Above, a railroad track crossing the Cap-Tourmente National Wildlife Area in Quebec. Autumn is well underway and red is no longer part of the scene. However, the colors remain attractive. At the time of our visit, only 26,000 of the 600,000 geese migrating south remained.
Trees in the Montcalm dictrict in Québec City during Autumn 2024.
The Montcalm sector of Quebec City is brimming with majestic trees that change colour in autumn. Those photographed above are located right next to the Battlefields Park, owned by the Government of Canada.
Trees of the Grande-Allée in Quebec City in Autumn.
The tree above is on Grande-Allée, in the direction of Old Quebec. I shot it using a Canon EF 11–24 mm f/4 USM wide-angle lens. All I had to do was wait until 10:00 AM for the sun to strike the foliage from the side. Earlier than that, the brightness is a little lacking, and later the sun rises too high and hits the foliage from above with a violent light that detracts from the overall effect.
Trees in a Sillery street in Québec City during Autumn 2024.
Above are a few trees in the Sillery area of Quebec City. It’s not often that red leaves cover several tree trunks. You have to be there at the right time, because the effect doesn’t last long. We also need to be able to count on the wisdom of homeowners who have seen fit to let nature do its job, rather than cleaning everything up to make it look “nicer,” as we sometimes see.
The curb in the lower left corner of the photo serves as a prompt to integrate the scene. The door covers the first right-hand third of the photographic composition, preventing the observer from moving too quickly into the background. The rounded shape of the door and the old stones manage to occupy almost 50% of the image, while the rest shows an entire artery, mountains and a portion of the sky.
To energize the scene, I waited for an automobile to drive down the street.
The Basilique-cathédrale Notre-Dame de Québec and the Price building in Old Québec.
Dating back to 1647, this Basilica-Cathedral has been renovated on several occasions and includes a historic crypt and holy door, attracting believers from all over the world.
Note that in this shot, the close-up of the tower does not prevent us from obtaining perfectly vertical lines, which are usually difficult to achieve in photography. This result is due to the use of a Canon EF 11–24 mm F/4L USM ultra-wide-angle lens, the only one on the market that allows such results without correction and without the fisheye effect taking over.
The Basilique-cathédrale Notre-Dame-de-Québec in Old Quebec.
Above is the Basilica-Cathedral seen from another angle.
This year, the Grands Feux Loto-Québec are lit from a barge in the middle of the St. Lawrence River, between Lévis and Quebec City. A tugboat from the Ocean Group company secures the barge with a cable for the duration of the event.
I took the above shot with a Canon 5DSr full-frame camera equipped with a remote shutter release and a tripod-mounted Canon EF 11-24 mm F/4L lens. The super-wide-angle lens can capture both the Château Frontenac and the lights and city of Lévis across the river.
The BULB mode lets you set your own exposure time and take creative initiatives. The brilliant path from launch to explosion is captured in a single photo.
As soon as the bursts begin, you try a five-second exposure and observe the result. Then adjust by stretching the exposure time until good effects are achieved.
One mistake to avoid is leaving the shutter open for too long. When this happens, flashes of light build up on top of each other, and all you see in the final photo is blurry, glowing white.
Working with a RAW file offers much greater flexibility than with a JPEG file when processing the image on the computer.
ISO 200 seems the best option here for several reasons: even if the activity takes place in full darkness, we want to avoid significant digital noise. A low ISO will also lengthen the exposure time and allow us to capture beautiful streaks at the moment of the explosions.
What’s more, the lights will illuminate the scene, reducing exposure time to a reasonable length. Finally, a layer of altocumulus cloud above the Château Frontenac serves today as an artificial light reflector in the photo above.
Grands Feux Loto-Québec, August 2024
A depth of field between 8 and 13 ensures sufficiently accurate light at a reasonable distance.
Whether to focus manually or automatically remains a matter of taste. It should be noted that darkness can cause problems for autofocus. However, trial and error can sometimes produce interesting effects.
If you’re using manual focus, use the camera’s backlit screen to magnify the scene as much as possible and adjust the focus as required. You then return to the normal size display for the duration of the fireworks, taking care not to inadvertently touch the focus adjustment ring when changing the zoom.
Fireworks at the Grands Feux Loto-Québec 2024
Consider using a heavy tripod. In windy conditions, it will better resist vibrations during long exposures.
A final word of advice: fireworks attract a lot of people, some of whom are content with a fairly limited personal space, if they have one at all. Protecting your photographic area becomes an important objective, to avoid the tripod getting snagged or someone moving in front of you when enthusiasm takes over. So, arrive well in advance to choose the best location for you to work in, while protecting your work area.
