In the photo above, a Red-winged blackbird is stalking bugs in flight. But it’s about 100 metres from the shore. A shot at this distance and on a small, fast-moving subject poses a problem. I try my luck with a Canon 5dsr equipped with a Canon 70-200 f2.8L IS II USM lens.
The bird has just spotted its meal. It swoops down on two dragonflies, braking at the last second to adjust to the insect’s changing trajectory. The agility of the little creatures presents a colossal challenge to the predator.
Once the photo session is over, it’s time to process the Canon 5dsr’s 50.6 megapixel RAW files to correct and bring the bird as close as possible. At this stage, I note the two dragonflies that were difficult to see as I concentrated on following the bird in flight.
For this kind of scene, the photographic technique always remains the same: we prioritize shutter speed while lowering the ISO, because we’ll have to enlarge the main subject considerably during digital processing. We want to avoid enormous graininess on the final print.
The last processing phase for this photo of a small, distant and fast-moving bird is the use of artificial intelligence software. This will enable the focus to be improved slightly if the need arises.
But even with AI, there are no miracles. You can’t turn a bad initial photo into an excellent one unless you completely recompose it. That’s when you step out of the world of photography and choose digital creation.
Green heron at the Marais-Léon-Provancher 2024
Above, a shot of a green heron caught at the end of a photography session. But it seems to me that I’d call it more of a blue heron when the plumage is captured from this angle.
Female Red-winged Blackbird at the Marais-Léon-Provancher in 2024
The visit being improvised, I did not have a tripod. So, I put the full frame cameraCanon 5DSr directly on the ground. However, the lens was pointing straight ahead, preventing me from capturing the architecture and colors of the vault. I put my wallet and the lens cap on the floor to provide support for the camera to point towards the ceiling. Considering the circumstances, the result could have been worse.
Two months earlier, this 2007 Canon 14mm lens broke and could not focus automatically or manually anymore. I had sent it to Canon in Toronto. The company had written back that the lens was beyond repair and that I would unfortunately have to get a new one, at an estimated cost of $2700.
With nothing left to lose, I took the chance to have it repaired in Quebec City in a small workshop that repairs just about everything. The technician only needed a few hours of work on the lens and I received a bill for $200 plus taxes.
It was explained to me that the big camera companies do not repair equipment that is fifteen years old or more: they declare it “irreparable” when a few hours are all it takes for an experienced and competent technician to do the job.
The breakdown came just in time as the technician retired within a few weeks…
Motorcycle policemen lead the convoy bringing the Pope to Old Quebec in 2022.
If you don’t have privileged access, the main difficulty in photographing the arrival of Pope Francis in Old Quebec in 2022 lies in the vague and sometimes contradictory information offered to journalists in an obvious effort to protect the itinerary of the head of state.
You also have to deal with the strong police presence and the barriers that open and close according to the mood of the moment, blocking bicycles and pedestrians long before the Pope has crossed the Saint-Louis gate. As a photographer, you don’t want to find yourself suddenly stuck in a place of no interest.
Other aspects to consider are purely photographic, such as the ambient light and the distance from the subject at the time of the photo, which will influence the choice of equipment carried.
The official convoy arrives on Saint-Louis Street. It is important to know that in the afternoon, the sun crosses directly the axis of the Saint-Louis Street in its slow descent towards the west. If you position yourself along this street to take the picture, there is no physical obstacle, but you photograph against the light a convoy which passes at full speed. The camera sensor does not appreciate backlighting, because it has difficulty evaluating which light takes precedence. The choice of a straight line on Saint-Louis Street is therefore not very interesting.
The crowd greets Pope Francis on his arrival in Old Quebec in 2022.
The Pope’s driver sits on the left (at least in Canada). The Pope will therefore be on the right, whether forward or backward. If one stands in the Place d’Armes, one gives priority to the driver rather than to the Pontiff.
As the sun travels progressively from the axis of St. Louis Street to the west, the tall trees of the Place d’Armes will create a natural veil blocking the effects of backlighting. This will increase the chances of successful photos.
