The picture above shows Château Lake Louise and, in the background, Mount Richardson. Lake Louise is in Alberta but only a few kilometers from British Columbia.
This picture was taken during summer 2018 while several forest fires were raging in western Canada. Luckily for us, the smoke had not yet reached Lake Louise when the picture was taken. A few days later, the visibilty worsened and the air quality in the area degraded considerably.
At the time of the picture, the sky was cloudy and I had to wait for the sky to clear in order for more intense sunrays to light part of Château Lake Louise. This provided a greater contrast between the hotel and the mountains in the background.
I thought it was appropriate to keep the canoe with its passengers to add dynamism to the scenery. The photographic composition was planned so as to include the reflection of the bright part of the hotel on the lake.
In order to make an acceptable picture at this time of the day while sitting in a canoe, I used a Canon EF85mm f/1.2L II USM lens mounted on a Canon 5DSR camera. The outstanding performance of the lens in low light allowed me to keep the ISO at 200, thus limiting the photographic grain.
The shutter speed was adjusted to 1/5000 to compensate for the movement of my canoe and the effect of the wind. It seemed to me that for this particular landscape picture, a 16 x 9 format was better suited than the traditional 3X2 associated with full frame sensors.
Click on the following links for other pictures of Quebec and Canada on my blog.
The pictures below were taken in Vancouver and Victoria, in British Columbia. They were all taken with a Canon 5DSR full frame camera.
In the Vancouver harbour, several condo towers have been built in the last few years. Many condos in those towers can now be rented by travellers through Airbnb, thus entering in direct competition with the hotels located nearby. I was trying to use the water reflections in the harbor to show one of the towers when this seagull appeared in the viewfinder, adding a touch of life to the scenery.
Floatplanes of all types constantly maneuver in the Vancouver harbour. The two photos below show a Saltspring Air Turbo Otter as it is being helped to park. You can also see a row of Harbour Air Beavers (DHC-2) parked after a day of uninterrupted flights.
In the Willows Beach’s Park, in Victoria, I was able to photograph this Cooper’s Hawk using a Canon 70-200 f2.8L IS II USM telephoto lens. The full frame sensor 50 megapixels allowed for some serious cropping to bring the bird closer. The hawk clearly annoyed all the crows that considered themselves as the owners of the territory.
In the evening, the fishing boats come back to the Victoria Fisherman’s Wharf. Since I was standing on a moving platform, the use of a tripod would have been useless because of vibrations impossible to eliminate. The solution was to use a lens requiring little light, like the Canon EF 50mm 1.4 USM. By increasing the aperture and the ISO, the picture could be taken with a high enough shutter speed to avoid a blurred photo.
The Havelstern is a chemical tanker sailing under Canadian flag which was built in 1994. Its draught is of 8.5 meters. It is photographed here on June 3rd 2017 in front of Quebec City, with Lévis in the background, heading to Point Tupper in Nova Scotia, Canada.
Several vessels are visible in the picture above. In the foreground, it is possible to see the two chimneys of the Louis Joliet, a boat essentially used for tourist excursions. Then there is one of the two ferries constantly traveling between the south and north shore of St. Lawrence Seaway between Lévis and Quebec City.
The small boat riding by the Havelstern is used to carry one of the St. Lawrence Seaway pilots. A pilot who masters the navigation specifications on this part of the seaway boards the ship and takes control until he can transfer the control to another pilot farther down the seaway ( Pilotes du St-Laurent ). In the background is the second ferry used to carry passengers and cars from one shore to the other.
The full-frame camera used to take the pictures was a Canon 5DSR equipped with a Canon EF 70-200mm f/2.8L IS II USM lens. With a 5.0 aperture and the ISO set at 200, the shutter speed allowed was 1/1000 sec.
While the tourists are having fun in Quebec City, the picture above shows the Havelstern heading to Île d’Orléans in a rain shower.
