L’homme en mouvement, de l’auteur Patrick Straumann.
A biography generally tells the story of a person who has made an impact on his or her environment and society. Why, then, take the time to write a book about the existence of a completely unknown individual, who passes through life like a ghost?
Paul Reichstein, “l’homme en mouvement (the man in motion)”, is the enigmatic great-uncle of the author, journalist Patrick Straumann. The latter has carried out an extensive research to find out more about this “black sheep” of the family.
Why “black sheep”? Because Paul was born into a talented family, one of whose brothers, Tadeus (nicknamed Tajik), even won the Nobel Prize in collaboration with two Americans for having succeeded in isolating cortisone. His other brothers all went on to earn degrees that launched them into life. Except Paul, who is interested in everything, but quickly tires of one subject or one place.
Paul was born in Kiev in 1905 and spent his youth in Switzerland, specifically Zurich. He went everywhere, but only briefly. We find him in Russia, where he witnessed the return of the survivors of the Chelyuskin icebreaker . He worked in a tractor factory during the Stalin era and also became a mountaineering instructor where he climbed very high mountains for the glory of the Stalinist regime. (See also “Les alpinistes de Staline” on my blog).
He also joined the US Navy as a soldier. He managed to be expelled twice from Switzerland, did a stint in prison, sailed the Pacific Ocean working for the merchant navy, sold land and cabins in Anchorage, Alaska, and worked for several months in a mine in Chile, before making a detour to Australia.
He was hospitalized for accidents in Rochester, Oakland and Yokohama. We also follow him to San Francisco, Baltimore, Palm Springs, the banks of the Volga, Pusan, Seoul, China and the Philippines.
He died in 1995 and, having outlived all his brothers, there were only a dozen people at his funeral who didn’t know what to say about this elusive “man in motion”.
In 140 pages, the author succeeds in painting a generous, non-judgmental portrait of this great-uncle. Paul’s troubles and wanderings make this man very endearing.
Click on the link for more biographies on my blog.
Sphinx astronomical observatory on the Jungfraujoch in Switzerland.
The latter is located in the Jungfraujoch pass in Switzerland, at an altitude of 3571 meters (11,716 feet MSL).
The construction of this station was a feat of engineering at the time, but cost the lives of many workers. One does not make one’s way through a mountain range with sticks of dynamite without the occasional unforeseen agenda imposed by nitroglycerine.
The train can therefore only reach this station by traveling inside the mountains on a steep slope requiring a hydraulic mechanism to pull the train forward. The tourist must trust the engineers and the technical support…
To remind myself of our trip to this region, I thought of taking a virtual helicopter flight from Lauterbrunnen to land directly on the platform of the Sphinx astronomical observatory, this world famous tourist attraction of the Jungfraujoch. Fortunately for me, the company Red Wing Simulations recently created a virtual scene including these two magnificent sites.
Lauterbrunnen, Switzerland and the Microsoft Flight Simulator Bell 407.
Flight simulation enthusiasts will be well advised to use the Bell 407, as the operating limit of the Guimbal Cabri G2 provided by the Microsoft flight simulator is capped at 13,000 feet. It is best to fly with a slightly more powerful aircraft when maneuvering at this altitude.
Airborne from Lauterbrunnen, Switzerland, with Microsoft Flight Simulator 2020.
From a green landscape in the summer one gradually flies towards the eternal snow of the highest peaks in the Valais.
Getting closer to the Jungfraujoch, Switzerland.
The scenery was spectacular on the train and it is just as spectacular in virtual flight. A mechanical problem with the helicopter in this environment of grandiose cliffs would leave little chance for the pilot.
Approaching the Sphinx Observatory on the Jungfraujoch, Switzerland.
Here we are on approach: it is possible to land on the platform of the Sphinx observatory, but the pilot needs to be prepared for wind shear and unforeseen clouds at this altitude while taking care during the approach to avoid touching the flagpole and the protective fences surrounding the platform.
The Sphinx observatory on the Jungfraujoch with the Bell 407 helicopter on the platform using Microsoft Flight Simulator.
