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Aviation photography

Aviation photography: plane spotting at the Toronto Lester B. Pearson international airport (CYYZ)

Air Canada Airbus A330-343 C-GHLM in Toronto 2016
Air Canada Airbus A330-343 C-GHLM in Toronto 2016

Here is some information aimed at helping tourists visiting Toronto, who like photography and aviation, and would think of booking one day during their visit to head to the Toronto Lester B. Pearson international airport (CYYZ) for a plane spotting photo session.

Initial planning

If you can, get a scanner or download an app on your cell phone to get real time information on air traffic around the airport: you will then know in advance the type and nationality of inbound or departing aircrafts.

Search for websites giving you access to Toronto airport VHF frequencies and program your scanner if you decided to get one.

Have a look at different plane spotting websites for the Toronto airport: there are many precious advices from experienced plane spotters that will prove useful in heading to the best spots and avoiding common mistakes.

Print two or three maps of secondary routes around the airport so that you can orient yourself when there is a change in runway use due to different winds or if you use a taxi ride to move around the airport: the driver will always ask you details on how to get there since those secondary routes are not a common destination for him (and chances are that he will not know where to go if you ask him to head to threshold of runway 05. Basically, he needs road names, not runway numbers).

Cessna 560XL S5-BAV Toronto 2016
Cessna 560XL S5-BAV Toronto 2016
British Airways Boeing 777-236 G-ZZZA in Toronto 2016
British Airways Boeing 777-236 G-ZZZA in Toronto 2016

Before leaving your Toronto hotel

Before you leave the hotel, look at the Toronto weather forecast, among them the TAF, to know the wind pattern for the day. The Nav Canada site has everything you need to know and there is a possibility to choose between coded or plain aviation language.

The Environment Canada site is also very useful.

Don’t forget to bring many snacks as well as a bottle of water since you will possibly be at a good distance from a restaurant for many hours, depending on which runway is in use. The same goes for additional batteries and memory cards for the camera.

Don’t forget the scanner, the cell phone (to call a taxi driver or get access to the arrivals and departures information) and all the photo equipment needed, as well as an abnormally high number of clothing layers necessary in case of winter photography: eight hours almost immobile outside in February calls for an appropriate preparation if you want to appreciate your experience. If you economize on clothing, it is certain that you will have to shorten your photography session.

I chose February for its very interesting light and not for its temperature! Most of the shots in this article were taken in only one day at the Toronto airport, between 10h30am and 18h30.

American Airlines MD-82 N482AA final 05 Toronto 2016
American Airlines MD-82 N482AA final 05 Toronto 2016

From the hotel to the airport

If you chose to stay at a downtown hotel in Toronto, the best way to get to the Toronto international airport is to use the UP Express train, from the Union Station on Front Street. Its use is very simple and departures are made every fifteen minutes. In February 2016, the cost was CDN $44.00 for a return trip to the airport, while a taxi ride cost $130.00.

UP Express Toronto 2016
UP Express Toronto 2016

The UP Express ride only takes 25 minutes and the train stops at Terminal 1.

It is preferable to avoid using your car around the Toronto international airport since some secondary roads are private and no stopping is allowed. You will take more time to look for police than to enjoy your plane spotting photography session.

Once you are at Terminal 1

Once you exit the UP Express at Terminal 1, get your scanner and monitor the ATIS frequency (120.825) to get the latest information on the runways in use for take offs and landings. For my photo session, the ATIS announced that runway 05 and 06L were in use, both for arrivals and departures. I took a taxi, showed the map with secondary roads to the driver and within few minutes I was where I needed to be and started the photo session.

Air Transat Airbus A-330 C-GTSN Toronto 2016
Air Transat Airbus A-330 C-GTSN Toronto 2016

A preliminary internet search allowed to discover that heavies mostly arrive from Europe during the afternoon et that runway 05/23 is favored for Emirates Airline Airbus A-380 arrival. I thus decided to position myself near runway 05 instead of 06L.

