An evening after the rain at the Station de la plage, Québec 2024
A few Quebec City residents enjoy the last glimmers of daylight at the Station de la Plage, as the showers of the previous hour precipitated the departure of the other occupants.
Radar echoes showed towering cumulus clouds (TCU) approaching the area at around 19:00. These usually produce short-lived showers, letting light through here and there between the cloud formations.
For a photographer, the first ingredient in capturing a special sky is present.
The second prerequisite is that the setting sun’s rays travel a greater distance through the atmosphere, unblocked by a distant weather system. This makes it possible to observe such impressive shades of pink and red. So, we check the forecast to verify that this is no weather system coming the next day.
These two conditions greatly increase the chances of an interesting sky at dusk. It doesn’t always work, but let’s just say that planning improves the likelihood of a successful photo shoot.
That’s what happened on this August evening in 2024.
Evening sky visible through the installations at the Station de la plage, Québec 2024
The photo above shows the shades of sky visible through the openwork ceiling of the Station de la plage. I like the minimalist look. It vaguely reminds me of the paintings of Canadian NewfoundlanderChristopher Pratt. For him, the primary interest lies less in the representation of an architectural structure as such than in the addition of light that will transform the viewer’s perception.
Profiting from the strong winds at île d’Orléans 2024
A single-day visit to Île d’Orléans for a photography session was enough to capture a wide variety of cloudy conditions in April 2024. In spring, when unstable, humid air crosses the mountain range north of the St. Lawrence River, you can expect anything on the island. Above, a kitesurfing enthusiast practises his art between localized showers. All he cares about is strong winds.
Coloured houses of Île d’Orléans. Spring 2024.
A few kilometers from route du Mitan, colourful houses and a bit of blue-sky contrast with the showers elsewhere on the island. You can see that the cloud layer in the distance is not very thick.
Looking north from île d’Orléans, Spring 2024.
Above, a towering cumulus (TCU) approaches the St. Lawrence River in the late afternoon from the north. It is likely to cross the river towards the island, if it has not lost some of its strength, in the meantime, due to subsidence, the phenomenon that forces air to compress and warm as it is forced down a mountain range.
Sailboats on île d’Orléans. Spring 2024.
The shape of the clouds in the photo above gives a good indication of the strength of today’s winds. You can hear it whistling through the ropes and between the masts of the sailboats at the marina in the municipality of St-Jean, île d’Orléans. At the time of my visit, some owners were preparing their boats for the warmer periods of May.
A house on île d’Orléans, Spring 2024.
I really like the scene above, but I admit that some might find it dark, if not sinister. It was this slightly disturbing aspect that caught my attention and that I tried to capture.
A boat requires repainting on île d’Orléans, Spring 2024.
In this last photo, the sky is practically clear. It is then easier to obtain better contrasts. A pseudo-HDR treatment brings out the paintwork on a boat that has seen better years.
The photography book « Full Frame », by David Noton, was written in 2010 but the content is still totally pertinent today. It’s possibly the best photography book I’ve ever read. The images are fantastic and the text is loaded with practical and accessible information.
Photography book “Full Frame” by David Noton
The author is known as one of the best landscape photographer in the world. Every page of his book is divided in three sections: before, during, after. This means that you read about everything that the author had to deal with as he travelled around the world with his wife to capture landscapes: the preparation, technique, priorities, obstacles, successes, etc.
All along the book, I had the feeling that a friend was writing me since the text is written with a light and humoristic approach in mind, and certainly without pretend. Here are some of his remarks and advices:
“Luck is where preparation and opportunity combine.” (p.38) This certainly applies to everything we do in life.
“Stick with the full frame quality and crop as when required, keeping all the [sensor’s megapixels] information in reserve”.
“Sometimes a new lens or format will serve as a catalyst for a whole new way of looking. It’s all part of the evolutionary process.” (p.64)
Sharpen all digital images. Pictures are made of square pixels and need microadjustments.
To choose among your interesting similar photos which one is the best, start with a very good one and compare it with each other photo, one at a time, throwing away the ones that are inferior. You will save a lot of time.
