Above, a photo of the Château Frontenac in autumn with a cruise ship that has just docked at the Port of Québec. The photo was taken from Île d’Orléans. Also visible in the center of the photo is the Concorde Hotel’s revolving restaurant, “Ciel! Resto-bar”.
Click on the link for more photos of Quebec City and Île d’Orléans on my blog.
The HDR photo of the Dauphine Redoubt above comprises seven pictures with different apertures. The Photomatix software stacks them one on top of the other to create a single shot. This allows the darker regions to stand out, while controlling the lighter areas as much as possible.
For a successful effect, the following factors need to be taken into account: type of camera (ideally full frame), use of an appropriate wide-angle lens, focus, time of day, cloud types, tripod, extension cable, camera mirror vibrations, wind, visibility, photographic grain, depth of field, moving obstacles in front of the camera and photographic composition.
I use a Canon 5 DSr with a Canon EF 11–24 mm F/4L super-wide-angle lens. Focusing with the camera’s backlit screen improves accuracy. It is better to avoid nighttime and take advantage of the blue hour. The clouds don’t prevent the capture of a distant background, and allow the city lights to be reflected in the sky.
I opt for a sturdy tripod. Its extra weight cancels out minor jolts and supports fairly heavy photographic equipment. The extension cable prevents the photographer from touching the camera when taking seven photos.
For mirror-equipped cameras like the Canon 5 DSr, it is important to activate the mirror lock function. This means that vibrations caused by the mirror rotation will have two seconds to fade before the actual picture is taken. A light wind also reduces the chance of vibrations.
Moderate visibility allows better graduation of colours and reflections. Tonight, the mist plays its part well. By using a tripod, I greatly limit the photographic grain. ISO is therefore set at 200. Depth of field is not a problem, as the tripod will prevent movement caused by long exposure.
As many people visit the site in the evening, I try to take each of the seven photos between two crosswalks. This isn’t always possible, but Photomatix can remove “ghosts” when compiling the shots. There is, however, a limit to this function.
The final point concerns photographic composition. The photo above is divided into three roughly equal horizontal zones. Oblique lines on either side at the bottom of the photo direct the eye towards the centre of the image. The five lights of the Dauphine Redoubt and those of the city capture the attention. All the shots have visible details and are not lost in the darkness. For better balance, the composition ignores another imposing building at the right of the scene.
These are just some of the precautions taken when capturing the scene in HDR night photography.
Click on the link for more photos of Quebec City and Île d’Orléans in Autumn on my blog.
Luck plays a significant role in the acquisition of an original shot. To put chance on our side, we need to go on photo expeditions frequently, whatever the weather, and seize opportunities when they arise.
For this outing in Old Quebec, I thought I’d use a Canon 11–24mm f/4L USM super-wide-angle zoom lens. It allows you to get very close to a tall building and obtain vertical lines without the top of the structure disappearing.
Indeed, many high-performance zooms require the utilization of image-processing software to produce an almost perfect vertical effect. But doing so cuts off the top of the edifice.
So, I was looking for a different perspective to shoot the Château Frontenac. I saw it more in the background, as a point of arrival for the eye, rather than taking up all the space. Even as a small edifice in a photo, you recognize it before any other structure.
To do this, I chose an architecturally interesting building as my starting element. It reminded me vaguely of the Flatiron Building in New York. Naturally, it’s not as high and offers that rounded effect when captured in wide-angle format.
I’ve observed a lot of representations of Old Quebec so far. However, I don’t recall previously noticing the street and the old edifices in this way. Usually, the building in the foreground is partially visible.
Lost in the analysis of the ideal angle, I heard a strange engine sound. On my left, a vintage car was moving slowly and would pass in front of the Canon 5DSr lens in a few seconds.
I quickly lifted the camera and placed it in the right spot. The auto was already gaining speed and I had to seize the opportunity. This vintage car blended perfectly into the scene. Only the slightly more contemporary station wagon indicates a more recent picture.
Modernity and the past still come together in harmony in a developer-protected Old Quebec. To capture interesting pictures, you need to get out into the old town frequently.
Click on the link for more Summer photos of Quebec City and Île d’Orléans on my blog.
Comfortably seated on the new terrace of Quebec City’s Station de la Plage, I wrote this article sheltered from the elements.
Phase 3 of the Promenade Samuel-De Champlain in Quebec City will have cost around $190 million. A site foreman confides: “The most complex part of all this was complying with the actual government requirements. We had to do a lot of digging and install infrastructure to prevent wastewater from being discharged into the St. Lawrence River. We also had to deal with the sudden increase in inflation: to avoid a $50 million overrun, we had to shorten the width of the children’s romper and cut where it had to least impact “.
