Between dream and reality in Old Québec. Inspired by authoritarian governments around the planet.
The photo above is the result of a recent outing in Old Québec. Why is the photo displaying such a bizarre mood? Well, the actions of authoritarian governments around the world were enough to change my photographic perception for a moment. A montage was therefore necessary to let the emotion flow through on that day.
Photography Theory
The collection of buildings in this part of the city is of interest, but to produce a special effect, I used considerable cropping. The square format leaves out unnecessary details from the original image. I didn’t want any distractions, just the essentials.
I also imagined a threatening sky over the old constructions of Québec City. But how to express this danger without retouching a normal photo? Indeed, the sky is often too beautiful or too banal to convey a sufficient impression of discomfort.
Editing the sky from a RAW file remained the solution. After digital processing, I achieved a combination of mismatched colours that disrupted the scene. The semblance of a face appeared in the clouds, an effect I hadn’t intended. But I kept it. The whole thing takes us back to a world somewhere between dream and reality.
Beautiful Old Quebec night reflections on Saint-Louis Street. Photo by François Ouellet, 2025.
Another perfect evening to photograph Old Quebec in winter! I consider myself very lucky to have daily access to this magical place. It is as you know a UNESCO jewel and one of Canada’s major tourist attractions.
Photography theory and technique
It’s all there: calm winds, light snow, acceptable temperature, low cloud ceiling. Here is a great opportunity to improve one’s photography technique. What’s more, Quebec City finds itself between two busy tourist periods. This means fewer blurred people during night photography.
The snow melts immediately upon reaching Saint-Louis Street. It creates multiple reflections, ideal for special effects.
The quality of the lighting is superb, even in the middle of the nighttime. The city’s glow mirrors off cloud bases and precipitation. This in turn illuminates the old buildings.
Now it’s a question of locating an unusual angle to capture rue Saint-Louis. I’m trying to avoid the over-rehearsed postcard frame!
The viewer’s eye must remain focused on the street and the architecture. It must travel towards the background to discover a section of the National Assembly structures in the distance. The photographic composition is easily achieved.
In order to reach the objective, the viewer’s attention must be captured. A nice object can serve as foreground. It can also remain partially hidden. The vase installed on the Monument Samuel-de-Champlain will be good enough. We’re not really interested in it, but it serves as an entrance to the scene.
Those are simple but efficient photographic tips for winter photography in Old Quebec!
Streets and buildings of Old Quebec. Picture by François Ouellet
Here’s a scene from Quebec City, specifically Old Quebec, captured in autumn. I rarely use the square format to present a photo, but this time it suited the photographic composition perfectly. Digital processing enhanced the effect of the clouds and lessened the impact of the setting sun in the west.
For this photo of rue Dauphine in Old Quebec, I chose a period when everything changes rapidly. The blue hour still allows us to make out the most significant details of this night photography session. Winter is just around the corner and the rain showers, momentarily halted, are trying to erase the snow that now lingers on the ground in early December.
The freshly fallen rain reflects the light from the streetlamps on rue Dauphine and from the windows of the former church, now the Maison de la littérature.
This kind of photo can only be taken with frequent visits to the old town, in all seasons and weather conditions. The photographer’s eye immediately catches sight of a scene around a bend in the road that needs to be captured.
On an evening when isolated showers were continually changing the atmosphere in Quebec City, I visited the old part of the town, especially “rue du Trésor”. Today’s article features four photos of the same street captured from different angles. About three hours separates the shots.
Above, passers-by seem to be followed by an individual. I’ve maximized the effect of tension by taking advantage of a moment when the tourists in the background are in the light and the lone walker remains in shadow. To accentuate the discomfort, I opted for a cold tone and undersaturation in post-processing.
Below, two young people chat quietly at the entrance to rue du Trésor, while pedestrians go about their business. The tiles have had time to dry out a little since the last shower.
Conversation near rue du Trésor, Old Quebec 2024
The photo is legal in Quebec because it’s not just about the two persons in the foreground. There’s a street setting where other passers-by are also present. This is always a factor to consider when publishing for non-commercial use. If the couple is alone in the scene and it’s a close-up, I can capture the scene, but under Quebec law, I don’t publish. For added precaution, it is sometimes better to wait a while between the moment the photo is taken and its distribution. Finally, I make sure that people are not portrayed in such a way as to damage their reputation. So, there are always multiple factors to consider before a photo is taken and distributed.
Reflections after the rain in the rue du Trésor, Old Quebec 2024
Above, a couple takes a walk immediately after a rain shower. I set up the camera a few inches off the ground, in front of a puddle to get a reflection.
