Tag: art

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Graphic novels and comics Photos of Quebec

Michel Rabagliati’s new book: *Y a d’la joie*.

Michel Rabagliati's new book: * Y'a d'la joie*
Michel Rabagliati’s new book: * Y’a d’la joie*

Michel Rabagliati never disappoints me. I thoroughly enjoyed reading his latest book, *Y a d’la joie*. The author starts off strong with a few drawings that speak volumes about the influence of the media today. Then he lets us into his life by taking us on a tour of his neighborhood in Montreal. I particularly enjoy the true stories, as they possess an intensity I don’t find in works of fiction.

Here’s a quick aside: while reading Mr. Rabagliati’s book, I was passing through Montreal and took a few photos, including one of the city with the lilacs in bloom.

Lilacs in bloom in Montreal in the spring of 2026
Lilacs in bloom in Montreal in the spring of 2026

And since the Montreal Canadiens were playing a game that evening that would later eliminate the Buffalo Sabres, it was a must to capture the city’s buildings lit up in red, white, and blue.

Buildings in Montreal decked out in the Montreal Canadiens' colors during the 2026 playoffs
Buildings in Montreal decked out in the Montreal Canadiens’ colors during the 2026 playoffs

Now back to the book. The author presents us with an uncensored Montreal—the one you don’t see on postcards. He rightly rails against the idiots who deface the beautiful murals in his neighborhood and elsewhere in the city. Fortunately, there are still buildings where the artwork remains intact, as shown in the two photos below.

Mural on a building in Montreal 2026
Mural on a building in Montreal 2026
Joker mural in Montreal
Joker mural in Montreal

Mr. Rabagliati introduces us to the businesses in his neighborhood, the people who work there, and those he deals with on a regular basis. He stops by to say hello to his daughter and reminisces about the good times. I love the book’s slow pace and its human touch. His style and words remind me of the Icelandic author Auður Ava Ólafsdóttir.

In short, a superb book that lets us catch our breath a little and reconnect with life bit by bit. If you’d like to see the author in his daily life, you’ll enjoy “Y a d’la joie.”

Click on the link for more comics and graphic novels as well as for photos of the province of Quebec on my blog.

Author: Michel Rabagliati

Title: Y a d’la joie

Publisher: La Pastèque, 2026

ISBN: 978-2-89777-210-9

Categories
Graphic novels and comics

Salvator Mundi, a questionable painting sold for $450 million.

The comic book "Salvator Mundi: la folle histoire du tableau le plus cher du monde"
The comic book “Salvator Mundi: la folle histoire du tableau le plus cher du monde”

The comic book “Salvator Mundi: la folle histoire du tableau le plus cher du monde” tells how a painting originally purchased for $1,500 was retouched and resold for $450 million.

We know that renowned paintings attract a wealthy and discreet clientele. What is less well known, however, is how interest in a work is generated.

An art lover discovers a painting that seems promising. He has it retouched by a professional art restorer. He does not want any photos of the work in progress. People must quickly be convinced that it is a work by the famous Italian master Leonardo da Vinci.

The desire of the wealthiest people to obtain a rare painting by Leonardo da Vinci outweighs critical reasoning. Haste is a poor advisor, especially in the murky world of art. Every dealer has an interest in not revealing details that could jeopardize an interesting transaction.

The work, purchased for $1,500 a few years ago, is resold to the Russian oligarch Dmitri Rybolovlev for tens of millions of dollars. The painting becomes the playground of experts with diverging interests. The new owner disposes of his recent acquisition when he realizes that doubts persist about the authenticity of the artist.

Christie’s wins the contract to auction the painting. The famous auction house exhibits the painting in a category that surprises art professionals, alienates connoisseurs, and encourages emotional buying.      

Prices skyrocket thanks to a battle between two stubborn buyers. MBS (Mohammed bin Salman of Saudi Arabia) wins the bid for $400 million plus fees. A great deal, but one in which the owner realizes a little too late that he has very possibly purchased a painting by one of Da Vinci’s students.

