Reflections of buildings and sky on a Black Lamborghini
I took this picture using a Canon 5d MKII with a Canon 14 mm 2.8L lens while walking on Crescent Street in Montreal, just few days before the Canadian Formula 1 Grand Prix 2015. All kind of festivities had been organized on Crescent and Peel streets to celebrate the 2015 edition of the Grand Prix.
Montreal’s buildings are reflecting on a black Lamborghini. I know that the car looks blue, but that color is only the result of the sky’s reflection. This intense reflection was a personal choice available through the use of a polarizer.
The only remaining aspect was the composition: I had to position the camera in such a way that the buildings followed the Lamborghini’s curves, down to the inferior limit of the photo. I tried few shots that were not satisfactory until, finally, the buildings seemed to follow the car lines. Obviously, we are quite far away from a standard Lamborghini shot: here, Montreal’s buildings are getting more attention than the car!
For other photos on the province of Quebec and also Quebec City, click on the following links from my blog:
1986. It was a beautiful summer afternoon at the Rouyn-Noranda airport (CYUY). The Transport Canada flight service station employees knew that a cold front was approaching and would soon sweep the airport. Until then, it was still a perfect day. Blue sky, light winds. At the time, the flight service specialists (FSS) did not have access to radar images or satellite pictures.
To get an idea of what was coming from the west, we were normally using an Environment Canada aviation weather forecast and the actual weather observations of two flight service stations in Ontario, Earlton FSS and Timmins FSS. Their last weather observation mentioned a wind shift and an isolated thunderstorm. But Timmins was far away and could only provide us with a rough estimate of the situation.
As I was working the evening shift on that day, I checked the wind speed indicator, as a reflex developed throughout the years. What I saw was kind of unreal. The speed indicator’s needle suddenly went from showing few knots to 20 knots, and then 40 knots, hesitated a little then went up to 60 knots and, in a final correction, reached 72 knots, which was about 134 km/h.
Everything was so peaceful around the flight service station. I looked through the window to detect any moving object. At that very moment, the wooden shed normally used by the fuel man passed in front of the station. That wooden structure must certainly have weighted few hundred kilos. The fact that it was moving at a good speed was a clear indication that the instruments were working properly. A squall line was associated with the cold front progression.
Everything that was not properly fixed to the ground started moving. In the next hour, strong thunderstorms going eastward moved in over Rouyn-Noranda. The Val-d’Or airport (CYVO) being located sixty miles east, it was clear that it would be hit directly in about two hours. I called the Val-d’Or control tower so that everyone got prepared for the squall line. That gave them enough time to tie everything correctly and damages were limited.
One hour later, everything was back to normal in Rouyn-Noranda and we profited from an ideal summer night.
For more real life stories on the Rouyn-Noranda flight service station and flight service specialists, click here:
In order to give an impression of a very busy day in the Port of Quebec, during Spring 2015, I used a Canon 70-200 f2.8L IS II USM. A zoom is very useful to achieve some special effect in photography.
The apparent chaos in the photo is created by numerous details: first of all, the viewer has to read numerous words that have very different impacts on him: POLICE, CANADA, OCEAN, Sécurité Maritime, Maritime Security, GRC, RCMP, MEGA, Sea Tel, and part of the word Coast.
Secondly, there are numerous vertical lines of all sizes that interfere with multiple horizontal lines. The BUNGE silos, in the background, are themselves vertical lines, but much larger than the others.
The compressed perspective obtained through the use of a zoom gives the viewer a feeling that all the objects are close to each other. We are left wondering how the captain can manoeuver his boat with such little space available.
What is really happening in the scene: it is a very quiet day, where almost everything is immobile. There is only one boat that has started to move and the captain has all the space needed to leave the Bassin Louise and head toward the St-Lawrence Seaway without being concerned with any serious obstacle.
For other boat or ship photos posted on my website, click on the following link:
In 1986, the Propair Company’s hangar was located very close from our flight service station in Rouyn-Noranda. There were frequent exchanges between their staff and our FSS’s. One day, one of their employees told us that two American pilots had just come to the airport to take delivery of a Caribou DHC-4 cargo aircraft that had been sold by Propair.
The aircraft would be exported. The DHC-4 is known to be a very practical aircraft as it can carry heavy loads and manage to takeoff or land on an extremely short distance.The pilots took-off with their used Caribou and we did not hear any more from them until the world Medias started to talk about the Irangate affair. I can talk about it today as it is a public affair: details can be found on the internet.
The Rouyn-Noranda Propair Company had in fact sold not one but two used DHC-4 Caribous to a consultant working for a panamean company. One of the DHC-4 was later registered in El Salvador. One of the two Caribous experienced an engine failure over the mountains, enroute towards El Salvador. In order to stay in the air, and considering the extreme outside moisture and air temperature, the crew had no other choice than to get rid of some weight. Spare parts in the cargo bay, including a brand new engine still in its crate, were pushed outside the plane, falling in the jungle below. But the plane had eventually no other choice than to land before arriving to its initially planned destination, Ilopango.
