Brüsel will delight fans of well-crafted comics. There’s everything in this book: top-quality graphics, attention to detail, an overflowing imagination on the part of the authors, a little humor and sensuality, a touch of cynicism.
We find ourselves with familiar themes, but developed backwards from common sense to pique the reader’s curiosity. Society will be saved by the advent of plastics, a veritable revolution. And we’ll finally be able to get rid of the plants we have to look after, which wither away and constantly need a little water.
The authors also take an original approach to the deterioration of hospital care. The script shows us a patient who is always promised incredible treatments by a doctor whose reputation is beyond reproach. However, no intelligent action is taken, and the patient gradually recovers from the lack of treatment.
The hero of the story and an employee he meets by chance form an unconventional duo and take us into the twists and turns of a city in the making that a megalomaniac is designing without consulting the citizens.
The few people appointed to obey the wishes of a single man walk around with scaled-down buildings under their arms and place here and there the skyscrapers of the future city. It’s all decided behind closed doors and in the interests of a few, as sometimes happens in city planning.
In short, if you’re looking for a story and graphics out of the ordinary to escape from déjà vu, this is the comic for you.
Students from Singapour visiting the Jacques-Cartier National Park during winter 2024
During my hike in the Jacques-Cartier National Park today, I met some French people, a Polish woman and seven students from Singapore. They are part of an exchange program with Canada and are currently studying at an Ontario university. They are taking advantage of their reading week to make a little trip to Quebec.
A group of students from Singapour on a trail in the Jacques-Cartier National Park winter 2024
You couldn’t ask for a better day for the long excursion they’ve planned. It was -13C early this morning, but a new air mass entered Quebec and by the time I took these photos, we’d already reached +1C with beautiful sunshine and almost no wind. But I reckon they’ll have much walking to do to complete their excursion before the park closes for the evening.
Birds on a window at the Jacques-Cartier National Park winter 2024
Bird decorations are glued to the windows of the Discovery and Service Center at KM 10. I attempted a photo from inside the building, while including the forest in the background.
Grande-Allée in Quebec City just before nightfall.
We’ve had some very mild weather recently in Quebec City. A rainy day in the middle of winter melts the snow at an accelerated rate and creates widespread fog over the region. Just before nightfall, this weather phenomenon combined with road traffic and the imposing trees on Grande-Allée prompted me to take a photo from the moving car. Digital processing was then applied to achieve the desired effect.
St. Louis street under rain in winter in Quebec City 2024
Here’s another shot of rue Saint-Louis in Old Quebec in the rain in the middle of winter. I took the photo at the end of 2023, when the Christmas decorations added a little cheer for lack of snow, which is fairly rare for Quebec City. Many tourists had to readjust their plans for outings with children during this period.
Two ferries across the ice in front of Quebec City and Lévis winter 2024
The photo above shows two ferries shuttling between Quebec and Lévis through the ice in winter 2024. It doesn’t take much to immobilize a ferry in ice, but this year the layer is fairly thin due to a very mild January.
Practicing for the canoe race at the Quebec City Carnival 2024
Ferry crossing the St.Lawrence Seaway near Quebec City in winter 2024
Above, the ships continue their work at dusk. The routes recently taken by the vessels can be seen. I took the photo from the Dufferin Terrace with a tripod-mounted Canon 5 DSr camera.
Bonhomme Carnaval on the Dufferin terrace in 2024.
Bonhomme Carnaval regularly strolls along the Dufferin Terrace in Old Quebec to greet passers-by, and he never fails to attract many curious onlookers who rush to give him a hug. Further along the terrace is the famous slide, so popular with tourists. You have to queue for a long time before you can get your place on a toboggan.
The slide of the Dufferin terrace during the Quebec City winter carnival 2024.
The photo above shows the Dufferin Terrace slide in the early evening. I used a tripod to keep the ISO at 200 for a sharper image.
The Dufferin Terrace slide during the winter Carnival in Quebec City.
You can see the fun in the children’s and adults’ eyes when full speed is reached. For the photo above, the focus was taken on a precise point on the slide before the festival-goers were visible in the camera lens. When people reached the predetermined spot, I triggered the shutter. This made it easier for the autofocus system to focus on a fast-moving target.
This passer-by faces the high winds near Quebec City’s Dufferin Terrace. Behind her, the Québec Winter Carnival is advertised, taking place between January 25 and February 11, 2024. The ad invites people to get outdoors, using a local expression: “Déguédine pis sors“, which roughly translates as “Stop procrastinating and go play outside!
