Effect of inversion fog on architectural styles in Quebec City.
Photography theory
In March, a heat wave sweeps through Quebec City while there is still snow on the ground. The warm air floating above the snow favors the appearance of fog or mist in places. But if the wind picks up even a little, visibility will quickly improve.
For lovers of night photography, now is the time to get busy! I arrive on Grande-Allée just as the fog begins to lift. The scene presents several types of contrast. Visibility varies at different heights and in the presence of buildings with very different styles.
I position myself so that the old house is directly in front of the more modern building. By framing tightly, I eliminate all distractions. The light fog accentuates the impact of the tower’s numerous lights. This further enhances the chiaroscuro effect. One hour later, the fog has totally disappeared.
Here’s what artificial intelligence has to say about an industrial scene: “An industrial scene can evoke a variety of feelings, often linked to the urban environment and human activity. For some, it may inspire a feeling of power and dynamism, due to the energy and activity that prevail. Others may feel melancholy or nostalgic about the impact of industrialization on the environment and communities.
The textures, colors and shapes of industrial structures can also evoke a sense of strangeness or raw beauty. In short, the emotions that an industrial scene can generate depend largely on one’s own perspective.”
Photography theory
On the original RAW file, colors faded due to insufficient brightness, preventing the desired dramatic impact. Digital processing was the best solution to solve the problem.
I chose a single tone of steel blue to accentuate the effect of strangeness, prevent distractions of any kind and highlight the central tower, smoke columns and light contrasts around the installations.
To respect the age of the White Birch Paper buildings, I kept the digital grain fairly high. Polishing an image too much makes it look more modern, which I wanted to avoid.
Old Quebec in winter seen from Parc Montmorency in 2025
It’s time for another winter outing in Old Quebec. The night photography session will be devoted to architecture.
The temperature is about -14 C and the winds are blowing at 15 km/h. Without gloves in order to manipulate the little buttons on the camera, the skin feels -22 C. A regular break is essential to thaw out the fingers!
I took the photo from Parc Montmorency, just up the côte de la Montagne. This historic site is a major tourist attraction in Quebec City. Louis Hébert, Canada‘s first farmer, cultivated the land here on his arrival in New France. It’s important to understand, however, that the natives knew about farming and cultivated the soil long before the arrival of the French settlers.
On the left is a sculpture of Sir Georges-Étienne Cartier, one of the Fathers of Confederation. The Château Frontenac and Price Building are also visible in the distance. In the foreground is a building that has changed function many times. It was originally the first Episcopal Palace.
Photography technique
For this shot, I planted my tripod in 40 centimetres of snow. I used a Canon 5 DSr camera equipped with a Canon EF 11-24 mm F/4L USM ultra wide-angle zoom lens. I could have set the ISO to 200 thanks to the stability of the tripod, but the wind demanded a faster result due to possible vibrations. ISO and shutter speed are therefore dictated by ambient weather conditions rather than low light.
Ocean’s tugboat on the St.Lawrence river in front of Quebec City in winter.
This Ocean tug advances through the ice on the St. Lawrence River in front of Quebec City. The photo was taken from the Dufferin Terrace in Old Quebec. The relatively mild winter still leaves passages open for ships.
Photography Theory
Good technique recommends using a tripod and an extension cable. This limits vibrations. But the wooden decking transmits vibrations caused by pedestrians. I wait for them to move away to improve the chances of a well-defined photo.
Night photography combined with a moving boat increases the risk of poor results. The shot requires a minimum shutter speed of about 1/125 to 1/160 and an appropriate ISO. The grain should be as small as possible, as you’ll need to crop to bring the tug closer.
In this case, I sacrificed depth of field, as the main focus is on the ship and the surrounding ice. The lights of Lévis in the background add a little dynamism to the scene.
Taken in the evening, the shot features five photos with different apertures. This allows us to deal with the great difference in luminosity between the foreground and the city of Lévis in the distance.
The clouds and snow help to reflect the city’s glow during the night. Even so, I’ve enhanced the light in the background to make the buildings more easily visible.
Beautiful Old Quebec night reflections on Saint-Louis Street. Photo by François Ouellet, 2025.
Another perfect evening to photograph Old Quebec in winter! I consider myself very lucky to have daily access to this magical place. It is as you know a UNESCO jewel and one of Canada’s major tourist attractions.
Photography theory and technique
It’s all there: calm winds, light snow, acceptable temperature, low cloud ceiling. Here is a great opportunity to improve one’s photography technique. What’s more, Quebec City finds itself between two busy tourist periods. This means fewer blurred people during night photography.
The snow melts immediately upon reaching Saint-Louis Street. It creates multiple reflections, ideal for special effects.
The quality of the lighting is superb, even in the middle of the nighttime. The city’s glow mirrors off cloud bases and precipitation. This in turn illuminates the old buildings.
Now it’s a question of locating an unusual angle to capture rue Saint-Louis. I’m trying to avoid the over-rehearsed postcard frame!
