An Harbour Air DHC-2 Beaver floatplane is just airborne from Vancouver
The photo above portrays a Beaver floatplane belonging to Harbour Air. It is seen here a few minutes after its take-off from the Vancouver Harbour floatplane base in British Columbia. The picture was taken with a Canon 5DSR full-frame camera equipped with a Canon 70-200 f2.8L IS II USM telephoto lens.
The aircraft, quite small in the photo, could have been enlarged using the Canon 5DSR’ s 50 megapixel full-frame sensor. The image would still have been of excellent quality but I would have lost the effect I was initially looking for.
As opposed to what seems obvious at first sight, the scenery was not captured sitting in another plane but from the ground, while I was standing near the Harbour Air seaplane base. The morning’s constant precipitation saturated the air with moisture and helped create a low level cloud base.
An image editing software was then used to crop the scene. I used a non standard photo format to show the kind of flight the pilot was dealing with, between two cloud layers and with a mountain range on his right. It seems to me that a photographer does not have to feel obliged to follow an arbitrary format if the latter has a negative impact on the intended result.
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Sunset colors reflecting on an Air Canada Bombardier Q-400 in Toronto
The Air Canada Terminal installations at the Toronto Lester B. Pearson international airport are such that a voyager intending to do a flight from Toronto to Quebec has to walk outside the building to catch his plane. This has some advantages, especially when it is an evening flight and there is, at the time of boarding, a superb sunset.
But to directly photograph the sunset colors without any filter or tripod, while hand holding the camera, is a recipe for disaster. And a photographer cannot stay immobile for very long in that restricted area where security agents and passengers walking towards the DHC-8-400 demand that everyone move with the flow.
A practical method that offers very good results is to indirectly photograph the beautiful sunset colors by using the aircraft as a reflector.
First, it is better to use a camera lens that requires very little light. This will limit the grain size while allowing a shutter speed that is high enough to avoid a blurred picture. The scenery was thus captured with a Canon 5DSR full-frame camera equipped with a Canon EF 50mm f/1.4 USM lens.
Secondly, the photographer must crop the photography using an image editing software so that all useless details are absent from the final shot. There are two objectives: 1) it is obviously necessary to keep the aircraft parts that will best show the sunset colors and 2) do the best possible use of the elements presenting graphic interests for the viewer.
If I had kept only several oversized windows in order to show the superb sunset colours, there would have been only clear bright colours, without contrasts. That would have given an uninteresting photo. The advantages of protecting the shadowy top of the aircraft are that it adds a strong luminosity contrast, allows the inclusion of the Q-400 diagonal lines (1-2-3-4-5) and a reflection of the reflections themselves (6) under the aircraft’s wing. All this is highlighted in the photo below.
Photography theory: diagonal lines on a Bombardier Q-400 photo
Harbour Air Twin Otter floatplane C-GQKN on final for Vancouver Harbour, in British-Columbia, during Summer 2016. Photo taken with a Canon 5DSR full frame camera.
It looked like it would be an average day for a photography session at the Vancouver Harbour. The sky was quite ordinary, which means totally cloudless. But around noon, a new and more humid air mass made its way in British Columbia and rapidly the blue sky was replaced by clouds and precipitations. At the same time, the high intensity light that was prevailing around noon suddenly took more acceptable levels for photography.
Pilots of different bush floatplanes like the Twin Otter (DHC-6), Turbo Otter (DHC-3T) and Beaver (DHC-2) had to deal with the sudden weather deterioration in order to complete the daily planned flights. But one man’s loss is another man’s gain. For aviation photography, low clouds and light intensity meant that the pictures would be more interesting.
The photo above was taken with a Canon 5DSR full-frame DSLR camera equipped with a Canon 70-200 f2.8L IS II USM telephoto lens. In order to capture the moving propellers, I had to set a low shutter speed. The scene was then cropped to avoid visual distractions. The 50.6 megapixels full-frame sensor of the Canon 5DSR facilitates cropping when it is required.
In the foreground, there is a Harbour Air Twin Otter floatplane (C-GQKN) approaching to land in the Vancouver Harbour. In the background, far away and in the superior right corner of the photo, the pilot of a Turbo Otter floatplane also deals with worsening weather while ensuring that he maintains a visual contact with high ground obstacles surrounding the harbour.