There are two or three quite isolated spots around the airport that provide interesting point of views for aircraft photos but that can present security problems for a photographer working alone with expensive equipment. Experienced plane spotters suggest that you should be accompanied by friends if you decide to opt for those spots (see the “plane spotting” internet sites suggested at the beginning of this article).

Emirates A-380 final for Toronto (CYYZ)
Emirates A-380 final for Toronto (CYYZ)
Emirates A-380 on final for Toronto (CYYZ) 2016
Emirates A-380 on final for Toronto (CYYZ) 2016
Emirates A-380 on final 05 for Toronto (CYYZ) 2016
Emirates A-380 on final 05 for Toronto (CYYZ) 2016

Technical advices

For precise photos of aircrafts in movement, I use the following parameters with my Canon 5D MKII camera:

1. Only the central AF Point of the auto focus system is selected and not the surrounding ones in order to avoid that the camera sets the focus on other objects than what I desire (trees, ILS structure, buildings).

2. The AI Servo setting is more efficient than the AI Focus or One Shot. The aircraft will be followed precisely.

3. If I want to include surrounding objects in the photo, I adjust the aperture to 7.1 or 8, instead of 11 or 13. I thus avoid increasing the ISO too much, which would affect the picture’s quality if it has to be enlarged with Photoshop.

Westjet Boeing 737-8CT C-GWSV Disneyland Livery in Toronto 2016
Westjet Boeing 737-8CT C-GWSV Disneyland Livery in Toronto 2016

4. To take pictures of an approaching propeller powered aircraft, a speed adjusted to 1/125 is generally adequate. You must pivot according to the aircraft movement so that it looks like it is immobile in your viewfinder. The picture is easier to take when the aircraft is farther away but becomes more of a challenge when it gets closer and flies by you since you must constantly change your pivoting speed.

Porter Q-400 C-GLQD on final for Toronto Billy Bishop airport (CYTZ) 2016
Porter Q-400 C-GLQD on final for Toronto Billy Bishop airport (CYTZ) 2016
Air Canada DHC-8-102 C-FGQK Toronto 2016
Air Canada DHC-8-102 C-FGQK Toronto 2016

5. A shutter speed that is too high will immobilize the propeller of an aircraft and make it look like the engine is not working, which will take away realism.

6. Throughout the day, position yourself so as to have the sun behind you (if there is any sun!), unless you are looking for special effects.

Global 5000 GL5T C-GJET in Toronto 2016
Global 5000 GL5T C-GJET in Toronto 2016

7. A very high quality lens, like the Canon 50mm 1.4, allows for beautiful pictures during the evening since there is no compromise on ISO, as the lens does not need much light. The grain size stays relatively small.

Air Canada Boeing 777 final 05 Toronto 2016
Air Canada Boeing 777 final 05 Toronto 2016

8. I use a very low ISO if the photo includes an interesting but far away aircraft, in order to be able to crop the picture with Photoshop. Since I cannot compromise on the speed to avoid a blurred picture, it becomes obvious that it is the aperture that pays the price.

Air Canada Airbus A-330 final 06L Toronto 2016
Air Canada Airbus A-330 final 06L Toronto 2016

9. If the situation allows it, add visual references other than clouds to get a bit more variety in your aircraft photo collection.

Air Canada Boeing 777 final runway 05 Toronto 2016
Air Canada Boeing 777 final runway 05 Toronto 2016

10. Try a black and white photo if the cloud formation is particularly interesting.

C-GQBG CL-415 and cirrus clouds on a black and white picture
C-GQBG CL-415 and cirrus clouds on a black and white picture

11. RAW+JPEG files allow for important adjustments when necessary. A JPEG only photo gives you little leeway when you want to correct mistakes or during problematic lighting conditions.

12. Variable sky conditions and constant direction winds are preferable for your photo session since the runway in use will not be changed in the afternoon and your pictures will benefit from different light intensity and cloud formations.

13. If you want to take the aircraft in relation to the ILS poles and you are looking for a symmetrical photo, just move few inches to the right or left while the aircraft is approaching or going away from you. You will also want to avoid that the horizontal poles of the ILS cut the plane and make it difficult to see.