The picture below represents the Havelstern making a wide turn to navigate around the southern portion of Île d’Orléans. The ship was quite far away and some serious cropping would have to be done in order to enlarge the image. In order to get a picture that would not be blurred, I had to increase the shutter speed a bit.
The ISO was adjusted to 200 and the focal length was set to 200mm. The aperture was only 4.0, allowing a shutter speed of 1/2500 sec.
For other pictures of ships on my website, click on the following link : Ship photography.
The Air Canada Terminal installations at the Toronto Lester B. Pearson international airport are such that a voyager intending to do a flight from Toronto to Quebec has to walk outside the building to catch his plane. This has some advantages, especially when it is an evening flight and there is, at the time of boarding, a superb sunset.
But to directly photograph the sunset colors without any filter or tripod, while hand holding the camera, is a recipe for disaster. And a photographer cannot stay immobile for very long in that restricted area where security agents and passengers walking towards the DHC-8-400 demand that everyone move with the flow.
A practical method that offers very good results is to indirectly photograph the beautiful sunset colors by using the aircraft as a reflector.
First, it is better to use a camera lens that requires very little light. This will limit the grain size while allowing a shutter speed that is high enough to avoid a blurred picture. The scenery was thus captured with a Canon 5DSR full-frame camera equipped with a Canon EF 50mm f/1.4 USM lens.
Secondly, the photographer must crop the photography using an image editing software so that all useless details are absent from the final shot. There are two objectives: 1) it is obviously necessary to keep the aircraft parts that will best show the sunset colors and 2) do the best possible use of the elements presenting graphic interests for the viewer.
If I had kept only several oversized windows in order to show the superb sunset colours, there would have been only clear bright colours, without contrasts. That would have given an uninteresting photo. The advantages of protecting the shadowy top of the aircraft are that it adds a strong luminosity contrast, allows the inclusion of the Q-400 diagonal lines (1-2-3-4-5) and a reflection of the reflections themselves (6) under the aircraft’s wing. All this is highlighted in the photo below.
The picture above was taken in British Columbia, during summer 2016, with a Canon 5DSR full-frame camera equipped with a Canon 70-200 f2.8L IS II USM telephoto lens.
A Westcoast Air (C-FGQH) Twin Otter floatplane (DHC-6) was about to land in the Vancouver Harbour. It is obvious that adjusting the shutter speed to 1/1200 would have given enough speed to obtain a clear image. But this would have taken away any movement sensation by freezing the propellers and background.
The shutter speed had to be slow enough to allow the rotation of propellers. It is clear that an aircraft’s propeller rotates more slowly on final for landing than during take-off. So the camera had to be adjusted for a shutter speed varying between 1/40 and 1/125.
A slower shutter speed increases the risk of getting a blurred photo, especially when the photograph must move with the camera to obtain the desired effect of movement. The fact that a telephoto lens is used also increases the possibility of a blurred picture. It is thus imperative to activate the stabilizer and horizontal panning function of the telephoto lens.
To obtain a background without any precise details, the camera is panning and follows exactly the aircraft’s movement. This requires a progressive acceleration of the panning, according to the aircraft’s position from the photographer.
When the Twin Otter gets closer, things get a bit more complicated as everything speeds up. It is necessary to already have positioned the feet in the appropriate direction in order to avoid a major switch in the body’s posture. The slightest useless or brisk movement would immediately be visible on the photo.
With a bit of practice, a photographer will achieve success by respecting the following elements: a shutter speed between 1/40 and 1/125, an appropriate position of the feet, no brisk movement while pivoting and a progressive acceleration of the body’s rotation aligned with the aircraft’s speed. A slower shutter speed will enhance the aircraft movement. But expect more blurred pictures when working with speeds between 1/40 and 1/60.
A last detail: as soon as the aircraft’s floats touch the water, the deceleration starts. The photographer’s pivoting speed must immediately slow down otherwise the photo will be blurred.
