An Old Quebec view with the Château Frontenac in the distance using a Canon 11-24mm zoom lens.
Luck plays a significant role in the acquisition of an original shot. To put chance on our side, we need to go on photo expeditions frequently, whatever the weather, and seize opportunities when they arise.
For this outing in Old Quebec, I thought I’d use a Canon 11–24mm f/4L USM super-wide-angle zoom lens. It allows you to get very close to a tall building and obtain vertical lines without the top of the structure disappearing.
Indeed, many high-performance zooms require the utilization of image-processing software to produce an almost perfect vertical effect. But doing so cuts off the top of the edifice.
So, I was looking for a different perspective to shoot the Château Frontenac. I saw it more in the background, as a point of arrival for the eye, rather than taking up all the space. Even as a small edifice in a photo, you recognize it before any other structure.
To do this, I chose an architecturally interesting building as my starting element. It reminded me vaguely of the Flatiron Building in New York. Naturally, it’s not as high and offers that rounded effect when captured in wide-angle format.
I’ve observed a lot of representations of Old Quebec so far. However, I don’t recall previously noticing the street and the old edifices in this way. Usually, the building in the foreground is partially visible.
Lost in the analysis of the ideal angle, I heard a strange engine sound. On my left, a vintage car was moving slowly and would pass in front of the Canon 5DSr lens in a few seconds.
I quickly lifted the camera and placed it in the right spot. The auto was already gaining speed and I had to seize the opportunity. This vintage car blended perfectly into the scene. Only the slightly more contemporary station wagon indicates a more recent picture.
Modernity and the past still come together in harmony in a developer-protected Old Quebec. To capture interesting pictures, you need to get out into the old town frequently.
Motorcycle policemen lead the convoy bringing the Pope to Old Quebec in 2022.
If you don’t have privileged access, the main difficulty in photographing the arrival of Pope Francis in Old Quebec in 2022 lies in the vague and sometimes contradictory information offered to journalists in an obvious effort to protect the itinerary of the head of state.
You also have to deal with the strong police presence and the barriers that open and close according to the mood of the moment, blocking bicycles and pedestrians long before the Pope has crossed the Saint-Louis gate. As a photographer, you don’t want to find yourself suddenly stuck in a place of no interest.
Other aspects to consider are purely photographic, such as the ambient light and the distance from the subject at the time of the photo, which will influence the choice of equipment carried.
The official convoy arrives on Saint-Louis Street. It is important to know that in the afternoon, the sun crosses directly the axis of the Saint-Louis Street in its slow descent towards the west. If you position yourself along this street to take the picture, there is no physical obstacle, but you photograph against the light a convoy which passes at full speed. The camera sensor does not appreciate backlighting, because it has difficulty evaluating which light takes precedence. The choice of a straight line on Saint-Louis Street is therefore not very interesting.
The crowd greets Pope Francis on his arrival in Old Quebec in 2022.
The Pope’s driver sits on the left (at least in Canada). The Pope will therefore be on the right, whether forward or backward. If one stands in the Place d’Armes, one gives priority to the driver rather than to the Pontiff.
As the sun travels progressively from the axis of St. Louis Street to the west, the tall trees of the Place d’Armes will create a natural veil blocking the effects of backlighting. This will increase the chances of successful photos.
On St. Louis Street, the convoy is moving quickly in a long straight line. The chances of getting a good picture decrease. When the security cars reach the end of Saint-Louis, they have to brake because of a sharp curve near the Château Frontenac. If you position yourself immediately after the curve, the chances of getting an acceptable picture increase greatly.
As for photographic equipment, a camera lens that requires little light will help optimize shutter speed and depth of field, especially in the late afternoon. The Canon EF 85mm f/1.2L II USM lens offers more flexibility.
A camera with a full-frame sensor will also allow the cropping necessary to magnify the photo without loss of quality. For the photos included in this article, the camera used was a Canon 5DSR.
The riskiest technique which therefore requires a little more experience is to take the picture of the head of state in his car in focus while leaving the outside blurred, to show that the car is moving fast. You follow the car with the camera’s viewer. The closer it gets to you, there is an obvious feeling of acceleration. It is thus necessary to increase the rotation of your body to adjust to the car’s relative speed change. The autofocus does its job as the vehicle approaches.
There is only a fraction of a second where you get a completely clear view of the head of state. A second too early and you only see a portion of the face with a piece of the car, a second too late and you get a three-quarter rear view. A continuous shooting mode becomes absolutely necessary.
Pope Francis arrives in Old Quebec on his trip to Canada in 2022.
An adequate shutter speed captures the face of the head of state accurately and keeps the background blurred. A shutter speed that is too fast makes the whole scene clear and sharp, and the photo loses its dynamism. Too slow a speed and the face lacks definition. There is only one chance to get it right.
So, those were a few ideas to remember if you want to photograph important events in Old Quebec. A prior knowledge of the terrain and of the sun’s position at specific times remains essential if you want to increase your chances of success.