Westcoast Air Twin Otter floatplane C-FGQH arriving in Vancouver Harbour, in British-Columbia, during Summer 2016. The photo was taken with a Canon 5DSR camera.
The picture above was taken in British Columbia, during summer 2016, with a Canon 5DSR full-frame camera equipped with a Canon 70-200 f2.8L IS II USM telephoto lens.
A Westcoast Air (C-FGQH) Twin Otter floatplane (DHC-6) was about to land in the Vancouver Harbour. It is obvious that adjusting the shutter speed to 1/1200 would have given enough speed to obtain a clear image. But this would have taken away any movement sensation by freezing the propellers and background.
The shutter speed had to be slow enough to allow the rotation of propellers. It is clear that an aircraft’s propeller rotates more slowly on final for landing than during take-off. So the camera had to be adjusted for a shutter speed varying between 1/40 and 1/125.
A slower shutter speed increases the risk of getting a blurred photo, especially when the photograph must move with the camera to obtain the desired effect of movement. The fact that a telephoto lens is used also increases the possibility of a blurred picture. It is thus imperative to activate the stabilizer and horizontal panning function of the telephoto lens.
To obtain a background without any precise details, the camera is panning and follows exactly the aircraft’s movement. This requires a progressive acceleration of the panning, according to the aircraft’s position from the photographer.
When the Twin Otter gets closer, things get a bit more complicated as everything speeds up. It is necessary to already have positioned the feet in the appropriate direction in order to avoid a major switch in the body’s posture. The slightest useless or brisk movement would immediately be visible on the photo.
With a bit of practice, a photographer will achieve success by respecting the following elements: a shutter speed between 1/40 and 1/125, an appropriate position of the feet, no brisk movement while pivoting and a progressive acceleration of the body’s rotation aligned with the aircraft’s speed. A slower shutter speed will enhance the aircraft movement. But expect more blurred pictures when working with speeds between 1/40 and 1/60.
A last detail: as soon as the aircraft’s floats touch the water, the deceleration starts. The photographer’s pivoting speed must immediately slow down otherwise the photo will be blurred.
Hummingbird photographed with a Canon 5DSR DSLR camera in Victoria, British-Columbia, in 2016
The 50.6 megapixels full frame sensor in the Canon 5DSR camera is of great help when comes the time for bird photography. It allows major cropping of an image without any loss in quality.
With a little patience, it was possible to take a picture of a hummingbird in a public park in Victoria, British Columbia after the bird finally rested on a branch for a few seconds. Without cropping and a powerful 500mm telephoto lens, it would have been difficult to produce a sufficiently large and clear image of a five centimeter bird.
I used a Canon 5DSR equipped with a Canon EF 70-200 f2.8L II USM telephoto lens. The camera was adjusted on APERTURE mode. The telephoto lens stabilizer was activated. The autofocus was set on the SERVO mode to insure the image sharpness in the event that the subject started to move.
But the hummingbird was so small that the autofocus constantly whizzed between the bird and the leaves. I had to switch to manual focus and use Liveview.
Once the picture was taken and cropping was done, few contrast and luminosity corrections were necessary in order to enhance the bird’s plumage which happened to be backlighted. RAW files facilitated the edition in Photoshop.
Likewise, the background intensity of the colours was corrected to avoid distracting from the principal subject. The initial picture, in landscape format, was later changed in the portrait format, which allowed the exclusion of several branches around the bird which were imposing and diverting attention.
Naturally, the chosen depth-of-field blurred the background, helping the hummingbird to stand-out.
Here are some photos of Toronto that were taken in February 2016 with a Canon 5D MKII DSLR camera. The photos were all saved in RAW and JPEG files to facilitate any additional work that could have been required with an image editing software.
Architecture and photography both offering unlimited possibilities, I did not impose any limitations. The primary goal was to profit from any opportunity that would arise while profiting from the softer light offered by the winter season.