Coming back from Old Quebec after a photo session, I took the opportunity to stop in the area around the Hotel Le Concorde Québec. Restaurants on Grande Allée are particularly well lit which is ideal to capture colorful pictures.
The photos show the Pot de vin restaurant, which replaced the Voo Doo Grill and is now associated with the Maurice Nightclub. It is also possible to see part of the Cosmos restaurant located just below the Pot de vin.
A huge banner has been installed on one of the Hotel Le Concorde Québec’s wall announcing the coming Série Cubaine 2016, several baseball games between Cuba’s team and the Capitales de Québec’s team, during Summer 2016.
The photo below, showing a black vehicle in movement, was a bit more touchy to take since it was already quite dark outside and I still wanted to capture the local population clearly enough. A shutter speed adjusted too slow would have made the people almost invisible as they would have been too blurred. But too fast a shutter speed would have frozen both people and vehicule, taking away the photo’s dynamism. This would have also demanded an exaggerated ISO setting, thus degrading the shot’s quality by increasing the digital noise to an unacceptable level.
Here are the camera settings that were necessary to obtain the desired effect: an ISO at 5000, which is already high enough, an aperture set at 5.0 to get an acceptable depth-of-field and a shutter speed at 1/13, which allowed to see that the vehicle was in movement but was slow enough to freeze the people waiting at the red light. A few seconds before, I had tried a shot while people were walking near the street’s corner, but everything went blurred. Waiting for the appropriate green light allowed the vehicule to move while forcing the pedestrians to stand still.
The pictures were taken with a Canon 5DSR DSLR camera mounted on a tripod, with a remote trigger and the mirror lock-up function active to reduce the camera vibrations. Liveview and manual focus were also used to ensure the image sharpness during that night photography session.
For more articles in the category « Photos of Canada », click on the following link : Photos of Canada
Since there is actually no camera that has everything, whatever the brand, the buyer of a new camera must make choices: the type of sensor, the number of megapixels, the weight and size of the camera, the automatic focus’s speed and ability to follow a subject, the number of images per second, the performance under low light, the possibility to greatly enlarge a picture while maintaining its quality, advanced video functions, electronic communications with other devices, an extensive choice of lenses, etc. The list can be quite long…
The Canon 5DS(R): a specialized camera
A photographer happy with the Canon 5DS or 5DSR is one who needs a specialized camera offering both sharp images and the possibility of greatly enlarging the pictures it takes while maintaining the initial quality. This camera allows for more creativity as the possibility of extreme cropping beats, for now, everything that is on the market in the DSLR format.
Testing the potential of the Canon 5DSR when it comes to enlarging a picture
Here is an example of what this means: the photo below shows the yellow M of the McDonald’s restaurant photographed with a 50mm lens. Not easily visible…
Then the next photo was taken with a Canon EF 70-200mm f/2.8L IS II USM telephoto lens set at a 200mm focal length.
But the picture can be enlarged a lot more using the amazing resolution of the Canon 5DSR. The following picture shows the result after cropping the 200mm image: the yellow M now takes the whole vertical space available in the picture without any loss in quality.
From my position on the hill, the yellow M was barely visible with the naked eye. By using a 200mm focal length, followed by serious cropping, I was able to obtain the result above. So it is possible to photograph a subject that is almost invisible without a telephoto lens and transform it into the principal subject of the picture without any loss in quality.
I chose the 5DSR because the anti-aliasing filter has been neutralized in the model R to offer even sharper images, although there is a risk of occasional moire effect when there are repetitive patterns in a scene. This is the compromise that Nikon users must also have to deal with.
Rethinking photography
The 50.6 megapixel full frame sensor in the Canon 5DS or 5DSR allows a new approach of photography for those who do not have access to a much more expensive and larger medium format camera that does not necessarily give really superior pictures.
When I go outside for a photo session, it seems to me that I now carry a huge telephoto lens without the weight and the cost. A lot of what seemed to be unavailable possibilities are now accessible.