Westjet Boeing 737-800 final 05 Toronto 2016
Westjet Boeing 737-800 final 05 Toronto 2016

14. Have fun experimenting, like taking a shot just above your head while including other objects for added interest.

On the ILS 05 for Toronto 2016
On the ILS 05 for Toronto 2016

15. Instead of always showing the whole aircraft, try a close-up view.

Air Canada Boeing 787-9 C-FNOI in Toronto 2016
Air Canada Boeing 787-9 C-FNOI in Toronto 2016

16. The close-up view might be such that even passengers of an aircraft on final will look at you while you immortalize them.

United Express on final at the Quebec Jean-Lesage international airport.
United Express on final at the Quebec Jean-Lesage international airport.

17. Chances are that you will meet other enthusiast plane spotters in the same area as yours since they also prepared themselves for a successful photo session.

Westjet Boeing 737-800 C-FYPB in Toronto 2016
Westjet Boeing 737-800 C-FYPB in Toronto 2016

18. Since you are in Toronto, head to Toronto Harbour when you are back downtown. You will witness the air traffic surrounding the Toronto Billy Bishop airport (CYTZ), formerly known as Toronto Island, and possibly take some original shots.

Porter Q-400 C-GLQM and C-GLQB at Toronto CYTZ 2016
Porter Q-400 C-GLQM and C-GLQB at Toronto CYTZ 2016

19. This is the photo equipment used for my Toronto airport plane spotting session: Canon 5D MKII camera and the following Canon lenses: EF 50mm f/1.4 USM, EF 16-35mm f/2.8L II USM, EF 24-70mm f/2.8L USM, EF 70-200mm f/2.8L IS II USM. No polarizer was used that day since I wanted to increase my margin of manoeuver with fast moving aircrafts under the February low intensity light.

Air Canada Rouge Boeing 767-300ER final 05 at Toronto 2016
Air Canada Rouge Boeing 767-300ER final 05 at Toronto 2016
American Eagle CRJ-701ER N523AE Toronto 2016
American Eagle CRJ-701ER N523AE Toronto 2016

Aviation photography requires much planning for successful photos. But all your efforts will rapidly bear fruits once you are on site and you will not see time pass! Have a great plane spotting session and give me some news of your experience if you can!

Air Canada Boeing 767-375 (ER) C-FCAB in Toronto 2016
Air Canada Boeing 767-375 (ER) C-FCAB in Toronto 2016

You can have access to other aircraft photos taken at Toronto through this link on my site:
photo galleries/aviation only

For other articles on aviation and photography, click on the following link: Aviation photography

Categories
Photos of Canada Photos of Quebec

Quebec City Photos: Autumn 2015

Hi,

Here are few photos taken two days ago in Québec with a Canon 5D MK II camera . The first picture is the exception, having been taken in St-Antoine-de-Tilly.

St-Antoine-de-Tilly, Québec 2015
St-Antoine-de-Tilly, Québec 2015

It was raining when the two following pictures were taken in Sillery. But this normally allows for good results since the colors are more interesting:

Sillery, Québec 2015
Sillery, Québec 2015
Sillery, Québec 2015
Sillery, Québec 2015

The Park Bois-de-Coulonge always means interesting surprises, year after year. There is always something original to shoot, providing the photographer takes his time. One can see the Sillery Marina from the top of the cliff. A row of aligned trees and the numerous masts of the sailboats taken out of the water before the cold season offered an interesting view:

Sillery Marina, Québec 2015
Sillery Marina, Québec 2015

The wind was blowing moderately, which allowed for the following picture:

Parc du Bois-de-Coulonge, Québec 2015
Parc du Bois-de-Coulonge, Québec 2015

Near a little creek, I tried different shutter speeds on two similar shots:

Parc du Bois-de-Coulonge, Québec 2015
Parc du Bois-de-Coulonge, Québec 2015
Parc du Bois-de-Coulonge 2015
Parc du Bois-de-Coulonge 2015