A bit of blinking in the highlights is not terrible since RAW files can easily be adjusted. Don’t forget that the camera’s monitor shows an histogram adjusted for JPEG files.
Use a grad filter to control the contrasts only, not to add mood or create an artificial contrast.
There is no need to always show the tops of mountains.
“The best pictures are the simplest. Composition is the art of knowing what to leave out.” (p.71)
“Be flexible and strive to extract the most from seemingly adverse conditions.” (p.77)
“For wide angle views on the world, a full-frame sensor is imperative.” (p.93)
Back cover of the photography book “Full Frame” by David Noton
“Scout the location, analyse the options in different lighting situations, previsualize the image, plan the shoot then keep returning until it’s nailed.” (p.113)
“Location finding is everything; the photography is the easy bit.” (p.125)
“Don’t be afraid of “blinkies” in the brightest part of the sky where the sun shines through […]. We don’t expect to see detail there.” (p.138)
“Using movement is an essential technique in a photographer’s repertoire.” (p.143)
“The classic, golden rule of thirds is a good starting point, but it’s only a guideline to ignore at will.” (p.149)
“A camera’s sensor is not a linear device so the right half of the histogram contains far more information than the left. Those apparently overexposed images, when processed with the brightness brought back to the desired density, will have richer tones and less noise than a frame exposed to the left.” (p.153)
“We photographers can only continue to improve if we keep pushing ourselves.” (p.187)
The Nav Canada flight information center (FIC) in Quebec City (CYQB) does not normally take calls from the general public since air traffic services are centered on the needs of pilots.
But a particularly urgent situation sometimes dictate a more flexible approach. I remember a telephone call we received on the 800 line, during a very hot summer day of 2007. A worker in charge of the installation of dynamite in a mine in the Abitibi region told the flight service specialist (FSS) that he was working for a big company and that an important blasting operation was to be undertaken soon. He was in the middle of the blasting site, having just completed the installation of the detonators and explosives on the whole area.
He was wondering if there could be something he did not know about the weather since there were very dark clouds coming his way. The flight information center FSS was aware of the meteorological situation in Abitibi, and it was certainly not appropriate for a blasting operation. The caller was told that gigantic thunderstorm cells were forming in his sector and that the lightning detectors were already recording hundreds of strikes.
His actual position, in the middle of detonators and dynamite, was certainly problematic, to say the least. Without asking anything else, he told us that he was getting out of the site quickly…
Cumuliform clouds add energy to any photo. Even photos in black and white benefit from them largely, whether it is for a normal or an HDR photo.
Cumuliform clouds add dynamism to this Abbaye du Mont St-Michel scenery. France (1978)
Black and white HDR picture of lamp posts installed along the St-Lawrence, Quebec City 2012.
The stratiform clouds add to the tranquillity and the stability of a photo.
Daytona Beach under stratus clouds in 2011. The end of the afternoon allows the fresh air from the sea to move over the heated land, which helps create few cumulus fractus, visible near the buildings.
Clouds including a stratiform and cumuliform components (stratocumulus) produce an effect that is more energizing than the simple stratus, while avoiding the explosion of energy of the cumuliform clouds.
A stratocumulus adds to this otherwise peaceful scenery captured on board the Lyria train between Paris and Geneva in 2013.
The cold front
The approach of a cold front enhances the possibility of interesting photos. If it is a fast moving cold front of moist and unstable air, the photos will probably be more spectacular, as some thunderstorms will be associated with the system. A dew point of more than 15 C indicates the presence of a lot of water vapor which can be transformed into precipitation, thus releasing a lot of energy. When these conditions are combined with a really strong contrast between the new air mass which approaches and the one which goes away, the produced meteorological phenomena will certainly be intense.
In the photos below, the meteorological system approaching the Quebec Jean-Lesage international airport also had to cross a small mountain range.
A roll arcus cloud in development ahead of a thunderstorm approaching the Quebec Jean-Lesage airport in 2012.
A roll arcus cloud in development ahead of a thunderstorm approaching the Quebec Jean-Lesage airport in 2012.