While out cycling, I took the opportunity to snap a few shots of the construction progress around what will develop into the “station de la Plage”.
The picture above shows the production of the reinforced concrete for the main staircase.
Below, the finished steps can be seen. What will become the swimming pool (on the left of the photo) receives its first coat of paint. A modification to the pool’s depth necessitated the installation of a fence.
It can disappear completely into the ground as soon as swimming is allowed. However, its operation is currently causing serious problems, as with all novelties. When the motor exerts too much force to raise a section of fence, it falls back down on its own. The presence of sand in the vicinity may have been ignored, or at least its effect underestimated, when the railing was designed. Sand is inserted into the gears with each day’s activity. And there’s no question of using grease to make it easier to raise and lower the panels: the sand would stick to the lubricant and further complicate operations. A technician has been working for weeks to rectify the situation.
The pool has now received a coat of blue paint. This creates a clear demarcation with the color of the river water, an effect that will also benefit photographers. Only a few preparations remain before the population can officially access the site. The Commission de la capitale nationale de Québec wants people to be able to bathe just in time for the Fête nationale des Québécois, on June 24.
From now on, the incredible popularity of the site with the public will have to be managed. Indeed, in their eagerness to access the beach, few individuals bother to read the current regulations. This task will fall to the security staff, who will have to utilize their teaching skills and diplomacy to get the message across.
Use the following address to leave a comment for the Commission de la capitale nationale de Québec.
Click on the link for more Summer photos of Quebec City and Île d’Orléans on my blog.
A sixteen year old Canon 14mm f/2.8 L lens that was narrowly saved from the garbage allowed me to take this wide angle photo of the Notre-Dame de Québec Basilica-Cathedral in Old Quebec.
The visit being improvised, I did not have a tripod. So, I put the full frame camera Canon 5DSr directly on the ground. However, the lens was pointing straight ahead, preventing me from capturing the architecture and colors of the vault. I put my wallet and the lens cap on the floor to provide support for the camera to point towards the ceiling. Considering the circumstances, the result could have been worse.
Two months earlier, this 2007 Canon 14mm lens broke and could not focus automatically or manually anymore. I had sent it to Canon in Toronto. The company had written back that the lens was beyond repair and that I would unfortunately have to get a new one, at an estimated cost of $2700.
With nothing left to lose, I took the chance to have it repaired in Quebec City in a small workshop that repairs just about everything. The technician only needed a few hours of work on the lens and I received a bill for $200 plus taxes.
It was explained to me that the big camera companies do not repair equipment that is fifteen years old or more: they declare it “irreparable” when a few hours are all it takes for an experienced and competent technician to do the job.
The breakdown came just in time as the technician retired within a few weeks…
Click on the link for more pictures of Quebec City and Île d’Orléans in the Spring on my blog.
Nature comes back to life with the arrival of Spring. This is a good season for black and white photography. In the case of the photo above, the melting white snow uncovers a dark colored ground. The almost black main subject also stands out against a fairly light horizon, so this can only help the photographic composition.
I imagined the effect of the photo when transformed into black and white, with this continuous alternation of light and dark from the foreground to the horizon.
The horse, now free of snow, is galloping past the trees. The multiple trunks seem intertwined with the horse and give the illusion of a ghostly apparition. To avoid too much confusion, however, I had to make sure that the horse’s head and tail were clearly visible. A vertical shot was better because of all the branches that fill the first third of the picture and seem to be part of the horse.
The all-metal animal is part of a set of eight horses created by Joe Fafard, a renowned Saskatchewan artist and Officer of the Order of Canada. The City of Calgary and the Calgary Stampede donated the sculpture to Quebec City and it is located along Champlain Boulevard near the Cap Blanc stairs, just before entering Old Quebec.
Click on the link for more photos of Quebec City in the Spring on my blog.
The Old Quebec in winter is always exciting to photograph. The continually changing weather presents new opportunities that must be seized. Moreover, for the same weather system, each hour that passes also offers a different luminosity. The photographer is spoilt for choice.
For the picture above, taken with a Canon 5DSr, I positioned myself in a place that is normally off-limits during winter. That’s why you can only see my footprints in the snow. But hey! The risk was minimal and the angle of view perfect to capture the Château Frontenac.
The street lamp emits a light that needs to be corrected in the camera. Instead of “AWB”, select “tungsten”. This adjustment allows you to reflect exactly what you see, rather than ending up with tones that are too contrasty. HDR photography allows for some correction of large contrasts in brightness.
The lights on the roof of the Chateau Frontenac illuminate the snow falling around the building. This snow makes for interesting sky tones, even though the blue hour has long since passed.
