Tag: night photography

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Photos du Québec Photos of Canada

Reflections on Saint-Louis Street in Quebec City in winter.

Beautiful Old Quebec night reflections on Saint-Louis Street. Photo by François Ouellet, 2025.
Beautiful Old Quebec night reflections on Saint-Louis Street. Photo by François Ouellet, 2025.

Another perfect evening to photograph Old Quebec in winter! I consider myself very lucky to have daily access to this magical place. It is as you know a UNESCO jewel and one of Canada’s major tourist attractions.

Photography theory and technique

It’s all there: calm winds, light snow, acceptable temperature, low cloud ceiling. Here is a great opportunity to improve one’s photography technique. What’s more, Quebec City finds itself between two busy tourist periods. This means fewer blurred people during night photography.

The snow melts immediately upon reaching Saint-Louis Street. It creates multiple reflections, ideal for special effects.

The quality of the lighting is superb, even in the middle of the nighttime. The city’s glow mirrors off cloud bases and precipitation. This in turn illuminates the old buildings.

Now it’s a question of locating an unusual angle to capture rue Saint-Louis. I’m trying to avoid the over-rehearsed postcard frame!

The viewer’s eye must remain focused on the street and the architecture. It must travel towards the background to discover a section of the National Assembly structures in the distance. The photographic composition is easily achieved.

In order to reach the objective, the viewer’s attention must be captured. A nice object can serve as foreground. It can also remain partially hidden. The vase installed on the Monument Samuel-de-Champlain will be good enough. We’re not really interested in it, but it serves as an entrance to the scene.

Those are simple but efficient photographic tips for winter photography in Old Quebec!

Click on the link for more winter photos of Quebec City and Île d’Orléans on my blog.

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Photos du Québec

Photo of Quebec City and Château Frontenac by night.

Scène de Québec et du Château Frontenac la nuit. Photo par François Ouellet
Scène de Québec et du Château Frontenac la nuit. Photo par François Ouellet

Photographing a tourist attraction like the Château Frontenac at night, with all its lights, is a good challenge for both the Canon 5 DSr camera and the photographer. Here are a few photographic tips to help you repeat the experience:

1) For a special effect, you might as well go all out and capture the château, including all the lights in the buildings near the Petit-Champlain district.

2) Photographic composition is based on the rule of thirds. You don’t always have to respect the fundamental theory, but this time it works well.

3) The viewer first notices the brightest structures, all of which have a similar luminosity. He then detects the castle on the cape.

4) The contrast is deliberate. The castle is not depicted in all its architectural splendour, but as a few lines lit up in the night.

5) The observer no longer needs to see all the forms of the castle to recognize it. It’s the most photographed castle in the world. The brain quickly analyzes the visible shapes and completes the building in a fraction of a second.

6) Being photographed from this angle and in this light gives a more mysterious aspect to this hotel overlooking the smaller buildings.

7) HDR photography solves some of the lighting problems. I superimposed five photos to obtain the final result.

Click on the link for more autumn photos of Quebec City and Île d’Orléans on my blog.

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Photos of Canada Photos of Quebec

Rue Dauphine in autumn in Old Quebec.

A photo of Quebec City with winter approaching.
A photo of Quebec City with winter approaching.

For this photo of rue Dauphine in Old Quebec, I chose a period when everything changes rapidly. The blue hour still allows us to make out the most significant details of this night photography session. Winter is just around the corner and the rain showers, momentarily halted, are trying to erase the snow that now lingers on the ground in early December.

The freshly fallen rain reflects the light from the streetlamps on rue Dauphine and from the windows of the former church, now the Maison de la littérature.

This kind of photo can only be taken with frequent visits to the old town, in all seasons and weather conditions. The photographer’s eye immediately catches sight of a scene around a bend in the road that needs to be captured.

Click on the link for more autumn photos of Quebec City and Île d’Orléans on my blog.

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Photos of Canada Photos of Quebec

The “rue du Trésor” in Old Quebec.

Being watched in rue du Trésor, Old Quebec 2024
Being watched in rue du Trésor, Old Quebec 2024

On an evening when isolated showers were continually changing the atmosphere in Quebec City, I visited the old part of the town, especially “rue du Trésor”. Today’s article features four photos of the same street captured from different angles. About three hours separates the shots.

Above, passers-by seem to be followed by an individual. I’ve maximized the effect of tension by taking advantage of a moment when the tourists in the background are in the light and the lone walker remains in shadow. To accentuate the discomfort, I opted for a cold tone and undersaturation in post-processing.

Below, two young people chat quietly at the entrance to rue du Trésor, while pedestrians go about their business. The tiles have had time to dry out a little since the last shower.

