Luck was certainly needed to be able to catch the arrival in Ottawa of Justin Trudeau as the new Prime Minister-designate of Canada, after the historical Liberal Party win of October 2015.
Like it often happens after a long photography session, there is a last minute opportunity that allows some totally unexpected shots.
Just as I finished packing my Canon 5D MKII and camera equipment, I saw a policeman on a motorcycle who was blocking the traffic on Wellington street. He was giving way to the Liberal Party campaign bus.
The Liberal Party campaign bus with the new Prime Minister-designate Justin Trudeau on board arrives in Ottawa on October 20th 2015.
Estimating that the new Prime Minister-designate of Canada was on board, I took the chance to run back to the Ottawa Parliament. Climbing the stairs two by two, I arrived at the same time as the bus. A Canon 70-200 f2.8L IS II USM was quickly installed to make sure that the photos would be in a wide enough format.
Numerous policemen were taking care of security but I was able to get close enough since there was only twenty or thirty people present, the arrival of a Prime Minister being held secret for obvious security reasons. Few seconds only were needed before Justin Trudeau got out of the bus and turned around to salute the crowd.
The new Prime Minister-designate Justin Trudeau arrives at the Ottawa Parliament on October 20th 2015
He then climbed few stairs, turned around again and showed the thumb up sign.
The new Prime Minister-designate Justin Trudeau as he prepared to enter the Ottawa Parliament on October 20th 2015
It was only the second time in the history of Canada that a political party ranking third won an election while forming at the same time a majority government, and the first time that a father and his son had been elected Prime Minister of Canada.
For more articles in the category « Photos of Canada », click on the following link : Photos of Canada
Profiting from the autumnal season to do some photography, I visited the Tewkesbury region, near Quebec City, were there are always interesting point of views. First, near the Tewkesbury church :
Tewkesbury, Québec 2015
Tewkesbury, Québec 2015
Tewkesbury church, Québec 2015
Tewkesbury Blue Roof, Québec 2015
Then, following a trail heading to the Jacques-Cartier river, I was able to take few shots, sometimes under an overcast sky and, on few occasions, with the sun shining through clouds :
Autumn in Tewkesbury, Quebec 2015
Tewkesbury, Québec 2015
Tewkesbury, Québec 2015
All the photos were taken with a Canon 5D MKII DSLR camera. I mostly used two lens : a Canon 14mm 2.8L fixed lens and a Canon 70-200 f2.8L IS II USM.
For other photos on the province of Quebec and also Quebec City, click on the following links from my blog:
Here are few photos taken two days ago in Québec with a Canon 5D MK II camera . The first picture is the exception, having been taken in St-Antoine-de-Tilly.
St-Antoine-de-Tilly, Québec 2015
It was raining when the two following pictures were taken in Sillery. But this normally allows for good results since the colors are more interesting:
Sillery, Québec 2015
Sillery, Québec 2015
The Park Bois-de-Coulonge always means interesting surprises, year after year. There is always something original to shoot, providing the photographer takes his time. One can see the Sillery Marina from the top of the cliff. A row of aligned trees and the numerous masts of the sailboats taken out of the water before the cold season offered an interesting view:
Sillery Marina, Québec 2015
The wind was blowing moderately, which allowed for the following picture:
Parc du Bois-de-Coulonge, Québec 2015
Near a little creek, I tried different shutter speeds on two similar shots:
Parc du Bois-de-Coulonge, Québec 2015
Parc du Bois-de-Coulonge 2015
As I was ready to leave the park, I saw a newly wed and her entourage arriving for a photo shoot session with a professional photographer. I delayed my departure and used the pond to capture the following image, which was then inverted:
Wedding at the Bois-de-Coulonge Park 2015
Two men who were present for the wedding were standing close to the pond, staying at a distance for the photo session. I took the opportunity to discretely add the shadows to my photo:
Parc du Bois-de-Coulonge, Québec 2015
For other photos on the province of Quebec and also Quebec City, click on the following links from my blog:
A quick look on internet provided the exact location and time where the moon would rise in the Quebec City region. On September 27th 2015, one had to look towards 089 degrees and be ready for 18:25 PM.
September 27th 2015. Blood Moon photo taken from Promenade Champlain, Quebec City, with a Canon 5D MKII.
