This photo was taken in autumn from the wooden tower at the eastern end of Île d’Orléans. Late in the season, there are fewer leaves left on the trees, but the sun hitting the vegetation from the side breathes new life into the landscape.
Click on the link for more photos of Quebec City and Île d’Orléans in autumn on my blog.
German painter Otto Mueller created the painting “Deux filles nues (Two nude girls)” in 1919. Through an artwork which survived turbulent times, the reader follows a changing Germany. He also gets to know the different art dealers.
At the beginning of the book, the author uses a great deal of imagination to introduce us to the life of the Mueller couple. The painter died in 1930 and the painting changed hands for the first time three years later. At that time, inflation was raging in Germany, and the dissatisfaction of the population led to the appointment of Adolf Hitler to the chancellorship by Hindenburg.
Between 1933 and 1946, the painting miraculously survived censorship and the destruction of works deemed degenerate by the Nazis. Thousands of works of modern German art were set on fire by the authorities.
Pogroms spread across Germany. Jewish-owned paintings were seized. When the Gestapo forced part of Ismar Littmann’s (German link, English link) collection to be auctioned off , it selected 64 works, 53 of which were immediately burned.
During the same period, a traveling exhibition entitled “Entartete Kunst” (“Degenerate Art”) was commissioned by Joseph Goebbels, and 730 works traveled between Munich and other major German cities. Ironically, this degenerate art ended up attracting three times as many visitors as acceptable German craftsmanship, whose works were displayed in nearby buildings.
Until 1946, the painting “Deux filles nues” changed ownership several times, and continued to survive the bombings, organized destruction and art thefts carried out by the Nazis.
After the war, the painting’s name was changed from Zwei Mädchenakte (“Two Nude Girls”) to Zwei weibliche Halbakte (“Two Female Half-Nudes”) and toured Germany and the world. In 1976, it was exhibited at the Ludwig Museum in Cologne. Former owners Ruth and Chaim Haller were finally reunited with their painting in 1999. Ruth is the daughter of Ismar Littmann, mentioned at the beginning of this article.
The museum officially returned the work to the owners, but in the same year made an offer to buy it back, which was accepted by the Hallers. Today, the painting can be found in the Expressionist section of Cologne’s Ludwig Museum.
Through his considerable research and the publication of his graphic novel, the author underlines the importance of remaining alert to the political and cultural censorship that regularly resurfaces.
The book ends with a chronology of events and biographies of the main characters. The author goes to great lengths not to show us what the painting “Two Naked Girls” looks like, until we’re practically at the end of the story! A very clever way of keeping our curiosity alive.
Click on the link for more graphic novels and comics on my blog.
Title: Deux filles nues
Author: LUZ
Publisher: Albin Michel, © 2024
ISBN: 978-2-226-48957-9 (French)
Above, a railroad track crossing the Cap-Tourmente National Wildlife Area in Quebec. Autumn is well underway and red is no longer part of the scene. However, the colors remain attractive. At the time of our visit, only 26,000 of the 600,000 geese migrating south remained.
The Montcalm sector of Quebec City is brimming with majestic trees that change colour in autumn. Those photographed above are located right next to the Battlefields Park, owned by the Government of Canada.
The tree above is on Grande-Allée, in the direction of Old Quebec. I shot it using a Canon EF 11–24 mm f/4 USM wide-angle lens. All I had to do was wait until 10:00 AM for the sun to strike the foliage from the side. Earlier than that, the brightness is a little lacking, and later the sun rises too high and hits the foliage from above with a violent light that detracts from the overall effect.
Above are a few trees in the Sillery area of Quebec City. It’s not often that red leaves cover several tree trunks. You have to be there at the right time, because the effect doesn’t last long. We also need to be able to count on the wisdom of homeowners who have seen fit to let nature do its job, rather than cleaning everything up to make it look “nicer,” as we sometimes see.
Click on the link for more photos of Quebec City and Île d’Orléans in Autumn on my blog.
This graphic novel in French on Putin’s fortune recounts the events surrounding Vladimir Putin‘s rise to power and the establishment of his personal fortune. The latter is built through the exfiltration of colossal sums belonging to the Russian people, which are redirected to shell companies and tax havens.
As the story spans several decades, the reader becomes familiar with a multitude of company names and key political and economic figures.
As in the case of other major powers, there are also political and economic wheeling and dealing.
Russia’s power structure differs from that of the West. Relationships with the president play a much more important role than in the West. Benefits are granted in exchange for unwavering loyalty. The links between Silvio Berlusconi and Putin are just one example.