Conversation near rue du Trésor, Old Quebec 2024
Conversation near rue du Trésor, Old Quebec 2024

The photo is legal in Quebec because it’s not just about the two persons in the foreground. There’s a street setting where other passers-by are also present. This is always a factor to consider when publishing for non-commercial use. If the couple is alone in the scene and it’s a close-up, I can capture the scene, but under Quebec law, I don’t publish. For added precaution, it is sometimes better to wait a while between the moment the photo is taken and its distribution. Finally, I make sure that people are not portrayed in such a way as to damage their reputation. So, there are always multiple factors to consider before a photo is taken and distributed.

Reflections after the rain in the rue du Trésor, Old Quebec 2024
Reflections after the rain in the rue du Trésor, Old Quebec 2024

Above, a couple takes a walk immediately after a rain shower. I set up the camera a few inches off the ground, in front of a puddle to get a reflection.

The goal of the picture is the water reflection but, since I want to publish the photo, I have to think about the persons. The couple becomes possibly the main subject for some viewers. Using added precaution, I put an artificial obstacle in front of the man’s eyes to make him less recognizable. As for the woman, her head turned to one side makes identification impossible.

Below is a view of the Rue du Trésor during the “blue hour,” after the showers. The last tourists take the opportunity to choose a piece of art before the shopkeepers leave.

Rue du Trésor in evening in Old Quebec, 2024
Rue du Trésor in evening in Old Quebec, 2024

Click on the link for reference books about photography in Canada and Quebec on my blog. Also use the following link for more photos of Quebec City and Île d’Orléans in summer on my blog.

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Photos of Canada Photos of Quebec

The umbrellas of Old Quebec.

Series of colorful umbrellas in Old Quebec, 2024
Series of colorful umbrellas in Old Quebec, 2024

Umbrellas cover part of Rue du Cul-de-Sac in Quebec City. Most tourists are unaware of this installation when they set foot in the Petit Champlain   area. Surprised, they whip out their cell phones and capture the moment as best they can. Since they’re just passing through, most don’t have the luxury of choosing the most appropriate light for their multiple shots.

The situation is different for someone who has easy and frequent access to the location. They can wait for the “blue hour” on a fine summer evening, and at the same time capture the golden hue of the lights in front of the many restaurants lining the alleyway.

The main challenge in taking the above shot, however, is the sharp contrasts in light.

For example, the tourists in the foreground are standing in the half-light, but the viewer still wants to see the details. Just above the people, the lighting contrasts sharply with the shaded area at the bottom of the photo. It’s hard for the camera to decide which brightness to prefer.

To top it all off, the soft blue light of late evening illuminates the umbrellas from above, while the restaurant lights illuminate the installation from below.

Image processing software is used to optimize the information contained in the RAW file of the photo, helping to highlight the different areas of brightness in the scene while avoiding areas that are too light or too dark.

Click on the link for more photos of Quebec City and Île d’Orléans in Summer on my blog.

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Photos of Quebec

McWilliam Street in Old Quebec at night.

Corner of Saint-Stanilas and Saint-Jean streets in Old Québec in the evening Summer 2024.
Corner of Saint-Stanilas and Saint-Jean streets in Old Québec in the evening Summer 2024.

The photo above shows an evening view of the intersection between rue Saint-Stanislas and rue Saint-Jean in Old Quebec. For several months a year, a section of rue Saint-Jean is reserved for pedestrians only. This attracts many tourists. Just behind this popular street is McWilliam Street, with a radically different feel, especially late at night.

The McWilliam street behind the Cochon Dingue restaurant in Québec City.
The McWilliam street behind the Cochon Dingue restaurant in Québec City.

To produce an HDR effect of the location, I plan to stack five photos. I set up the tripod and begin the session. Just as I’m about to finish, a door suddenly opens. A man steps out and lights a cigarette.

I need to capture this very brief moment when the individual is just a stealthy shadow in motion with the intense fluorescent lighting in the background. In this rather dark alleyway, this could generate an interesting effect.

The smoker asks me what I’m doing. It’s an employee on break working for the popular Cochon Dingue restaurant on Rue St-Jean. What a contrast between the modern façade and the back of the same building on McWilliam Street.

At home, HDR processing begins. But it’s impossible to use all five shots together as planned initially. The software combines a closed and an open door at the same time. The result is a kind of butchered wicket door, with almost no light filtering through.

I abandon the idea of an HDR montage and fall back on the single photo where the man is standing in front of the door. I wasn’t counting on this presence, but it adds a touch of humanity to a scene that’s still not very inviting.

Life often presents photography enthusiasts with unexpected opportunities. It’s all about being flexible and capturing the moment, even if it’s not part of the initial planning. Click on the link for more photos of Quebec City and Île d’Orléans in Summer on my blog.

