Above, a railroad track crossing the Cap-Tourmente National Wildlife Area in Quebec. Autumn is well underway and red is no longer part of the scene. However, the colors remain attractive. At the time of our visit, only 26,000 of the 600,000 geese migrating south remained.
Trees in the Montcalm dictrict in Québec City during Autumn 2024.
The Montcalm sector of Quebec City is brimming with majestic trees that change colour in autumn. Those photographed above are located right next to the Battlefields Park, owned by the Government of Canada.
Trees of the Grande-Allée in Quebec City in Autumn.
The tree above is on Grande-Allée, in the direction of Old Quebec. I shot it using a Canon EF 11–24 mm f/4 USM wide-angle lens. All I had to do was wait until 10:00 AM for the sun to strike the foliage from the side. Earlier than that, the brightness is a little lacking, and later the sun rises too high and hits the foliage from above with a violent light that detracts from the overall effect.
Trees in a Sillery street in Québec City during Autumn 2024.
Above are a few trees in the Sillery area of Quebec City. It’s not often that red leaves cover several tree trunks. You have to be there at the right time, because the effect doesn’t last long. We also need to be able to count on the wisdom of homeowners who have seen fit to let nature do its job, rather than cleaning everything up to make it look “nicer,” as we sometimes see.
Umbrellas cover part of Rue du Cul-de-Sac in Quebec City. Most tourists are unaware of this installation when they set foot in the Petit Champlain area. Surprised, they whip out their cell phones and capture the moment as best they can. Since they’re just passing through, most don’t have the luxury of choosing the most appropriate light for their multiple shots.
The situation is different for someone who has easy and frequent access to the location. They can wait for the “blue hour” on a fine summer evening, and at the same time capture the golden hue of the lights in front of the many restaurants lining the alleyway.
The main challenge in taking the above shot, however, is the sharp contrasts in light.
For example, the tourists in the foreground are standing in the half-light, but the viewer still wants to see the details. Just above the people, the lighting contrasts sharply with the shaded area at the bottom of the photo. It’s hard for the camera to decide which brightness to prefer.
To top it all off, the soft blue light of late evening illuminates the umbrellas from above, while the restaurant lights illuminate the installation from below.
Image processing software is used to optimize the information contained in the RAW file of the photo, helping to highlight the different areas of brightness in the scene while avoiding areas that are too light or too dark.
Corner of Saint-Stanilas and Saint-Jean streets in Old Québec in the evening Summer 2024.
The photo above shows an evening view of the intersection between rue Saint-Stanislas and rue Saint-Jean in Old Quebec. For several months a year, a section of rue Saint-Jean is reserved for pedestrians only. This attracts many tourists. Just behind this popular street is McWilliam Street, with a radically different feel, especially late at night.
The McWilliam street behind the Cochon Dingue restaurant in Québec City.
To produce an HDR effect of the location, I plan to stack five photos. I set up the tripod and begin the session. Just as I’m about to finish, a door suddenly opens. A man steps out and lights a cigarette.
I need to capture this very brief moment when the individual is just a stealthy shadow in motion with the intense fluorescent lighting in the background. In this rather dark alleyway, this could generate an interesting effect.
The smoker asks me what I’m doing. It’s an employee on break working for the popular Cochon Dingue restaurant on Rue St-Jean. What a contrast between the modern façade and the back of the same building on McWilliam Street.
At home, HDR processing begins. But it’s impossible to use all five shots together as planned initially. The software combines a closed and an open door at the same time. The result is a kind of butchered wicket door, with almost no light filtering through.
I abandon the idea of an HDR montage and fall back on the single photo where the man is standing in front of the door. I wasn’t counting on this presence, but it adds a touch of humanity to a scene that’s still not very inviting.
Life often presents photography enthusiasts with unexpected opportunities. It’s all about being flexible and capturing the moment, even if it’s not part of the initial planning. Click on the link for more photos of Quebec City and Île d’Orléans in Summer on my blog.
