Above, a railroad track crossing the Cap-Tourmente National Wildlife Area in Quebec. Autumn is well underway and red is no longer part of the scene. However, the colors remain attractive. At the time of our visit, only 26,000 of the 600,000 geese migrating south remained.
Trees in the Montcalm dictrict in Québec City during Autumn 2024.
The Montcalm sector of Quebec City is brimming with majestic trees that change colour in autumn. Those photographed above are located right next to the Battlefields Park, owned by the Government of Canada.
Trees of the Grande-Allée in Quebec City in Autumn.
The tree above is on Grande-Allée, in the direction of Old Quebec. I shot it using a Canon EF 11–24 mm f/4 USM wide-angle lens. All I had to do was wait until 10:00 AM for the sun to strike the foliage from the side. Earlier than that, the brightness is a little lacking, and later the sun rises too high and hits the foliage from above with a violent light that detracts from the overall effect.
Trees in a Sillery street in Québec City during Autumn 2024.
Above are a few trees in the Sillery area of Quebec City. It’s not often that red leaves cover several tree trunks. You have to be there at the right time, because the effect doesn’t last long. We also need to be able to count on the wisdom of homeowners who have seen fit to let nature do its job, rather than cleaning everything up to make it look “nicer,” as we sometimes see.
The full harvest moon rises in the Matane sky in September 2024.
The photo above was taken in Matane, Quebec, in September 2024. It’s more a matter of chance than planning. I was on the beach photographing the sunset, and when the sky got too dark, I turned around to see if there was anything interesting left to capture. And I came across this full harvest moon rising in the firmament.
Photographing a full moon is a good challenge. We often capture only an almost white, very bright disk, losing the nuances of colour and the details of the lunar geography.
The advice available on the Internet on how to successfully shoot a full moon with a normal camera goes in all directions. But one thing’s for sure: to improve your chances of success, it’s best not to wait until nightfall, because then the very high luminosity of the star becomes impossible to attenuate while still retaining a view of the planetary topography.
Most of the time, the choice is between an excellent photo of a full moon, but a very dark surrounding earth relief where nothing is discernible, or a visible earth relief of acceptable quality, but a moon that represents nothing more than a large, white circle of light.
The method that works for the photo above is as follows: you have to be on the spot at the right time, i.e., during the blue hour and not the whole night. So, in my case, I was lucky because it wasn’t planned.
You need a tripod and an extension cable. There are two reasons to avoid long exposures: firstly, the moon is a moving object. The longer the exposure, the more the disk moves. You end up with an oval rather than a round moon. A long exposure also picks up more light, and the moon’s disk turns completely white.
Full harvest moon rising in Matane, Québec 2024
Compromises become necessary. Trying to get a perfect moon and foreground at exactly the right brightness is quite a challenge. By the time every attempt has been made to achieve a flawless result, the moon is already too high in the sky. We have to act quickly.
We’re advised to lower the ISO to 200, but if I do that, I’m increasing the exposure time and introducing too much light into the camera. Instead, I use a higher ISO to reduce exposure, and use all the camera functions likely to reduce the amount of light entering the camera: higher shutter speed, if necessary, strong negative exposure compensation, and so on.
By not overdoing the settings and using RAW files, there’s still enough flexibility to bring out the foreground, in this case the houses lining Matane’s beaches and the surrounding lights.
In short, shoot during the blue hour, act quickly, accept compromises, limit exposure time in every way possible and use RAW files to facilitate post-production work.
The Solar Sally from Shandong Shipping sailing south of Île d’Orléans. Summer 2023.
Above, Shandong Shipping’s Solar Sally photographed south of Île d’Orléans. I positioned the horizon according to the rule of thirds and gave plenty of room to the sky, filled with beautiful contrasts. The clouds let the sun filter through for a brief moment, bringing out the vegetation and horses. All that remained was to wait for the ship to enter the field of vision before taking the shot.
The Soulanges in front of Lévis in 2015.
The photo above shows the Soulanges, a tug built in 1905, on the St. Lawrence River in front of the city of Lévis. Seen from a distance, this type of vessel always looks like it’s sinking. The water seems to be overtaking the stern of the boat, but there are very few waves.
