While I was walking in Old Quebec, I stopped to watch Tom White, a local artist, work on his hand-made Easter eggs. We talked for a few minutes and he agreed to let me take a picture of him at work.
For other photos on the province of Quebec and also Quebec City, click on the following links from my blog:
The photo above was taken with a Canon 5DSR full-frame camera in Victoria, British-Columbia. The exact location is a beach in Oak Bay called Willows Beach.
In many cities around the world, the trend is to install used pianos in unusual places hoping that citizens and tourists will take a few minutes to try their hand at the instrument. While a young girl was starting to play on this piano left beside Willows Beach, a young boy appeared in my viewfinder, upside down on his father’s shoulder. To each his own.
In the distance, it is possible to see the sailboats of the Oak Bay Yacht Club and the Washington State Olympic Mountains, in the United States.
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These teens from Quebec City work hard at walking on the side of a stonewall near the St. Louis Gate in Old Quebec. Their efforts deserved a picture.
The picture was taken from far away, that is from a point located on the other side of the St.Louis street.That way, they did not realize that they were being photographed, which allowed them to stay natural. That is one of the principles of street photography.
Behind the people is Quebec City’s lower town. The city lights are visible since it was close to 9 PM when the picture was taken.
I was able to take a sharp picture from really far away only with the help of a Canon EF 70-200mm f/2.8L IS II USM telephoto lens mounted on a Canon 5DSR full frame camera that is equipped with a 50.6 megapixel sensor. Some significant cropping was then necessary to bring the action even closer to the viewer.
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The children in the picture above immediately reminded me of my youth. In the ‘60s, video games had yet to be invented and we were often outside trying to create new situations in which we could take risks without serious consequences.
The kids are playing on a beach in Parksville, British Columbia. For how long will the boy be able to stay dry in his rubber boots? His sister seems to realize more than him the situation in which he has put himself. Maybe it is already too late to return to the beach before the next wave…!
The scene was caught with a Canon 5DSR full frame camera.
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This street photography shot, taken in Paris with a Canon 5D MKII full-frame camera, works better in the French language since the word « occupé » placed on the banner plays a crucial role. In French, “occupé” can mean that there is a labour unrest and that the activity of a company is being disturbed by its employees. “Occupé” can also mean “busy”. This street photography shot uses both meanings.
In the background, some people are removing the stickers that have been placed on the wall of a store representing an international company. One can see the word “occupé” written on a banner, which here means “labour unrest”. In the mid-plane, everyone is in movement. Each person is looking somewhere except toward the foreground where a beggar without legs waits for donations.
Three levels of wealth are represented in the picture. There is the fortune associated with the owner of a very well-known international company (the name is mostly hidden for legal reasons), there is the standard financial situation associated with the citizens in the mid-plane and there is the beggar’s financial situation.
I wanted to include the word “occupé” (busy) in the photo in order to express something else: people who are walking and who seem to benefit from an acceptable financial situation do not have any time for the man who cannot walk and who certainly does not benefit from an acceptable comfort. The banner announces that everyone is “occupé” (busy).
A green apple, put down on the sidewalk in front of the beggar, and a green bag behind him seem to summarize the belongings of the disabled beggar.
For other street photography pictures posted on my site, click on the following link:
In 2017, Quebec City has opted for a decentralization of the Carnival activities which where always organized on the Plains of Abraham. Part of Grande-Allée was blocked to traffic and other activities where also held in the parc de l’Amérique-Française, the parc de la Francophonie and at Place d’Youville, in the hearth of the touristic sector.
This new formula seems to be a success, according to the number of people met during my photography sessions on the different sites. Children, as usual, were not really bothered by the cold temperature et found a way to have fun. The picture below was taken while the wind chill factor was -20C.
The parc de l’Amérique-Française was receiving the international snow sculpture contest. Many countries were present: Argentina, Canada, France, Germany, Italy, Mexico, Morocco, Peru and the United States. Italy won the first prize with an excellence award from the Quebec Carnival, added to an award from the public and the benevolent staff. The Italian sculptors were Pietro Germano, Samuel Bonapace and Gino Casagranda. The picture below represents one Italian sculptor at work.
The second prize, with a Government of Quebec award, was offered to the team from France, who was composed of Pascal Veuillet, André Marastoni and Éric Margery. The pictures below show the work in progress and a French sculptor taking a few minutes to talk with a citizen. He does not seem too annoyed by the cold weather…
The team from Canada won the third prize, with an award from Quebec City. In the team were Jessy Armand, Michel Proulx and Mathieu Béchard. The pictures below represent two of the Canadian sculptors at work.
Some sculptures had a really original look. Instead of capturing the whole creation, I decided to frame a section of one of the sculpture in order to emphasize the artwork.