The Red Wing Simulations company has done an outstanding job designing this virtual scenery. In the photo below, you can even see skiers at the bottom of the cliff warming up before their first run.
Red Wing Simulations skiers at the base of the Jungfraujoch observatory on Microsoft Flight Simulator.
Even if the virtual scene includes something other than Lauterbrunnen and the Jungfraujoch, the pleasure of making a successful approach on the Sphinx platform alone is worth the cost of acquiring the software.
The Sphinx observatory on the Jungfraujoch and the helicopter on the platform using Microsoft Flight Simulator
Microsoft Flight Simulator and Red Wing Simulations representation of the Jungfraujoch Observatory platform.
Street photography: a bike for everyone and every age!
There is a motorcycle style for everyone and those two travelers seem to have found the model they would like best if they had the opportunity to get back in time and lose a few years. The street photography was taken in the Grimsell Pass, in Switzerland, in July 2013. Even during the summer, drivers must verify if the Grimsell Pass is cleared of snow before attempting a ride in the area…
For other street photography pictures posted on my site, click on the following link:
Gruyères and the Moleson in the background, Switzerland 2013
The city of Gruyères is located in the Prealps, in the Friburg County in Switzerland. It is a very charming small medieval town where cars are forbidden (the white van shown in the picture above is only used for morning delivery). In the city, one can visit the Gruyères Castle (Château de Gruyères), the H.R.Giger Museum (creator of the “Alien” in the movie Alien), the Tibet Museum, a cheese factory and boutiques. There are also some restaurants.
In the picture above, shot with a Canon 5D MKII, it is possible to see the Moléson in the background, a mountain that rises only 512 metres above the surrounding terrain but is still at more than 2000 meters above sea level. It is a tourist attraction that should not be neglected since it is very well equipped for all types of visitors, with a funicular and cable car. The visitors also have access to very interesting walking paths, for all ages and experiences.
Moleson cable car, in the Gruyeres region, Switzerland 2013
When you use a cable car and do not see where it is leading due to the presence of clouds, you have to trust human engineering. But we are in Switzerland, so it should be all right!
The Moleson cable car, Switzerland 2013
The Moléson summit offers superb views. The small cumuliform clouds visible in the morning around the mountain progressively lift up due to daytime heating and eventually become beautiful cumulus clouds that add life to any pictures.
Moleson summit in the clouds, Switzerland 2013
Once on top of the Moléson, it is possible to use a modern metal stairway to gain even more height and access a platform allowing an unobstructed panoramic view. The picture above was taken with a Canon EF 16-35mm f2.8L II USM wide-angle zoom lens equipped with a polarizing filter.
Metal stairs leading to an observation post on top of the Moleson, Gruyeres region, Switzerland 2013
When ready to go down the mountain, the visitor has two choices: travel with the cable car and funicular he used when coming up, or slowly walk along an easily accessible path through beautiful green landscapes. The more experienced trekkers might decide to walk along the crests of surrounding mountains. We chose to walk on paths covered with flowers.
Path on the Moleson, Switzerland 2013
Back to Gruyères, a visit of the Château de Gruyères and both museums is a must, as well as a tour of the cheese factory. You might want to spend some time in the boutiques too and try the local restaurants. It is also the moment to take a few pictures…
Inside the Gruyeres medieval city, Switzerland, 2013
The old architecture of the buildings in Gruyères as well as the neighbouring countryside allow for very interesting photographic compositions. A well-known photography technique consists in using an opening in a building and using it as a second frame (a frame within a frame). I made sure that the background was clear enough to improve the visual effect. An aperture around 16 allowed for an appropriate depth-of-field.
Spiraling stairs in the Gruyeres Castle, Switzerland 2013
The picture above shows a spiraling staircase inside the Château de Gruyères. I can barely imagine what the results would have been if I had had access to the new Canon 11-24mm wide-angle lens. But nonetheless, the Canon EF 16-35mm f2.8L II USM zoom lens did a good job.