The Barcelona Express and the MSC Tuxpan on the St.Lawrence Seaway 2023
The Barcelona Express and the MSC Tuxpan meet in the middle of the St. Lawrence River, off Île d’Orléans. Lacking a telephoto lens on hand, I captured the scene with a Canon Ef 85mm f/1.2L II USM lens and enlarged the photo. The boats were at a much greater distance than they appear here. I used an image processing software with artificial intelligence to improve the focus after cropping.
The Federal Skye and Mona Lisa ships on the St. Lawrence seaway near Quebec City
Above, the Mona Lisa (green hull) sails from Montreal to the port of Tanger Med in Morocco. The container ship sails under the Liberian flag. The port of Tanger Med boasts an exceptional geographical location when it comes to transshipping goods to Europe, the Mediterranean and Africa. Also visible in the photo, the Federal Skye arrives from Vila do Conde Brazil (BR VDC) and heads for Les Escoumins in Quebec, Canada (CA QLE). This port has a dry dock where major repairs can be carried out. The Federal Skye sails under the flag of the Marshall Islands.
The MSC Tampa vessel by Quebec City in 2024.
A final photo shows the MSC Tampa sailing between Liverpool, Great Britain (GB LIV) and Montreal, Canada (CA MTR). This 294.12-meter-long container ship sails under the Liberian flag. The photo was taken from the Grey Terrace in Quebec City’s Parc des Champs-de-Bataille.
Fishing in the Jacques-Cartier national park in Spring in Québec.
A fisherman sits quietly in the river of the Jacques-Cartier national park casting his line, while his companion watches from the shore. Here, everyone has as much space as they want to enjoy their hobby.
Some photographers use Photoshop’s “dehaze” function to keep the background sharp to infinity. I prefer to retain the natural feel of the scene. The violet-blue landscape visible at the top of the shot helps to capture the distance.
Forest in the Jacques-Cartier national park in Spring in Québec 2024.
People prepare for their outing in the huge ancestral canoe known as a rabaska. In the foreground, but no longer visible in the photo, was originally a group of vacationers launching an inflatable raft. But all these people were distracting from the main subject. Tight framing eliminated this obstacle.
Nature in the Jacques-Cartier National Park in Québec.
I use the frame-within-a-frame technique to present the multicolored reflections of the river in the photo above. There’s blue, orange and green, outlined by two vertical trunks on either side of the photo and an oblique branch at the top.
I use the same technique in the shot below, but in a less obvious way, as the frame in the foreground remains blurred. Attention is immediately drawn to the canoeists who are just finishing their trip and getting ready to dock.
Canoeing on the Jacques-Cartier river in Québec 2024
Spring in the Parc National de la Jacques-Cartier in Québec.
Normally, a 3:2 or 4:3 ratio is used to display in vertical mode. But the 16:9 aspect ratio of the photo above shows both the reverberations in the water and a significant portion of the landscape. So, whatever the conventions and what makes purists happy, we use what does justice to our first impression.
What caught my eye in this scene? The very wide range of green tones, the alternation of light and shade in the landscape and the reflections, the roundness of the deciduous trees and the tips of the conifers, the atmosphere of the place and, last but not least, the human presence. All this can be seen in a fraction of a second, and the shot is taken before the canoe enters the shaded area on the left.
Historic lodge in Spring in the Jacques-Cartier national park in Québec.
The photo above shows a historic chalet in Jacques-Cartier National Park in Spring. It’s no longer available for rent, but it’s a great asset for photography enthusiasts. At this location, paddleboarding is safe thanks to a very weak current.
Tourist attraction in the Parc national de la Jacques-Cartier in Québec.
On the same day and on the same river, but a few kilometers upstream, a group of people attempt their first descent in an inflatable boat on a rougher stretch of water.
The first group takes the plunge, while the second watches, waiting its turn and trying to learn from the others’ mistakes. Occasionally, paddlers get stuck on top of a flat rock flush with the water, and have to use their initiative to free themselves and continue their journey. Sometimes canoeists find themselves in the water, and Sépaq staff have to help them out.
Click on the links for more photos and other articles about the province of Quebec.
Profiting from the strong winds at île d’Orléans 2024
A single-day visit to Île d’Orléans for a photography session was enough to capture a wide variety of cloudy conditions in April 2024. In spring, when unstable, humid air crosses the mountain range north of the St. Lawrence River, you can expect anything on the island. Above, a kitesurfing enthusiast practises his art between localized showers. All he cares about is strong winds.