The curb in the lower left corner of the photo serves as a prompt to integrate the scene. The door covers the first right-hand third of the photographic composition, preventing the observer from moving too quickly into the background. The rounded shape of the door and the old stones manage to occupy almost 50% of the image, while the rest shows an entire artery, mountains and a portion of the sky.
To energize the scene, I waited for an automobile to drive down the street.
The Basilique-cathédrale Notre-Dame de Québec and the Price building in Old Québec.
Dating back to 1647, this Basilica-Cathedral has been renovated on several occasions and includes a historic crypt and holy door, attracting believers from all over the world.
Note that in this shot, the close-up of the tower does not prevent us from obtaining perfectly vertical lines, which are usually difficult to achieve in photography. This result is due to the use of a Canon EF 11–24 mm F/4L USM ultra-wide-angle lens, the only one on the market that allows such results without correction and without the fisheye effect taking over.
The Basilique-cathédrale Notre-Dame-de-Québec in Old Quebec.
Above is the Basilica-Cathedral seen from another angle.
The HDR photo of the Dauphine Redoubt above comprises seven pictures with different apertures. The Photomatix software stacks them one on top of the other to create a single shot. This allows the darker regions to stand out, while controlling the lighter areas as much as possible.
For a successful effect, the following factors need to be taken into account: type of camera (ideally full frame), use of an appropriate wide-angle lens, focus, time of day, cloud types, tripod, extension cable, camera mirror vibrations, wind, visibility, photographic grain, depth of field, moving obstacles in front of the camera and photographic composition.
I use a Canon 5 DSr with a Canon EF 11–24 mm F/4L super-wide-angle lens. Focusing with the camera’s backlit screen improves accuracy. It is better to avoid nighttime and take advantage of the blue hour. The clouds don’t prevent the capture of a distant background, and allow the city lights to be reflected in the sky.
I opt for a sturdy tripod. Its extra weight cancels out minor jolts and supports fairly heavy photographic equipment. The extension cable prevents the photographer from touching the camera when taking seven photos.
For mirror-equipped cameras like the Canon 5 DSr, it is important to activate the mirror lock function. This means that vibrations caused by the mirror rotation will have two seconds to fade before the actual picture is taken. A light wind also reduces the chance of vibrations.
Moderate visibility allows better graduation of colours and reflections. Tonight, the mist plays its part well. By using a tripod, I greatly limit the photographic grain. ISO is therefore set at 200. Depth of field is not a problem, as the tripod will prevent movement caused by long exposure.
As many people visit the site in the evening, I try to take each of the seven photos between two crosswalks. This isn’t always possible, but Photomatix can remove “ghosts” when compiling the shots. There is, however, a limit to this function.
The final point concerns photographic composition. The photo above is divided into three roughly equal horizontal zones. Oblique lines on either side at the bottom of the photo direct the eye towards the centre of the image. The five lights of the Dauphine Redoubt and those of the city capture the attention. All the shots have visible details and are not lost in the darkness. For better balance, the composition ignores another imposing building at the right of the scene.
These are just some of the precautions taken when capturing the scene in HDR night photography.
In photography, it’s not just planning that makes for interesting results. Luck also plays an important role. But you need to get out frequently, in all kinds of light and weather conditions. The photo above is a good example of it.
I’m in a district of Old Quebec that is shunned by tourists late at night, because it’s less well lit. The location is close to Rue St-Jean, a popular thoroughfare lined with restaurants and other businesses. The contrast in traffic is striking.
I visited the area to try my luck with HDR photography. The photo session being over, I am preparing to head home quietly as nighttime falls.
Suddenly, a woman on a bicycle stops under a lamppost. The scene, with its plants, old bricks, neon sign and play of shadows, looks promising. But a quick reaction is needed, because with so little light, even the slightest movement will result in a blurred picture. Fortunately, the woman consults her cell phone, which immobilizes her for a few seconds.
HDR photography is out of the question here. She’ll never be still long enough in this subdued light for me to take multiple pics with different apertures. I snap twice, quickly. The young woman puts her phone away and disappears from the scene. There’s only one quality shot, the other being too blurred.