For example, for the photos above, I had set up between a ramp fixed on a steep slope in front of me and a bush at the rear. No one could stand in front of me and no one could pass behind me because of the bush. I thus had only the sides to worry about. It sounds like an unnecessary concern, but these days everyone is filming fireworks and continually repositioning themselves without regard to their neighbors. Make life easier for yourself by making the necessary arrangements before the show.
On the way to Matane, a stop at Parc national du Bic is a must. The unique morphology of the region immediately catches the eye. We photograph this scene from the promontory set up at the park entrance. In early September, the deciduous trees take on an orange hue. These colors provide an interesting contrast to the bluish background.
The movement of ice broke these wooden stairs on the beach in Matane, Québec 2023
A wooden staircase recently built along the Matane beach could not withstand the onslaught of storms. The same thing happened at Percé several years ago, when ice movement quickly destroyed a superb promenade erected for tourists.
Damages caused by the movement of ice in Percé.
We need to rethink seaside construction in the light of climate change.
Some forty birds move together in search of food on this Matane beach. I captured the scene with a Canon EF 11-24mm f/4 USM zoom lens. When motionless, these birds blend in perfectly with the surrounding rocks, as shown in the photo below. There are no fewer than thirty-four of them on the ground.
34 birds on the beach at Matane. Try to find them…
A beach in Matane in fog in 2023.
A final shot shows the river’s discharge onto the shore at each tide. I imagine that someone could make use of these sea products by transforming them into something marketable. Bretons are already doing this successfully on Ouessant in France for certain types of seaweed.
The photograph shows a view of the fertile land along the St. Lawrence River in the Kamouraska region. A public observatory allows visitors to admire the panorama.
Sea kayaking on the St.Lawrence Seaway near Rivière-du-Loup
In the evening, in Rivière-du-Loup, these two kayakers enjoy the tranquility of the St. Lawrence River as they indulge in their favorite sport.
The St.Lawrence Seaway seen from Rivière-du-Loup
This HDR shot of a unit at the Auberge de la Pointe in Rivière-du-Loup features seven superimposed photos, for a total of 354 megabytes of data. This ensures that the sky is correctly exposed and that the rooms in the foreground are not completely obscured.
Ferry towards St-Siméon in the province of Québec 2023
The journey takes us to Saint-Siméon on a calm seaway. A Canon EF 11-24mm F/4 USM wide-angle zoom lens captures the scene without exaggerated distortion.
Île-aux-Lièvres and the St. Lawrence river, Québec 2023.
Auberge la Châtelaine Saint-Laurent, La Malbaie 2023.
Here’s a shot of one of the corridors of the Auberge Châtelaine, in La Malbaie. One of the reasons to stop by is the excellent breakfast included after a good night’s rest. No fat bacon or greasy potatoes here: just homemade bread and jams.
The Norwegian Joy cruise ship docked at pier 22 in Quebec City in 2023.
The Norwegian Joy cruise ship, which weighs close to 168,000 tons, is one of the biggest ships to dock in Old Quebec in autumn.
Le navire de croisière Norwegian Joy amarré à Québec à l’automne 2023.
It can accommodate 3,852 passengers and, for onboard service, there are 1,851 crew members – almost one employee for every two holidaymakers. The ship was built in 2017. Despite its young age, it benefited from renovations in 2020.
Sliding down the tube on the Norwegian Joy cruise ship
In the photo above, you can see a transparent tube raised above the upper deck in the top left-hand corner. With an enlarged photo, you’ll see that people are sliding down this water slide upside down. The shot below will help you get a better look at the guy in the red and blue swimsuit speeding by. The camera’s shutter speed had to be set to 1/2000 to avoid motion blur.
Sliding down the tube on the Norwegian Joy cruise ship 2023
That day, I was only carrying a Canon EF 11-24 mm f/4 USM zoom lens. I had to crop the photo a little to enlarge it, but you can still see the scene quite well. Part of the tube gives the sportsman the impression of suddenly plunging to the ground, as the installation protrudes over the sides of the ship.
Looking for dangerous goods on the Norwegian Sky cruise ship in Quebec City
While people are enjoying themselves on the upper deck, a whole team is busy refueling the ship and ensuring its safety. In the photo above, a dog can even be seen going around the pallets to detect any dangerous or illicit products.
The Norwegian Joy cruise ship in Québec.
Here’s a final photo of the Norwegian Joy, taken from inside a recently built cedar gangway near Quay 22 in the Port of Quebec. The sun filtering through the rungs provides a beautiful play of light, all captured by a Canon EF 11-24 mm f/4 USM zoom lens set to 11 mm. The effect is further enhanced by the pseudo HDR mode offered by digital processing software.