All the pictures have been taken using a Canon 5DSR full-frame camera equipped with a Canon EF 85mm f/1.2 II USM lens, with or without tripod, depending on the amount of light available. The picture above was shot using a 1.2 aperture to maximize the blurred effect in the background. It was then reworked using two different image editing softwares.
For a better idea of all the activites organized by the Quebec Carnival, head towards the following official and bilingual site: Quebec Carnival official site
For other photos on the province of Quebec and also Quebec City, click on the following links from my blog:
It is essential to always carry a camera in order to profit from the rare opportunities and coincidences offered in everyday life. This is now getting easier with the miniaturization of cameras and the popularity of intelligent cellular phones.
The street photography above, that I took in London in 2015, offers a good example of an ephemeral subject that a street photographer should not miss.
A policeman posted in front of an embassy is having a chat with a citizen. This normally innocuous situation is suddenly rendered more interesting because of the difference in size and the relax attitude between both interlocutors. They have almost the same posture and are dressed in the same colors. Here, the skin color is not the dominating subject although it certainly adds some interest.
For other street photography pictures posted on my site, click on the following link:
Choosing what is important in a camera
Since there is actually no camera that has everything, whatever the brand, the buyer of a new camera must make choices: the type of sensor, the number of megapixels, the weight and size of the camera, the automatic focus’s speed and ability to follow a subject, the number of images per second, the performance under low light, the possibility to greatly enlarge a picture while maintaining its quality, advanced video functions, electronic communications with other devices, an extensive choice of lenses, etc. The list can be quite long…
The Canon 5DS(R): a specialized camera
A photographer happy with the Canon 5DS or 5DSR is one who needs a specialized camera offering both sharp images and the possibility of greatly enlarging the pictures it takes while maintaining the initial quality. This camera allows for more creativity as the possibility of extreme cropping beats, for now, everything that is on the market in the DSLR format.
Testing the potential of the Canon 5DSR when it comes to enlarging a picture
Here is an example of what this means: the photo below shows the yellow M of the McDonald’s restaurant photographed with a 50mm lens. Not easily visible…
Then the next photo was taken with a Canon EF 70-200mm f/2.8L IS II USM telephoto lens set at a 200mm focal length.
But the picture can be enlarged a lot more using the amazing resolution of the Canon 5DSR. The following picture shows the result after cropping the 200mm image: the yellow M now takes the whole vertical space available in the picture without any loss in quality.
From my position on the hill, the yellow M was barely visible with the naked eye. By using a 200mm focal length, followed by serious cropping, I was able to obtain the result above. So it is possible to photograph a subject that is almost invisible without a telephoto lens and transform it into the principal subject of the picture without any loss in quality.
I chose the 5DSR because the anti-aliasing filter has been neutralized in the model R to offer even sharper images, although there is a risk of occasional moire effect when there are repetitive patterns in a scene. This is the compromise that Nikon users must also have to deal with.
Rethinking photography
The 50.6 megapixel full frame sensor in the Canon 5DS or 5DSR allows a new approach of photography for those who do not have access to a much more expensive and larger medium format camera that does not necessarily give really superior pictures.
When I go outside for a photo session, it seems to me that I now carry a huge telephoto lens without the weight and the cost. A lot of what seemed to be unavailable possibilities are now accessible.
Taking pictures of people in the street is now less complicated: there are no more suspicious looks, artificial poses or people hiding their face. This is an ideal camera to capture people acting naturally without disrupting their routine. Gone is the feeling that you are bothering them in any way.
The photo below was taken while I was standing at least 300 meters from the scene, just after sunset. For those who are from Quebec City, I positioned the tripod on a high wall on the other side of Chemin St-Louis, near the St. Louis Gate. I had to slightly brighten up the picture to make the details more visible, risking at the same time to increase the digital noise. It was a May 2016 warm misty evening, which is clearly visible by the lack of details in the background as we look in the distance.
But those are not the only possibilities of this camera. The Canon Company, in its promotional video, explains what exactly the camera was designed for:
How can someone maximize the use of a 50.6 megapixel full frame sensor
In order to bring a subject closer to you while fully benefiting from the Canon 5DSR 50.6 megapixel full frame sensor, it is obvious that there must be absolutely no vibrations. The photographer must therefore use a tripod, a remote control release and the mirror lock-up function. This allows for a very low ISO setting while avoiding a blurred picture.
The mirror lock-up function is very well thought through, with the possibility to choose a totally automatic processus according to a timing chosen by the photographer (between 0 and 2 seconds). The system eliminates any secondary micro vibrations.
In order to ensure an even better picture, the photographer must use Liveview and set it to the 16X enlargement available on that camera (versus 10X on my Canon 5D MKII) to manually adjust the focus. It is then possible to see the slightest vibrations caused by the wind. Doing so, I realized that my camera strap, lightly swaying in the wind, was causing some minimal vibrations. Every detail taken into consideration will improve the final result.