Imagine being able to connect your camera to a modern personal telescope. That would make for fantastic shots. But since I deal with a Canon 70-200 f2.8L IS II USM coupled with an extender, I cannot expect the same results. Nonetheless, it is not a reason to stay at home…
September 27th 2015 Blood Moon Eclipse. As for the blue object to the right of the screen, your explanations are welcomed.
The most interesting effect happened during late evening. I caught the above shot around 22:15. Cranking the ISO, I saw a blue planet or something that looks like it in the frame. The shot was not taken through a window so there was no glass reflection. I was kind of surprised to see this addition to the Blood Moon Eclipse. I wrote to a local astronomy club, asking them what it could be. They answered that unless I took the shot through a window, causing a reflection, they did not know what it was.
I know nothing yet about astronomy. If it is the reflection of the moon, I don’t know how it got there since I was taking the photo outside, without a polarizer. According to a recent comment sent by Mario Cloutier (see the comments) who points the reader to another blog looking at this question, it is possible that the picture of this ghost moon is the result of an overexposed shot combined with the atmosphere’s specific characteristics of temperature and moisture which would increase the reflexion and refraction. That is a logical explanation. The last shot was taken around 22:35:
September 27th 2015 Blood Moon Eclipse. Camera adjusted on BULB priority, with ISO 100 and 2.8 aperture.
(Un précis sur le droit de la photographie au Québec et au Canada)
Grand angle sur la photographie et la loi
For those of you who can read French, here is a very interesting handbook. The author, Jean Goulet, is a lawyer by profession and was a full time teacher at the University Laval Faculty of Law in Québec. Himself an amateur photographer, he decided to develop on the many legal questions pertinent to amateur and professional photography.
The author skims through national and international legislation and takes a moment to discuss the Berne Convention. He uses real life examples in order to help the photographer understand the legal consequences of his actions when taking a picture.
Mr Goulet uses Canadian, Québec, French, American and English jurisprudence to highlight the legal aspects in the Aubry, Théberge, Snow, Roby, Ateliers Tango argentin, Xprima affairs, etc.
The reader is informed as to copyright, counterfeiting, reproduction of photos legal limitations, as well as monetary compensation granted regarding defamation. The amateur or professional photographer can learn about the legal obligations pertaining to filming of taking pictures during a show or a theater piece. Details are also provided for anyone interested into photographing animals, expensive private properties, people on a private or public lot, political figures, etc.
Many other aspects are brought forward in this really well done handbook but I cannot present them all in a short article. All you should know is that it is easy to find the information you need and that reading this handbook will help you to take informed decisions before taking pictures.
Here are few points, among many more present in the book that a photographer should know:
[My translation] “The right to take pictures in a private property exists as long as the property owner gives you his authorisation, or is non-existent when the law strictly forbids it”.
[My translation] “ Everybody possessing a personal and exclusive right on his image, nobody can photograph a person and transfer the photo in the public domain without the person’s personal consent, if the photographed person can be recognized and if that person does not hold in the scene a role that is only an accessory role ”.
As well, [My translation] “ If the photographed person is a minor, the photographer will have to obtain the full consent from the child’s parents in order to publish the photo; if the parents cannot come to an agreement, the case will have to be brought to Court (a.604 C.c.Q) ”.
When it comes to copyright: [My translation] “ Photographers hold a copyright as soon as they have used the camera shutter, this copyright protecting their economic rights and including a moral right that they keep even if they have sold copies of their original work, unless they have explicitly gave up that privilege ”.
[My translation]: “Owner or holder of rights, the independent photographer still remains the only master of the photography he created. It is the basic rule when it comes to ownership or rights linked to photography”.
In order to give an impression of a very busy day in the Port of Quebec, during Spring 2015, I used a Canon 70-200 f2.8L IS II USM. A zoom is very useful to achieve some special effect in photography.
The apparent chaos in the photo is created by numerous details: first of all, the viewer has to read numerous words that have very different impacts on him: POLICE, CANADA, OCEAN, Sécurité Maritime, Maritime Security, GRC, RCMP, MEGA, Sea Tel, and part of the word Coast.
Secondly, there are numerous vertical lines of all sizes that interfere with multiple horizontal lines. The BUNGE silos, in the background, are themselves vertical lines, but much larger than the others.
The compressed perspective obtained through the use of a zoom gives the viewer a feeling that all the objects are close to each other. We are left wondering how the captain can manoeuver his boat with such little space available.