If you get up early enough, you can capture the morning fog. The photographic composition respects the rule of thirds, especially regarding the lone tree, my main subject. I included the picnic table to signify the presence of human activity in the vicinity. This often adds interest to a scene.
Flowers on the Plains of Abraham, Quebec City. Summer 2023
Above, I’ve captured flowers by limiting the aperture of the Canon EF 85mm f/1,2 L II USM lens. The flowerbed is on the Grey Terrace in the Parc des Champs-de-Bataille. The emphasis is on the middle row, leaving the others out of focus to create a different effect.
Picking blueberries in Saint-Nicolas.
There’s no shortage of space in Quebec when it comes to picking berries. Although it doesn’t appear so in the picture, the Vire-Crêpes business had many customers on its grounds that day. But the estate covers such a large area that it offers people a fairly private zone.
Blueberries in Saint-Nicolas.
This last photo shows a blueberry plant from Saint-Nicolas, south of Quebec City. The fruits require more time to reach full maturity, but the different colours visible at this stage of growth makes for a more interesting shot.
An Old Quebec view with the Château Frontenac in the distance using a Canon 11-24mm zoom lens.
Luck plays a significant role in the acquisition of an original shot. To put chance on our side, we need to go on photo expeditions frequently, whatever the weather, and seize opportunities when they arise.
For this outing in Old Quebec, I thought I’d use a Canon 11–24mm f/4L USM super-wide-angle zoom lens. It allows you to get very close to a tall building and obtain vertical lines without the top of the structure disappearing.
Indeed, many high-performance zooms require the utilization of image-processing software to produce an almost perfect vertical effect. But doing so cuts off the top of the edifice.
So, I was looking for a different perspective to shoot the Château Frontenac. I saw it more in the background, as a point of arrival for the eye, rather than taking up all the space. Even as a small edifice in a photo, you recognize it before any other structure.
To do this, I chose an architecturally interesting building as my starting element. It reminded me vaguely of the Flatiron Building in New York. Naturally, it’s not as high and offers that rounded effect when captured in wide-angle format.
I’ve observed a lot of representations of Old Quebec so far. However, I don’t recall previously noticing the street and the old edifices in this way. Usually, the building in the foreground is partially visible.
Lost in the analysis of the ideal angle, I heard a strange engine sound. On my left, a vintage car was moving slowly and would pass in front of the Canon 5DSr lens in a few seconds.
I quickly lifted the camera and placed it in the right spot. The auto was already gaining speed and I had to seize the opportunity. This vintage car blended perfectly into the scene. Only the slightly more contemporary station wagon indicates a more recent picture.
Modernity and the past still come together in harmony in a developer-protected Old Quebec. To capture interesting pictures, you need to get out into the old town frequently.
In fact, the “station de la Plage” and “station de la Voile” are so popular that the planners had to quickly rethink parking management. On sunny days, thousands of people come to relax on the sites. Cars arrive laden with children and beach equipment, and everyone hopes to find a space for their vehicle. But by 10 a.m., there’s nothing left.
The two beach and building attendants have their hands full observing everything that moves, correcting habits and arguing with people. Because, in addition to the scarcity of parking spaces, pedestrians are not tolerated strolling alongside their bicycles, either near the beach or on the elevated terrace.
Raised deck at “station de la Plage”, Québec City.
However, the rules and regulations posted on the National Capital Commission’s website are confusing. They stipulate that you must walk on the site and that bicycle traffic is prohibited. You might think that a person walking with his bike at his side would be complying with the requirements, since he’s not straddling it, but that’s not the case.
A month into the operation, a security guard tells me: “We’ve already notified over 400 visitors who were walking while holding a bike”. He wants the word to get out. But the facilities for accommodating bicycles are not keeping up with demand. The tree trunks near the main building help out, and serve as a place to put a padlock on busy days.
Trees used to lock bikes at the station de la Plage in Quebec City.
What’s more, with bicycles becoming increasingly expensive, many cyclists are reluctant to leave them unattended for a few hours, even when locked. Experienced thieves are notoriously quick. This first year of operations will therefore require some modifications to procedures and installations.
Sea kayaks at Saint-Laurent-de-l’Île d’Orléans 2023
Unstable weather presents two advantages for a photographer on the Île d’Orléans. Firstly, the fear of rain means that visitor numbers are greatly reduced. In fact, most of the people who come to the island are interested in the outdoor activities on offer, such as fruit picking, cycling or sea kayaking. So, we’ve got the road all to ourselves to stop whenever we feel like it!
Île d’Orléans before the storm, July 2023.
Secondly, unstable weather means the possibility of thunderstorms, with all their interesting cloud formations. It is therefore essential to check the radar and weather forecasts before setting off for the island.