Taking pictures of people in the street is now less complicated: there are no more suspicious looks, artificial poses or people hiding their face. This is an ideal camera to capture people acting naturally without disrupting their routine. Gone is the feeling that you are bothering them in any way.
The photo below was taken while I was standing at least 300 meters from the scene, just after sunset. For those who are from Quebec City, I positioned the tripod on a high wall on the other side of Chemin St-Louis, near the St. Louis Gate. I had to slightly brighten up the picture to make the details more visible, risking at the same time to increase the digital noise. It was a May 2016 warm misty evening, which is clearly visible by the lack of details in the background as we look in the distance.
But those are not the only possibilities of this camera. The Canon Company, in its promotional video, explains what exactly the camera was designed for:
How can someone maximize the use of a 50.6 megapixel full frame sensor
In order to bring a subject closer to you while fully benefiting from the Canon 5DSR 50.6 megapixel full frame sensor, it is obvious that there must be absolutely no vibrations. The photographer must therefore use a tripod, a remote control release and the mirror lock-up function. This allows for a very low ISO setting while avoiding a blurred picture.
The mirror lock-up function is very well thought through, with the possibility to choose a totally automatic processus according to a timing chosen by the photographer (between 0 and 2 seconds). The system eliminates any secondary micro vibrations.
In order to ensure an even better picture, the photographer must use Liveview and set it to the 16X enlargement available on that camera (versus 10X on my Canon 5D MKII) to manually adjust the focus. It is then possible to see the slightest vibrations caused by the wind. Doing so, I realized that my camera strap, lightly swaying in the wind, was causing some minimal vibrations. Every detail taken into consideration will improve the final result.
One must then ensure to immobilize the strap and even diminish the tripod height if possible when the wind is blowing. These steps will allow an incredible enlargement of a subject while maintaining the initial quality of the image offered by a full frame sensor.
Superior mirage effect (cold mirage)
The photo below shows a ship being helped by two Ocean tugboats on its way towards the Quebec Harbour. The ship was at a good distance from the harbour; it is then possible to witness the superior mirage effect (cold mirage) resulting from a temperature inversion immediately over the water. The boats are deformed but the important close-up has not lowered the image quality. It has instead allowed to increase the atmospheric phenomenon effect.
Once closer to the Quebec Harbour, the cold mirage effect decreased, as shown on the picture below:
The Canon 5DS or 5DSR without the use of a tripod or mirror-lock
Obviously, a tripod is not necessary if you do not intend to use a lot of cropping to enlarge a photo. You will obtain excellent results with the hand-held camera providing that you remember that this Canon DSLR is a specialized tool.
So many megapixels on a sensor of that size require that the photographer adapts his technique. But, as you can see from the picture below, it is totally possible to capture an aircraft in movement, even at dusk (May 11, 19:49), when the camera’s parameters are correctly adjusted. A higher shutter speed than normal is, in this case, absolutely mandatory.
The photo below shows an Air Canada Express Bombardier DHC-8-402NG (C-GSJZ) on final for runway 29 at the Quebec Jean-Lesage international airport (CYQB).
The Maersk Pembroke with the camera hand-held
The photo below shows the Maersk Pembroke container ship photographed with a hand-held camera using a Canon EF 70-200mm f/2.8L IS II USM telephoto lens during Spring 2016 near Quebec City. The focal length was only 140mm and the shutter speed 1/1000. The lens was equipped with a polarizing filter and the photo taken when the vessel was approaching the Quai des Cageux.
The colours produced by the Canon 5DSR
The digital processing of the image and colours produced by the Canon 5DSR require different adjustments than what was necessary with the Canon 5D MKII. I am still learning how to handle the results produced by this camera so I will wait a bit before commenting.
Night photography
Here are two photos taken during the evening in Quebec City. The photo below required a 200mm focal, an ISO set at 4000 and a shutter speed at 1/30 in order to obtain something else than trailing lights. Luckily, the traffic was moving slowly…
The picture below, taken with a 200 mm focal, required an exposure time a bit longer that one second with the ISO set at 800. To take the photo, I took advantage of the fact that the cars were momentarily stopped at a red light, so that they would be clearly visible.