Frédéric Pierucci is a senior executive at Alstom, a gigantic French energy company. Thanks to a US extraterritorial law (FCPA Foreign Corrupt Practices Act) which allows the US government to prosecute any foreign firm targeted for corruption, he was arbitrarily arrested in 2013 as he got off the plane in New York.
Pierucci had not received any money from these operations, but he was aware that Alstom was targeted for embezzlement and that the company used “intermediaries” to secure contracts. He was incarcerated for months, and Alstom finally abandoned him, believing that the Americans would be satisfied with the imprisonment of this high-ranking executive. Pierucci must now try to extricate himself from the quagmire into which he has been plunged.
A page of the graphic novel “Le piège américain”.
Even if he is not directly implicated in the bribes, the American justice system wants to pressure Pierucci into revealing details that would incriminate Alstom’s management, including CEO Patrick Kron. Pierucci’s harsh judicial treatment is also intended to intimidate the firm’s other top executives, showing them what awaits them if they do not cooperate in rectifying past mistakes.
The primary aim seemed to correct unfair schemes that were damaging American companies and, by the same token, to obtain very substantial monetary compensation. The operation was a success: the effects of Pierucci’s arbitrary arrest paved the way within a few years for the sale of a strategic Alstom subsidiary to General Electric, its main competitor.
Back cover of the graphic novel “Le piège américain”.
The maneuvers also allow to obtain information that would otherwise remain confidential. This U.S. extraterritorial law works well and is used to attack numerous corporations around the world, including the German international group Siemens. Each time, the offender is obliged to pay substantial fines and must submit internal documents considered confidential or even secret to the prosecutor.
It’s hard to know who exactly will have access to these documents. Is it possible that agents (we won’t call them “spies” for the sake of politeness) are passing on trade-secret information to people working outside the U.S. Justice Department? Such actions would enable American companies to improve their competitiveness at little cost. But these are questions that the executives of the targeted companies are asking themselves.
Be that as it may, not everything in this story is squeaky clean. Author Matthieu Aron writes: “In autumn 2018, after Frédéric [Pierucci] was finally released, we finished our book. But again, it was not without difficulty. The day after we sent our manuscript to our publisher, my home was ‘visited’ and my computer disappeared. Simple burglars, spooks, or action by a foreign service? We’ll probably never know.”
The graphic novel “Le piège américain”, prix littéraire nouveaux droits de l’homme 2019.
My view on the subject.
China is watching and learning.
The effectiveness of this American extraterritorial law has not escaped the attention of China, which is planning to devise a similar law that would allow it to lay its hands on otherwise inaccessible information and archives.
Faced with these two behemoths, the United States and China, Europe has fallen behind, and it too will have to create its own law enabling it to extend its judicial power outside the continent. For no one is fooled: bribes to obtain contracts involve multiple countries. Prosecutions under extraterritorial legislation give access not only to large sums of money, but also to documents containing important data and possibly industrial secrets.
Another book on the graphic novel “Le piège américain”.
The Alstom experience will at least have had the effect of better preparing France for the moment when, a little later, the giant Airbus was targeted for malfeasance by the same American law. Airbus manufactures not only airplanes, but also many strategic military products protected by secrecy. This time, the widespread collection of the company’s confidential information was refused, without a French citizen being named as intermediary and the documents handed over to the Americans being reviewed to ensure that they did not contain military secrets or other information not directly related to the corruption charges.
Today, Airbus is a great success, selling more aircraft each month than Boeing, which is experiencing difficulties with the way it builds its aircraft. And we have every right to believe that senior management at Airbus has improved its business practices.
The comics ” 13h17 dans la vie de Jonathan Lassiter”.
“When you’ve got nothing left to lose, you can take all the risks…”. This is the sentence [translated] on the back of the comic strip “13 h 17 dans la vie de Jonathan Lassiter” (13:17 in the life of Jonathan Lassiter), which best sums up this French-language work published in 2023.
Jonathan Lassiter works as an insurance agent in Keanway, a small, remote town in Nebraska. Overnight, his wife leaves him, he loses his job and his wallet is stolen. In short, his life suddenly takes an unexpected turn. He has two choices: either he feels sorry for himself, or he changes. His chance encounter with Edward, a “distinguished, cultured and cynical” man, forces him to take a stand.
It was the quality of the graphics that caught my eye. This isn’t one of those publications where you wonder whether the design can be done in a month, and which pretends to be original through the absence of detail, and therefore of work. A great deal of effort went into this album, and it shows at first glance.
Back cover of the comic strip “13h17 dans la vie de Jonathan Lassiter”.