Toronto Harbourfront, Winter 2016
The first article with regards to photography in Toronto that was published on my website showed only one subject: the CN Tower. It was published during Winter 2016:
In the present article, I develop other angles of Toronto which is a city in constant evolution and where you can find multiple styles of architecture. In the picture below, a recent rain shower helped to add unexpected reflections.
Toronto and CN tower by night. Winter 2016
Some architectural subjects are naturally imposing. This is the case when all you have to do is look straight ahead, enjoy what you see and immediately try to compose an interesting photo.
A good example is the interesting reflected shapes that can be seen on the windows of a building. I could not help to take the picture below as I was surprised that a windowed building could send back images that were so totally different from each other. I am curious why there is so much distortion between the windows…
Toronto building reflections (2016)
Instead of taking pictures of the newly designed Art Gallery of Ontario, I used its reflective properties to capture something a lot older, which was the design of the row of older houses on the other side of the street.
Some houses are reflecting on the Art Gallery of Ontario (2016)
It is also possible to add variety and fun to a photo session by looking for special shapes, angles or contrasts that are not already obvious.
As I was walking downtown, I passed by the Brookfield head office. The architecture of this relatively new building is quite interesting. The architects were able to preserve the facades of older surrounding buildings by integrating them and assigning each one a role inside the new construction, possibly because the city required their protection in case of any new development.
But it is only once I was leaving the sky rise that I found the idea for the next photo: a vertical wide-angle shot from which all lines would be straight, all this possible by using the advantages of the Canon 5D MKII full frame sensor coupled to a Canon 14mm 2.8L wide-angle fixed lens. Image sharpness was insured through manual focus, a tripod, a remote trigger and the mirror lock-up function.
Toronto sky rise, Ontario 2016
The last photo is essentially about contrasts: the colour contrasts (light and dark) and the density contrasts that one can find in different constructions of Toronto.
In the foreground, we see the aquarium, with its pale and inviting colours, as well as lots of space where only few people are visible. In the background, there is the exact opposite, with very dark high-density condo towers, very close to each other, where every inhabitant hopes to have an interesting view on the Lake Ontario. All this in a photo divided in two parts and cropped very tightly to increase the differences and eliminate any visual distractions.
Contrast between the Ripleys Aquarium of Canada and the condominiums in the background. Toronto, Ontario (2016)
For more articles in the category « Photos of Canada », click on the following link : Photos of Canada
Official opening of the Pierre Lassonde Pavilion, which is part of the Musée National des Beaux-Arts de Québec, seen from Grande Allée on June 24th 2016
Pierre Lassonde Pavilion (Musée National des Beaux-Arts de Québec) intercommunication stairway on the day of official opening in June 2016
On June 24th 2016, during the National Holiday of Quebec, the new Pierre Lassonde pavilion of the Musée National des Beaux-Arts du Québec (MNBAQ) on Grande Allée in Quebec City was inaugurated. This pavilion, that has been expected for a very long time, will allow the Museum to expose art that had to be stored, up to now, due to lack of floor space. This new pavilion will double the exibition space.
Artwork exibited in the Pavillon Pierre Lassonde du MNABQ on June 24th 2016
Many political personalities were present, among them the Prime Minister of Canada Justin Trudeau and Quebec’s Prime Minister Philippe Couillard, as well as the MNBAQ director Line Ouellet. International actuality caught up with the Canadian Prime Minister during his presence in Quebec and he had to comment on United Kingdom’s exit from the European Union (Brexit) which was voted on the precedent day.
Part of a sculpture located outside of the Pierre Lassonde Pavilion at the Musée National des Beaux-Arts du Québec in 2016
June 24th 2016 in the MNBAQ’s Pierre Lassonde Pavilion
The Pierre Lassonde pavilion architectural project, valued at about $103 millions, was the result of an international competition won by the American architectural firm OMA from New York. Fifteen thousand people were expected to show up for the inauguration. Instead, thirty thousand people visited the pavilion to get a glimpse of the creation directed by the architect Shohei Shigematsu.
Pierre Lassonde Pavilion’s intercommunication stairway on June 24th 2016. Photo taken with a Canon 5DSR equipped with a 14mm 2.8L fixed lens.
