Above, a railroad track crossing the Cap-Tourmente National Wildlife Area in Quebec. Autumn is well underway and red is no longer part of the scene. However, the colors remain attractive. At the time of our visit, only 26,000 of the 600,000 geese migrating south remained.
Trees in the Montcalm dictrict in Québec City during Autumn 2024.
The Montcalm sector of Quebec City is brimming with majestic trees that change colour in autumn. Those photographed above are located right next to the Battlefields Park, owned by the Government of Canada.
Trees of the Grande-Allée in Quebec City in Autumn.
The tree above is on Grande-Allée, in the direction of Old Quebec. I shot it using a Canon EF 11–24 mm f/4 USM wide-angle lens. All I had to do was wait until 10:00 AM for the sun to strike the foliage from the side. Earlier than that, the brightness is a little lacking, and later the sun rises too high and hits the foliage from above with a violent light that detracts from the overall effect.
Trees in a Sillery street in Québec City during Autumn 2024.
Above are a few trees in the Sillery area of Quebec City. It’s not often that red leaves cover several tree trunks. You have to be there at the right time, because the effect doesn’t last long. We also need to be able to count on the wisdom of homeowners who have seen fit to let nature do its job, rather than cleaning everything up to make it look “nicer,” as we sometimes see.
Corner of Saint-Stanilas and Saint-Jean streets in Old Québec in the evening Summer 2024.
The photo above shows an evening view of the intersection between rue Saint-Stanislas and rue Saint-Jean in Old Quebec. For several months a year, a section of rue Saint-Jean is reserved for pedestrians only. This attracts many tourists. Just behind this popular street is McWilliam Street, with a radically different feel, especially late at night.
The McWilliam street behind the Cochon Dingue restaurant in Québec City.
To produce an HDR effect of the location, I plan to stack five photos. I set up the tripod and begin the session. Just as I’m about to finish, a door suddenly opens. A man steps out and lights a cigarette.
I need to capture this very brief moment when the individual is just a stealthy shadow in motion with the intense fluorescent lighting in the background. In this rather dark alleyway, this could generate an interesting effect.
The smoker asks me what I’m doing. It’s an employee on break working for the popular Cochon Dingue restaurant on Rue St-Jean. What a contrast between the modern façade and the back of the same building on McWilliam Street.
At home, HDR processing begins. But it’s impossible to use all five shots together as planned initially. The software combines a closed and an open door at the same time. The result is a kind of butchered wicket door, with almost no light filtering through.
I abandon the idea of an HDR montage and fall back on the single photo where the man is standing in front of the door. I wasn’t counting on this presence, but it adds a touch of humanity to a scene that’s still not very inviting.
Life often presents photography enthusiasts with unexpected opportunities. It’s all about being flexible and capturing the moment, even if it’s not part of the initial planning. Click on the link for more photos of Quebec City and Île d’Orléans in Summer on my blog.
The curb in the lower left corner of the photo serves as a prompt to integrate the scene. The door covers the first right-hand third of the photographic composition, preventing the observer from moving too quickly into the background. The rounded shape of the door and the old stones manage to occupy almost 50% of the image, while the rest shows an entire artery, mountains and a portion of the sky.
To energize the scene, I waited for an automobile to drive down the street.
The Basilique-cathédrale Notre-Dame de Québec and the Price building in Old Québec.
Dating back to 1647, this Basilica-Cathedral has been renovated on several occasions and includes a historic crypt and holy door, attracting believers from all over the world.
Note that in this shot, the close-up of the tower does not prevent us from obtaining perfectly vertical lines, which are usually difficult to achieve in photography. This result is due to the use of a Canon EF 11–24 mm F/4L USM ultra-wide-angle lens, the only one on the market that allows such results without correction and without the fisheye effect taking over.
The Basilique-cathédrale Notre-Dame-de-Québec in Old Quebec.
Above is the Basilica-Cathedral seen from another angle.
The HDR photo of the Dauphine Redoubt above comprises seven pictures with different apertures. The Photomatix software stacks them one on top of the other to create a single shot. This allows the darker regions to stand out, while controlling the lighter areas as much as possible.
For a successful effect, the following factors need to be taken into account: type of camera (ideally full frame), use of an appropriate wide-angle lens, focus, time of day, cloud types, tripod, extension cable, camera mirror vibrations, wind, visibility, photographic grain, depth of field, moving obstacles in front of the camera and photographic composition.
I use a Canon 5 DSr with a Canon EF 11–24 mm F/4L super-wide-angle lens. Focusing with the camera’s backlit screen improves accuracy. It is better to avoid nighttime and take advantage of the blue hour. The clouds don’t prevent the capture of a distant background, and allow the city lights to be reflected in the sky.