This photo was taken near the Quebec City Townhall in Old Quebec with a handheld Canon 5DSR full frame camera equipped with a Canon EF 85mm f/1.2L II USM lens.
An outside exhibition presenting metal office furniture installed in a glass cage allowed me to show Montreal under an unusual angle. The picture was then digitally treated to give it the desired look.
A Boeing 737-800 is on final for runway 05 at the Toronto international airport.
The picture above shows a Boeing 737 800 on approach for runway 05 at the Toronto international airport. I used the precision approach equipment at the threshold of runway 05 to frame the aircraft on approach. A few trials were required to ensure that an aircraft of that size would not seem to be touching the antennas with its wings. At the same time, the rapidly moving Boeing had to stay in focus.
The picture was taken in February by -20C. The ambiant light is always softer at this time of the year. For this hand held photo, I used a Canon EF 50mm f/1.4 USM lens.
The main subject, in the picture above, can either be the Canada Goose or the bright psychedelic pattern of colours surrounding the bird.
Moments before three geese swam near Victoria’s Fishermen’s Wharf, in British Columbia, the multicolored houses built along the piers were perfectly reflected in the water.
As the geese swam through the reflections, waves and patterns of multiple colours were suddenly created. I chose to take a picture of the last Canada Goose as she benefitted the most from the interesting shapes and colours in the water.
The very bright colours were due to the paint chosen for the houses as well as the direct sunrays striking the houses since the sun that was approching the horizon. The goose is positioned according to the rule of thirds, but this is never mandatory. The small waves in the lower left quadrant gradually lead the eye to the main subject.
Digitally modified photo of Place d’Youville in Old Quebec
This digitally modified photo shows a part of Place d’Youville, in Old Quebec.
I wanted to capture the church in the background, which seemed to be squeezed between two bigger buildings. It became the principal subject of the photo and it was positioned according to the rule of thirds. This rule is far from mandatory in photography but it often provides interesting results.
I liked the repetitive effect of the windows on each side of the picture and the fact that there were diagonal lines that lead the eye to the church. The vegetation in the foreground added a nice touch to the scenery. There was only one thing missing: a human presence.
With a little patience, three girls stopped on the sidewalk and started to talk, exactly where I wanted them to be. The wet sidewalk on which they stood helped to reflect the ambiant light and also lead the eye to the church, the principal subject in the photo.
I rarely digitally transform a photo in such a drastic way. The reason was simple: normally, when the ambiant light is not favorable, you can sometimes use the black and white setting. However, the light on that day did not offer the required contrasts to get sufficiently interesting results.
I did not want to leave Place d’Youville without having captured the energy I felt there. I opted for a radical option after having cropped the image in order to keep only the essential features.
The picture was taken with a Canon 5DSR full frame camera.
For other photos on the province of Quebec and also Quebec City, click on the following links from my blog:
While I was walking around Toronto during a photography session, I found myself near the Rogers Center, facing a huge artwork installed on top of the building. One of the man in that artwork was pointing straight ahead with his index. The CN Tower being in the area, I could not resist an easy but efficient composition. Street photography offered the fastest way to touch the top of that tower.
For other street photography pictures posted on my site, click on the following link:
In 2017, Quebec City has opted for a decentralization of the Carnival activities which where always organized on the Plains of Abraham. Part of Grande-Allée was blocked to traffic and other activities where also held in the parc de l’Amérique-Française, the parc de la Francophonie and at Place d’Youville, in the hearth of the touristic sector.
Quebec Carnival 2017 symbols
This new formula seems to be a success, according to the number of people met during my photography sessions on the different sites. Children, as usual, were not really bothered by the cold temperature et found a way to have fun. The picture below was taken while the wind chill factor was -20C.
Child playing at the parc de l’Amérique-Française during the 2017 Quebec Carnival
The parc de l’Amérique-Française was receiving the international snow sculpture contest. Many countries were present: Argentina, Canada, France, Germany, Italy, Mexico, Morocco, Peru and the United States. Italy won the first prize with an excellence award from the Quebec Carnival, added to an award from the public and the benevolent staff. The Italian sculptors were Pietro Germano, Samuel Bonapace and Gino Casagranda. The picture below represents one Italian sculptor at work.
An Italian sculptor at work during the 2017 Quebec Carnival.
The second prize, with a Government of Quebec award, was offered to the team from France, who was composed of Pascal Veuillet, André Marastoni and Éric Margery. The pictures below show the work in progress and a French sculptor taking a few minutes to talk with a citizen. He does not seem too annoyed by the cold weather…
French sculptor at the 2017 Quebec Carnival
A French sculptor at the 2017 Quebec Carnival
The team from Canada won the third prize, with an award from Quebec City. In the team were Jessy Armand, Michel Proulx and Mathieu Béchard. The pictures below represent two of the Canadian sculptors at work.