All this was linked to the Contras who were engaged in warfare operations against the Nicaraguan leftist government of Daniel Ortega. In order to finance the covert operations, a secret budget was necessary: some Americans were selling arms to Iran, even if there was an official ban, and the money received was financing warfare operations. A journalist who had followed this story closely and made important discoveries was found dead. He had apparently committed suicide by shooting himself twice in the head…
One of the pilots who departed Rouyn-Noranda with a DHC-4 was named Sawyer. This man would later fly, covert operations organized by the CIA, a C123 cargo type aircraft that was shot down in southern Nicaragua. The pilot and co-pilot were killed but a passenger, Eugene Hasenfus, parachuted out knowing the aircraft would soon crash. He was interrogated and revealed the details that allowed the discovery of the secret deal with Iran.
The Oliver North’s testimony in front of the Congress kept that story alive for a long time. Eventually, like everything, this story was progressively forgotten. Thirty years later, I still remember the numerous phone calls that the flight service station received from the Medias about this affair.
A book published in 2013 and titled “Raymond Boulanger, le pilote mercenaire” adds several details to this story, since Mr Boulanger was himself a pilot hired by the CIA.
For more real life stories on the Rouyn-Noranda flight service station and flight service specialists, click here:
Metal2Mesh Mirage 2000C on a test flight over AfghanistanMetal2Mesh Mirage 2000C and VRS Simulations weapons
The most recent creation from Metal2Mesh is a real stunner, graphically and when it comes to simulating the real aircraft. In the above picture, the Mirage 2000C is in flight over England and carries virtual armaments designed by VRSimulations (Tac Pack). The Rafale is visible in the background and was automatically generated by the computer (AI). The clouds are a combination of REX and CumulusX, for the shadows on the ground. ORBX is responsible for generating a virtual England.
Reading a minimum is necessary before you learn how to select and install the weapons, something I did not do since I was a bit too eager to do a flight test with that superb aircraft. I had to start over, but it really comes quickly and the manual provides you with clear instructions. You will need a small free program (available on page 9 of the manual, and created by Peter Dowson) in order to see the speed, altitude, etc, directly on the HUD.
For more articles on flight simulation on my web site, click on the following link : Flight simulation
In the middle of a public place in Montreal, I saw a chromed office furniture installation inside a plexiglass box. As interesting as it was, I thought that the scene would be more attractive if I waited for nightime.
Street Photography: Montreal night reflections
Darkness meant that nearby lamposts would be lit. The additional white light would contrast with the night and also help to improve the reflections caused by the chrome and plexiglass.
I only then needed a bystander to add a human presence to the scene. I waited for the moment he would stand still before taking the shot, since I was working with quite a slow speed.
We rapidly recognize three elements: the chair, the person and the rounded white lights. The rest comes after a brief moment of observation. The man attracts our interest as he makes us wonder what he is actually doing: he seems to be looking at the installation, yet he might also be reading some explanations about what he sees.
The viewing angle is wider, thanks to a Canon 14mm 2.8L lens. I did not need any tripod for this photo since the Canon 5D MKII was stabilized by being in contact with the plexiglass box. The only remaining aspect to take care of was to find a good angle to take the shot.
For other photos on the province of Quebec and also Quebec City, click on the following links from my blog:
October 1984. It was time for the annual holidays. Florida was the destination. What made the trip more interesting was that the Challenger space shuttle would be launched while we would be there, and that the Canadian astronautMarc Garneau would be on board. He was the first Canadian astronaut to have the opportunity to go in space.
The Canadian astronaut Marc Garneau (upper row, extreme right) and the other american astronauts chosen for the Nasa Challenger Space Shuttle Mission 41-G (from left to right and lower to upper row: Jon A.McBride, Sally K. Ride, Kathryn D. Sullivan, David C. Leestma, Paul D.Scully-Power, Robert L. Crippen, Marc Garneau) on aviation postcard.
The plane’s tickets were bought and one morning of the whole trip was reserved for the shuttle’s takeoff. I was planning to take a picture of the launch from Cocoa Beach. The shuttle would be airborne before daylight, while it was still quite dark.
I had a very basic Pentax camera at the time and all the settings had to be done manually. The aperture and speed were adjusted to ensure a well-balanced picture. But I never expected that the gas combustion would illuminate the sky in such a radical way. I believed, like many people, that the thundering noise from the engines would be the first sign that the launch had just happened.
But the speed of light being way faster that the speed of sound, we suddenly experienced a radical change in the ambient light. I had barely enough time to modify the settings before the shuttle entered the clouds. But I still managed to bring back a little souvenir from that day…
Challenger space shuttle taking-off in 1984 with the Canadian astronaut Marc Garneau on board
I had just seen something spectacular. I knew that on board were pilots with exceptional talent.