The beauty of the full frame sensor mounted on the Canon 5D MKII DSLR is that a wide-angle shot taken at a 16mm focal will stay at 16mm while with a smaller sensor, like the APS-C, the photographer is facing a conversion factor of 1.5 or 1.6X, which transforms the 16-35mm wide-angle into a 24-52mm, in the best of cases. The APS-C sensor is interesting when used with a telephoto lens but a bit less when comes the time to take wide-angle shots.
The picture below presents the Château de Gruyères seen from a neighbouring field.
Gruyeres old architecture, Switzerland 2013
As the sun was setting down, I tried a shot from inside the castle. It was interesting to see the two little boys standing up alongside the wall and admiring the sunset. At the same time, it was possible to see the Moléson in the distance, its summit hidden in the clouds.
Due to the strong light contrasts, it was necessary to use a Hi-Tech ND graduated filter installed on my Canon 16-35mm wide-angle zoom lens. The Digital SLR Photography magazine, in one of its recent editions, made a comparison between ND grad filters and indicated that the Hi-Tech filter had a slight magenta coloration instead of a neutral grey. I think it is easily visible in the picture below. The photo could have been corrected with Photoshop but I thought of keeping it as it was since the scenery looked somewhat unreal already.
View from the Gruyeres Castle and the Moleson, Switzerland 2013
Once the sun was below the horizon, the more subtle colours gave a totally new look to the countryside. On the picture below, it is possible to see on the right a small path that a visitor can take to head down to the nearby village.
Gruyeres region in the sunset, Switzerland 2013
All the sceneries are not that easy to capture and it is sometimes necessary to use HDR photography to extend the dynamic range and take care of extreme light contrasts. The photo below needed five different exposures that were subsequently processed with the Photomatix image editing software. Useless to say, it was necessary to use the mirror lock-up function, a tripod and a remote control release.
View from the Gruyères Castle, Switzerland, in HDR 2013
Here is, as the final picture, an idea of what is waiting for you at the H.R. Giger Museum. If there is a strange but very interesting museum, it is this one.
Artwork in front of the H R Giger Museum, Gruyeres, Switzerland 2013
Other pictures of Europe and around the world will be posted in the coming months…
There are seven very interesting articles, in the non-fiction category, in this anthology. Published between 2009 and 2013 in publications like The New Yorker, Vanity Fair, Esquire, Men’s Journal or Q2U.S, they allow the reader to catch-up on events that happened around the planet.
Those stories received a lot of attention from the medias since they covered popular topics like a mid-air collision between two jets, a jewel heist by the Pink Panthers, a botched covered operation by Mossad, wild animals freed by their owner near a small American city, the son of a wealthy American who suddenly leaves United States for Lybia to fight against Khadafi. The reader can also learn more about Apollo Robbins, the king of pickpockets and, finally, comes the weird story of a film making that started in 2006 in Ukraine and is still not ready today.
Le diable à 37,000 pieds (The Devil at 37,000 feet)
This story presents all the elements that contributed to create a mid-air collision: a new crew recently trained on an aircraft loaded with a modern technology that makes flight management more complicated than anything else; air traffic controllers letting their expectations impear their judgment; tired and under pressure careless pilots; passengers disturbing the flying crew by visiting the cockpit on multiple occasions.
It is paradoxal to realize that the extreme precision offered by modern flight navigation equipment also increases the possibility that two aircrafts hit each other in flight.
Pink Panthers
A popular name that sends the reader back to the movies where Peter Sellers played a distracted police inspector. But the article is about the real thing: What circumstances favored the creation and international development of the multiple groups of thiefs that came to be known as the Pink Panthers.
The different Pink Panthers groups have robbed more than 152 jewelry stores since 2002 and pocketed around 250 million dollars. The reader learns that most Pink Panthers members come from the Balkan region and that they operate from Italy, France, Belgium, the Netherlands, Denmark and Switzerland.
The author uses the opportunity to explain how the Milosevic’s gangster regime was put in place in Serbia, a State transformed into a criminal business: “In March 2001, soon after the fall of Milosevic, we discovered, in a safe rented by municipal civil servants from a Belgrade bank, more than 660 kilos of a 93% pure heroin, valued at approximately 100 million dollars on the street”.
Montenegro is also associated with significant banditry and the author tells us about a meeting he had in that region with a former Pink Panthers. In order for criminal groups to survive and develop, there is an essential collaboration with politicians and the border services staff.
Opération Dubaï (Dubaï Operation)
In January 2010, a Mossad team lands in Dubaï with the intention of killing Mahmoud al-mabhouh. The agents are part of an ultra-secret section called “Césarée”. Although they reached their goal, the mission was somewhat a failure since it was possible to determine very rapidly who were the killers, which embarrassed Israël.
The article recounts the general progress of the operation in Dubaï and enhances the important mistakes that eventually damaged the Mossad’s reputation for efficiency.
Here are some of those mistakes:
1. Agents are sitting for hours in a hotel lobby, thus attracting the staff’s attention.
2. Two members of the team head towards the hotel washrooms, where they change their appearance by using a wig and sunglasses, all this while their physical transformation is filmed by an hotel camera positioned near the toilet’s door.
3. The man in charge of planning the covert operation has a huge ego and does not tolerate criticism or a difference of opinion.
4. Carelessness is shown when the team members are equipped with Payoneer prepaid calling cards. Those cards are mostly used in United States and the Payoneer’s director, Yuval Tal, is a veteran of the Israel’s Defence Force elite commando. While they were at it, why not give a Mossad colored business card directly?
5. The person in charge of the operation greatly underestimates the capacity and will of Dubaï’s police force to find the culprits behind Mahmoud al-mabhouh’s death.
6. Every phone call made by the team transit through the same system located in Austria.
An increase in the number of operations lead by Mossad certainly contributed to the non-compliance with respect to the security protocol. Meir Dagan eventually had to step down and the relations between the Mossad and other occidental intelligence services were impacted.
La désertion des animaux du zoo (Animals)
This is a very interesting account of an incident that made the news around the world. At the end of 2011, in Zanesville, Ohio, the owner of about fifty wild animals killed himself, not without having precedently opened the cages of all the wild animals he was keeping on his private property.
The story allows us to share a bit of the emotions lived by the inhabitants living close to the private zoo. We witness the quick reaction and organization needed to face the lions, tigers and bears that are now free to go where they want in the fields near Zanesville. It’s a very well written story.
Vacances de printemps arabe (Arab Spring Break)
This is the story of a rich American who abandons his wealthy neighborhood to go fight against Khadafi in Lybia. This type of story, told with a humoristic approach, was possibly quite amusing in 2012. But with the departure of numerous young kids gone to join ISIS during the past few years, the tone used in the article is now kind of awkward.
Le roi des pickpockets (A Pickpocket’s Tale)
The article is about the life of Apollo Robbins, a now internationally famous pickpocket that has appeared on multiple TV programs around the world, among them National Geographic’s “Brain Games”.
Un tournage pris dans l’engrenage (The Movie Set That Ate Itself)
Through the account of a movie director’s eccentric behaviour in Kharkov, Ukraine, the reader is made aware of the exaggerated control that a human can impose on other persons. It also shows the easiness with which people are ready to accept a totalitarian control in their life. All this while the movie itself is about the dictatorship lived in Russia, more precisely in Moscow, during the fifties and sixties.
1. A picture you would never have thought possible, because of extreme contrasts between brightness and darkness, is now accessible to you through HDR.
2. For a good HDR picture, you need at least 1) an interesting subject 2) an appropriate setting or background 3) the appropriate light and 4) a wide range in contrasts. That seems basic, but HDR will not save a picture that was not thought through.
3. You need a software like Photomatix, to transform several pictures taken at different exposures into one HDR picture. But this is only the first step. You will also need another editing software to improve the general result after Photomatix has been used.
4. A tripod is required to help Photomatix align the pictures and create the HDR effect.
5. As with your normal pictures, it is always better to try to use the lowest ISO as possible.
Gruyères, Switzerland, 2013.
6. It is safer to work with manual focus. This way, none of your shots will have been influenced by external objects without you noticing. It will always be the exact same focus throughout the HDR photo session. With automatic focus, you generally notice your blurred pictures when you’re back home and then it is too late (it will often happen under low light conditions).
7. The greater the contrast, the more exposures you need to take (up to nine) in order to match the dynamic range of your eyes.
8. The idea is to take each exposure at a different exposure setting. If you need seven exposures, an example of settings would be: -1, -2/3, -1/3, 0, +1/3, +2/3, +1. You might decide that three exposures only are necessary and go for -2, 0, +2 or -1, 0, +1. The choice is yours but you must take only the required number of exposures to avoid including too much noise in your shots.
Canon, 16-35mm, HDR format.
9. Throughout your HDR exposures of a specific scene, always keep the same aperture.
10. A scene is rarely perfectly balanced with light and shadows. If there are many shadow areas in the photo you want to take, then take more exposures over the recommended settings to ensure that you caught the whole dynamic range of the scene.
A house in Sainte-Pétronille, on Île d’Orléans, autumn 2012. HDR picture.
11. Inversely, if your scene has lots of highlight areas, take more exposures under the recommended settings.
12. Setting your camera to “automatic bracketing” is preferable because all the pictures are taken quickly thus avoiding to show any blurred picture in the final HDR picture. But if you want to show the movement of water in a creek, you don’t need bracketing: just take few shots with different time of exposure (in number of seconds). Just don’t overdo it otherwise it will give place to an uninteresting undefined white surface.
13. Check your LCD monitor so that none of the highlights are blown out. There would be a loss of details. For the same reason, you must avoid to block the shadows.
14. Always work with RAW files, it gives you better results. The RAW file already provides you with more f/stops then the JPEG file, and this before the transformation in HDR has even started).
15. Of all the lenses I’m using, the wide angle lens is my preferred one with it comes to HDR photography.
Spring light in the lower town of Quebec City
16. To improve the composition or enhance the general impact, crop the picture.
17. Not all pictures are appropriate for HDR transformation. If you want a dramatic silhouette as the final result, for example, HDR will not be appropriate. It will reveal too many details in the shadows and you will lose the high contrast effect that you were looking for. With practice, you will recognize where HDR is the most effective.
18. Whether you want a realistic picture or not, you can obtain surprising results with the combined effects of softwares like Photomatix, Topaz, Photoshop, Nik Software, Lightroom, Lucis Pro and so on. It’s only a matter of taking your time to experiment.
19. If you have only one picture on hand, like a shot you took years ago, and you would like to give it an HDR effect, you can use a software likeTopaz Adjust. There is an HDR effect section in that software that allows you to get a wide range of effects. But this is not going to be nearly as good as the real HDR resulting out of many pictures. The final editing step is, most of the time, done using Photoshop.
20. An unpretentious book about HDR is “Rick Sammon’s HDR Photography Secrets for Digital Photographers”. It is simple, colorful, well written and loaded with practical informations.
Eiffel Tower at night with HDR effect
Note: All the photos were taken with a Canon 5D MKII
Facing a field of flowers, a photographer has to choose among many possibilities. Here are just a few:
1) He can choose a really beautiful flower and make it the sole point of attraction. In that case, he must decide if the background will be free of any distractions.
A rose from the English Garden in Geneva, 2013.
2) He can profit from a blurred background that is of a color dramatically opposed to the color of the chosen flower.
A tulip in the Bois-de-Coulonge, Québec City.
3) He might favor an overhead or a low angle shot. As this choice of the angle of view does not apply only to flowers, I found in my archives a low angle shot of a pear tree located in St-Nicolas, Québec. Here it is, so that you can see what kind of effect can be obtained.
Pears from Saint-Nicolas, Québec.
4) He can decide to show many flowers on the same picture, considering the interesting impact produced by all the color dots.
A field of flowers in Saint-Nicolas, Québec.
5) He might also use the flowers as accessories to direct the eye of the viewer to another point of interest like, for example, a building with special architectural characteristics.
Industrielle Alliance building, Quebec City, 2012
Flowers as accessories to improve a beautiful landscape in the background.
Sunflowers on Île d’Orléans
Photo of a part of Banff downtown, Alberta, Canada 2014
The flowers and the bumblebee are two interesting subjects; they complement each other in this picture. It would be hard for me to decide which one I prefer.
Bumblebee on a flower in the Parc du Bois-de-Coulonge, Québec City
Unless there is no other possibility, it is better to avoid shooting flowers under full sun as there will be considerable reflection on their petals. If you have no choice, use a polarizing filter, well adjusted, to reduce the undesirable effects of direct sunlight.
The ideal day to get out and take pictures of flowers is a day without wind, where there is a bright light but dimmed by an overcast sky.
The quality of colors and contrasts will be maximized if the pictures are taken during the morning or at the end of the afternoon.
Aperture has a definite impact on the final result. With a wide aperture (smaller numbers like F2.8 or F4.0) you will get a sharp subject with everything blurred around it. This will make your flower stand out. With a small aperture (bigger numbers like F14, F16), both foreground and background will be sharper, with an even better result using a wide-angle lens. Your flower will lose a bit of its impact as all the elements in the picture will now shine. Below is a picture taken in Ontario, during the Ottawa Tulip Festival.
Macrophotography:
April 2012 on the Plains of Abraham: A bee makes its way out of a crocus.
1) Remove any dirt from the plant you want to capture and choose a plant whose petals are in perfect condition.
2) Use a tripod, a remote control release and the mirror lock-up (MLU) function for better results.
3) The camera should ideally be used with manual focus, for improved sharpness. In order to verify if the picture will be in focus, look at the LCD screen and enlarge the picture (5X or 10X). You will immediately see if a minor adjustment is needed to get a sharp photo or to improve the depth-of-field.
The histogram should be checked upon taking the picture to immediately compensate for the necessary amount of light.
You can use a flash to reduce aperture. You must adjust it so that it’s not shooting at full power otherwise there will be too much reflection and you will lose all the delicate nuances of colors and contrasts.
A method that will produce surprising results is called “zoom burst”. You slowly move the zoom of a lens on all its focal length while the shutter remains open during the process. You must select a speed that is slow enough to accommodate the full deflection of the zoom. You should know that many shots are normally needed before you get a satisfying image.
Every lens offers different possibilities:
1) The macro lens is useful if you wish to capture very precise details on the flower. To add an interesting effect, you can even spray the flower lightly with water so that a few droplets remain on the petals.
2) The wide-angle lens allows you to transform an image and give it an original perspective. The effect will be more important if you shoot the flower from a special angle like, for example, from the ground up. If you must lie on the ground, use a little carpet to keep yourself clean and dry. I bought a right-angle finder to ease the workload when shooting under complicated angles. This could be a potentially interesting addition to your equipment.
3) Finally, the telephoto allows you to pick a particular flower and, because of compressed perspective, offers you a background filled with multiple colors.
Let’s end this section with a mushroom picture. The same principles apply with regards to simplicity, settings and angles of views. I could have chosen to show only an oversize shot of a mushroom, or take only part of it, but I preferred an approach that would allow me to show the radically different shapes of the specimens found at the Laurentian Forestry Center in Québec.
Mushrooms around the Canadian Forestry Service building , Québec 2014.
View from our hotel room in Schwanden, Switzerland 2013
Here are some of the pictures recently added to the Europe photo gallery. Schwanden, in Switzerland, was a superb discovery as the hotel was in the countryside but at a very reasonable distance from a big city like Bernes. This is an HDR picture, as the contrasts were just too important between the shadows under the balcony and the natural light of the sky. The Schwanden picture represents in fact five shots each taken with a different exposure. Photomatix is the software used to mix together all the pictures. Have a good visit in the photo galleries!