The scale of outflows of money from Russia for discreet purposes is astonishing. To cite just one example, the author notes the creation of Operation Luch (a capital flight estimated at $50 billion) in 1990 to counter the changes brought about by Gorbachev. This involved dipping into secret KGB funds abroad to enrich a fund that could be used to ensure the survival of the party and other vested interests.
“Since Putin came to power, the total amount of dirty money taken out of Russia and laundered through Western banks has been at least $1,000,000,000 (one thousand billion dollars)!
So, the West’s hands are not clean when it comes to what’s going on in Russia. When there’s quick money to be made and shareholders expect an unreasonable balance sheet, virtue takes a back seat to practicality. European accomplices include Danske Bank (Denmark), SEB and Swedbank (Sweden), Crédit Suisse, Banca Intesa (Italy), Deutsche Bank Russia, Appleby-Estera (offshore services firm), Cyprus (financial services firms), Price Waterhouse Coopers.
The reader also notes the accumulation of suicides by all kinds of officials over the years. For example, the author notes the disguised suicides of Nikolai Kruchina, Georgy Pavlov and Dimitri Lissovolik. These men, with their precarious balance, all had the annoying habit of taking the air on a balcony too high for their capacity. The KGB doubted the reliability of these men, who managed the party’s secret funds in the West.
Poisoning (with the poison Novitchok) is also a favored method for ironing out political differences. But this state of affairs is already well known to Westerners, as most failed or successful operations are the subject of numerous articles in the media. For example, this was the case for Navalny and Skripal. For Yushchenko, the winner of the Ukrainian presidential elections, dioxin was used but the source was not confirmed.
Under Putin, the oligarchs can keep the fortunes acquired through the many privatizations, but there is no longer any question of them interfering in political affairs. The book also looks at the deteriorating relationship between Putin and oligarchs such as Berezovsky (found hanged in his London bathroom) and Khodorkovsky.
If a devoted collaborator changes sides, at best he can survive by leaving the country and remaining apolitical. Otherwise, his plane may explode in flight, as in the case of Prigozhin.
The book shows how Ivan Rybkyn, a political opponent of Putin’s in 2004, withdrew after an impromptu van ride. It seems that he was seized and forced into the vehicle. This experience and the likely discussions that took place during the ride were enough to convince the candidate that he wasn’t really cut out for politics.
In the 90s, the Tambov mafia clan protected Putin and Sobchak and helped run the port of St. Petersburg. This did not prevent a “road accident” involving Vladimir Putin’s daughters and wife. Those dissatisfied with their share of the cake raised the stakes, and Putin had to bring the families together to work things out between them. Pragmatically, he sent his daughters to Germany for their safety. The legal guardian was Matthias Warnig, a former STASI officer.
The author points out that Russian money was used to influence the Brexit result (51.89%), this with the aim of weakening Europe. Then, as we already know, Russia influenced the voting result in key US states to help elect Donald Trump.
The graphic novel ends with a documentary dossier, with photos, drawings and references for those who want more information.
What about Putin’s fortune? According to the authors’ research, it’s between 150 and 250 billion euros.
Click on the link for more graphic novels and comics on my blog.
Title: La fortune de Poutine (Putin’s fortune)
Authors: Yvonnick Denoël and Gildas Java
Publisher: Nouveau monde graphic, © 2024
ISBN : 978-2-38094-501-0
Umbrellas cover part of Rue du Cul-de-Sac in Quebec City. Most tourists are unaware of this installation when they set foot in the Petit Champlain area. Surprised, they whip out their cell phones and capture the moment as best they can. Since they’re just passing through, most don’t have the luxury of choosing the most appropriate light for their multiple shots.
The situation is different for someone who has easy and frequent access to the location. They can wait for the “blue hour” on a fine summer evening, and at the same time capture the golden hue of the lights in front of the many restaurants lining the alleyway.
The main challenge in taking the above shot, however, is the sharp contrasts in light.
For example, the tourists in the foreground are standing in the half-light, but the viewer still wants to see the details. Just above the people, the lighting contrasts sharply with the shaded area at the bottom of the photo. It’s hard for the camera to decide which brightness to prefer.
To top it all off, the soft blue light of late evening illuminates the umbrellas from above, while the restaurant lights illuminate the installation from below.
Image processing software is used to optimize the information contained in the RAW file of the photo, helping to highlight the different areas of brightness in the scene while avoiding areas that are too light or too dark.
Click on the link for more photos of Quebec City and Île d’Orléans in Summer on my blog.