This purchase urgently needs to be “cleansed.” What follows are shady dealings, political pressure on President Macron, the threat of cancellation of arms contracts from France, and an attempt to use the Louvre’s reputation to “certify” a painting that is increasingly doubted to be by Leonardo.

I won’t tell you how the story ends. I’ll just add that the graphic presentation and storyline keep the reader’s attention throughout. This true story is a lesson for all art lovers, wealthy or not.

Click on the link for more comics and graphic novels on my blog.

Title : Salvator Mundi : la folle histoire du tableau le plus cher du monde.

Authors : Éric Laberge, Antoine Vitkine, Sébastien Borgeaud

Edition : Futuropolis

© 2025

ISBN : 978-2-7548-3405-6

Categories
Graphic novels and comics

Graphic novel : Deux filles nues.

Graphic novel "Deux filles nues" by Luz edited by Albin Michel.
Graphic novel “Deux filles nues” by Luz edited by Albin Michel.

German painter Otto Mueller created the painting “Deux filles nues (Two nude girls)” in 1919. Through an artwork which survived turbulent times, the reader follows a changing Germany. He also gets to know the different art dealers.

At the beginning of the book, the author uses a great deal of imagination to introduce us to the life of the Mueller couple. The painter died in 1930 and the painting changed hands for the first time three years later. At that time, inflation was raging in Germany, and the dissatisfaction of the population led to the appointment of Adolf Hitler to the chancellorship by Hindenburg.

Between 1933 and 1946, the painting miraculously survived censorship and the destruction of works deemed degenerate by the Nazis. Thousands of works of modern German art were set on fire by the authorities.

Pogroms spread across Germany. Jewish-owned paintings were seized. When the Gestapo forced part of Ismar Littmann’s (German link, English link) collection to be auctioned off , it selected 64 works, 53 of which were immediately burned.

During the same period, a traveling exhibition entitled “Entartete Kunst” (“Degenerate Art”) was commissioned by Joseph Goebbels, and 730 works traveled between Munich and other major German cities. Ironically, this degenerate art ended up attracting three times as many visitors as acceptable German craftsmanship, whose works were displayed in nearby buildings.

A page from the graphic novel "Deux filles nues" by Luz edited by Albin Michel.
A page from the graphic novel “Deux filles nues” by Luz edited by Albin Michel.

Until 1946, the painting “Deux filles nues” changed ownership several times, and continued to survive the bombings, organized destruction and art thefts carried out by the Nazis.

After the war, the painting’s name was changed from Zwei Mädchenakte (“Two Nude Girls”) to Zwei weibliche Halbakte (“Two Female Half-Nudes”) and toured Germany and the world. In 1976, it was exhibited at the Ludwig Museum in Cologne. Former owners Ruth and Chaim Haller were finally reunited with their painting in 1999. Ruth is the daughter of Ismar Littmann, mentioned at the beginning of this article.

The museum officially returned the work to the owners, but in the same year made an offer to buy it back, which was accepted by the Hallers. Today, the painting can be found in the Expressionist section of Cologne’s Ludwig Museum.

Through his considerable research and the publication of his graphic novel, the author underlines the importance of remaining alert to the political and cultural censorship that regularly resurfaces.

The book ends with a chronology of events and biographies of the main characters. The author goes to great lengths not to show us what the painting “Two Naked Girls” looks like, until we’re practically at the end of the story! A very clever way of keeping our curiosity alive.

Click on the link for more graphic novels and comics on my blog.

Title: Deux filles nues

Author: LUZ

Publisher: Albin Michel, © 2024

ISBN: 978-2-226-48957-9 (French)

Categories
Graphic novels and comics

Brüsel

Cover of the "Brüsel" comic book
Cover of the “Brüsel” comic book

Brüsel will delight fans of well-crafted comics. There’s everything in this book: top-quality graphics, attention to detail, an overflowing imagination on the part of the authors, a little humor and sensuality, a touch of cynicism.

We find ourselves with familiar themes, but developed backwards from common sense to pique the reader’s curiosity. Society will be saved by the advent of plastics, a veritable revolution. And we’ll finally be able to get rid of the plants we have to look after, which wither away and constantly need a little water.