The viewer’s eye must remain focused on the street and the architecture. It must travel towards the background to discover a section of the National Assembly structures in the distance. The photographic composition is easily achieved.
In order to reach the objective, the viewer’s attention must be captured. A nice object can serve as foreground. It can also remain partially hidden. The vase installed on the Monument Samuel-de-Champlain will be good enough. We’re not really interested in it, but it serves as an entrance to the scene.
Those are simple but efficient photographic tips for winter photography in Old Quebec!
Scène de Québec et du Château Frontenac la nuit. Photo par François Ouellet
Photographing a tourist attraction like the Château Frontenac at night, with all its lights, is a good challenge for both the Canon 5 DSr camera and the photographer. Here are a few photographic tips to help you repeat the experience:
1) For a special effect, you might as well go all out and capture the château, including all the lights in the buildings near the Petit-Champlain district.
2) Photographic composition is based on the rule of thirds. You don’t always have to respect the fundamental theory, but this time it works well.
3) The viewer first notices the brightest structures, all of which have a similar luminosity. He then detects the castle on the cape.
4) The contrast is deliberate. The castle is not depicted in all its architectural splendour, but as a few lines lit up in the night.
5) The observer no longer needs to see all the forms of the castle to recognize it. It’s the most photographed castle in the world. The brain quickly analyzes the visible shapes and completes the building in a fraction of a second.
6) Being photographed from this angle and in this light gives a more mysterious aspect to this hotel overlooking the smaller buildings.
7) HDR photography solves some of the lighting problems. I superimposed five photos to obtain the final result.
For this photo of rue Dauphine in Old Quebec, I chose a period when everything changes rapidly. The blue hour still allows us to make out the most significant details of this night photography session. Winter is just around the corner and the rain showers, momentarily halted, are trying to erase the snow that now lingers on the ground in early December.
The freshly fallen rain reflects the light from the streetlamps on rue Dauphine and from the windows of the former church, now the Maison de la littérature.
This kind of photo can only be taken with frequent visits to the old town, in all seasons and weather conditions. The photographer’s eye immediately catches sight of a scene around a bend in the road that needs to be captured.
On an evening when isolated showers were continually changing the atmosphere in Quebec City, I visited the old part of the town, especially “rue du Trésor”. Today’s article features four photos of the same street captured from different angles. About three hours separates the shots.
Above, passers-by seem to be followed by an individual. I’ve maximized the effect of tension by taking advantage of a moment when the tourists in the background are in the light and the lone walker remains in shadow. To accentuate the discomfort, I opted for a cold tone and undersaturation in post-processing.
Below, two young people chat quietly at the entrance to rue du Trésor, while pedestrians go about their business. The tiles have had time to dry out a little since the last shower.
Conversation near rue du Trésor, Old Quebec 2024
The photo is legal in Quebec because it’s not just about the two persons in the foreground. There’s a street setting where other passers-by are also present. This is always a factor to consider when publishing for non-commercial use. If the couple is alone in the scene and it’s a close-up, I can capture the scene, but under Quebec law, I don’t publish. For added precaution, it is sometimes better to wait a while between the moment the photo is taken and its distribution. Finally, I make sure that people are not portrayed in such a way as to damage their reputation. So, there are always multiple factors to consider before a photo is taken and distributed.
Reflections after the rain in the rue du Trésor, Old Quebec 2024
Above, a couple takes a walk immediately after a rain shower. I set up the camera a few inches off the ground, in front of a puddle to get a reflection.
The goal of the picture is the water reflection but, since I want to publish the photo, I have to think about the persons. The couple becomes possibly the main subject for some viewers. Using added precaution, I put an artificial obstacle in front of the man’s eyes to make him less recognizable. As for the woman, her head turned to one side makes identification impossible.
Below is a view of the Rue du Trésor during the “blue hour,” after the showers. The last tourists take the opportunity to choose a piece of art before the shopkeepers leave.
Umbrellas cover part of Rue du Cul-de-Sac in Quebec City. Most tourists are unaware of this installation when they set foot in the Petit Champlain area. Surprised, they whip out their cell phones and capture the moment as best they can. Since they’re just passing through, most don’t have the luxury of choosing the most appropriate light for their multiple shots.
The situation is different for someone who has easy and frequent access to the location. They can wait for the “blue hour” on a fine summer evening, and at the same time capture the golden hue of the lights in front of the many restaurants lining the alleyway.
The main challenge in taking the above shot, however, is the sharp contrasts in light.
For example, the tourists in the foreground are standing in the half-light, but the viewer still wants to see the details. Just above the people, the lighting contrasts sharply with the shaded area at the bottom of the photo. It’s hard for the camera to decide which brightness to prefer.
To top it all off, the soft blue light of late evening illuminates the umbrellas from above, while the restaurant lights illuminate the installation from below.
Image processing software is used to optimize the information contained in the RAW file of the photo, helping to highlight the different areas of brightness in the scene while avoiding areas that are too light or too dark.