It’s got it all: the judicious choice of angles, the refined, masterful drawing, the skilful maintenance of atmosphere through well-dosed, under-saturated colors, the well-crafted script. This comic strip keeps the reader’s interest from start to finish, with no downtime.
The main character reminded me of the famous actor Vincent Price.
The graphic novel “Un tournage en enfer – Au coeur d’Apocalypse Now”.
The graphic novel “Un tournage en enfer: au cœur d’Apocalypse Now” takes us right to the heart of the creation of Francis Ford Coppola‘s famous film, brought to the screen in 1979. As the director points out, [my translation] “[…] we were in the jungle. There were too many of us. We had access to too much money and too much material, and little by little, we all went crazy…”.
It didn’t start well. Right from the start, the director was unable to convince well-known actors to get involved in his film. In turn, actors such as Jack Nicholson, Al Pacino, Robert Redford and James Caan refused to join the adventure. Coppola continues his research and interviews.
As readers, we go behind the scenes of the production and hear from those close to the filmmaker. Filming begins in the jungle of the Philippines, even though Coppola has no idea on how the film will end. This would haunt him throughout the production, causing him sleepless nights when he was already quite exhausted.
A page from the graphic novel “Tournage en enfer – Apocalypse Now”.
Cost overruns followed, and the pressure on the director from financial backers increased. He was asked to complete his film as quickly as possible, which he proved unable to do. Coppola came to guarantee the required funds by pledging to pay off the debt himself if box-office receipts failed to reach $40 million.
In addition, it was taken for granted that the U.S. government would provide the helicopter gunships required for the film’s action. But in the aftermath of the Vietnam War, the interest of American politicians in such requests waned. The director had to turn to the then President of the Philippines, Ferdinand Marcos, to obtain helicopters and personnel, in return for certain fees and compensation. But these aircraft sometimes left the scene on Marcos’s orders to go hunting for the regime’s enemies. Coppola was falling behind again…
A page from the graphic novel “Tournage en enfer – Apocalypse Now”.
They thought that Harvey Keitel would be the ideal actor to play Robert Duvall. Many sequences later, the obvious becomes clear: the man just didn’t cut it for a number of reasons. On the verge of disaster, they urgently contacted Martin Sheen and beg him to replace Keitel. Multiple scenes had to be reshot with the new actor, and the delays and associated costs continued to mount.
All sorts of other pitfalls awaited the director and his crew throughout the shoot, including the language barrier with the Filipinos and a storm that destroyed the set. The widespread use of drugs and alcohol by staff and helicopter pilots didn’t help matters either.
The mosquitoes, the heat and Coppola’s constant demands took their toll on the actors. Martin Sheen fell seriously ill, and his brother had to be used for some of the secondary scenes. Rather than use only actors to simulate deaths, a staff member went to the morgue and returned with a corpse. This prompted the arrival of the police force, and the problem was solved with generous sums of money.
There were many other factors that delayed the end of the shoot and increased costs. Marlon Brando’s demands were a case in point. They managed to get him back on set for an extra day, provided that he received $70,000 more than planned.
Shooting finally ended in 1977. The team chartered a private plane to fly 381 kilometers of original film to the United States. Editing the film proved to be an ordeal. There was too much material to analyze. In 2001, Coppola presented a modified version of his original 1979 production. In 2019, he finally delivered a final 182-minute version, Apocalype Now “Final cut” , more than forty years after the initial release.
Earnings met the director’s expectations, and he ultimately won his bet. In all, the film generated $140 million from a total budget of $30 million.
On the way to Matane, a stop at Parc national du Bic is a must. The unique morphology of the region immediately catches the eye. We photograph this scene from the promontory set up at the park entrance. In early September, the deciduous trees take on an orange hue. These colors provide an interesting contrast to the bluish background.
The movement of ice broke these wooden stairs on the beach in Matane, Québec 2023
A wooden staircase recently built along the Matane beach could not withstand the onslaught of storms. The same thing happened at Percé several years ago, when ice movement quickly destroyed a superb promenade erected for tourists.
Damages caused by the movement of ice in Percé.
We need to rethink seaside construction in the light of climate change.
Some forty birds move together in search of food on this Matane beach. I captured the scene with a Canon EF 11-24mm f/4 USM zoom lens. When motionless, these birds blend in perfectly with the surrounding rocks, as shown in the photo below. There are no fewer than thirty-four of them on the ground.
34 birds on the beach at Matane. Try to find them…
A beach in Matane in fog in 2023.
A final shot shows the river’s discharge onto the shore at each tide. I imagine that someone could make use of these sea products by transforming them into something marketable. Bretons are already doing this successfully on Ouessant in France for certain types of seaweed.