Today, the Antonov 225 is reborn for another leg of this world tour of flight simulation. In reality, this aircraft was destroyed by Russia during its invasion of Ukraine. At the time of writing, war is still raging between the two nations. But in virtual mode, we have more latitude to alter the course of events and simulate peace.
So, we leave Ukraine’s Antonov airport (UKKM), fly over Crimea and then stop off in Sochi, Russia (airport code USSR). Our destination is Lublin airport (EPLB) in Poland.
The weather is looking good, with clear skies for the arrival in Sochi. The scenery around Sochi is splendid, and it’s best to land in good weather.
Take-off is a breeze, but the Antonov 225’s heaviness takes some getting used to. The weight of the aircraft means that every time the pilot makes a maneuver with the flight controls, initially nothing happens. Then, the aircraft slowly begins to obey. So, you have to expect delays and anticipate the outcome of maneuvers.
Navigraph is used for navigation. Of course, I plan to deviate from the initial route to fly over Crimea and then on to Sochi.
Below, the ploughed fields of the Ukraine. Ukraine is considered the breadbasket of the world.
Crimea is a beautiful region from the air, but fiercely contested on the ground. A pilot would say that today, it’s more turbulent down there than up.
A few minutes later, the flight over the Sea of Azov begins in the direction of Sochi.
The approach is spectacular, with the surrounding mountains. As with all large aircraft, the Antonov has to be stabilized well in advance to avoid overcorrecting on final.
The cargo plane stops in an extremely short distance for such a heavy aircraft. When the thrust is reversed on six engines, there’s no need to set the brakes to maximum, especially in Sochi. We make a short stopover.
Just after our arrival, a Russian Sukhoi 27 military jet makes a low pass near the tower. The fighter jet was created at the time in response to the construction of the American F-15.
The flight resumes in the late afternoon. Below, the Antonov 225 is on final approach to runway 25 at Lublin airport in Poland.
The thrust reversers allow the aircraft to exit onto the taxiway in the middle of the runway.
We get a little help with parking.
The next stage of this round-the-world flight simulation will be with a smaller aircraft, heading for Germany. A flight over Göttingen is planned with a helicopter (D-JORG). The trip will end at Paderborn Lippstadt Airport (EDLP).
Click on the link to read more about this round-the-world flight simulation on my blog.
The photo above shows an evening view of the intersection between rue Saint-Stanislas and rue Saint-Jean in Old Quebec. For several months a year, a section of rue Saint-Jean is reserved for pedestrians only. This attracts many tourists. Just behind this popular street is McWilliam Street, with a radically different feel, especially late at night.
To produce an HDR effect of the location, I plan to stack five photos. I set up the tripod and begin the session. Just as I’m about to finish, a door suddenly opens. A man steps out and lights a cigarette.
I need to capture this very brief moment when the individual is just a stealthy shadow in motion with the intense fluorescent lighting in the background. In this rather dark alleyway, this could generate an interesting effect.
The smoker asks me what I’m doing. It’s an employee on break working for the popular Cochon Dingue restaurant on Rue St-Jean. What a contrast between the modern façade and the back of the same building on McWilliam Street.
At home, HDR processing begins. But it’s impossible to use all five shots together as planned initially. The software combines a closed and an open door at the same time. The result is a kind of butchered wicket door, with almost no light filtering through.
I abandon the idea of an HDR montage and fall back on the single photo where the man is standing in front of the door. I wasn’t counting on this presence, but it adds a touch of humanity to a scene that’s still not very inviting.
Life often presents photography enthusiasts with unexpected opportunities. It’s all about being flexible and capturing the moment, even if it’s not part of the initial planning. Click on the link for more photos of Quebec City and Île d’Orléans in Summer on my blog.
Above, a view of the Sainte-Famille Street in Old Quebec with, on the right, a section of the government office of the Centre de la Francophonie des Amériques.
The curb in the lower left corner of the photo serves as a prompt to integrate the scene. The door covers the first right-hand third of the photographic composition, preventing the observer from moving too quickly into the background. The rounded shape of the door and the old stones manage to occupy almost 50% of the image, while the rest shows an entire artery, mountains and a portion of the sky.
To energize the scene, I waited for an automobile to drive down the street.
Dating back to 1647, this Basilica-Cathedral has been renovated on several occasions and includes a historic crypt and holy door, attracting believers from all over the world.
Note that in this shot, the close-up of the tower does not prevent us from obtaining perfectly vertical lines, which are usually difficult to achieve in photography. This result is due to the use of a Canon EF 11–24 mm F/4L USM ultra-wide-angle lens, the only one on the market that allows such results without correction and without the fisheye effect taking over.