In terms of the photographic composition, the low wall and fence serve as the entry point into the photo. The lamp post is located at a point respecting the rule of thirds. The building on the right blocks the view and invites the eye to continue its exploration to the left of the photo, which leads the viewer to the Chateau Frontenac.
The photo below, taken a few minutes later, uses the stairs as an entry point into the photo to quickly lead the eye to the Château Frontenac. In this case, a vertical format lends itself better to the scene.
The snow on the railings and steps adds an alternating black and white effect. Otherwise, everything would be quite dark and we would lose a little interest. A nearby street lamp provides enough ambient light to illuminate the scene; however, I was careful not to include the light source directly in the photo, as it distracts the viewer from the main subject.
In winter as well as in summer, I use a tripod to reduce camera shake and improve resolution in low light conditions.
Click on the link for more pictures of Quebec City in Winter on my blog.
Want to try an out-of-the-ordinary excursion in the Quebec City area? Here is an idea: if you have a car, start by parking (for free) in one of the spaces available at Domaine Cataraqui. The new staircase designed in 2022 in the forest behind the domain allows you to go from the heights of Sillery to the bottom of the cliff giving access to the Promenade Samuel-De Champlain (Note, however, that the Promenade is not maintained in winter). Walking from this point to the Petit-Champlain district in Old Quebec takes two hours, without hurrying. If you do it in the Autumn, you may even be able to see the cruise ships.
The photo above shows a section of the Caribbean Princess cruise ship moored in the port of Quebec. When it comes to a floating hotel, this ship is a good example.
You now have the option of staying in Old Quebec for as long as you wish, and then take St. Jean Street and walk a few minutes to Place d’Youville to take bus #25 which will bring you back comfortably on St-Louis Street, at a stop very close to the place where you parked your car initially.
You will have had a great day that allowed you to exercise, see the St. Lawrence Seaway and the beauties of Old Quebec. All this for the price of a bus ticket ($4.00).
Have a good walk!
Click on the link for more pictures of Quebec City in Autumn on my blog.
The exhibition of Mosaïculture of Québec City 2022, entitled “Once upon a time…the Earth“, ends in a few days, after having been a great success throughout the summer.
More than six million plants were used to build 200 animals and insects in the Bois-de-Coulonge, not to mention the flowers along the way to further enhance the tour.
In a few months, hundreds of thousands of visitors will have walked through the circuit of 90 minutes to visit the largest edition of mosaiculture since its creation in 2000 in Montreal. In Québec City, more than 80% of the works were exposed for the first time.
The site had to be prepared nine months in advance. As intensive watering became mandatory, Québec City temporarily modified its watering regulations, explaining that it was an exhibition and not a horticultural production.
Above, a shepherd plants a tree in a place that seems to be very unfertile, indicating at the same time the need not to give up when it comes to saving the planet.
These Québec 2022 mosaicultures will have been another major tourist attraction for Québec City, after a cascade of other summer events. In fact, there have been times when so many tourist activities overlapped at the same time, that residents and tourists had to make choices. A spectacular rebound from a pandemic that forced people to make sacrifices for two years!
Click on the link for more pictures of Québec City in Summer on my blog.
An interesting vantage point to photograph the Grand Prix Cycliste de Québec is at the intersection of Grande-Allée and the avenue leading to the famous Gilmour hill. The cyclists are riding at high speed and must brake hard before making a sharp left turn to begin the descent to the portion that will take them along the St. Lawrence River. There are no obstructions for the photographer at this point.
To capture the effect of the cyclists’ movement, the shutter speed must not be set too fast, preferably between 1/125 and 1/160. Otherwise, everything looks immobile, even the wheel spokes.
Positioning yourself immediately after the curve allows you to capture a long line of bicycles. You can focus on the cyclists on the right in the viewfinder and leave the line of cyclists around the curve out of focus. To do this, make sure that the chosen aperture will blur the background. It is also important to follow the movement of the cyclists with the camera. If you stand still, all the riders will be out of focus, as the shutter speed is too slow for the high speed of these riders.
An occasional close-up obtained through cropping allows us to see details that we would otherwise miss. In the case of the photo above, it is clear that not only is the rider in the front relaxed, but he has also recently crashed, with his right arm still in recovery. Sometimes we also see the result of deformities in the knees of cyclists following numerous surgeries.
The cyclists want to maintain their position in this tightly packed group that must maneuver in a small space. With a telephoto lens, one can see the facial expressions change as they approach the turn for the Gilmour hill. Note the concentration on the faces of the cyclists in the foreground…
Following moving cyclists with a camera remains a difficult art to master. Several pictures are taken before a successful one is achieved. Fortunately, film photography is behind us and we don’t worry as much about missed shots. The important thing is to have fun and try to get a little better with each photo session!
Click on the link for more pictures of Quebec City in Summer on my blog.