One must then ensure to immobilize the strap and even diminish the tripod height if possible when the wind is blowing. These steps will allow an incredible enlargement of a subject while maintaining the initial quality of the image offered by a full frame sensor.
Superior mirage effect (cold mirage)
The photo below shows a ship being helped by two Ocean tugboats on its way towards the Quebec Harbour. The ship was at a good distance from the harbour; it is then possible to witness the superior mirage effect (cold mirage) resulting from a temperature inversion immediately over the water. The boats are deformed but the important close-up has not lowered the image quality. It has instead allowed to increase the atmospheric phenomenon effect.
Once closer to the Quebec Harbour, the cold mirage effect decreased, as shown on the picture below:
The Canon 5DS or 5DSR without the use of a tripod or mirror-lock
Obviously, a tripod is not necessary if you do not intend to use a lot of cropping to enlarge a photo. You will obtain excellent results with the hand-held camera providing that you remember that this Canon DSLR is a specialized tool.
So many megapixels on a sensor of that size require that the photographer adapts his technique. But, as you can see from the picture below, it is totally possible to capture an aircraft in movement, even at dusk (May 11, 19:49), when the camera’s parameters are correctly adjusted. A higher shutter speed than normal is, in this case, absolutely mandatory.
The photo below shows an Air Canada Express Bombardier DHC-8-402NG (C-GSJZ) on final for runway 29 at the Quebec Jean-Lesage international airport (CYQB).
The Maersk Pembroke with the camera hand-held
The photo below shows the Maersk Pembroke container ship photographed with a hand-held camera using a Canon EF 70-200mm f/2.8L IS II USM telephoto lens during Spring 2016 near Quebec City. The focal length was only 140mm and the shutter speed 1/1000. The lens was equipped with a polarizing filter and the photo taken when the vessel was approaching the Quai des Cageux.
The colours produced by the Canon 5DSR
The digital processing of the image and colours produced by the Canon 5DSR require different adjustments than what was necessary with the Canon 5D MKII. I am still learning how to handle the results produced by this camera so I will wait a bit before commenting.
Night photography
Here are two photos taken during the evening in Quebec City. The photo below required a 200mm focal, an ISO set at 4000 and a shutter speed at 1/30 in order to obtain something else than trailing lights. Luckily, the traffic was moving slowly…
The picture below, taken with a 200 mm focal, required an exposure time a bit longer that one second with the ISO set at 800. To take the photo, I took advantage of the fact that the cars were momentarily stopped at a red light, so that they would be clearly visible.
The images per second of the Canon 5DS(R)
The Canon 5DSR is so far quite an impressive camera. I would have appreciated that Canon offer a higher rate of images per second (7 instead of 5) to make it more versatile.
The camera allows taking pictures with smaller formats than 50.6 MP, the two other options being 28 MP and 12 MP. If the camera can deliver five images per second with 50.6 MP RAW files, we can deduct that it is able to offer more speed for smaller formats. But the camera is blocked at 5 IMS so that it, I suppose, does not compete with other existing Canon models of the same category…
Nonetheless, Canon says that the rapid sequence of shooting lasts longer if the photographer uses the smaller files provided. So it is not faster, but it keeps on firing for a longer period. My guess is that it would only require a new firmware version to improve this camera’s number of images per second.
For other night pictures, click on the following link to my site:
For other photos on the province of Quebec and also Quebec City, click on the following links from my blog:
Tanya Nagar is an award-winning photographer from London. Her book, “The new street photographer’s manifesto” is perfect for those who aim to improve their street photography techniques. The present article is not a comprehensive critic of her book but an overview of what a reader will find. I also highlighted some tips in photography that will help to improve the street photographer’s performance.
Tanya’s manifesto not only contains technical advices helping a photographer to improve his shots but also some tips to avoid common mistakes. Subjects include: timing, composition, shooting portraits, framing and juxtaposition, perspective and angles, the choice between landscape and portrait, depth of field, shutter speed, exposure, night photography, rule of thirds, etc.
The book’s content is divided in six categories: 1. Street Photography 2. Where & What to Shoot 3. Seize the Moment 4. Equipment 5. Digital Processing 6. Showcase.
1. Street photography requires the ability to seize a life moment with precision and timing. It is about candid shots and does not have to include humans, as long as it fixes a moment in life. It certainly can include animals (in fact, animals are a very popular subject).
2. It is best if you use a light, discrete camera (even an I-Phone). Walking with a huge camera with big lenses makes you look like a professional photographer and people will see you coming. The trick is to avoid drawing attention. Coughing while clicking drowns out the sound of the camera. You might also think of “shooting from the hip” or “shooting blind”. Those techniques are explained in the book and can be mastered with a bit of practice.