Coloured houses of Île d’Orléans. Spring 2024.
A few kilometers from route du Mitan, colourful houses and a bit of blue-sky contrast with the showers elsewhere on the island. You can see that the cloud layer in the distance is not very thick.
Looking north from île d’Orléans, Spring 2024.
Above, a towering cumulus (TCU) approaches the St. Lawrence River in the late afternoon from the north. It is likely to cross the river towards the island, if it has not lost some of its strength, in the meantime, due to subsidence, the phenomenon that forces air to compress and warm as it is forced down a mountain range.
Sailboats on île d’Orléans. Spring 2024.
The shape of the clouds in the photo above gives a good indication of the strength of today’s winds. You can hear it whistling through the ropes and between the masts of the sailboats at the marina in the municipality of St-Jean, île d’Orléans. At the time of my visit, some owners were preparing their boats for the warmer periods of May.
A house on île d’Orléans, Spring 2024.
I really like the scene above, but I admit that some might find it dark, if not sinister. It was this slightly disturbing aspect that caught my attention and that I tried to capture.
A boat requires repainting on île d’Orléans, Spring 2024.
In this last photo, the sky is practically clear. It is then easier to obtain better contrasts. A pseudo-HDR treatment brings out the paintwork on a boat that has seen better years.
Even so, if you look carefully, it’s always possible to spot a lone walker, as in the photo above. Most people take the marked trails for ease, but others, like the individual above, venture out on snowshoes near the Jacques-Cartier River, which is completely covered in snow at this time of year.
Jacques-Cartier National Park’s landscape, Winter 2024.
Approximately three kilometres from the Discovery and Services Chalet is a bridge. From here, the hiker can capture some very beautiful scenes. In winter, an interesting effect can be achieved by positioning yourself close to the banks.
November in the Jacques-Cartier National Park in Quebec, 2023
This scenery relaxes me so much, yet there are no spectacular elements. Rather, all the components are in perfect harmony: reflections in the water, some bluish snow here and there, brushes and a few leaning trees lit from the side by a soft late afternoon light. As the large trunks occupy the majority of the scene, I chose a vertical format for the photographic composition.
Photo of the Jacques-Cartier national park, Winter 2024.
Above, the landscape attracts the eye with its combination of horizontal, vertical and oblique lines, as well as its alternating black and white in the foreground. I positioned myself to include in the scene a large branch that enters the photo from the top right-hand corner.
The foreground features open water, snow-covered ice, pure ice and snow-covered ice again. In the middle ground, coniferous and deciduous trees. In the background, a forest revealing the snow on the mountain floor. I’ve left only a hint of sky, as the latter offers no particular interest on this cloudy February day, other than to add some white to complete the alternation of colours.
First accumulation of snow and ice of the river. Jacques-Cartier national park, Québec 2023.
Jacques-Cartier National Park during a light snow shower, Québec 2023.
Every week brings a slight change in the vegetation and snow cover of Parc national de la Jacques-Cartier. Earlier this week, I was there as a light snow fell on the region. The ice doesn’t yet completely cover the river, but you can see in the first photo that it now surrounds the rocks in the middle of the stream.
Parc national de la rivière Jacques-Cartier, province of Quebec 2023
In November, in downtown Quebec City, green still predominates on the grounds of properties, even if the trees have lost their leaves. But a short twenty-minute excursion north to the Parc national de la Jacques-Cartier reveals the arrival of winter.
Jacques-Cartier river, November 2023.
Fifteen centimetres of snow already cover the ground and, after kilometer 10 in the park, the road becomes inaccessible to cars. At the main kiosk, there’s a large parking area for those wishing to continue on foot along the surrounding trails. You’ll come away more relaxed, and with a few photos.
Sea kayaks at Saint-Laurent-de-l’Île d’Orléans 2023
Unstable weather presents two advantages for a photographer on the Île d’Orléans. Firstly, the fear of rain means that visitor numbers are greatly reduced. In fact, most of the people who come to the island are interested in the outdoor activities on offer, such as fruit picking, cycling or sea kayaking. So, we’ve got the road all to ourselves to stop whenever we feel like it!
Île d’Orléans before the storm, July 2023.
Secondly, unstable weather means the possibility of thunderstorms, with all their interesting cloud formations. It is therefore essential to check the radar and weather forecasts before setting off for the island.