The images per second of the Canon 5DS(R)
The Canon 5DSR is so far quite an impressive camera. I would have appreciated that Canon offer a higher rate of images per second (7 instead of 5) to make it more versatile.
The camera allows taking pictures with smaller formats than 50.6 MP, the two other options being 28 MP and 12 MP. If the camera can deliver five images per second with 50.6 MP RAW files, we can deduct that it is able to offer more speed for smaller formats. But the camera is blocked at 5 IMS so that it, I suppose, does not compete with other existing Canon models of the same category…
Nonetheless, Canon says that the rapid sequence of shooting lasts longer if the photographer uses the smaller files provided. So it is not faster, but it keeps on firing for a longer period. My guess is that it would only require a new firmware version to improve this camera’s number of images per second.
For other night pictures, click on the following link to my site:
On May 5th, 2016, according to what had been announced by the Government of Quebec, four CL-415s took off from the Quebec Jean-Lesage international airport (CYQB) heading to Fort McMurray, Alberta, to help in the fight against widespread forest fires in that province. It is the worst natural disaster that Canada has known in its history.
Preparing flight crews and aircrafts for such a long cross-country trip naturally demands much coordination from the SOPFEU (Society for the protection of forests against fires). Once they will have landed at the Fort McMurray airport, the pilots of those CL-415s will be under the direct command of the Albertan authorities in charge of fighting the wildfires, since the latter are best positioned to know exactly what the local needs are.
I figure that the flight service specialists (FSS) of the Nav Canada flight information center (FIC) in Edmonton must have quite busy days with the increased aerial activity associated with the numerous fires…
The picture above shows crew members heading towards their assigned aircraft. Once they start working in the Fort McMurray region, they will not only have to directly fight the forest fires but also head to sectors that have not yet been touched by fire and water the area thoroughly to prevent new wildfires.
Taking pictures of propeller-driven aircrafts
It is a bit touchy to photograph propeller-driven aircrafts while making sure that there is a sensation of movement. In a natural reflex to want to avoid blurred pictures, the photographer uses a shutter speed that corresponds to the focal used for the shot. In the case of the picture above, the focal was 400mm. But if a shutter speed of 1/400 had been used, the propellers would have been totally immobilized and the aircraft would have looked like its climbing while not using its engines.
It was necessary to reduce the speed to 1/160, thus increasing the risk of obtaining a blurred picture. In order to get both image sharpness and moving propellers visual effect, the photographer has to follow exactly the movement of the aircraft with the camera so that it looks totally immobile in the viewfinder. This asks for a bit of practice but allows for more realistic photos.
The CL-415 in a black and white photo
The government of Canada helping out Alberta’s citizens
The government of Canada, under Justin Trudeau, has promised to match the amounts of money offered by all Canadians to the Red Cross society toward helping the Fort McMurray population.
Obviously, its contribution will not stop there (in fact, far from it), but the message is for the whole Canadian population to contribute generously to support the efforts of the Red Cross. It is already estimated that the material damages will reach at least nine billion dollars and that numerous years will be required to rebuild everything. The Liberal Party of Canada had built its political campaign around the need to invest for the renewal of infrastructures. With the Fort McMurray fires, there will be plenty of new unplanned expenses ahead.
More than 1,400 firemen are fighting the wildfires. So few, there has been very few lives lost, although “very few” is always too much. The crisis is, according to everyone, well managed by the government of Alberta.
At the time of writing, there was still no rain forecasted for days to come and the drought was also extending to the southern half of Saskatchewan and part of Manitoba. The winds were expected to increase, which would mean that even more resources would be needed in the near future to bring those wildfires under control.