I opt for a sturdy tripod. Its extra weight cancels out minor jolts and supports fairly heavy photographic equipment. The extension cable prevents the photographer from touching the camera when taking seven photos.
For mirror-equipped cameras like the Canon 5 DSr, it is important to activate the mirror lock function. This means that vibrations caused by the mirror rotation will have two seconds to fade before the actual picture is taken. A light wind also reduces the chance of vibrations.
Moderate visibility allows better graduation of colours and reflections. Tonight, the mist plays its part well. By using a tripod, I greatly limit the photographic grain. ISO is therefore set at 200. Depth of field is not a problem, as the tripod will prevent movement caused by long exposure.
As many people visit the site in the evening, I try to take each of the seven photos between two crosswalks. This isn’t always possible, but Photomatix can remove “ghosts” when compiling the shots. There is, however, a limit to this function.
The final point concerns photographic composition. The photo above is divided into three roughly equal horizontal zones. Oblique lines on either side at the bottom of the photo direct the eye towards the centre of the image. The five lights of the Dauphine Redoubt and those of the city capture the attention. All the shots have visible details and are not lost in the darkness. For better balance, the composition ignores another imposing building at the right of the scene.
These are just some of the precautions taken when capturing the scene in HDR night photography.
This year, the Grands Feux Loto-Québec are lit from a barge in the middle of the St. Lawrence River, between Lévis and Quebec City. A tugboat from the Ocean Group company secures the barge with a cable for the duration of the event.
I took the above shot with a Canon 5DSr full-frame camera equipped with a remote shutter release and a tripod-mounted Canon EF 11-24 mm F/4L lens. The super-wide-angle lens can capture both the Château Frontenac and the lights and city of Lévis across the river.
The BULB mode lets you set your own exposure time and take creative initiatives. The brilliant path from launch to explosion is captured in a single photo.
As soon as the bursts begin, you try a five-second exposure and observe the result. Then adjust by stretching the exposure time until good effects are achieved.
One mistake to avoid is leaving the shutter open for too long. When this happens, flashes of light build up on top of each other, and all you see in the final photo is blurry, glowing white.
Working with a RAW file offers much greater flexibility than with a JPEG file when processing the image on the computer.
ISO 200 seems the best option here for several reasons: even if the activity takes place in full darkness, we want to avoid significant digital noise. A low ISO will also lengthen the exposure time and allow us to capture beautiful streaks at the moment of the explosions.
What’s more, the lights will illuminate the scene, reducing exposure time to a reasonable length. Finally, a layer of altocumulus cloud above the Château Frontenac serves today as an artificial light reflector in the photo above.
Grands Feux Loto-Québec, August 2024
A depth of field between 8 and 13 ensures sufficiently accurate light at a reasonable distance.
Whether to focus manually or automatically remains a matter of taste. It should be noted that darkness can cause problems for autofocus. However, trial and error can sometimes produce interesting effects.
If you’re using manual focus, use the camera’s backlit screen to magnify the scene as much as possible and adjust the focus as required. You then return to the normal size display for the duration of the fireworks, taking care not to inadvertently touch the focus adjustment ring when changing the zoom.
Fireworks at the Grands Feux Loto-Québec 2024
Consider using a heavy tripod. In windy conditions, it will better resist vibrations during long exposures.
A final word of advice: fireworks attract a lot of people, some of whom are content with a fairly limited personal space, if they have one at all. Protecting your photographic area becomes an important objective, to avoid the tripod getting snagged or someone moving in front of you when enthusiasm takes over. So, arrive well in advance to choose the best location for you to work in, while protecting your work area.
For example, for the photos above, I had set up between a ramp fixed on a steep slope in front of me and a bush at the rear. No one could stand in front of me and no one could pass behind me because of the bush. I thus had only the sides to worry about. It sounds like an unnecessary concern, but these days everyone is filming fireworks and continually repositioning themselves without regard to their neighbors. Make life easier for yourself by making the necessary arrangements before the show.
Sailboat and cruise ship Volendam on the St.Lawrence Seaway near Île d’Orléans during the Transat Québec St-Malo 2024.
Marine traffic off Quebec City was blocked in anticipation of the departure of the Transat Québec Saint-Malo 2024. As soon as the sailboats got a head start, cargo and cruise ships summarized their operations on the St. Lawrence River. Pictured above is the Volendam rounding Île d’Orléans near Quebec City. It is heading for Charlottetown, capital of Prince Edward Island in Canada.
Its captain appears to put a little pressure on the captain of the sailing vessel ahead, but this is in fact an optical illusion caused by compressed perspective. In fact, I took the photo when the ship was still a long way off. I brought the subject closer using a Canon 70-200 f2.8L IS II USM lens, followed by a major crop from a 50.6 megapixel photo.