The authors also take an original approach to the deterioration of hospital care. The script shows us a patient who is always promised incredible treatments by a doctor whose reputation is beyond reproach. However, no intelligent action is taken, and the patient gradually recovers from the lack of treatment.

The hero of the story and an employee he meets by chance form an unconventional duo and take us into the twists and turns of a city in the making that a megalomaniac is designing without consulting the citizens.

The few people appointed to obey the wishes of a single man walk around with scaled-down buildings under their arms and place here and there the skyscrapers of the future city. It’s all decided behind closed doors and in the interests of a few, as sometimes happens in city planning.

In short, if you’re looking for a story and graphics out of the ordinary to escape from déjà vu, this is the comic for you.

Click on the link for more graphic novels and comics on my blog.

Title : Brüsel

Authors : Schuiten-Peeters

© Casterman, 2023

ISBN : 978-2-203-27639-0

Categories
Graphic novels and comics

Comics : 13h17 dans la vie de Jonathan Lassiter

The comics " 13h17 dans la vie de Jonathan Lassiter".
The comics ” 13h17 dans la vie de Jonathan Lassiter”.

“When you’ve got nothing left to lose, you can take all the risks…”. This is the sentence [translated] on the back of the comic strip “13 h 17 dans la vie de Jonathan Lassiter” (13:17 in the life of Jonathan Lassiter), which best sums up this French-language work published in 2023.

Jonathan Lassiter works as an insurance agent in Keanway, a small, remote town in Nebraska. Overnight, his wife leaves him, he loses his job and his wallet is stolen. In short, his life suddenly takes an unexpected turn. He has two choices: either he feels sorry for himself, or he changes. His chance encounter with Edward, a “distinguished, cultured and cynical” man, forces him to take a stand.

It was the quality of the graphics that caught my eye. This isn’t one of those publications where you wonder whether the design can be done in a month, and which pretends to be original through the absence of detail, and therefore of work. A great deal of effort went into this album, and it shows at first glance.

Back cover of the comic strip "13h17 dans la vie de Jonathan Lassiter".
Back cover of the comic strip “13h17 dans la vie de Jonathan Lassiter”.

It’s got it all: the judicious choice of angles, the refined, masterful drawing, the skilful maintenance of atmosphere through well-dosed, under-saturated colors, the well-crafted script. This comic strip keeps the reader’s interest from start to finish, with no downtime. 

The main character reminded me of the famous actor Vincent Price.

Vincent Price
Vincent Price

Click on the link for other graphic novels and comics on my blog.

Title: 13 h 17 dans la vie de Jonathan Lassiter

Author : Éric Stalner

© 2023 Bamboo Edition

ISBN : 978-2-8189-9880-9

Categories
Graphic novels and comics

Blake and Mortimer in painting.

Blake and Mortimer "La vallée des immortels tome 1" final version of my 24x36 acrylic painting.
Blake and Mortimer “La vallée des immortels tome 1” final version of my 24×36 acrylic painting.

I finally completed the final stage of the 24″ x 36″ canvas of Blake and Mortimer ,  “The Valley of the Immortals, Volume 1”. I had hoped to finish the whole thing before the summer, but other more pressing obligations disrupted the planned schedule.

The whole project will have taken around 200 hours and required the creation of some 130 colors in an attempt to imitate the album, at least in part.

I deliberately lightened the original work, especially the left-hand side, as I hang the painting on a wall and found the scene far too dark. My version respects the idea of chiaroscuro while adding a little light. Painting the canvas yourself also lets you play with the different shades of the bricks on the left-hand wall.

Painting of Blake and Mortimer : la vallée des immortels.
Painting of Blake and Mortimer : la vallée des immortels.

For the progression of the various stages over the past year, click on the link to the graphic novels and comics on my blog. There are several publications in that section, but you’ll get there gradually.

Categories
Graphic novels and comics

The Valley of the Immortals, step 2.