It seems to me that the government of many Canadian provinces would benefit in acquiring new water bombers like the CL-415 to give them an increased margin of manoeuver that would allow them to react more quickly, if we take into account the tendency for the ever growing number and size of forest fires. In the picture below, the government of Quebec CL-415 number 247 is just airborne from Quebec to Fort McMurray.
The CL-215s will not head to Fort McMurray
While several CL-415s are leaving for Alberta, few water bombers, like the two Canadair CL-215s shown below, stay at the Quebec Jean-Lesage international airport in case of forest fires in the province and also to be used for the seasonal rehearsal needed for every pilot before they are dispatched across the province of Quebec.
Global warming
Some people can say that global warming is not responsible for the increasing number of extended wildfires. They might be right, but I prefer to adopt a wider view than only what is going on in Alberta. Heat transfer between the north and south are now more extreme in order to equalize the temperatures around the globe. All means to reduce the difference in temperatures between the equator and the poles are at work and this causes increasing problems to particular regions.
A powerful El Nino phenomenon, repetitive Omega blocks, the air circulation in different cells (Hadley, Ferrell, polar, Walker) all participate in the heat exchange. At a more reduced scale, we also regularly hear of cold and warm fronts in the meteorological forecasts.
It is certainly not local warm fronts that are responsible for the fact that a thinner layer of permafrost is unable to ensure the stability of Arctic runways anymore. Nor are fronts responsible for the fact that houses on stilts do not have a stable foundation anymore. Many heat records have been established these past years in northern Canada. There will certainly be large amounts of money to spend to rebuild the Nordic infrastructures.
Brush fires as soon as April in Alberta
This year, as soon as April, there were widespread brush fires in a region as north as Fort McMurray in Alberta because winter has not brought much snow to humidify the land during Spring. I thus wondered what would happen once in July. Albertans did not need to wait that long to get the answer.
The modelization of climatic changes indicates that, in the Fort McMurray region, the forest fire season is already fifteen days longer that it used to be. More heat might favor more droughts. But an increase in temperature also favors the development of thunderstorms and with them comes lighting that will start up new fires.
One thing is sure: insurance companies will not lose time with the different theories on global warming. The reinsurers (those who insure the insurance companies) have the obligation to limit their losses to stay afloat and premiums will quickly increase to answer to the thousands of claims following an increasing number of natural disasters.
Photos of the local air traffic in Quebec, just after the CL-415s departed to Fort McMurray
At the Quebec airport, between the take offs of the four Bombardier CL-415 towards Fort McMurray, I was able to take few pictures of the local air traffic. In the photo above, it is possible to see a FedEx ATR 72 (C-FTAR) taxiing toward the ramp after a landing runway 06. An Air Canada Express Bombardier DHC-8-402 (Q-400) (C-GIJZ) was also being towed for is imminent departure.
ATAC’s Hawker Hunter N339AX
Being in luck, I was able to capture a Hawker Hunter (N339AX) belonging to the American company ATAC, just airborne from Quebec. As for any military jet, it is difficult to ignore them on take-off: the reactor’s noise is there to remind you of their presence…
The pictures above have been taken with a Canon 5D MKII camera, equipped with a telephoto lens Canon 70-200 f2.8L IS II USM with a polarizing filter and a Canon Extender EF 2X III which brought the focal length to 400 mm. Even then, more cropping was necessary to enlarge the aircraft since I was quite far away from the runway.
Wishing to ensure that the image was sharp (a blurred picture is more probable with a 400 mm focal length while the photographer attempts to follow a fast flying jet), I adjusted the shutter speed to 1/1600 and made sure that the automatic focus was set on AI servo.
I now realized that a slower speed could have worked a bit better since it would have allowed showing a blurred forest in the background while keeping the aircraft sharp. But it is not often that you have the opportunity to see a Hawker Hunter in flight these days and I played safe with the shutter speed. The ideal shot will be for another day…
CL-415s and CL-215s together in Quebec (2012 photo)
A last picture, taken few years ago, during autumn 2012, shows numerous water bombers CL-415 and CL-215 parked at the Quebec Jean-Lesage international airport (CYQB). During the off- season, the water bombers are brought back to Quebec City from the different bases were they have been in operation during summertime.