MNBAQ’s Pierre Lassonde Pavilion’s stairway on June 24th 2016
Lots of compromises to limit the expenses had to be made, like in all serious projects. Nonetheless, the pavilion is a success and I am eager to see what kind of atmosphere will be generated this coming winter when the light shines through the glass panels and colors the snow around the pavilion. This new building, with its original architecture and the light that emanates from it, already adds a new dynamic when night falls on Grande Allée.
MNBAQ’s Pierre Lassonde Pavilion on the evening of official opening. Photo taken with a Canon 5DSR on June 24th 2016
Intercommunication staircase in the Pierre Lassonde Pavilion at the MNBAQ on the day of official opening (June 24th 2016)
For those of you who are interested in photography, here are some details about the photographic equipment used for my photos : they were all taken with a DSLR Canon 5DSR camera. The Canon lenses that were used were : EF 14mm f/2.8L II USM, EF 50mm f/1.4 USM and telephoto lens EF 70-200 mm f/2.8L IS II USM. The use of a flash being forbidden inside the museum, I had to carefully adjust the ISO, speed and aperture settings, especially where the use of a tripod was not authorized. For those occasions, the EF 50 mm f/1.4 USM was of great help.
Visitors on the roof of the MNBAQ’s Pierre Lassonde Pavilion on June 24th 2016
For other photos on the province of Quebec and also Quebec City, click on the following links from my blog:
In June 2016, I spent a few days in Montreal to look for photo opportunities in the city and in the Old Port. I had never seen so many construction projects going on at the same time in that city. We could feel that the city managers wanted everything to be perfect for the 375th anniversary of the city in 2017. Here are 2 percent of the photos that were taken during that photography session. (The files were in RAW and JPEG).
Photography and architecture. Habitat 67 in Montreal
The picture above represents Habitat 67, created in time for the 1967 Universal Exhibition by the architect Moshe Safdie. You can click on the following link if you wish to obtain supplementary details in regards to the conception and construction of Habitat 67: Moshe Safdie and Habitat 67
To take the photos, it was better to wait for the evening, a few minutes before nightime, in order to benefit from a better luminosity and prioritize the reflection of light sources on the water. Several boats passed by while I was taking the pictures and it momentarily diminished the quality of the light reflections. Eventually, after several trials, I benefited from a flat water surface. With ISO at minimum, I was able to limit the digital noise that would unavoidably become visible after cropping the images.
Habitat 67 Montreal
A photographic exposure lasting a few seconds helped to flatten the water surface and emphasize the light reflections. I made sure to keep the tugboats in front of the buildings since I consider that they added some dynamism to the scene. As usual, the use of a tripod, remote trigger and mirror lock-up helped to reduce the camera vibrations. Liveview was activated and the focus was done manually to ensure optimal image sharpness.
The picture below shows the abandoned grain silos in the Old Port of Montreal. They are protected since 1996 and will possibly be given a new role next year, just in time for Montreal 375th anniversary.
Grain silos in the Old Port of Montreal in 2016. Photo taken with a Canon 5DSR.
The bulk carrier Venture (formerly called Balder), built in 2002 and belonging to the CSL company, was docked in the Old Port. I tried a few shots, among them one with a telephoto lens Canon 14 mm 2.8L.
The Bulk Carrier Venture (CSL) in Montreal in 2016
To get a privileged access to the harbor installations, where all the loading and unloading operations are performed, would have been really interesting, but, since it was not the case, I had to try to capture an idea of the Port activities from a distance. I wanted to include the wagons loaded with containers and the ships. The use of a polarizing filter allowed the enhancement of the colours of the wagons. I thought necessary to include the venerable Molson Brewery building in one of the shots.
View of the Montreal Harbor, Molson Brewery and the Jacques-Cartier bridge in 2016
Then, profiting from the cancellation of the low pass filter in the Canon 5DSR DSLR, as well as the impressive enlarging capacities offered by the 50.6 megapixels full frame sensor, it was possible to capture a bit of the Port activities by cropping the photo later on, without any loss in quality, using an image editing software. The picture was taken with a telephoto lens Canon EF 24-70 mm f/2.8L USM at 70 mm.