Painting of Blake and Mortimer : la vallée des immortels.
Painting of Blake and Mortimer : la vallée des immortels.

This is step 2 of the enlargement work I started from the Blake and Mortimer comic book: The Valley of the Immortals. The original album is at the bottom of the image above to give an idea of the original scale.

I want to use the entire 24 × 36 canvas space starting from a standard size comic book. I must modify the scale by adding an extra 10% to the height. However, when comes the time to draw the perfect circle located at the top left of the album, a standard 1:1 scale must be used so as not to transform the faces of the two heroes who are looking at us from the front. A painting made with two different scales does not produce a true copy, but it is still acceptable and realistic.

Trying to match an album’s original colour often requires mixing four different colours or more. Experience has shown that any newly created colour should be allowed to dry for several minutes on another canvas to ensure that it does not deviate too much from the desired colour, because it darkens when it dries. Mistakes are inevitable, however…

It looks as I will complete the canvas within the next few months, providing I work a few hours each day.

A third and final article will be published when the painting is completed.

Click on the link for more articles about graphic novels and comics on my blog.

Categories
Graphic novels and comics

The Valley of the Immortals, step 1.

Enlarging the Blake and Mortimer album: La vallée des immortels tome 1
Enlarging the Blake and Mortimer album: La vallée des immortels tome 1

In February 2023, I began transferring the cover of the Blake and Mortimer album “The Valley of the Immortals – Part 1” to a 24 x 36 inch canvas.

The photo above shows the original album sitting on top of the canvas and the work in progress. There is still a lot of work to do before the drawing and lettering are finished.

Then comes the coloring stage, to get the tones as close as possible to the original album. The cover has a lot of colors, which is not the case with many other Blake and Mortimer albums.

This particular album resonates with me for several reasons. First of all, the authors use in the scenario a Cessna C-170B type plane, which brings back memories of flying. Indeed, by a happy coincidence, in 1981 I flew across Canada in this small aircraft dating from 1952. The plane was not equipped with any air navigation instruments, except for an old compass. We were not yet in the GPS era! I published the story of this flight from St-Jean to Edmonton on my blog.

Another reason that increases my interest in the album is also related to a memory. On the cover, Mortimer is in Wan Chai District, a district I visited in 1990 during a trip to Hong Kong and the New Territories.   At that time, the Cathay Pacific Boeing B-747 used the legendary Kai Tak airport and flew the approach over a huge demonstration of more than 100,000 people commemorating the anniversary of the Tiananmen Square massacre.

I will be posting more photos of “The valley of the immortals” painting over the next few months, numbering the title of each article so that those interested in the subject can find their way around.

Click on the link to my blog to read about the precedent painting: “Tintin and the Black Island “.

Categories
Graphic novels and comics

Tintin and the black island (2 of 2)

Acrylic painting in progression of Tintin and the Black Island.
Acrylic painting in progression of Tintin and the Black Island.

Welcome to the second and last part of Tintin and the Black Island. The photo above shows the clouds almost completed. The yellow sky was a problem, because once on the canvas, the color became too dark as it dried. I had to find a recipe for a lighter yellow than the one on the original cover so that as it dried the color would get darker and match the color of the album.

Details of the castle of Tintin and the black island.
Details of the castle of Tintin and the black island.

The photo above shows the progression of the castle and the island, but this time with the birds as a bonus. Hergé drew a lot of black birds around the castle, which adds to the sinister look of the place. But he also thought of drawing two larger birds in the foreground, of which one seems to be heading towards Tintin.

Painting in progress of Tintin and the Black Island.
Painting in progress of Tintin and the Black Island.

The painting is progressing rapidly. I have already worked on it for about a hundred hours to get to this point. The sea has received all its touches of black paint to form the appearance of waves.

Scale copy of Tintin and the Black Island.
Scale copy of Tintin and the Black Island.

The picture above gives an idea of the size of the painting. The painting must often be placed on a table to paint the elements that require great precision.