What is really happening in the scene: it is a very quiet day, where almost everything is immobile. There is only one boat that has started to move and the captain has all the space needed to leave the Bassin Louise and head toward the St-Lawrence Seaway without being concerned with any serious obstacle.
For other boat or ship photos posted on my website, click on the following link:
Cumuliform clouds add energy to any photo. Even photos in black and white benefit from them largely, whether it is for a normal or an HDR photo.
Cumuliform clouds add dynamism to this Abbaye du Mont St-Michel scenery. France (1978)
Black and white HDR picture of lamp posts installed along the St-Lawrence, Quebec City 2012.
The stratiform clouds add to the tranquillity and the stability of a photo.
Daytona Beach under stratus clouds in 2011. The end of the afternoon allows the fresh air from the sea to move over the heated land, which helps create few cumulus fractus, visible near the buildings.
Clouds including a stratiform and cumuliform components (stratocumulus) produce an effect that is more energizing than the simple stratus, while avoiding the explosion of energy of the cumuliform clouds.
A stratocumulus adds to this otherwise peaceful scenery captured on board the Lyria train between Paris and Geneva in 2013.
The cold front
The approach of a cold front enhances the possibility of interesting photos. If it is a fast moving cold front of moist and unstable air, the photos will probably be more spectacular, as some thunderstorms will be associated with the system. A dew point of more than 15 C indicates the presence of a lot of water vapor which can be transformed into precipitation, thus releasing a lot of energy. When these conditions are combined with a really strong contrast between the new air mass which approaches and the one which goes away, the produced meteorological phenomena will certainly be intense.
In the photos below, the meteorological system approaching the Quebec Jean-Lesage international airport also had to cross a small mountain range.
A roll arcus cloud in development ahead of a thunderstorm approaching the Quebec Jean-Lesage airport in 2012.
A roll arcus cloud in development ahead of a thunderstorm approaching the Quebec Jean-Lesage airport in 2012.
View under a developing arcus cloud at the Quebec Jean-Lesage international airport (2012)
An arcus cloud ahead of a thunderstorm approaching the Quebec Jean-Lesage airport in 2012
A roll arcus cloud ahead of a thunderstorm heading for Quebec City in 2012
The morning fog
The morning fog offers many opportunities for interesting photos. You can choose an isolated tree and capture the combined effects of the morning sun and fog. Or you may choose a cluster of trees, for a completely different effect. Both photos below were taken in Domaine Cataraqui, Quebec City.
Trees in fog at Domaine Cataraqui, Quebec City 2009
Sun and fog provide for a special atmosphere at the Domaine Cataraqui, Quebec City 2009
A morning fog resulting from a cold cloudless night will persist for hours if there is no wind. The cold morning air, motionless over a slightly hotter stretch of water, creates a fog that will finally disappear just before noon, when the atmosphere has been heated enough. If there had been an overcast sky during the night, chances are that the air over the water would have remained at a higher temperature, preventing the formation of fog.
The opportunities for more interesting photos arise when you witness the first holes in the fog layer.
The Ocean tugboats during a dense fog in the Bassin Louise in Quebec (2012).
We can take into account the season to estimate the speed of the diurnal reheating of the lower atmosphere. A morning fog will need more time to dissipate from late autumn to early spring: that leaves more time for the photographer to prepare. The forecasts can announce the disappearance of fog while it will not be the case if, over your sector, there is an invading layer of stratocumulus preventing the morning sun from reaching the ground.
To determine if the fog is going to dissipate as expected or will remain and possibly intensify, watch the difference between the temperature and the dew point on the hourly meteorological observations issued by weather stations near your place of residence. If the temperature and dew point spread increases, the fog is going to lift. If the difference between those two decreases, the fog is going to persist and possibly intensify.
The mist
The mist can be qualified as such when the visibility is superior to ½ mile, but do not exceed 6 miles for an observer on the ground. If the visibility is of ½ mile or less, it is called fog. This photo of the Bic National Park, near Rimouski, shows the interesting effect that the mist adds to a beautiful landscape.
Mist in the Bic National Park, Province of Quebec (2009)
Hot and unstable air in winter
When there is a warm and unstable air advection (about 0 degrees) while winter has already settled, there are good opportunities for photos. A moderately developed cumulus produces significant snow showers and this snow sticks on all the surrounding objects. All that snow would have begun to melt on contact of objects if the latter had had a temperature superior to zero degree. But, the winter being already settled, the snow persists. It gives enough time to capture some souvenirs.
A Quebec City street after a snow shower
The local effects
A photographer might benefit from learning about the meteorological local effects influencing the regions he intends to visit. The local effects are often simple to understand and they repeat themselves regularly, according to wind and season changes. The knowledge of these effects allows the photographer to be ready and position himself even before the phenomenon occurs. It limits the comments like: “If I had known that it would occur, I would have settled down here one hour earlier!“
The local terrain as well as large size bodies of water produce predictable meteorological phenomenon that can be used by a well prepared photographer. It can consist of persistent fog, repetitive snowstorms over a small sector, strong winds, cumuliform clouds alongside the mountain summits, etc. By being positioned at the right place, at the right time, the desired photo can be realized.
A change in the wind direction
A change in the wind direction suddenly increases the opportunities of interesting photos. It might announce the approach of a cold front, a warm front, a sea or land breeze, etc. In the photo below, a bit of fresher air suddenly began crossing the St-Lawrence seaway at the end of the day, thanks to the approach of a weak cold front. The water was still relatively warm and the moisture which was present over the surface became visible due to the cool air supply. The conditions were now ideal for a short-term thin fog, as long as the wind speed would not increase. Just in time for a photo.
The new wood pellets silos in Anse au Foulon in Quebec City en 2014
Familiarization with weather radars
It can be useful to get acquainted with weather radars which, for the needs of photography, remain simple to interpret. Multiple echoes of small dimension with a steep gradient of various colors indicate precipitation resulting from cumuliform clouds. The showers associated with these clouds are often moderated or strong and will be the result of approaching towering cumulus or cumulonimbus (thunderstorms). A towering cumulus presents a dark base and a white summit to the photographer. At sunset, their vertical development can be used to emphasize the last rays of light.
The side of a towering cumulus (TCU) is benefiting from the remaining sunlight over Quebec
Large echo areas of similar colors of low intensity indicate a relatively stable air generally producing steady light rain or drizzle. This should be understood as a possibility of increased humidity limiting the visibility through mist or fog.
Hoar frost
Hoar frost is a short-term phenomenon. It is thus necessary to capture the scene before the sun melts everything. The photo below shows some small twigs on which hoar frost has settled. It was taken at the beginning of the seventies. Although the quality of the photo is not exceptional, the meteorological phenomenon is well demonstrated.
A combination of snow and hoar frost observed on a Quebec field in 1976.
Forest fires
Wishing to make photos of western Canada during summer 2014, I came up against a season where hundreds of forest fires were raging. The smoke was covering some parts of Alberta and British Columbia. Some fires were important enough to require the closure of the sole highway connecting Lake Louise to Jasper. I thus decided to include the effects of those fires in the holiday souvenirs.
A visibility reduced in forest fire smoke allows a photographer to obtain, without special editing, sunsets with interesting colors.
Sunset and smoke from forest fires in Kamloops in 2014
The smoke also produces an effect similar as fog, but a fog which would be impossible to obtain at the end of a summer afternoon while the sun shines and there is a 38 degrees Celsius temperature.
An area near Kamloops, Canada, that was touched by forest fires in 2014
At dusk, the residual smoke is visible near tree tops while the setting sun strikes the mountain side. The effect is of two horizontal lines of complementary colors, blue and orange.
Forest fire smoke and sunset combined in Lake Louise, Alberta en 2014
Facing a field of flowers, a photographer has to choose among many possibilities. Here are just a few:
1) He can choose a really beautiful flower and make it the sole point of attraction. In that case, he must decide if the background will be free of any distractions.
A rose from the English Garden in Geneva, 2013.
2) He can profit from a blurred background that is of a color dramatically opposed to the color of the chosen flower.
A tulip in the Bois-de-Coulonge, Québec City.
3) He might favor an overhead or a low angle shot. As this choice of the angle of view does not apply only to flowers, I found in my archives a low angle shot of a pear tree located in St-Nicolas, Québec. Here it is, so that you can see what kind of effect can be obtained.
Pears from Saint-Nicolas, Québec.
4) He can decide to show many flowers on the same picture, considering the interesting impact produced by all the color dots.
A field of flowers in Saint-Nicolas, Québec.
5) He might also use the flowers as accessories to direct the eye of the viewer to another point of interest like, for example, a building with special architectural characteristics.
Industrielle Alliance building, Quebec City, 2012
Flowers as accessories to improve a beautiful landscape in the background.
Sunflowers on Île d’Orléans
Photo of a part of Banff downtown, Alberta, Canada 2014
The flowers and the bumblebee are two interesting subjects; they complement each other in this picture. It would be hard for me to decide which one I prefer.
Bumblebee on a flower in the Parc du Bois-de-Coulonge, Québec City
Unless there is no other possibility, it is better to avoid shooting flowers under full sun as there will be considerable reflection on their petals. If you have no choice, use a polarizing filter, well adjusted, to reduce the undesirable effects of direct sunlight.
The ideal day to get out and take pictures of flowers is a day without wind, where there is a bright light but dimmed by an overcast sky.
The quality of colors and contrasts will be maximized if the pictures are taken during the morning or at the end of the afternoon.
Aperture has a definite impact on the final result. With a wide aperture (smaller numbers like F2.8 or F4.0) you will get a sharp subject with everything blurred around it. This will make your flower stand out. With a small aperture (bigger numbers like F14, F16), both foreground and background will be sharper, with an even better result using a wide-angle lens. Your flower will lose a bit of its impact as all the elements in the picture will now shine. Below is a picture taken in Ontario, during the Ottawa Tulip Festival.
Macrophotography:
April 2012 on the Plains of Abraham: A bee makes its way out of a crocus.
1) Remove any dirt from the plant you want to capture and choose a plant whose petals are in perfect condition.
2) Use a tripod, a remote control release and the mirror lock-up (MLU) function for better results.
3) The camera should ideally be used with manual focus, for improved sharpness. In order to verify if the picture will be in focus, look at the LCD screen and enlarge the picture (5X or 10X). You will immediately see if a minor adjustment is needed to get a sharp photo or to improve the depth-of-field.
The histogram should be checked upon taking the picture to immediately compensate for the necessary amount of light.
You can use a flash to reduce aperture. You must adjust it so that it’s not shooting at full power otherwise there will be too much reflection and you will lose all the delicate nuances of colors and contrasts.
A method that will produce surprising results is called “zoom burst”. You slowly move the zoom of a lens on all its focal length while the shutter remains open during the process. You must select a speed that is slow enough to accommodate the full deflection of the zoom. You should know that many shots are normally needed before you get a satisfying image.
Every lens offers different possibilities:
1) The macro lens is useful if you wish to capture very precise details on the flower. To add an interesting effect, you can even spray the flower lightly with water so that a few droplets remain on the petals.
2) The wide-angle lens allows you to transform an image and give it an original perspective. The effect will be more important if you shoot the flower from a special angle like, for example, from the ground up. If you must lie on the ground, use a little carpet to keep yourself clean and dry. I bought a right-angle finder to ease the workload when shooting under complicated angles. This could be a potentially interesting addition to your equipment.
3) Finally, the telephoto allows you to pick a particular flower and, because of compressed perspective, offers you a background filled with multiple colors.
Let’s end this section with a mushroom picture. The same principles apply with regards to simplicity, settings and angles of views. I could have chosen to show only an oversize shot of a mushroom, or take only part of it, but I preferred an approach that would allow me to show the radically different shapes of the specimens found at the Laurentian Forestry Center in Québec.
Mushrooms around the Canadian Forestry Service building , Québec 2014.
The Quebec Harbor is an excellent site to find interesting ideas when it comes to photography. Fog, ice, tugboats and other ships constantly provide new opportunities. In March 2015, during a beautiful day, I was able to capture this scene with the Coriolis II in the Bassin Louise. The use of a Canon 14mm 2.8L fixed lens was necessary to avoid any alterations in the quality of the picture of this wide angle shot. The camera used was a Canon 5D MKII.
View from our hotel room in Schwanden, Switzerland 2013
Here are some of the pictures recently added to the Europe photo gallery. Schwanden, in Switzerland, was a superb discovery as the hotel was in the countryside but at a very reasonable distance from a big city like Bernes. This is an HDR picture, as the contrasts were just too important between the shadows under the balcony and the natural light of the sky. The Schwanden picture represents in fact five shots each taken with a different exposure. Photomatix is the software used to mix together all the pictures. Have a good visit in the photo galleries!