The goal of the picture is the water reflection but, since I want to publish the photo, I have to think about the persons. The couple becomes possibly the main subject for some viewers. Using added precaution, I put an artificial obstacle in front of the man’s eyes to make him less recognizable. As for the woman, her head turned to one side makes identification impossible.
Below is a view of the Rue du Trésor during the “blue hour,” after the showers. The last tourists take the opportunity to choose a piece of art before the shopkeepers leave.
Here’s a photo taken late autumn on Île d’Orléans. The sun shines through the cumuliform clouds, helping to create interesting contrasts of light and shadow on the mountains in the background. Towards noon, the more direct sunshine dissipates these clouds, and late in the afternoon, the new-found coolness helps to form a uniform stratocumulus ceiling over the region. The photo was taken around 10 am, at a time when there is still a mixture of clear skies and clouds, making the photo more dynamic.
Above, a photo of the Château Frontenac in autumn with a cruise ship that has just docked at the Port of Québec. The photo was taken from Île d’Orléans. Also visible in the center of the photo is the Concorde Hotel’s revolving restaurant, “Ciel! Resto-bar”.
The photo shows the Battlefields Park in early autumn, as the trees begin to change color. In the distance on the right is the revolving restaurant “Ciel! Bistro-bar” and, on the left, the turret of Saint-Dominique church.
The full harvest moon rises in the Matane sky in September 2024.
The photo above was taken in Matane, Quebec, in September 2024. It’s more a matter of chance than planning. I was on the beach photographing the sunset, and when the sky got too dark, I turned around to see if there was anything interesting left to capture. And I came across this full harvest moon rising in the firmament.
Photographing a full moon is a good challenge. We often capture only an almost white, very bright disk, losing the nuances of colour and the details of the lunar geography.
The advice available on the Internet on how to successfully shoot a full moon with a normal camera goes in all directions. But one thing’s for sure: to improve your chances of success, it’s best not to wait until nightfall, because then the very high luminosity of the star becomes impossible to attenuate while still retaining a view of the planetary topography.
Most of the time, the choice is between an excellent photo of a full moon, but a very dark surrounding earth relief where nothing is discernible, or a visible earth relief of acceptable quality, but a moon that represents nothing more than a large, white circle of light.
The method that works for the photo above is as follows: you have to be on the spot at the right time, i.e., during the blue hour and not the whole night. So, in my case, I was lucky because it wasn’t planned.
You need a tripod and an extension cable. There are two reasons to avoid long exposures: firstly, the moon is a moving object. The longer the exposure, the more the disk moves. You end up with an oval rather than a round moon. A long exposure also picks up more light, and the moon’s disk turns completely white.
Full harvest moon rising in Matane, Québec 2024
Compromises become necessary. Trying to get a perfect moon and foreground at exactly the right brightness is quite a challenge. By the time every attempt has been made to achieve a flawless result, the moon is already too high in the sky. We have to act quickly.
We’re advised to lower the ISO to 200, but if I do that, I’m increasing the exposure time and introducing too much light into the camera. Instead, I use a higher ISO to reduce exposure, and use all the camera functions likely to reduce the amount of light entering the camera: higher shutter speed, if necessary, strong negative exposure compensation, and so on.
By not overdoing the settings and using RAW files, there’s still enough flexibility to bring out the foreground, in this case the houses lining Matane’s beaches and the surrounding lights.
In short, shoot during the blue hour, act quickly, accept compromises, limit exposure time in every way possible and use RAW files to facilitate post-production work.
In photography, it’s not just planning that makes for interesting results. Luck also plays an important role. But you need to get out frequently, in all kinds of light and weather conditions. The photo above is a good example of it.
I’m in a district of Old Quebec that is shunned by tourists late at night, because it’s less well lit. The location is close to Rue St-Jean, a popular thoroughfare lined with restaurants and other businesses. The contrast in traffic is striking.
I visited the area to try my luck with HDR photography. The photo session being over, I am preparing to head home quietly as nighttime falls.
Suddenly, a woman on a bicycle stops under a lamppost. The scene, with its plants, old bricks, neon sign and play of shadows, looks promising. But a quick reaction is needed, because with so little light, even the slightest movement will result in a blurred picture. Fortunately, the woman consults her cell phone, which immobilizes her for a few seconds.
HDR photography is out of the question here. She’ll never be still long enough in this subdued light for me to take multiple pics with different apertures. I snap twice, quickly. The young woman puts her phone away and disappears from the scene. There’s only one quality shot, the other being too blurred.
This photo session shows me once again the importance of getting out frequently to try one’s luck. Combined with an acceptable reaction time and the right equipment for working in low light, you’re likely to come home with one of life’s unexpected gifts.