Port of Montreal with ships and containers. Photo taken with a Canon 5DSR in 2016
For other photos on the province of Quebec and also Quebec City, click on the following links from my blog:
Here are a few recent photos taken during the month of May 2016 using a Canon 5DSR camera equipped with a Canon 70-200 f2.8L IS II USM telephoto lens. I was on île d’Orléans for the photo session, near the Horatio Walker promenade in Sainte-Pétronille.
The vessel Shelduck (Monrovia) in front of Quebec City in 2016. The photo was taken with a Canon 5DSR
The picture above shows the vessel Shelduck flying the Liberian flag. It just crossed the narrow channel between île d’Orléans and Levis. This ship, built in 2012, is a bulk carrier. In the background it is possible to see Quebec City, with the Château Frontenac and the Hotel Le Concorde Quebec.
The photo below shows the Silver Carla (Majuro), a tanker used to carry oil and chemical products. It is moored at the Quebec harbour installations. The ship was built in 2014 and sails using the Marshall Islands flag of convenience.
The vessel Silver Carla (Majuro) and some of the Quebec harbour installations in May 2016
In the picture below, the tanker Cap Jean, property of Euronav, is approaching île d’Orléans. This tanker was initially supposed to be named St. Jean but the name’s religious connotation could have caused problems in some parts of world. The name Cap Jean was thus chosen.
The vessel Cap Jean, property of Euronav, in front of Quebec City in 2016
The photo below, also taken from île d’Orléans, offers an interesting view of Quebec City just before nightime. The Hotel Le Concorde Quebec’s new lighting system is visible in the distance. In the foreground, you can see the ship Laurentia Desgagnés.
The vessel Laurentia Desgagnés moored in front of Quebec City during a May 2016 evening.
Below, the ship Nilufer Sultan is heading towards Quebec harbour. Built in 2008, this oil tanker also uses the Marshall Islands flag of convenience.
The vessel Nilufer Sultan in front of Quebec City in 2016. Also visible are the Château Frontenac and the Hôtel Le Concorde Quebec.
The photo below shows the tanker Sloman Herakles, normally based in St. John’s, Canada. It sails under the Antigua and Barbuda flag and is heading to Sarnia, Ontario.
The vessel Sloman Herakles (St. John’s) in front of Quebec City in 2016
The two photos below show the container ship Toronto Express, property of the Hapag Lloyd Company. I chose to transform the first picture in black and white since the ship did not contrast enough with the background in the colored picture. It is actually slightly inclined since it is turning towards the right while approaching île d’Orléans. On the next picture, we can see in the background the smoking chimney of the Papiers White Birch Company, formerly called Daïshowa and later Stadacona.
Black and white photo of Hapag Lloyd’s Toronto Express in front of the Quebec harbour installations in May 2016
The Vessel Hapag Lloyd Toronto Express near the Quebec City Harbour in 2016. Photo taken with a Canon 5DSR full-frame camera
Below is the chemical tanker Mayaro (Japan) arriving near Quebec City in May 2016.
The vessel Mayaro (Tokyo) and Quebec Château Frontenac in the background. The picture was taken in 2016 with a Canon 5DSR
Taking pictures in the evening
Trying to take pictures of moving ships in the evening, using the smallest possible ISO, forces a photographer to use a tripod, a remote trigger and the camera’s mirror lock-up function to reduce vibrations. Ideally, it is best to find a spot where the tripod will be protected from the wind while ensuring that the camera’s strap is not moving at all. There is no need to use a polarizing filter at this time of the day: that would only be detrimental to the photo.
The Canon 5DSR DSLR full frame camera allows the photographer to take a picture in two steps, reducing even more the possibility of secondary vibrations. First, the mirror is lifted up. Then, two seconds later, the photo is finally taken. For a sharper image, it is best to use the Liveview function with a 16X enlargement and do a manual focus adjustment.
Risks associated with photography!
On île d’Orléans, many visitors use the surroundings banks to let their dog roam freely. This can cause a problem as the animal sometimes perceives the photographer and his photographic equipment as a potential threat to a master that it must protect… You will have been advised!