For other articles on aviation and photography, click on the following link: Aviation photography
Obviously, the Canon 5D MKII is not the ideal camera for sport photography, but it still can offer very good results with its full frame sensor. You don’t get a high number of frames per second, but you get the benefit of a bigger image than one produced with an APS-C sensor. I was thus able to capture the full take-off run of this Canada goose in Victoria, British Columbia, while leaving enough space on the right side of the frame, which was essential for a balanced photographic composition.
Deer move freely in Victoria’s Uplands sector and you can easily find them on private property lots. Since they are so numerous and have no natural enemies, the city has imposed new regulations to control their ever growing number. The picture above was taken from my vehicle: it was only necessary to slow down and proceed quickly to capture the animal while it was looking at the car.
There are numerous herons in Victoria’s Oak Bay sector. This picture was taken very early in the morning, while there was a mixture of mist and low clouds and the rising sun was still blocked by some low clouds. The wind was calm. A graduated filter was nonetheless necessary to tone down the contrasts caused by a horizontal light.
Every bird has to fight for its own territory and those two herons are no exception.
While taking a little scenic cruise in British-Columbia’s Campbell River area, we were able to see numerous eagles diving to catch fishes then climbing back up in high trees to deliver the catch of the day. Pictures were hard to take since the captain had to keep the boat at a good distance from the eagles to respect their hunting territory. Moreover, it was windy and the boat was constantly moving.
The two pictures of eagles were taken with a Canon 5D MKII equipped with a Canon 70-200 f2.8L IS II USM telephoto lens. An extender (2X) was also added to increase the focal distance to 400mm. Even then, I had to crop quite a lot to bring the birds to an acceptable distance, which increased the digital noise. A quality APS-C equipped camera (like the Canon 7D MKII) would have been very useful here (10 frames per second and a reduced amount of cropping, if you are ready to compromise on the size of the image).
A full frame camera like the Canon 5DSr would have also been appropriate, with its 50.6 MP resolution, as long as a high shutter speed is selected. Due to all those pixels crammed on a regular full frame sensor (not a medium format), the slightest camera movement is recorded. But if you succeed in totally freezing a long distance shot, the exceptional resolution of the Canon 5DSr would allow you to greatly increase the size of the bird while protecting the sharpness of the image, especially now that the low pass filter has been neutralized in the model R.
On the car ride between Lake Louise and Jasper, we had to stop on numerous occasions to take pictures in the fantastic Jasper National Park. At one point, a little chipmunk, familiar with rest areas, paid us a visit hoping to add something new to his diet. The picture’s depth-of-field has deliberately been adjusted to make sure the chipmunk would be easily visible, since both animal and background had the same colours.
It was hot, very hot, during summer 2014 in the Jasper National Park. The car’s thermometer was recording 38C between Lake Louise and Jasper. Numerous forest fires were raging. So much so that we had to delay our trip towards Jasper by 24 hours since Highway 93 had been closed by authorities. Mountain goats nonetheless had to endure part of their winter fur in that very high heat…
Near Kamloops, in Alberta, we were able to observe about twenty Canadian bighorns coming down from the surrounding mountains to help themselves from the cultivated lands in the valley. The picture above was taken with a Canon 70-200 f2.8L IS II USM telephoto lens, almost without cropping, the bighorns being close enough.
The picture above was taken alongside the Yellowhead Highway in Alberta. We saw the bear in a field and when he detected our presence, he changed direction and started moving toward us. Here, everything is about moderation and although I love photography, comes a time when a bear is big enough in the viewfinder to indicate that it is time to retreat…
Other pictures on Western Canada will be available in the coming months…
For more articles in the category « Photos of Canada », click on the following link : Photos of Canada
Tanya Nagar is an award-winning photographer from London. Her book, “The new street photographer’s manifesto” is perfect for those who aim to improve their street photography techniques. The present article is not a comprehensive critic of her book but an overview of what a reader will find. I also highlighted some tips in photography that will help to improve the street photographer’s performance.