As I was ready to leave the park, I saw a newly wed and her entourage arriving for a photo shoot session with a professional photographer. I delayed my departure and used the pond to capture the following image, which was then inverted:

Wedding at the Bois-de-Coulonge Park 2015
Wedding at the Bois-de-Coulonge Park 2015

Two men who were present for the wedding were standing close to the pond, staying at a distance for the photo session. I took the opportunity to discretely add the shadows to my photo:

Parc du Bois-de-Coulonge, Québec 2015
Parc du Bois-de-Coulonge, Québec 2015

For other photos on the province of Quebec and also Quebec City, click on the following links from my blog:

Province of Quebec Photos
Quebec City and Île d’Orléans in Autumn
Quebec City and Île d’Orléans in Winter
Quebec City and Île d’Orléans in Spring
Quebec City and Île d’Orléans in Summer
Categories
Photography

Flowers and plants photography

Butchart Gardens, British-Columbia, 2012.
Butchart Gardens, British-Columbia, 2012.

Facing a field of flowers, a photographer has to choose among many possibilities. Here are just a few:

1) He can choose a really beautiful flower and make it the sole point of attraction. In that case, he must decide if the background will be free of any distractions.

A rose from the English Garden in Geneva, 2013.
A rose from the English Garden in Geneva, 2013.

2) He can profit from a blurred background that is of a color dramatically opposed to the color of the chosen flower.

A tulip in the Bois-de-Coulonge, Québec City.
A tulip in the Bois-de-Coulonge, Québec City.

3) He might favor an overhead or a low angle shot. As this choice of the angle of view does not apply only to flowers, I found in my archives a low angle shot of a pear tree located in St-Nicolas, Québec. Here it is, so that you can see what kind of effect can be obtained.

Pears from Saint-Nicolas, Québec.
Pears from Saint-Nicolas, Québec.

4) He can decide to show many flowers on the same picture, considering the interesting impact produced by all the color dots.

A field of flowers in Saint-Nicolas, Québec.
A field of flowers in Saint-Nicolas, Québec.

5) He might also use the flowers as accessories to direct the eye of the viewer to another point of interest like, for example, a building with special architectural characteristics.

Industrielle Alliance building, Quebec City, 2012
Industrielle Alliance building, Quebec City, 2012

Flowers as accessories to improve a beautiful landscape in the background.

Sunflowers on Île d'Orléans
Sunflowers on Île d’Orléans
Photo of a part of Banff downtown, Alberta, Canada 2014
Photo of a part of Banff downtown, Alberta, Canada 2014

The flowers and the bumblebee are two interesting subjects; they complement each other in this picture. It would be hard for me to decide which one I prefer.

Bumblebee on a flower in the Parc du Bois-de-Coulonge, Québec City
Bumblebee on a flower in the Parc du Bois-de-Coulonge, Québec City

Unless there is no other possibility, it is better to avoid shooting flowers under full sun as there will be considerable reflection on their petals. If you have no choice, use a polarizing filter, well adjusted, to reduce the undesirable effects of direct sunlight.

The ideal day to get out and take pictures of flowers is a day without wind, where there is a bright light but dimmed by an overcast sky.

The quality of colors and contrasts will be maximized if the pictures are taken during the morning or at the end of the afternoon.

2008 0505 Ottawa watermark eng

Aperture has a definite impact on the final result. With a wide aperture (smaller numbers like F2.8 or F4.0) you will get a sharp subject with everything blurred around it. This will make your flower stand out. With a small aperture (bigger numbers like F14, F16), both foreground and background will be sharper, with an even better result using a wide-angle lens. Your flower will lose a bit of its impact as all the elements in the picture will now shine. Below is a picture taken in Ontario, during the Ottawa Tulip Festival.

Macrophotography:

April 2012 on the Plains of Abraham: A bee makes its way out of a crocus.
April 2012 on the Plains of Abraham: A bee makes its way out of a crocus.

1) Remove any dirt from the plant you want to capture and choose a plant whose petals are in perfect condition.

2) Use a tripod, a remote control release and the mirror lock-up (MLU) function for better results.