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Photos of Canada Photos of Quebec

The full harvest moon of September 2024.

The full harvest moon rises in the Matane sky in September 2024.
The full harvest moon rises in the Matane sky in September 2024.

The photo above was taken in Matane, Quebec, in September 2024. It’s more a matter of chance than planning. I was on the beach photographing the sunset, and when the sky got too dark, I turned around to see if there was anything interesting left to capture. And I came across this full harvest moon rising in the firmament.

Photographing a full moon is a good challenge. We often capture only an almost white, very bright disk, losing the nuances of colour and the details of the lunar geography.

The advice available on the Internet on how to successfully shoot a full moon with a normal camera goes in all directions. But one thing’s for sure: to improve your chances of success, it’s best not to wait until nightfall, because then the very high luminosity of the star becomes impossible to attenuate while still retaining a view of the planetary topography.

Most of the time, the choice is between an excellent photo of a full moon, but a very dark surrounding earth relief where nothing is discernible, or a visible earth relief of acceptable quality, but a moon that represents nothing more than a large, white circle of light.

The method that works for the photo above is as follows: you have to be on the spot at the right time, i.e., during the blue hour and not the whole night. So, in my case, I was lucky because it wasn’t planned.

You need a tripod and an extension cable. There are two reasons to avoid long exposures: firstly, the moon is a moving object. The longer the exposure, the more the disk moves. You end up with an oval rather than a round moon. A long exposure also picks up more light, and the moon’s disk turns completely white.

Full harvest moon rising in Matane, Québec 2024
Full harvest moon rising in Matane, Québec 2024

Compromises become necessary. Trying to get a perfect moon and foreground at exactly the right brightness is quite a challenge. By the time every attempt has been made to achieve a flawless result, the moon is already too high in the sky. We have to act quickly.

We’re advised to lower the ISO to 200, but if I do that, I’m increasing the exposure time and introducing too much light into the camera. Instead, I use a higher ISO to reduce exposure, and use all the camera functions likely to reduce the amount of light entering the camera: higher shutter speed, if necessary, strong negative exposure compensation, and so on.

By not overdoing the settings and using RAW files, there’s still enough flexibility to bring out the foreground, in this case the houses lining Matane’s beaches and the surrounding lights.

In short, shoot during the blue hour, act quickly, accept compromises, limit exposure time in every way possible and use RAW files to facilitate post-production work.

Click on the link for more photos from the province of Quebec on my blog.

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Photos of Canada Photos of Quebec

An HDR photo of the Dauphine Redoubt in Quebec City.

Dauphine Redoubt buildings in Quebec City, 2024.
Dauphine Redoubt buildings in Quebec City, 2024.

The HDR photo of the Dauphine Redoubt above comprises seven pictures with different apertures. The Photomatix software stacks them one on top of the other to create a single shot. This allows the darker regions to stand out, while controlling the lighter areas as much as possible.

For a successful effect, the following factors need to be taken into account: type of camera (ideally full frame), use of an appropriate wide-angle lens, focus, time of day, cloud types, tripod, extension cable, camera mirror vibrations, wind, visibility, photographic grain, depth of field, moving obstacles in front of the camera and photographic composition.

I use a Canon 5 DSr with a Canon EF 11–24 mm F/4L super-wide-angle lens. Focusing with the camera’s backlit screen improves accuracy. It is better to avoid nighttime and take advantage of the blue hour. The clouds don’t prevent the capture of a distant background, and allow the city lights to be reflected in the sky.

I opt for a sturdy tripod. Its extra weight cancels out minor jolts and supports fairly heavy photographic equipment. The extension cable prevents the photographer from touching the camera when taking seven photos.

For mirror-equipped cameras like the Canon 5 DSr, it is important to activate the mirror lock function. This means that vibrations caused by the mirror rotation will have two seconds to fade before the actual picture is taken. A light wind also reduces the chance of vibrations.

Moderate visibility allows better graduation of colours and reflections. Tonight, the mist plays its part well. By using a tripod, I greatly limit the photographic grain. ISO is therefore set at 200. Depth of field is not a problem, as the tripod will prevent movement caused by long exposure.

As many people visit the site in the evening, I try to take each of the seven photos between two crosswalks. This isn’t always possible, but Photomatix can remove “ghosts” when compiling the shots. There is, however, a limit to this function.

The final point concerns photographic composition. The photo above is divided into three roughly equal horizontal zones. Oblique lines on either side at the bottom of the photo direct the eye towards the centre of the image. The five lights of the Dauphine Redoubt and those of the city capture the attention. All the shots have visible details and are not lost in the darkness. For better balance, the composition ignores another imposing building at the right of the scene.