This photo session shows me once again the importance of getting out frequently to try one’s luck. Combined with an acceptable reaction time and the right equipment for working in low light, you’re likely to come home with one of life’s unexpected gifts.
An evening after the rain at the Station de la plage, Québec 2024
A few Quebec City residents enjoy the last glimmers of daylight at the Station de la Plage, as the showers of the previous hour precipitated the departure of the other occupants.
Radar echoes showed towering cumulus clouds (TCU) approaching the area at around 19:00. These usually produce short-lived showers, letting light through here and there between the cloud formations.
For a photographer, the first ingredient in capturing a special sky is present.
The second prerequisite is that the setting sun’s rays travel a greater distance through the atmosphere, unblocked by a distant weather system. This makes it possible to observe such impressive shades of pink and red. So, we check the forecast to verify that this is no weather system coming the next day.
These two conditions greatly increase the chances of an interesting sky at dusk. It doesn’t always work, but let’s just say that planning improves the likelihood of a successful photo shoot.
That’s what happened on this August evening in 2024.
Evening sky visible through the installations at the Station de la plage, Québec 2024
The photo above shows the shades of sky visible through the openwork ceiling of the Station de la plage. I like the minimalist look. It vaguely reminds me of the paintings of Canadian NewfoundlanderChristopher Pratt. For him, the primary interest lies less in the representation of an architectural structure as such than in the addition of light that will transform the viewer’s perception.
Thunderstorm at the start of the Transat Québec St-Malo 2024.
The tenth Transat Québec St-Malo on June 30, 2024 got underway with very unstable weather conditions, including a thunderstorm that forced a postponement of the start. While this weather temporarily disrupted the sailors’ plans, it delighted the photographers who came to capture the event. Above, a view of Quebec City taken from Île d’Orléans.
The Grand défi Pierre Lavoie returns every year to raise funds for the Fondation du Grand défi Pierre Lavoie, which supports many causes including research into orphan diseases.
Police blocking the traffic in Sillery before the arrival of the GDPL cyclists.
Cyclists pay to take part in the challenge, and the public can also make a monetary contribution to support the riders. Participants benefit from fully protected circuits where car traffic would normally cause problems. Above, police officers prohibit access to cars as cyclists arrive on Avenue des Gouverneurs in Sillery, Quebec.
Cyclists arriving in Sillery at the Grand défi Pierre Lavoie 2024.
Grand défi Pierre Lavoie (GDPL) 2024 cyclists on avenue des Gouverneurs in Quebec City.
The Grand défi Pierre Lavoie 2024 cyclists in the Sillery sector in Quebec City.
Cyclists take it in turns to cover a series of circuits totalling 1,000 kilometers in the Quebec City region over three days. Depending on the route chosen, the difference in altitude ranges from 199 metres to almost 900 metres.
Each route starts and finishes on the Université Laval grounds in Quebec City.
The first stage of the GDPL 2024 took place on June 14. It was only a 21-kilometre warm-up circuit, and I photographed the participants as they completed their journey and headed for their base camp at Université Laval. There are just 979 kilometers to go between now and the afternoon of June 16…
Group of cyclists in the Grand défi Pierre Lavoie (GDPL) 2024 in action at Québec.
GDPL 2024 cyclists wearing the Montreal Canadians hockey club jersey.
Photos were taken with a Canon EF 24-70mm f/2.8L USM lens.
Grande-Allée in Quebec City just before nightfall.
We’ve had some very mild weather recently in Quebec City. A rainy day in the middle of winter melts the snow at an accelerated rate and creates widespread fog over the region. Just before nightfall, this weather phenomenon combined with road traffic and the imposing trees on Grande-Allée prompted me to take a photo from the moving car. Digital processing was then applied to achieve the desired effect.
St. Louis street under rain in winter in Quebec City 2024
Here’s another shot of rue Saint-Louis in Old Quebec in the rain in the middle of winter. I took the photo at the end of 2023, when the Christmas decorations added a little cheer for lack of snow, which is fairly rare for Quebec City. Many tourists had to readjust their plans for outings with children during this period.