3) The camera should ideally be used with manual focus, for improved sharpness. In order to verify if the picture will be in focus, look at the LCD screen and enlarge the picture (5X or 10X). You will immediately see if a minor adjustment is needed to get a sharp photo or to improve the depth-of-field.

The histogram should be checked upon taking the picture to immediately compensate for the necessary amount of light.

You can use a flash to reduce aperture. You must adjust it so that it’s not shooting at full power otherwise there will be too much reflection and you will lose all the delicate nuances of colors and contrasts.

A method that will produce surprising results is called “zoom burst”. You slowly move the zoom of a lens on all its focal length while the shutter remains open during the process. You must select a speed that is slow enough to accommodate the full deflection of the zoom. You should know that many shots are normally needed before you get a satisfying image.

Every lens offers different possibilities:

1) The macro lens is useful if you wish to capture very precise details on the flower. To add an interesting effect, you can even spray the flower lightly with water so that a few droplets remain on the petals.

2) The wide-angle lens allows you to transform an image and give it an original perspective. The effect will be more important if you shoot the flower from a special angle like, for example, from the ground up. If you must lie on the ground, use a little carpet to keep yourself clean and dry. I bought a right-angle finder to ease the workload when shooting under complicated angles. This could be a potentially interesting addition to your equipment.

3) Finally, the telephoto allows you to pick a particular flower and, because of compressed perspective, offers you a background filled with multiple colors.

Let’s end this section with a mushroom picture. The same principles apply with regards to simplicity, settings and angles of views. I could have chosen to show only an oversize shot of a mushroom, or take only part of it, but I preferred an approach that would allow me to show the radically different shapes of the specimens found at the Laurentian Forestry Center in Québec.

Mushrooms around the Canadian Forestry Service building , Québec 2014.
Mushrooms around the Canadian Forestry Service building , Québec 2014.
Categories
Photography

Night Photography

Empress Hotel at dusk, Victoria Harbor, Canada 2014
Empress Hotel at dusk, Victoria Harbor, Canada 2014

1. Ensure you bring : tripod, remote cable, flashlight and timer.

2. Use of RAW (.TIFF) is highly recommended. There is a greater potential for corrections afterward, if something is not according to your taste.

3. Noise reduction activated on the camera.

4. If the winds are calm: ISO between 50 and 200.

5. If there are strong winds: ISO 400 might be useful to avoid a blurred picture caused by the continual small vibrations of the tripod due to a long exposure. That is why a heavy tripod is always preferable.

Trailing lights on boulevard Champlain, Quebec City
Trailing lights on boulevard Champlain, Quebec City

6. If you wish to take a picture of people moving at a normal pace, and you have access to quality lenses, it will often be necessary to use ISO 800 to get a clear shot. This setting could allow the shutter speed to be adjusted at about 1/200 which is plenty to obtain a picture that is not blurred; that is unless you are not using a long focal like 200mm or more.

7. For people shots, it is better to have your back to the remaining light on the horizon, unless your goal is to capture a silhouette.

8. For extended exposure, use the autofocus “one shot” setting until it stops working due to insufficient light. Then use manual focus. Or use manual focus all along, with Liveview, if you prefer it that way, for extra precision.

9. Mirror lock-up function must be activated to avoid vibrations caused by the shutter action.

10. Use a remote cable when taking the picture to avoid useless vibrations.

Old Québec at dusk
Old Québec at dusk.

11. If you wish, you might think of selecting a specific AF point to ensure a better focus if there is a small area that matters the most to you in the picture.

12. Do not use the FULL AUTO mode during night photography.

13. The three most important modes are 1. Aperture (taking care of slightly overexposing for surrounding lights) 2. Speed 3. Manual. There is one more reason to overexpose a bit if you work with the RAW format: there is more data information in light than in shadow, so once the picture is taken you have access to more data to play with to adjust the dark sections of the picture.