These are just some of the precautions taken when capturing the scene in HDR night photography.

Click on the link for more photos of Quebec City and Île d’Orléans in Autumn on my blog.

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Photos of Quebec

Young woman in the night in Quebec City.

Young woman in the night in Quebec City.
Young woman in the night in Quebec City.

In photography, it’s not just planning that makes for interesting results. Luck also plays an important role. But you need to get out frequently, in all kinds of light and weather conditions. The photo above is a good example of it.

I’m in a district of Old Quebec that is shunned by tourists late at night, because it’s less well lit. The location is close to Rue St-Jean, a popular thoroughfare lined with restaurants and other businesses. The contrast in traffic is striking.

I visited the area to try my luck with HDR photography. The photo session being over, I am preparing to head home quietly as nighttime falls.

Suddenly, a woman on a bicycle stops under a lamppost. The scene, with its plants, old bricks, neon sign and play of shadows, looks promising. But a quick reaction is needed, because with so little light, even the slightest movement will result in a blurred picture. Fortunately, the woman consults her cell phone, which immobilizes her for a few seconds.

HDR photography is out of the question here. She’ll never be still long enough in this subdued light for me to take multiple pics with different apertures. I snap twice, quickly. The young woman puts her phone away and disappears from the scene. There’s only one quality shot, the other being too blurred.

This photo session shows me once again the importance of getting out frequently to try one’s luck. Combined with an acceptable reaction time and the right equipment for working in low light, you’re likely to come home with one of life’s unexpected gifts.

Click on the link for more summer photos of Quebec City and Île d’Orléans on my blog.

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Photos of Quebec

How to photograph fireworks?

Fireworks in Quebec City, August 2024.
Fireworks in Quebec City, August 2024.

This year, the Grands Feux Loto-Québec are lit from a barge in the middle of the St. Lawrence River, between Lévis and Quebec City. A tugboat from the Ocean Group company secures the barge with a cable for the duration of the event.

I took the above shot with a Canon 5DSr full-frame camera equipped   with a remote shutter release and a tripod-mounted Canon EF 11-24 mm F/4L lens. The super-wide-angle lens can capture both the Château Frontenac and the lights and city of Lévis across the river.

The BULB mode lets you set your own exposure time and take creative initiatives. The brilliant path from launch to explosion is captured in a single photo.

As soon as the bursts begin, you try a five-second exposure and observe the result. Then adjust by stretching the exposure time until good effects are achieved.

One mistake to avoid is leaving the shutter open for too long. When this happens, flashes of light build up on top of each other, and all you see in the final photo is blurry, glowing white.

Working with a RAW file offers much greater flexibility than with a JPEG file when processing the image on the computer.

ISO 200 seems the best option here for several reasons: even if the activity takes place in full darkness, we want to avoid significant digital noise. A low ISO will also lengthen the exposure time and allow us to capture beautiful streaks at the moment of the explosions.

What’s more, the lights will illuminate the scene, reducing exposure time to a reasonable length. Finally, a layer of altocumulus cloud above the Château Frontenac serves today as an artificial light reflector in the photo above.

Grands Feux Loto-Québec, August 2024
Grands Feux Loto-Québec, August 2024

A depth of field between 8 and 13 ensures sufficiently accurate light at a reasonable distance.

Whether to focus manually or automatically remains a matter of taste. It should be noted that darkness can cause problems for autofocus. However, trial and error can sometimes produce interesting effects.

If you’re using manual focus, use the camera’s backlit screen to magnify the scene as much as possible and adjust the focus as required. You then return to the normal size display for the duration of the fireworks, taking care not to inadvertently touch the focus adjustment ring when changing the zoom.

Fireworks at the Grands Feux Loto-Québec 2024
Fireworks at the Grands Feux Loto-Québec 2024

Consider using a heavy tripod. In windy conditions, it will better resist vibrations during long exposures.

A final word of advice: fireworks attract a lot of people, some of whom are content with a fairly limited personal space, if they have one at all. Protecting your photographic area becomes an important objective, to avoid the tripod getting snagged or someone moving in front of you when enthusiasm takes over. So, arrive well in advance to choose the best location for you to work in, while protecting your work area.

For example, for the photos above, I had set up between a ramp fixed on a steep slope in front of me and a bush at the rear. No one could stand in front of me and no one could pass behind me because of the bush. I thus had only the sides to worry about. It sounds like an unnecessary concern, but these days everyone is filming fireworks and continually repositioning themselves without regard to their neighbors. Make life easier for yourself by making the necessary arrangements before the show.

Click on the link for more photos of Quebec City and Île d’Orléans in Summer on my blog.