Above is the Basilica-Cathedral seen from another angle.
Click on the links for more photos of Quebec City and Île d’Orléans in Summer on my blog and for photos of the province of Quebec and Canada.
The photo above was taken in Matane, Quebec, in September 2024. It’s more a matter of chance than planning. I was on the beach photographing the sunset, and when the sky got too dark, I turned around to see if there was anything interesting left to capture. And I came across this full harvest moon rising in the firmament.
Photographing a full moon is a good challenge. We often capture only an almost white, very bright disk, losing the nuances of colour and the details of the lunar geography.
The advice available on the Internet on how to successfully shoot a full moon with a normal camera goes in all directions. But one thing’s for sure: to improve your chances of success, it’s best not to wait until nightfall, because then the very high luminosity of the star becomes impossible to attenuate while still retaining a view of the planetary topography.
Most of the time, the choice is between an excellent photo of a full moon, but a very dark surrounding earth relief where nothing is discernible, or a visible earth relief of acceptable quality, but a moon that represents nothing more than a large, white circle of light.
The method that works for the photo above is as follows: you have to be on the spot at the right time, i.e., during the blue hour and not the whole night. So, in my case, I was lucky because it wasn’t planned.
You need a tripod and an extension cable. There are two reasons to avoid long exposures: firstly, the moon is a moving object. The longer the exposure, the more the disk moves. You end up with an oval rather than a round moon. A long exposure also picks up more light, and the moon’s disk turns completely white.
Compromises become necessary. Trying to get a perfect moon and foreground at exactly the right brightness is quite a challenge. By the time every attempt has been made to achieve a flawless result, the moon is already too high in the sky. We have to act quickly.
We’re advised to lower the ISO to 200, but if I do that, I’m increasing the exposure time and introducing too much light into the camera. Instead, I use a higher ISO to reduce exposure, and use all the camera functions likely to reduce the amount of light entering the camera: higher shutter speed, if necessary, strong negative exposure compensation, and so on.
By not overdoing the settings and using RAW files, there’s still enough flexibility to bring out the foreground, in this case the houses lining Matane’s beaches and the surrounding lights.
In short, shoot during the blue hour, act quickly, accept compromises, limit exposure time in every way possible and use RAW files to facilitate post-production work.
Click on the link for more photos from the province of Quebec on my blog.
The HDR photo of the Dauphine Redoubt above comprises seven pictures with different apertures. The Photomatix software stacks them one on top of the other to create a single shot. This allows the darker regions to stand out, while controlling the lighter areas as much as possible.
For a successful effect, the following factors need to be taken into account: type of camera (ideally full frame), use of an appropriate wide-angle lens, focus, time of day, cloud types, tripod, extension cable, camera mirror vibrations, wind, visibility, photographic grain, depth of field, moving obstacles in front of the camera and photographic composition.
I use a Canon 5 DSr with a Canon EF 11–24 mm F/4L super-wide-angle lens. Focusing with the camera’s backlit screen improves accuracy. It is better to avoid nighttime and take advantage of the blue hour. The clouds don’t prevent the capture of a distant background, and allow the city lights to be reflected in the sky.
I opt for a sturdy tripod. Its extra weight cancels out minor jolts and supports fairly heavy photographic equipment. The extension cable prevents the photographer from touching the camera when taking seven photos.
For mirror-equipped cameras like the Canon 5 DSr, it is important to activate the mirror lock function. This means that vibrations caused by the mirror rotation will have two seconds to fade before the actual picture is taken. A light wind also reduces the chance of vibrations.
Moderate visibility allows better graduation of colours and reflections. Tonight, the mist plays its part well. By using a tripod, I greatly limit the photographic grain. ISO is therefore set at 200. Depth of field is not a problem, as the tripod will prevent movement caused by long exposure.
As many people visit the site in the evening, I try to take each of the seven photos between two crosswalks. This isn’t always possible, but Photomatix can remove “ghosts” when compiling the shots. There is, however, a limit to this function.
The final point concerns photographic composition. The photo above is divided into three roughly equal horizontal zones. Oblique lines on either side at the bottom of the photo direct the eye towards the centre of the image. The five lights of the Dauphine Redoubt and those of the city capture the attention. All the shots have visible details and are not lost in the darkness. For better balance, the composition ignores another imposing building at the right of the scene.
These are just some of the precautions taken when capturing the scene in HDR night photography.
Click on the link for more photos of Quebec City and Île d’Orléans in Autumn on my blog.