But two months before, while I was working as a flight service specialist (FSS) at the Transport Canada flight service station in Rouyn-Noranda (CYUY), I witnessed a different kind of performance. One day that I was listening on a frequency that is not normally used for communications between pilots and air traffic service units, I heard two pilots exchange the questions and answers found on airline pilot license written exams. The pilot’s comments gave me the feeling that they would be very lucky to succeed at such a written exam.
I took the microphone and, without announcing myself, intervened as a third party in the discussion. I asked them to repeat the questions and answers that they just gave each other since I did not have time to copy everything.
The pilots were stunned to realize that other people were listening while they were exchanging the data on the air. One of them said: “Did you hear that?” They immediately ended the radio communication. The simple fact of using radio frequencies for such activities told a lot about the quality of their judgment. And judgment is an essential quality of every performing pilot…
For more real life stories on the Rouyn-Noranda flight service station and flight service specialists, click here:
Here are some screen captures taken shortly after I bought FlyTampa Toronto. I am using FSX for those pictures.
A Piper over the Toronto international airport. The scenery is FlyTampa Toronto and the clouds are generated by REXFlyTampa Toronto et Air Canada JazzFlyTampa Toronto avec REX et Cumulus X
In order to increase the virtual flight realism, the CumulusX program was used, in addition with REX, a software that generates clouds. Cumulus X is mostly used by virtual gliding enthousiasts but one of its strong side is that it creates shadows on the ground, like in the picture above.
Fly Tampa Toronto et Alabeo R66
FlyTampa is the company which, up to now, has done the best work representing virtually the Toronto international airport (CYYZ). There are high quality 3D objects, moving people, smoke that comes out of the surrounding buildings. Even the roof’s fan blades can be activated through a control panel that allows the modification of settings according to the configuration of your computer. Three seasons are modelized in order to enhance the virtual flight experience.
For more articles on flight simulation on my web site, click on the following link : Flight simulation
Street photography: parallel universe in Quebec City
This photo was taken in May 2015 in Quebec City, in Old Quebec, with a Canon 5D MKII. The store decorator has chosen a striking subject with this weird humanoid floating in silence in the presence of a green glass bottle in the foreground.
But a shot taken from the street would have only offered a simple picture with a weird subject. In choosing the side window to take the photo, many other dimensions could be integrated in order to increase the final impact.
1. From the side window, the photographer can add people’s reaction to the humanoid. But there is a bit of waiting involved until the appropriate persons pass by.
2. You can see multiple reflections from the front and side windows that are now visible in the sky.
3. The old architecture on the other side of the street offers a surprising contrast with the modernity of the main subject.
4. The eye naturally moving from left to right, the humanoid’s head has been positioned in the upper right corner of the picture. Once the viewer sees the head, he then follows the blue poneytail to witness the reaction of the two persons on the sidewalk. The loop then starts again.
5. The orange element facing the humanoid offers a strong orange-blue complementary color contrast that should not be neglected to increase the visual effect.
6. Finally, the converging lines help to add depth and increase the visual impact.
This is a photo that could have been much more standard if taken from the sidewalk. The fixed lens used was a Canon 14mm 2.8L.
For other street photography pictures posted on my site, click on the following link:
Street photography – Le savoir-faire du photographe de rue (french version of The Street Photographer’s Manual)
We buy this book with the initial intent to learn about the different aspects of street photography, the goal being to increase our practical knowledge. We close the book with the feeling that we learned way more than we anticipated.
David Gibson’s work offers more than advices. In order to make it more fulfilling for the reader, the writer takes care of adding twenty very interesting portraits of renowned photographer’s working method and interests. Those names include Blake Andrews, Johanna Neurath, Matt Stuart and Maria Plotnikova. The reader improves his knowledge of photography history at the same time as he acquires new tools that will help him in his street photography practice.
Photographing people on the street is not necessarily easy. It takes determination to carry out a project that will include a person, especially if you are not working with a telephoto and you want to capture a scene where all the faces are visible. The author explains what kind of preparation is needed and he insists on the importance of avoiding disrespect toward others.
But street photography is not only about people, although approximately 75% of those pictures include a person. Other subjects of interest are, for example, experimentation with objects, shadows, empty spaces, abstraction, photographing through glass or wet surfaces, etc.
The writer has divided his book into twenty projects, to which he added, for each project, a road map. The latter can be used as a concise guide every time the street photographer puts in practice his newly acquired knowledge. If he wishes, the reader can rapidly get to work, using the ideas proposed within the twenty different themes.
The book is easy to understand and goes straight to the point. If the reader wishes to dig deeper in a specific aspect of street photography, he is given multiple internet site references.
This high quality book will surprise you and certainly be an inspiration in the preparation of your next street photography session.