3. It takes a bit of courage to photograph situations that include people since you never know what to expect when you raise your camera. Respect the different cultures and personal space and don’t be afraid to smile and explain what you are doing. If somebody refuses to be photographed, move on, don’t dwell on the situation.
4. In order to gain experience and a feeling of security at taking pictures of people on the street, start with protests or parades.
5. It is a good thing to know the laws pertaining to photography of the country you are visiting. Police officers in some countries might be tempted to order you to delete a shot while they actually don’t have the right to. Often, a misunderstanding by police or security guards of anti-terrorism legislation leads to different interpretations and subsequently to abuse towards a photographer. Just make sure you stay up to date with the country’s regulations.
6. You might think of shooting from within your vehicle to obtain interesting results (while respecting the country’s laws).
7. Use graffitis, signs, graphical billboards, text and advertising logos.
8. Use contrasts like big versus small, light versus dark, rich versus poor, etc.
9. Bear attention to details and look for second degree interpretation of a situation.
10. Look for amusing, funny and unusual captures.
11. Make sure you master your camera in order to be quick when the perfect opportunity comes. Set most of the parameters of the camera before actually arriving on a scene (you already have an idea of the light intensity in the area and the ISO setting that will be required to obtain the speed you desire).
12. Be cautious when it comes to taking pictures of children. Societies change and authorization from the child’s parents is required almost every time.
13. “The only way to avoid missing a moment is by carrying your camera at all times”. Therefore, get something small and light.
The book holds a section dedicated to multiple types of cameras: rangefinders, SLR and DSLR, four thirds and micro four thirds, medium format, point-and-shoot compact cameras, camera phones, toy and pinhole cameras. Their advantages and disadvantages are clearly explained.
The reader will also find some information about lenses (the best for street photography and what to avoid) and the effects obtained through the use of different type of films (colored, black and white, expired).
The fifth section of the book relates to digital processing and the basic image editing techniques like cropping, rotating, the use of the “Curves” command, as well as dodging and burning.
The final section, “Showcase”, presents many well-known street photographers from around the world, including few photos taken by each of them to allow the reader to have an overview of each photographer’s personal style and creativity. Presented in order are: Antonio Navarro Wijkmark, Brian Quentin Webb, Charlotte Gonzalez, Claire Atkinson, Danny Santos II, Felix Lupa, Ferhat Çelik, Mustafa Abdulaziz, Ronya Galka, Seamus Travers and Severin Koller.
This is certainly a very interesting and practical photography book that will help you avoid costly mistakes (missed photo opportunities or buying the wrong photography equipment) while helping you to improve your knowledge on street photography as much as the quality of your shots.
Here is a link towards Tanya Nagar’s website: Tanya Nagar
For other photography book reviews, click on the following link: Other photography books
Title: The new street photographer’s manifesto.
Author: Tanya Nagar
©The Ilex Press Limited 2012
ISBN: 978-1-4547-0417-1
We buy this book with the initial intent to learn about the different aspects of street photography, the goal being to increase our practical knowledge. We close the book with the feeling that we learned way more than we anticipated.
David Gibson’s work offers more than advices. In order to make it more fulfilling for the reader, the writer takes care of adding twenty very interesting portraits of renowned photographer’s working method and interests. Those names include Blake Andrews, Johanna Neurath, Matt Stuart and Maria Plotnikova. The reader improves his knowledge of photography history at the same time as he acquires new tools that will help him in his street photography practice.
Photographing people on the street is not necessarily easy. It takes determination to carry out a project that will include a person, especially if you are not working with a telephoto and you want to capture a scene where all the faces are visible. The author explains what kind of preparation is needed and he insists on the importance of avoiding disrespect toward others.
But street photography is not only about people, although approximately 75% of those pictures include a person. Other subjects of interest are, for example, experimentation with objects, shadows, empty spaces, abstraction, photographing through glass or wet surfaces, etc.
The writer has divided his book into twenty projects, to which he added, for each project, a road map. The latter can be used as a concise guide every time the street photographer puts in practice his newly acquired knowledge. If he wishes, the reader can rapidly get to work, using the ideas proposed within the twenty different themes.
The book is easy to understand and goes straight to the point. If the reader wishes to dig deeper in a specific aspect of street photography, he is given multiple internet site references.
This high quality book will surprise you and certainly be an inspiration in the preparation of your next street photography session.
For more photography books, click on the following link: Other photography books
Title: The Street Photographer’s Manual
Author: David Gibson
©2014 Quintet Publishing Limited
ISBN: 978-2-10-071135-2
Author’s internet site: www.gibsonstreet.com