoto and you want to capture a scene where all the faces are visible. The author explains what kind of preparation is needed and he insists on the importance of avoiding disrespect toward others.

But street photography is not only about people, although approximately 75% of those pictures include a person. Other subjects of interest are, for example, experimentation with objects, shadows, empty spaces, abstraction, photographing through glass or wet surfaces, etc.

The writer has divided his book into twenty projects, to which he added, for each project, a road map. The latter can be used as a concise guide every time the street photographer puts in practice his newly acquired knowledge. If he wishes, the reader can rapidly get to work, using the ideas proposed within the twenty different themes.

The book is easy to understand and goes straight to the point. If the reader wishes to dig deeper in a specific aspect of street photography, he is given multiple internet site references.

This high quality book will surprise you and certainly be an inspiration in the preparation of your next street photography session.

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Title: The Street Photographer’s Manual
Author: David Gibson
©2014 Quintet Publishing Limited
ISBN: 978-2-10-071135-2
Author’s internet site: www.gibsonstreet.com