Thunderstorm at the start of the Transat Québec St-Malo 2024.
The tenth Transat Québec St-Malo on June 30, 2024 got underway with very unstable weather conditions, including a thunderstorm that forced a postponement of the start. While this weather temporarily disrupted the sailors’ plans, it delighted the photographers who came to capture the event. Above, a view of Quebec City taken from Île d’Orléans.
Fishing in the Jacques-Cartier national park in Spring in Québec.
A fisherman sits quietly in the river of the Jacques-Cartier national park casting his line, while his companion watches from the shore. Here, everyone has as much space as they want to enjoy their hobby.
Some photographers use Photoshop’s “dehaze” function to keep the background sharp to infinity. I prefer to retain the natural feel of the scene. The violet-blue landscape visible at the top of the shot helps to capture the distance.
Forest in the Jacques-Cartier national park in Spring in Québec 2024.
People prepare for their outing in the huge ancestral canoe known as a rabaska. In the foreground, but no longer visible in the photo, was originally a group of vacationers launching an inflatable raft. But all these people were distracting from the main subject. Tight framing eliminated this obstacle.
Nature in the Jacques-Cartier National Park in Québec.
I use the frame-within-a-frame technique to present the multicolored reflections of the river in the photo above. There’s blue, orange and green, outlined by two vertical trunks on either side of the photo and an oblique branch at the top.
I use the same technique in the shot below, but in a less obvious way, as the frame in the foreground remains blurred. Attention is immediately drawn to the canoeists who are just finishing their trip and getting ready to dock.
Canoeing on the Jacques-Cartier river in Québec 2024
The Grand défi Pierre Lavoie returns every year to raise funds for the Fondation du Grand défi Pierre Lavoie, which supports many causes including research into orphan diseases.
Police blocking the traffic in Sillery before the arrival of the GDPL cyclists.
Cyclists pay to take part in the challenge, and the public can also make a monetary contribution to support the riders. Participants benefit from fully protected circuits where car traffic would normally cause problems. Above, police officers prohibit access to cars as cyclists arrive on Avenue des Gouverneurs in Sillery, Quebec.
Cyclists arriving in Sillery at the Grand défi Pierre Lavoie 2024.
Grand défi Pierre Lavoie (GDPL) 2024 cyclists on avenue des Gouverneurs in Quebec City.
The Grand défi Pierre Lavoie 2024 cyclists in the Sillery sector in Quebec City.
Cyclists take it in turns to cover a series of circuits totalling 1,000 kilometers in the Quebec City region over three days. Depending on the route chosen, the difference in altitude ranges from 199 metres to almost 900 metres.
Each route starts and finishes on the Université Laval grounds in Quebec City.
The first stage of the GDPL 2024 took place on June 14. It was only a 21-kilometre warm-up circuit, and I photographed the participants as they completed their journey and headed for their base camp at Université Laval. There are just 979 kilometers to go between now and the afternoon of June 16…
Group of cyclists in the Grand défi Pierre Lavoie (GDPL) 2024 in action at Québec.
GDPL 2024 cyclists wearing the Montreal Canadians hockey club jersey.
Photos were taken with a Canon EF 24-70mm f/2.8L USM lens.
Spring in the Parc National de la Jacques-Cartier in Québec.
Normally, a 3:2 or 4:3 ratio is used to display in vertical mode. But the 16:9 aspect ratio of the photo above shows both the reverberations in the water and a significant portion of the landscape. So, whatever the conventions and what makes purists happy, we use what does justice to our first impression.
What caught my eye in this scene? The very wide range of green tones, the alternation of light and shade in the landscape and the reflections, the roundness of the deciduous trees and the tips of the conifers, the atmosphere of the place and, last but not least, the human presence. All this can be seen in a fraction of a second, and the shot is taken before the canoe enters the shaded area on the left.
Historic lodge in Spring in the Jacques-Cartier national park in Québec.
The photo above shows a historic chalet in Jacques-Cartier National Park in Spring. It’s no longer available for rent, but it’s a great asset for photography enthusiasts. At this location, paddleboarding is safe thanks to a very weak current.
Tourist attraction in the Parc national de la Jacques-Cartier in Québec.
On the same day and on the same river, but a few kilometers upstream, a group of people attempt their first descent in an inflatable boat on a rougher stretch of water.
The first group takes the plunge, while the second watches, waiting its turn and trying to learn from the others’ mistakes. Occasionally, paddlers get stuck on top of a flat rock flush with the water, and have to use their initiative to free themselves and continue their journey. Sometimes canoeists find themselves in the water, and Sépaq staff have to help them out.
Click on the links for more photos and other articles about the province of Quebec.