For other ship photos posted on my website, click on the following link:
The container ship Maersk Pembroke under the Quebec Bridge, May 2016
Choosing what is important in a camera
Since there is actually no camera that has everything, whatever the brand, the buyer of a new camera must make choices: the type of sensor, the number of megapixels, the weight and size of the camera, the automatic focus’s speed and ability to follow a subject, the number of images per second, the performance under low light, the possibility to greatly enlarge a picture while maintaining its quality, advanced video functions, electronic communications with other devices, an extensive choice of lenses, etc. The list can be quite long…
The Canon 5DS(R): a specialized camera
A photographer happy with the Canon 5DS or 5DSR is one who needs a specialized camera offering both sharp images and the possibility of greatly enlarging the pictures it takes while maintaining the initial quality. This camera allows for more creativity as the possibility of extreme cropping beats, for now, everything that is on the market in the DSLR format.
Testing the potential of the Canon 5DSR when it comes to enlarging a picture
Here is an example of what this means: the photo below shows the yellow M of the McDonald’s restaurant photographed with a 50mm lens. Not easily visible…
Mc Donald’s restaurant’s yellow M captured with a 50 mm lens. Hard to see, of course!
Then the next photo was taken with a Canon EF 70-200mm f/2.8L IS II USM telephoto lens set at a 200mm focal length.
Testing the Canon 5DSR: the Mc Donald’s restaurant’s yellow M enlarged through a Canon EF 70-200mm f/2.8L IS II USM telephoto lens. Focal length used: 200mm.
But the picture can be enlarged a lot more using the amazing resolution of the Canon 5DSR. The following picture shows the result after cropping the 200mm image: the yellow M now takes the whole vertical space available in the picture without any loss in quality.
The Mc Donald’s restaurant’s yellow M, after having been enlarged (focal 200mm) and cropped within the Canon 5DSR.
From my position on the hill, the yellow M was barely visible with the naked eye. By using a 200mm focal length, followed by serious cropping, I was able to obtain the result above. So it is possible to photograph a subject that is almost invisible without a telephoto lens and transform it into the principal subject of the picture without any loss in quality.
I chose the 5DSR because the anti-aliasing filter has been neutralized in the model R to offer even sharper images, although there is a risk of occasional moire effect when there are repetitive patterns in a scene. This is the compromise that Nikon users must also have to deal with.
Rethinking photography
The 50.6 megapixel full frame sensor in the Canon 5DS or 5DSR allows a new approach of photography for those who do not have access to a much more expensive and larger medium format camera that does not necessarily give really superior pictures.
When I go outside for a photo session, it seems to me that I now carry a huge telephoto lens without the weight and the cost. A lot of what seemed to be unavailable possibilities are now accessible.
Taking pictures of people in the street is now less complicated: there are no more suspicious looks, artificial poses or people hiding their face. This is an ideal camera to capture people acting naturally without disrupting their routine. Gone is the feeling that you are bothering them in any way.
Quartier Petit-Champlain Old Quebec May 2016
The photo below was taken while I was standing at least 300 meters from the scene, just after sunset. For those who are from Quebec City, I positioned the tripod on a high wall on the other side of Chemin St-Louis, near the St. Louis Gate. I had to slightly brighten up the picture to make the details more visible, risking at the same time to increase the digital noise. It was a May 2016 warm misty evening, which is clearly visible by the lack of details in the background as we look in the distance.
Quebecers defying gravity in Old Quebec, May 2016
But those are not the only possibilities of this camera. The Canon Company, in its promotional video, explains what exactly the camera was designed for:
How can someone maximize the use of a 50.6 megapixel full frame sensor
In order to bring a subject closer to you while fully benefiting from the Canon 5DSR 50.6 megapixel full frame sensor, it is obvious that there must be absolutely no vibrations. The photographer must therefore use a tripod, a remote control release and the mirror lock-up function. This allows for a very low ISO setting while avoiding a blurred picture.
The mirror lock-up function is very well thought through, with the possibility to choose a totally automatic processus according to a timing chosen by the photographer (between 0 and 2 seconds). The system eliminates any secondary micro vibrations.
In order to ensure an even better picture, the photographer must use Liveview and set it to the 16X enlargement available on that camera (versus 10X on my Canon 5D MKII) to manually adjust the focus. It is then possible to see the slightest vibrations caused by the wind. Doing so, I realized that my camera strap, lightly swaying in the wind, was causing some minimal vibrations. Every detail taken into consideration will improve the final result.