On St. Louis Street, the convoy is moving quickly in a long straight line. The chances of getting a good picture decrease. When the security cars reach the end of Saint-Louis, they have to brake because of a sharp curve near the Château Frontenac. If you position yourself immediately after the curve, the chances of getting an acceptable picture increase greatly.
As for photographic equipment, a camera lens that requires little light will help optimize shutter speed and depth of field, especially in the late afternoon. The Canon EF 85mm f/1.2L II USM lens offers more flexibility.
A camera with a full-frame sensor will also allow the cropping necessary to magnify the photo without loss of quality. For the photos included in this article, the camera used was a Canon 5DSR.
The riskiest technique which therefore requires a little more experience is to take the picture of the head of state in his car in focus while leaving the outside blurred, to show that the car is moving fast. You follow the car with the camera’s viewer. The closer it gets to you, there is an obvious feeling of acceleration. It is thus necessary to increase the rotation of your body to adjust to the car’s relative speed change. The autofocus does its job as the vehicle approaches.
There is only a fraction of a second where you get a completely clear view of the head of state. A second too early and you only see a portion of the face with a piece of the car, a second too late and you get a three-quarter rear view. A continuous shooting mode becomes absolutely necessary.
Pope Francis arrives in Old Quebec on his trip to Canada in 2022.
An adequate shutter speed captures the face of the head of state accurately and keeps the background blurred. A shutter speed that is too fast makes the whole scene clear and sharp, and the photo loses its dynamism. Too slow a speed and the face lacks definition. There is only one chance to get it right.
So, those were a few ideas to remember if you want to photograph important events in Old Quebec. A prior knowledge of the terrain and of the sun’s position at specific times remains essential if you want to increase your chances of success.
An American Robin and its fledgling in Sillery, Quebec City.
In Quebec City, an American Robin came to make its nest near our back door. Since it had been there brooding without giving birth to anything, we were beginning to believe that the mother was sterile.
Major construction work was to begin shortly at our home and would last a few weeks. We were almost glad that no chicks were born, as this would simplify the transportation of materials.
A day before the renovations were to begin, the first chick was born. From then on, all construction workers would have to be blocked off and asked to make a detour each time they needed to take scraps out of the house or bring in new material.
All labor groups agreed to our request without a second thought. For two weeks, electricians, plumbers, floor layers, delivery people and installers of all kinds came and went, sometimes asking for updates on the condition of the mother and her chicks.
In Quebec City, three two week old American Robins.
The photo above shows the three chicks one day before they fledge. The lack of light due to the location of the nest, as well as the desire not to disturb the fledglings, necessitated the use of a powerful telephoto lens and a camera capable of cropping without loss of quality. A full-frame cameraCanon 5DSR with a Canon 70-200 f2.8L IS II USM telephoto made the job easy. The ISO was set to 200 and I severely limited the depth of field to get the best possible shutter speed to avoid motion blur.
This morning, all the birds had left the nest. The parents were flying around nervously, attacking predators while the young were quickly learning to become independent. The blue jay that regularly visits us for its “dish of the day” was denied access to the backyard by both parents.
There are now three new American Robin in the area and it is almost certain that the mother will return next year to the same location, given the success this year.
A young girl dances through the water jets near Quebec City’s city hall.
The water fountains near the Quebec City’s City Hall Gardens attract crowds during the summer season. The changing colors of the lights offer many opportunities for night photography.
Patience becomes the first rule when it comes to capturing the scene that will stand out. Usually, children run indiscriminately left and right. But there are exceptions, like that evening when a young girl started dancing through the programmable fountains. She moved quickly, adding more dynamism to the scene. I had to take a chance with a night photo.
As far as the photography technique is concerned, the challenge was interesting. I wanted to capture the feeling of movement in her dance. But this demanded a high shutter speed to avoid too much motion blur. On the other hand, the low ambient light called for a slow shutter speed. Those two requirements were completely opposite.