In the background of the photo, a journalist from the Canadian news channel RDI is seen on television. He is commenting on the street blockage situation in Ottawa by truckers during the Covid-19 pandemic. The protesters fight for their rights, but do not respect the rights of the citizens of Ottawa who, for weeks, are trapped in their neighborhoods. The Canadian government finally put an end to the situation by invoking the Emergency Measures Act with the added bonus of a $306 million lawsuit brought by residents against the protesters.

24x36 picture of Tintin and the Black Island completed.
24×36 picture of Tintin and the Black Island completed.

Above is the completed painting. You will notice that the white tones of the boat differ on the back and side. There is white combined with black and a touch of yellow for the side of the boat, rather than the pure white required for the back. It took some experimenting with colors to finally realize the need for yellow.

The waves flattened by the boat are now just rounded bubbles behind the boat. However, on the sides, the appearance differs because the movement of the boat breaks the waves: Hergé therefore ensures a different treatment of the foam. He thought of everything, as usual!

It is now time to move on to another project. I am not sure yet, but I am thinking of “Blake and Mortimer” these heroes of Edgar P. Jacobs, a great master of the clear line style who initially worked with Hergé.

Glénat just published a book titled “Edgar P. Jacobs le rêveur d’apocalypses”, if you want to learn more on the subject…

Click on the link for more graphic novels and comics on my blog.

Categories
Graphic novels and comics

Tintin and the black island (1 of 2).

Figurines of Tintin and Doctor Müller.
Figurines of Tintin and Doctor Müller.

In the photo above, you may have recognized Tintin dressed as a Scotsman as he faces the evil Dr. Müller. These two characters are from the comic book Tintin and the Black Island. A majority of French speakers probably read this album in their youth. And, even as adults, some of us (myself included) have revisited this work by Hergé to get a fresher look at the album.

The restrictions and confinement of the Covid-19 pandemic allowed me to devote more time to drawing and painting. I decided to copy the cover of the Tintin album “The Black Island” using acrylic. 

The scale drawing of a Tintin album is close to a 2:3 ratio and so the 24″ by 36″ format was almost a perfect fit. Below, you can compare the difference in scale between the original book and the drawing in the making.

Pencil and scale drawing of Tintin.
Pencil and scale drawing of Tintin.

A 2H graphite pencil for drawing on canvas will require less dedication when it comes to erasing the most obvious strokes and laying down the paint. The one I used (HB) was too dark and required more work than expected.

Reproducing a Tintin album leads us to progressively notice the genius of Hergé, this Belgian creator. We linger on his editorial choices, the composition, the angles. Drawing the rocks of the Black Island and their shadows is, in this respect, very revealing.

24x36 drawing of Tintin and the black island
24×36 drawing of Tintin and the black island

In the photo above, Tintin is heading towards the Black Island. We can feel him anxious, hence his slightly forward-leaning posture. He scans the island straight ahead. Hergé could have drawn him straight on his boat, confident. He chose to position him as an observer of a problematic situation. Similarly, Snowy looks at us with a worried expression and we have to repeat his expression exactly so as not to change the atmosphere of the scene.

Still missing are the black birds around the island, one of which seems to be heading straight for Tintin. You will see them in the next article: they are numerous, black and do not seem very friendly.

The sky, meanwhile, is not covered with pretty cumulus clouds but rather with streaky, tapered clouds invading the horizon, many of them dagger-like. Placed obliquely across the cover for added dynamism, Hergé also gave them a slightly circular shape.

The sky is painted first on Tintin's picture.
The sky is painted first on Tintin’s picture.

When painting the letters, one realizes the editorial choices of Hergé. Several of these features require attention, including the letter “O” which is not round but oval and leaning to the side. Also, Hergé aligns the two words of the title to the right and this has an impact when calculating the spaces between the letters.

In trying to reproduce a color exactly, one must make several attempts to discover the recipe. Often, three or four colors are combined to achieve a satisfactory result. And when we are satisfied with the tone, a surprise awaits us: once placed on the canvas, the acrylic paint changes color and becomes much darker as it dries. Trying to predict the result after drying is therefore a must.

(to be continued…)

Click on the link for more graphic novels and comics in my blog.