View under a developing arcus cloud at the Quebec Jean-Lesage international airport (2012)
An arcus cloud ahead of a thunderstorm approaching the Quebec Jean-Lesage airport in 2012
A roll arcus cloud ahead of a thunderstorm heading for Quebec City in 2012
The morning fog
The morning fog offers many opportunities for interesting photos. You can choose an isolated tree and capture the combined effects of the morning sun and fog. Or you may choose a cluster of trees, for a completely different effect. Both photos below were taken in Domaine Cataraqui, Quebec City.
Trees in fog at Domaine Cataraqui, Quebec City 2009
Sun and fog provide for a special atmosphere at the Domaine Cataraqui, Quebec City 2009
A morning fog resulting from a cold cloudless night will persist for hours if there is no wind. The cold morning air, motionless over a slightly hotter stretch of water, creates a fog that will finally disappear just before noon, when the atmosphere has been heated enough. If there had been an overcast sky during the night, chances are that the air over the water would have remained at a higher temperature, preventing the formation of fog.
The opportunities for more interesting photos arise when you witness the first holes in the fog layer.
The Ocean tugboats during a dense fog in the Bassin Louise in Quebec (2012).
We can take into account the season to estimate the speed of the diurnal reheating of the lower atmosphere. A morning fog will need more time to dissipate from late autumn to early spring: that leaves more time for the photographer to prepare. The forecasts can announce the disappearance of fog while it will not be the case if, over your sector, there is an invading layer of stratocumulus preventing the morning sun from reaching the ground.
To determine if the fog is going to dissipate as expected or will remain and possibly intensify, watch the difference between the temperature and the dew point on the hourly meteorological observations issued by weather stations near your place of residence. If the temperature and dew point spread increases, the fog is going to lift. If the difference between those two decreases, the fog is going to persist and possibly intensify.
The mist
The mist can be qualified as such when the visibility is superior to ½ mile, but do not exceed 6 miles for an observer on the ground. If the visibility is of ½ mile or less, it is called fog. This photo of the Bic National Park, near Rimouski, shows the interesting effect that the mist adds to a beautiful landscape.
Mist in the Bic National Park, Province of Quebec (2009)
Hot and unstable air in winter
When there is a warm and unstable air advection (about 0 degrees) while winter has already settled, there are good opportunities for photos. A moderately developed cumulus produces significant snow showers and this snow sticks on all the surrounding objects. All that snow would have begun to melt on contact of objects if the latter had had a temperature superior to zero degree. But, the winter being already settled, the snow persists. It gives enough time to capture some souvenirs.
A Quebec City street after a snow shower
The local effects
A photographer might benefit from learning about the meteorological local effects influencing the regions he intends to visit. The local effects are often simple to understand and they repeat themselves regularly, according to wind and season changes. The knowledge of these effects allows the photographer to be ready and position himself even before the phenomenon occurs. It limits the comments like: “If I had known that it would occur, I would have settled down here one hour earlier!“
The local terrain as well as large size bodies of water produce predictable meteorological phenomenon that can be used by a well prepared photographer. It can consist of persistent fog, repetitive snowstorms over a small sector, strong winds, cumuliform clouds alongside the mountain summits, etc. By being positioned at the right place, at the right time, the desired photo can be realized.
A change in the wind direction
A change in the wind direction suddenly increases the opportunities of interesting photos. It might announce the approach of a cold front, a warm front, a sea or land breeze, etc. In the photo below, a bit of fresher air suddenly began crossing the St-Lawrence seaway at the end of the day, thanks to the approach of a weak cold front. The water was still relatively warm and the moisture which was present over the surface became visible due to the cool air supply. The conditions were now ideal for a short-term thin fog, as long as the wind speed would not increase. Just in time for a photo.
The new wood pellets silos in Anse au Foulon in Quebec City en 2014
Familiarization with weather radars
It can be useful to get acquainted with weather radars which, for the needs of photography, remain simple to interpret. Multiple echoes of small dimension with a steep gradient of various colors indicate precipitation resulting from cumuliform clouds. The showers associated with these clouds are often moderated or strong and will be the result of approaching towering cumulus or cumulonimbus (thunderstorms). A towering cumulus presents a dark base and a white summit to the photographer. At sunset, their vertical development can be used to emphasize the last rays of light.
The side of a towering cumulus (TCU) is benefiting from the remaining sunlight over Quebec
Large echo areas of similar colors of low intensity indicate a relatively stable air generally producing steady light rain or drizzle. This should be understood as a possibility of increased humidity limiting the visibility through mist or fog.
Hoar frost
Hoar frost is a short-term phenomenon. It is thus necessary to capture the scene before the sun melts everything. The photo below shows some small twigs on which hoar frost has settled. It was taken at the beginning of the seventies. Although the quality of the photo is not exceptional, the meteorological phenomenon is well demonstrated.
A combination of snow and hoar frost observed on a Quebec field in 1976.
Forest fires
Wishing to make photos of western Canada during summer 2014, I came up against a season where hundreds of forest fires were raging. The smoke was covering some parts of Alberta and British Columbia. Some fires were important enough to require the closure of the sole highway connecting Lake Louise to Jasper. I thus decided to include the effects of those fires in the holiday souvenirs.
A visibility reduced in forest fire smoke allows a photographer to obtain, without special editing, sunsets with interesting colors.
Sunset and smoke from forest fires in Kamloops in 2014
The smoke also produces an effect similar as fog, but a fog which would be impossible to obtain at the end of a summer afternoon while the sun shines and there is a 38 degrees Celsius temperature.
An area near Kamloops, Canada, that was touched by forest fires in 2014
At dusk, the residual smoke is visible near tree tops while the setting sun strikes the mountain side. The effect is of two horizontal lines of complementary colors, blue and orange.
Forest fire smoke and sunset combined in Lake Louise, Alberta en 2014
A roll arcus cloud in development ahead of a thunderstorm approaching Quebec in 2012
In the “Improve your pictures” section of this web site, there is a page titled “Photography and weather” . In few days, this page will hold about twenty pictures and information that can help photographers profit from the best that nature has to offer. The picture above represents a roll arcus cloud in development that is preceding a violent thunderstorm that was approaching Quebec City in 2012. The most interesting clouds were formed as the system was moving over the Val-Bélair hills near the airport.
(Precedent story: illegal fishing on the Innuksuak river)
An Austin Airways Twin Otter is getting airborne during a snow shower in Inukjuak, 1982. In the background, the Environment Canada upper air station.
A Transport Canada manager had to occasionally leave the comfort of his office in Montreal to visit one of the flight service stations located in Northern Quebec, in the Nunavik. So in 1982 he made the journey to Inukjuak (CYPH), using Nordair for the leg between Montreal and Kuujjuarapik (CYGW).
From there, an Austin Airways Twin Otter brought him to Inukjuak. But few minutes after the aircraft was airborne from Kuujjuarapik, the cloud base dropped dramatically and the pilot later told the flight services specialists (FSS) in Inukjuak that he had made the trip with no more than 200 feet of clearance between the Hudson Bay water and the clouds.
The airplane arrived in Inukjuak during the afternoon. At dinner, the chef offered a hot meal, but the manager refused to eat anything, stating that he had absolutely no appetite. He later told us that to see the surface of the water so close to the plane and feel the mechanical turbulence throughout the trip had cut his appetite. The flight services specialists realized that their manager was not very comfortable with “non standard” flights.
An Austin Airways Twin Otter on takeoff from Inukjuak in 1982.
On the return flight, he was the sole passenger on board, the remaining space being occupied by cargo. The FSS knew the pilots very well and asked them a small favor, which was a takeoff with a tight turn to the right. This was done skillfully and certainly created a surprise with the traveler.
On the flight back to Montreal, while on a stopover in La Grande (CYGL) he sent us a message via the La Grande flight service station teletype that spoke volumes about his appreciation of the turn. I must say, in all honesty, that the pilot had given more than the client requested, and that the traveler had the chance to experience a 70 degree right turn. It was enough to keep him from traveling up north for a while.