A Quebec sculptor at work on the Canada snow sculpture during the 2017 Quebec Carnival
French Canadian sculptor at the 2017 Quebec Carnival
Some sculptures had a really original look. Instead of capturing the whole creation, I decided to frame a section of one of the sculpture in order to emphasize the artwork.
Section of a snow sculpture at the 2017 Quebec Carnival.
All the pictures have been taken using a Canon 5DSR full-frame camera equipped with a Canon EF 85mm f/1.2 II USM lens, with or without tripod, depending on the amount of light available. The picture above was shot using a 1.2 aperture to maximize the blurred effect in the background. It was then reworked using two different image editing softwares.
For a better idea of all the activites organized by the Quebec Carnival, head towards the following official and bilingual site: Quebec Carnival official site
For other photos on the province of Quebec and also Quebec City, click on the following links from my blog:
Livre de photographie: “The new street photographer’s manifesto” par Tanya Nagar
Tanya Nagar is an award-winning photographer from London. Her book, “The new street photographer’s manifesto” is perfect for those who aim to improve their street photography techniques. The present article is not a comprehensive critic of her book but an overview of what a reader will find. I also highlighted some tips in photography that will help to improve the street photographer’s performance.
Tanya’s manifesto not only contains technical advices helping a photographer to improve his shots but also some tips to avoid common mistakes. Subjects include: timing, composition, shooting portraits, framing and juxtaposition, perspective and angles, the choice between landscape and portrait, depth of field, shutter speed, exposure, night photography, rule of thirds, etc.
The book’s content is divided in six categories: 1. Street Photography 2. Where & What to Shoot 3. Seize the Moment 4. Equipment 5. Digital Processing 6. Showcase.
1. Street photography requires the ability to seize a life moment with precision and timing. It is about candid shots and does not have to include humans, as long as it fixes a moment in life. It certainly can include animals (in fact, animals are a very popular subject).
2. It is best if you use a light, discrete camera (even an I-Phone). Walking with a huge camera with big lenses makes you look like a professional photographer and people will see you coming. The trick is to avoid drawing attention. Coughing while clicking drowns out the sound of the camera. You might also think of “shooting from the hip” or “shooting blind”. Those techniques are explained in the book and can be mastered with a bit of practice.
3. It takes a bit of courage to photograph situations that include people since you never know what to expect when you raise your camera. Respect the different cultures and personal space and don’t be afraid to smile and explain what you are doing. If somebody refuses to be photographed, move on, don’t dwell on the situation.
4. In order to gain experience and a feeling of security at taking pictures of people on the street, start with protests or parades.
5. It is a good thing to know the laws pertaining to photography of the country you are visiting. Police officers in some countries might be tempted to order you to delete a shot while they actually don’t have the right to. Often, a misunderstanding by police or security guards of anti-terrorism legislation leads to different interpretations and subsequently to abuse towards a photographer. Just make sure you stay up to date with the country’s regulations.
6. You might think of shooting from within your vehicle to obtain interesting results (while respecting the country’s laws).
7. Use graffitis, signs, graphical billboards, text and advertising logos.
8. Use contrasts like big versus small, light versus dark, rich versus poor, etc.
9. Bear attention to details and look for second degree interpretation of a situation.
10. Look for amusing, funny and unusual captures.
11. Make sure you master your camera in order to be quick when the perfect opportunity comes. Set most of the parameters of the camera before actually arriving on a scene (you already have an idea of the light intensity in the area and the ISO setting that will be required to obtain the speed you desire).
12. Be cautious when it comes to taking pictures of children. Societies change and authorization from the child’s parents is required almost every time.
13. “The only way to avoid missing a moment is by carrying your camera at all times”. Therefore, get something small and light.
Endos du livre de photographie “The new street photographer’s manifesto”
The book holds a section dedicated to multiple types of cameras: rangefinders, SLR and DSLR, four thirds and micro four thirds, medium format, point-and-shoot compact cameras, camera phones, toy and pinhole cameras. Their advantages and disadvantages are clearly explained.
The reader will also find some information about lenses (the best for street photography and what to avoid) and the effects obtained through the use of different type of films (colored, black and white, expired).
The fifth section of the book relates to digital processing and the basic image editing techniques like cropping, rotating, the use of the “Curves” command, as well as dodging and burning.
The final section, “Showcase”, presents many well-known street photographers from around the world, including few photos taken by each of them to allow the reader to have an overview of each photographer’s personal style and creativity. Presented in order are: Antonio Navarro Wijkmark, Brian Quentin Webb, Charlotte Gonzalez, Claire Atkinson, Danny Santos II, Felix Lupa, Ferhat Çelik, Mustafa Abdulaziz, Ronya Galka, Seamus Travers and Severin Koller.
This is certainly a very interesting and practical photography book that will help you avoid costly mistakes (missed photo opportunities or buying the wrong photography equipment) while helping you to improve your knowledge on street photography as much as the quality of your shots.
Here is a link towards Tanya Nagar’s website: Tanya Nagar