A Canon EF 85mm f/1.2L II USM lens mounted on a Canon 5DSR camera was part of the solution. A recycling garbage can positioned near the scene also served as a support for the portable tripod. Both Canon lens and tripod allowed for more light to be captured while avoiding unnecessary vibrations.
However, those two actions would not have been enough to allow the scene to stand out. There were still too many contrasts between light and shadow. A digital image processing software facilitated the use of the essential data included in the RAW file of the photo, revitalizing the background while diminishing the foreground’s highlights of the water jets.
Some purists lose sleep over the idea that contemporary photographers use digital processing software to get a better picture. When a RAW file contains 50 million megapixels and you refuse to use its data on principle, it’s a bit like Charles Leclerc deciding to drive his Formula 1 car using only the settings of the ’60s, for nostalgia’s sake.
Click on the link for more night photos on my blog.
Sillery was a formerly self-governing municipality that is now part of Quebec City. The architecture of the houses that have been built there in recent years contrasts greatly in style and format with the older dwellings.
The more recent constructions are somewhat surprising in their gigantic size. The new owners want buildings with a modern look and very imposing dimensions, sometimes doubling and even tripling the size of the traditional homes in the area.
The photo below shows the difference in size between a traditional property (on the far right of the photo) and a more modern home.
Modern Sillery house in winter, 2022.
Below, a traditional house in Sillery simply decorated for the holiday season. The blue light of the little tree is reflected on the front of the house and it looks really nice.
Traditional Sillery house in Québec City 2022.
The traditional house above and its Christmas decorations contrast strongly with another one two streets away (photo below). It’s hard to miss the house (of which we can only see one section) and especially the huge tree decorated in its entirety and which must have required the use of a crane equipped with a telescopic arm.
Modern Sillery house with Christmas decorations in 2022.
A final photo (below) shows another traditional house in Sillery with interesting architecture.
The old and the new are in stark contrast in the area, so I thought it was important to capture some memories of properties with unique architecture before they disappear to make way for modernity. Because today, the fashion favors demolition rather than renovation.
Traditional house of Sillery in Québec City with Christmas decorations. in 2022.
The pictures are from a Canon 5DSR full frame camera with a Canon EF 24-70 lens, all mounted on a tripod to avoid blur. The ISO was set to 200, in order to limit the photographic grain.
The picture above, taken with a Canon 5DS R full frame camera equipped with a Canon 70-200 f2.8L IS II USM telephoto lens was taken in the Fall morning in Quebec City, after a night with frost. The Russian Mountain Ash berries have not yet been eaten by all kinds of birds, so we can use them for our bird photography session before it is too late.
In anticipation of the cold winter days, I designed a retractable feeder to help the family of five blue jays which lives in the neighborhood. I thought it would take several days for them to get to grips with the new system, but in less than 24 hours, they were gleefully stuffing themselves.
Blue Jay eating peanuts
The five blue jays each have a well-defined behavior. I have one who accepts to eat peanuts in my hands, but he mistakes my fingertips for the tip of a peanut. He pulls but nothing helps : the peanut does not follow. He probably suffers from myopia…
There is another who spends his time changing his mind; he chooses a peanut, then puts it back in the pot, then chooses another. After procrastinating and swapping the peanuts multiple times, he flies away. Another is an aerobatic ace; it arrives at high speed and catches peanuts in a fraction of a second without stopping. It rarely drops it.
Hermit Thrush in a Russian Mountain Ash.
During this time, the Hermit Thrush in the tree continues to taste the small red berries, indifferent to the activities of the blue jays.
As I process these photos taken in February 2020, we are in full confinement because of COVID-19. It’s strange how life has changed in such a short time. Just a few weeks ago, I was freezing in Old Quebec and in the surrounding area while doing winter photography. There were lots of residents and tourists all around, and I could warm up in the cafes of my choice. There was no question of social distancing, masks, closed restaurants and daily press conferences of the federal and provincial governments!
Un chien attend son maître dehors durant une tempête hivernale en 2020.