Tanya’s manifesto not only contains technical advices helping a photographer to improve his shots but also some tips to avoid common mistakes. Subjects include: timing, composition, shooting portraits, framing and juxtaposition, perspective and angles, the choice between landscape and portrait, depth of field, shutter speed, exposure, night photography, rule of thirds, etc.
The book’s content is divided in six categories: 1. Street Photography 2. Where & What to Shoot 3. Seize the Moment 4. Equipment 5. Digital Processing 6. Showcase.
1. Street photography requires the ability to seize a life moment with precision and timing. It is about candid shots and does not have to include humans, as long as it fixes a moment in life. It certainly can include animals (in fact, animals are a very popular subject).
2. It is best if you use a light, discrete camera (even an I-Phone). Walking with a huge camera with big lenses makes you look like a professional photographer and people will see you coming. The trick is to avoid drawing attention. Coughing while clicking drowns out the sound of the camera. You might also think of “shooting from the hip” or “shooting blind”. Those techniques are explained in the book and can be mastered with a bit of practice.
3. It takes a bit of courage to photograph situations that include people since you never know what to expect when you raise your camera. Respect the different cultures and personal space and don’t be afraid to smile and explain what you are doing. If somebody refuses to be photographed, move on, don’t dwell on the situation.
4. In order to gain experience and a feeling of security at taking pictures of people on the street, start with protests or parades.
5. It is a good thing to know the laws pertaining to photography of the country you are visiting. Police officers in some countries might be tempted to order you to delete a shot while they actually don’t have the right to. Often, a misunderstanding by police or security guards of anti-terrorism legislation leads to different interpretations and subsequently to abuse towards a photographer. Just make sure you stay up to date with the country’s regulations.
6. You might think of shooting from within your vehicle to obtain interesting results (while respecting the country’s laws).
7. Use graffitis, signs, graphical billboards, text and advertising logos.
8. Use contrasts like big versus small, light versus dark, rich versus poor, etc.
9. Bear attention to details and look for second degree interpretation of a situation.
10. Look for amusing, funny and unusual captures.
11. Make sure you master your camera in order to be quick when the perfect opportunity comes. Set most of the parameters of the camera before actually arriving on a scene (you already have an idea of the light intensity in the area and the ISO setting that will be required to obtain the speed you desire).
12. Be cautious when it comes to taking pictures of children. Societies change and authorization from the child’s parents is required almost every time.
13. “The only way to avoid missing a moment is by carrying your camera at all times”. Therefore, get something small and light.
The book holds a section dedicated to multiple types of cameras: rangefinders, SLR and DSLR, four thirds and micro four thirds, medium format, point-and-shoot compact cameras, camera phones, toy and pinhole cameras. Their advantages and disadvantages are clearly explained.
The reader will also find some information about lenses (the best for street photography and what to avoid) and the effects obtained through the use of different type of films (colored, black and white, expired).
The fifth section of the book relates to digital processing and the basic image editing techniques like cropping, rotating, the use of the “Curves” command, as well as dodging and burning.
The final section, “Showcase”, presents many well-known street photographers from around the world, including few photos taken by each of them to allow the reader to have an overview of each photographer’s personal style and creativity. Presented in order are: Antonio Navarro Wijkmark, Brian Quentin Webb, Charlotte Gonzalez, Claire Atkinson, Danny Santos II, Felix Lupa, Ferhat Çelik, Mustafa Abdulaziz, Ronya Galka, Seamus Travers and Severin Koller.
This is certainly a very interesting and practical photography book that will help you avoid costly mistakes (missed photo opportunities or buying the wrong photography equipment) while helping you to improve your knowledge on street photography as much as the quality of your shots.
Here is a link towards Tanya Nagar’s website: Tanya Nagar