One must then ensure to immobilize the strap and even diminish the tripod height if possible when the wind is blowing. These steps will allow an incredible enlargement of a subject while maintaining the initial quality of the image offered by a full frame sensor.
Superior mirage effect (cold mirage)
The photo below shows a ship being helped by two Ocean tugboats on its way towards the Quebec Harbour. The ship was at a good distance from the harbour; it is then possible to witness the superior mirage effect (cold mirage) resulting from a temperature inversion immediately over the water. The boats are deformed but the important close-up has not lowered the image quality. It has instead allowed to increase the atmospheric phenomenon effect.
Superior mirage (cold mirage) effect. Vessel and two Ocean tugboats on the St-Lawrence seaway heading to the Quebec Harbour, May 2016.
Once closer to the Quebec Harbour, the cold mirage effect decreased, as shown on the picture below:
Quebec Harbour, May 2016
The Canon 5DS or 5DSR without the use of a tripod or mirror-lock
Obviously, a tripod is not necessary if you do not intend to use a lot of cropping to enlarge a photo. You will obtain excellent results with the hand-held camera providing that you remember that this Canon DSLR is a specialized tool.
So many megapixels on a sensor of that size require that the photographer adapts his technique. But, as you can see from the picture below, it is totally possible to capture an aircraft in movement, even at dusk (May 11, 19:49), when the camera’s parameters are correctly adjusted. A higher shutter speed than normal is, in this case, absolutely mandatory.
The photo below shows an Air Canada Express Bombardier DHC-8-402NG (C-GSJZ) on final for runway 29 at the Quebec Jean-Lesage international airport (CYQB).
Bombardier DHC-8-Q-402NG (C-GSJZ — Air Canada Express) on final for the Quebec Jean-Lesage international airport, May 2016. Photo taken with a DSLR Canon 5DSR.
The Maersk Pembroke with the camera hand-held
The photo below shows the Maersk Pembroke container ship photographed with a hand-held camera using a Canon EF 70-200mm f/2.8L IS II USM telephoto lens during Spring 2016 near Quebec City. The focal length was only 140mm and the shutter speed 1/1000. The lens was equipped with a polarizing filter and the photo taken when the vessel was approaching the Quai des Cageux.
The Maersk Pembroke container ship on the St-Lawrence seaway near Quebec City, May 2016
The colours produced by the Canon 5DSR
The digital processing of the image and colours produced by the Canon 5DSR require different adjustments than what was necessary with the Canon 5D MKII. I am still learning how to handle the results produced by this camera so I will wait a bit before commenting.
View of Old Quebec from the St. Louis gate. Quebec City, May 2016
Night photography
Here are two photos taken during the evening in Quebec City. The photo below required a 200mm focal, an ISO set at 4000 and a shutter speed at 1/30 in order to obtain something else than trailing lights. Luckily, the traffic was moving slowly…
Night photography, Grande-Allée avenue, Quebec City, May 2016
The picture below, taken with a 200 mm focal, required an exposure time a bit longer that one second with the ISO set at 800. To take the photo, I took advantage of the fact that the cars were momentarily stopped at a red light, so that they would be clearly visible.
Night photography, Tourny fountain and Quebec lower town, May 2016
The images per second of the Canon 5DS(R)
The Canon 5DSR is so far quite an impressive camera. I would have appreciated that Canon offer a higher rate of images per second (7 instead of 5) to make it more versatile.
The camera allows taking pictures with smaller formats than 50.6 MP, the two other options being 28 MP and 12 MP. If the camera can deliver five images per second with 50.6 MP RAW files, we can deduct that it is able to offer more speed for smaller formats. But the camera is blocked at 5 IMS so that it, I suppose, does not compete with other existing Canon models of the same category…
Nonetheless, Canon says that the rapid sequence of shooting lasts longer if the photographer uses the smaller files provided. So it is not faster, but it keeps on firing for a longer period. My guess is that it would only require a new firmware version to improve this camera’s number of images per second.
For other night pictures, click on the following link to my site:
