End of December 2022. It’s hot in Quebec City. The city was first swept by a storm that left hundreds of thousands of Quebecers without power, some for more than a week. A heat wave then swept through the province of Quebec for several days.
One positive aspect of this warm air is that it melted the thick layer of ice and snow that had accumulated on the roofs of homes during the December 23 storm, resetting the clock for the remaining portion of the winter to come.
But when it comes to winter sports, it’s a different story. One had to walk around town on the last day of 2022 to see the changes in just a few days.
Passing by the public skating rink maintained by the municipality on the Battlefields Park, I took this picture that sums up the situation: a warm rain falling on the snow and accelerating the melting to the point where a thick fog sets in, puddles of water several centimeters thick covering a layer of ice.
I use this water to add the reflections of the skaters in the photographic composition. Fortunately for them, the sportsmen benefit from a mechanically cooled ice rink to continue practicing their favorite activity.
The two pictures below show advertisements for cars that were found at the time in various magazines.
Old advertisement of a big american car
Old advertisement of a Pontiac Bonneville american car.
These old representations of a new car favored very bright colors to catch the reader’s eye and increase the chances of a sale. In the two photos above, red and orange are found on cars, buildings, dresses, faces, etc.
Vintage Cadillac parked in Victoria, British Columbia
When I spotted this old Cadillac in 2018 in Victoria, British Columbia, the two previous photos came to mind. Again, several elements of the same red and orange colors are found in the photographic composition: the Cadillac, the motorcycle, the umbrellas, the post office box, the chairs and tables, and even part of the menu. It almost looks like an artificial set-up for an upcoming advertisement!
Cruise ships in the Port of Quebec in the fall of 2022
Another great time for Quebec City merchants begins with the arrival of multiple cruise ships each fall. Not only do the thousands of tourists pour into Old Quebec and its Petit-Champlain neighborhood, but the ships must also be restocked in anticipation of the continuing voyage.
In terms of photography technique, the Promenade des Gouverneurs and its staircase act as an entry point to the center of the photo above. It is of course important to preserve some autumn colors, as they are so ephemeral. A wide-angle lens helps the photographic composition, but it certainly distorted the street lamps on the left of the photo, which had to be straightened with an image processing software. Finally, the rule of thirds worked perfectly here to highlight the magnificent view from the heights of Quebec City.
The Queen Mary 2 arrives in Québec City on September 29th 2022.
The Queen Mary 2 in the Quebec City harbour in 2022.
Fontaine de Tourny and the Quebec National Assembly building.
The fontaine de Tournyand the parliament building in Quebec City are often photographed separately. This can give very good results. However, the visual impact can be increased by combining the two architectural styles in close proximity in the same photo.
By paying attention to the photographic composition, I sought a balance while creating a tension between the two works. In the scene above, the fountain and the Parliament building appear to be of similar height. The vertical axis of the center of the Parliament tower is about the same distance from the right side of the photo as the vertical axis of the fountain is from the left side. This is close to the rule of thirds, but not dogmatically so. Both works are deliberately framed tightly.
Other elements contribute to the interest of the scene. First of all, each architectural work has a specific color that is well marked and luckily the colors are almost complementary. Still on the subject of color, I chose to take the photo during the “blue hour”, that time of day just before dark when a very soft light illuminates the landscape for a few more minutes.
Finally, the water jets and the people in the background add a little dynamism to an essentially static subject.
Motorcycle policemen lead the convoy bringing the Pope to Old Quebec in 2022.
If you don’t have privileged access, the main difficulty in photographing the arrival of Pope Francis in Old Quebec in 2022 lies in the vague and sometimes contradictory information offered to journalists in an obvious effort to protect the itinerary of the head of state.
You also have to deal with the strong police presence and the barriers that open and close according to the mood of the moment, blocking bicycles and pedestrians long before the Pope has crossed the Saint-Louis gate. As a photographer, you don’t want to find yourself suddenly stuck in a place of no interest.
Other aspects to consider are purely photographic, such as the ambient light and the distance from the subject at the time of the photo, which will influence the choice of equipment carried.
The official convoy arrives on Saint-Louis Street. It is important to know that in the afternoon, the sun crosses directly the axis of the Saint-Louis Street in its slow descent towards the west. If you position yourself along this street to take the picture, there is no physical obstacle, but you photograph against the light a convoy which passes at full speed. The camera sensor does not appreciate backlighting, because it has difficulty evaluating which light takes precedence. The choice of a straight line on Saint-Louis Street is therefore not very interesting.
The crowd greets Pope Francis on his arrival in Old Quebec in 2022.
The Pope’s driver sits on the left (at least in Canada). The Pope will therefore be on the right, whether forward or backward. If one stands in the Place d’Armes, one gives priority to the driver rather than to the Pontiff.
As the sun travels progressively from the axis of St. Louis Street to the west, the tall trees of the Place d’Armes will create a natural veil blocking the effects of backlighting. This will increase the chances of successful photos.
On St. Louis Street, the convoy is moving quickly in a long straight line. The chances of getting a good picture decrease. When the security cars reach the end of Saint-Louis, they have to brake because of a sharp curve near the Château Frontenac. If you position yourself immediately after the curve, the chances of getting an acceptable picture increase greatly.
As for photographic equipment, a camera lens that requires little light will help optimize shutter speed and depth of field, especially in the late afternoon. The Canon EF 85mm f/1.2L II USM lens offers more flexibility.
A camera with a full-frame sensor will also allow the cropping necessary to magnify the photo without loss of quality. For the photos included in this article, the camera used was a Canon 5DSR.
The riskiest technique which therefore requires a little more experience is to take the picture of the head of state in his car in focus while leaving the outside blurred, to show that the car is moving fast. You follow the car with the camera’s viewer. The closer it gets to you, there is an obvious feeling of acceleration. It is thus necessary to increase the rotation of your body to adjust to the car’s relative speed change. The autofocus does its job as the vehicle approaches.
There is only a fraction of a second where you get a completely clear view of the head of state. A second too early and you only see a portion of the face with a piece of the car, a second too late and you get a three-quarter rear view. A continuous shooting mode becomes absolutely necessary.
Pope Francis arrives in Old Quebec on his trip to Canada in 2022.
An adequate shutter speed captures the face of the head of state accurately and keeps the background blurred. A shutter speed that is too fast makes the whole scene clear and sharp, and the photo loses its dynamism. Too slow a speed and the face lacks definition. There is only one chance to get it right.
So, those were a few ideas to remember if you want to photograph important events in Old Quebec. A prior knowledge of the terrain and of the sun’s position at specific times remains essential if you want to increase your chances of success.
A young girl dances through the water jets near Quebec City’s city hall.
The water fountains near theQuebec City’s City Hall Gardens attract crowds during the summer season. The changing colors of the lights offer many opportunities for night photography.
Patience becomes the first rule when it comes to capturing the scene that will stand out. Usually, children run indiscriminately left and right. But there are exceptions, like that evening when a young girl started dancing through the programmable fountains. She moved quickly, adding more dynamism to the scene. I had to take a chance with a night photo.
As far as the photography technique is concerned, the challenge was interesting. I wanted to capture the feeling of movement in her dance. But this demanded a high shutter speed to avoid too much motion blur. On the other hand, the low ambient light called for a slow shutter speed. Those two requirements were completely opposite.
A Canon EF 85mm f/1.2L II USM lens mounted on a Canon 5DSR camera was part of the solution. A recycling garbage can positioned near the scene also served as a support for the portable tripod. Both Canon lens and tripod allowed for more light to be captured while avoiding unnecessary vibrations.
However, those two actions would not have been enough to allow the scene to stand out. There were still too many contrasts between light and shadow. A digital image processing software facilitated the use of the essential data included in the RAW file of the photo, revitalizing the background while diminishing the foreground’s highlights of the water jets.
Some purists lose sleep over the idea that contemporary photographers use digital processing software to get a better picture. When a RAW file contains 50 million megapixels and you refuse to use its data on principle, it’s a bit like Charles Leclerc deciding to drive his Formula 1 car using only the settings of the ’60s, for nostalgia’s sake.
Click on the link for more night photos on my blog.
Unusual cirrus cloud in an autumn landscape near Saint-Léon-de-Standon.
The photo above was taken in the vicinity of Saint-Léon-de-Standon, in the province of Quebec, in the fall of 2021.
I often stop to photograph the beautiful automn colors, but this time the scene had an added interest: a semi-circular cirrus cloud to be included in the photographic composition.
Of all the cirriform clouds in the region that day, this one stood out in a remarkable way. It was the first time that I could observe this high-altitude cloud with such a peculiar shape. All you had to do was position yourself correctly so that the cloud was above the house in the photo …
The Promenade Samuel-De Champlain seen from the Quebec Bridge in 2021.
Crossing the Quebec Bridge by bike allows you to stop and admire the surroundings at will, while observing the maritime traffic up close.
In the photo above, part of the Promenade Samuel-De Champlain is visible from the bridge. As for the photographic composition (for those interested), part of the bridge is included in the photo’s foreground to add to the height effect. The path to the right of the promenade, with its pronounced curves, also helps to energize the scene. I think it was a prime location, but tastes are debatable!
The Federal Clyde and MSC Brianna vessels on the St.Lawrence Seaway near the Quebec Bridge in 2021.
At the time of passage of the Federal Clyde and MSC Brianna vesselsunder the Quebec Bridge, the sound of the large diesel engines was clearly perceptible and it was even possible to feel the vibrations of the engines retransmitted into the metal structure of the bridge.
Inspection of the Québec Bridge in 2021.
Above, an employee inspects the structure of an aging Quebec Bridge. Good risk management in this case is to rely on a part of the bridge that has not aged prematurely.
Inspection of the Québec Bridge. July 29th 2021.
The wide-angle lens of the Canon 5DSrgives a better idea of the delicate position in which inspectors find themselves when they are evaluating the work to be carried out on the Quebec Bridge. It’s not a job for everyone …
The Turner Exhibition at the MNBAQ in Quebec City in 2021.
Before winter 2021 officially ends, here are some photos taken around the MNBAQ (Musée National des Beaux-Arts du Québec) while there is still snow on the ground and on tree branches. In the spring of 2021, the Museum hosted the exhibition by British painter J.M.W. Turner.
A section of the Musée National des Beaux-Arts du Québec (MNBAQ) in winter.
The architectural design of the MNBAQ, in combination with the contrast between the blue and yellow tones, caught my attention. The scene is partially framed by two trees. The passerby in the center adds a touch of humanity.
The “blue hour”, that special moment of the day, in a park near the MNBAQ.
The photo above was taken during the “blue hour“, near the MNBAQ. The citizens have deserted the park and are back inside, as shown here with the building in the background, with almost all its floors now lighted.
I considered it important to include the nice trees around the museum in all three shots.
On the road in Chaudière-Appalaches, a beautiful region in the province of Quebec, I saw an interesting landscape in my rearview mirror. This was the perfect start for autumn photography.
Rather than getting out of the vehicle to capture the scene and its autumn colors, it seemed to me that a modified « frame in the frame » technique could be applied very well to capture most of this bucolic landscape.
In order for the photo to be sufficiently in focus, it is necessary to stop the engine. Otherwise, the minute vibrations are transmitted to the rearview mirror, making it impossible to obtain a correct focus, even when using the manual mode.
The photographic composition is determined in the rearview mirror by a zigzagging path through houses and forests. The leaves are starting to change color and the buildings in the foreground as well as the shades of green in the fields help bring the scene to life.