The photo above was taken on rue St-Jean, around supper time. Citizens went out to have a bite in one of the many restaurants and cafes on this popular street, while others quickly went to specialty stores to get missing ingredients for the supper to be prepared. Dogs are not allowed inside the shops, so they have to wait a few minutes outside in the snowstorm for their owners.
Multicolored buildings near Old Quebec winter 2020
I enjoyed the digital processing of these multicolored dwellings. Indeed, although they are interesting, the original colors of the buildings were still less vivid than what I wanted to obtain for this winter scenery near Old Quebec. The saturation was therefore slightly increased to obtain the desired effect.
Crossing the Honoré-Mercier avenue in Quebec City winter 2020
Traffic time on Honoré-Mercier avenue. Pedestrians have just enough time to cross this very busy avenue before the numerous buses and cars block the passage again. The icy and sloping roadway, the wind and the snow make it more difficult than usual, but the time allowed to cross remains the same. Hurry up!
For this photography project, I used a Canon 5DSr full-frame camera with a Canon EF 85mm f/1.2L II USM lens.
The Magdalen Islands, in the Province of Quebec, are recognized for the magnificent sunsets. The picture above was taken while I was coming back from Havre Aubert with my family during summer 2017. The ponds are located between Havre Aubert and Cap-aux-Meules, immediately alongside the main road.
The day had been cloudy and there was no indication that the evening would offer a possibility to get an interesting picture. But around 8 PM, while the sun was still relatively high above the horizon, a few sunrays were able to pierce through the cloud deck. The stratocumulus being well defined, it became obvious that when the sun would be close enough to the horizon, it would light the cloud deck from below as well as light up the ponds. It was important to act rapidly in order to capture the beautiful atmosphere.
When the winds are calm and you must stand still close to ponds in order to do photographic adjustments, one must accept to lose some blood to swarming moskitos. That night, I must have lost a pint of blood!
The absence of wind allowed for a good reflection of the electric poles in the foreground.
The picture was taken with a Canon 5DSR full frame camera equipped with a Canon 70-200 f2.8L IS II USM telephoto lens and a graduated filter used to avoid the underexposure that would be caused by the highlights in the horizon. I used aperture priority and set it at F18 to get a proper depth of field. The ISO was set at 200 and the focal length at 135 mm.
For other photos on the province of Quebec and also Quebec City, click on the following links from my blog:
The Quebec Bridge, the longest cantilever type bridge in the world, celebrated its 100th anniversary in 2017. For the occasion, several activities were organized in Quebec on September 23rd 2017, culminating with fireworks near the bridge.
Reflections on the St. Lawrence Seaway. The 100th anniversary of the Quebec Bridge was celebrated with fireworks.
Several workers lost their live while attempting to build the bridge. A Wikipedia article resumes its history: The Quebec Bridge
In 2017, the safety issue was brought back in the news. This time it was about the lack of maintenance that favored an increasing amount of rust on the metallic structure.
The funds that would allow to paint the bridge on a regular basis seems hard to find. The bridge owner, the Canadian National Railway Company, and the different levels of government are attempting to find a solution that would be acceptable for all. This discussion has been going on for years. While the bridge holds on, everything is fine.
September 23rd 2017 celebration for the 100th anniversary of the Quebec Bridge.
About the photography
During the fireworks several boats equipped with an additional lighting system approached the bridge.
It was impossible to get really sharp shots of the boats since they were constantly moving due to the strong current of the St. Lawrence Seaway.
The fireworks lasted about thirty minutes and attracted a huge crowd, both along the St.Lawrence Seaway and on the higher grounds of bothLévis and Quebec City.
Fireworks for the 100th anniversary of the Quebec Bridge
Frequent adjustments of the camera’s aperture and ISO were needed since it is always very demanding for a camera to deal with sudden burst of lights appearing in the darkness. It was necessary to limit the exposure time in order to avoid an accumulation of blurred light trails.
The Quebec Bridge is 100 years old in 2017
The pictures were taken with a Canon 5DSR full frame camera mounted on a tripod. A Canon EF 24-70mm f/2.8L USM was used to capture the fireworks.