14. If you expect an exposure longer than 30 seconds, use BULB mode.

15. Night pictures are best taken using the camera bracketing funtion (-1,0,+1) and this, every two minutes.

A Christmas tree in Sillery
A Christmas tree in Sillery

16. The best period for night shots is 15 minutes after sunset, until official night time, which you can find on the internet. As this period is quite short, it is important that you know in advance what is of interest to you and where you will position yourself when comes the time for the picture.

17. Total darkness is not what is the most favourable in night photography. But you can certainly obtain interesting results using black and white.

18. Beware of surrounding light reflection in your lens.

19. Histogram has to be reviewed to ensure that there is no serious overexposure.

20. It is preferable to choose an aperture between F11 and F16 for maximum sharpness as well as an adequate depth-of-field.

21. If shooting a subject against the remaining light over the horizon, there might be quite a contrast in lighting between where you stand and where your subject is positioned. You might think of using grad filters (3-6-9-10) to help correct this huge light difference, or you can transform the standard photo session into an HDR one. Or both! There are also filters specifically designed for sunrise and sunset periods that can improve your shots.

Paris, Le Marais 2013
Paris, Le Marais 2013

All the photos were taken with a Canon 5D MKII

Categories
Photography

Aperture, ISO and Speed

A Decision Has to be Taken

You must decide the ideal combination between the following: aperture, speed and ISO. All three are interrelated and choosing one has a direct influence on the other two.

You are facing a beautiful landscape in which you want everything to be in focus: you decide that the aperture is what matters the most. Choosing aperture as the priority is a very popular choice. Let’s consider that you choose F16, which should give you a very interesting depth-of-field but will demand a lot of light. You have to compensate somewhere. If there is not much movement in the scene, and you have access to a tripod, you might decide to choose a slow speed, which allows more time for the light to enter the camera. Doing so, you won’t need to crank the ISO and you will avoid adding useless noise to your picture.

In the picture below, aperture is set at F16. The vegetation in the left corner draws the viewer’s eye toward the pedestrians, and then progressively to the quai des Cageux. We finally see the Quebec bridge, the longest cantilever bridge in the world.

Quai des Cageux, Québec 2012.
Quai des Cageux, Québec 2012.

If you decide that speed is a priority, you will have to compromise ISO or aperture. ISO will have to be increased to improve light sensibility, but doing so will increase the size of the grain in the picture. Depth-of-field will have to be adjusted as well since a higher speed does not let much light enter the camera. You won’t be able to pick F16 this time. So you will eventually find that there are some out of focus areas in your picture. With a bit of practice, you can be less demanding on the speed, providing you can follow the subject with your camera (it is like if you were slowing down the subject, so less speed is required).

The picture below was a bit particular: it was taken when I was on a boat rocked by waves. The eagle was far away and was traveling in the opposite direction, thus increasing the relative speed of the subject. The Canon 5D MKII was hand held and 400mm focal was necessary. Speed was crancked at 1/1600 and the ISO required was set at 5000. Naturally, the grain in the picture being larger, slightly diminishes the quality. This was a necessary compromise if the eagle was to be taken in flight.

Eagle observed in the Campbell River region. Summer 2012.
Eagle observed in the Campbell River region. Summer 2012.

It is getting dark and you want a photo with absolutely no noise and you decide that the aperture is what matters the most. You make no compromise and choose ISO 50. This setting requires a lot of light, because the lower the ISO, the higher the demand for light. In order to make sure that your picture will not be blurred, a tripod will be necessary, since there will be an extended exposition time. In the picture below, the shutter has been opened for ten seconds, with a 9.0 aperture, 200mm focal and 50 ISO. Only the small branches in the foreground are blurred.

IMG_0617 - Resize Queen Mary 2 Québec 2012 watermark eng

Note: in general, it is better to use a tripod as often as possible, even in daylight, in order to optimize quality. Choose a heavy enough tripod to prevent vibrations under windy conditions. A light tripod is easy to carry but does not allow for acceptable pictures in adverse weather. It’s obvious that this Queen Mary II photo would not have been as precise if a light tripod had been used. In this case, it would have meant that continual vibrations would have been recorded during 10 seconds. The boat would have been totally blurred.