Effect of inversion fog on architectural styles in Quebec City.
Photography theory
In March, a heat wave sweeps through Quebec City while there is still snow on the ground. The warm air floating above the snow favors the appearance of fog or mist in places. But if the wind picks up even a little, visibility will quickly improve.
For lovers of night photography, now is the time to get busy! I arrive on Grande-Allée just as the fog begins to lift. The scene presents several types of contrast. Visibility varies at different heights and in the presence of buildings with very different styles.
I position myself so that the old house is directly in front of the more modern building. By framing tightly, I eliminate all distractions. The light fog accentuates the impact of the tower’s numerous lights. This further enhances the chiaroscuro effect. One hour later, the fog has totally disappeared.
Here’s what artificial intelligence has to say about an industrial scene: “An industrial scene can evoke a variety of feelings, often linked to the urban environment and human activity. For some, it may inspire a feeling of power and dynamism, due to the energy and activity that prevail. Others may feel melancholy or nostalgic about the impact of industrialization on the environment and communities.
The textures, colors and shapes of industrial structures can also evoke a sense of strangeness or raw beauty. In short, the emotions that an industrial scene can generate depend largely on one’s own perspective.”
Photography theory
On the original RAW file, colors faded due to insufficient brightness, preventing the desired dramatic impact. Digital processing was the best solution to solve the problem.
I chose a single tone of steel blue to accentuate the effect of strangeness, prevent distractions of any kind and highlight the central tower, smoke columns and light contrasts around the installations.
To respect the age of the White Birch Paper buildings, I kept the digital grain fairly high. Polishing an image too much makes it look more modern, which I wanted to avoid.
Between dream and reality in Old Québec. Inspired by authoritarian governments around the planet.
The photo above is the result of a recent outing in Old Québec. Why is the photo displaying such a bizarre mood? Well, the actions of authoritarian governments around the world were enough to change my photographic perception for a moment. A montage was therefore necessary to let the emotion flow through on that day.
Photography Theory
The collection of buildings in this part of the city is of interest, but to produce a special effect, I used considerable cropping. The square format leaves out unnecessary details from the original image. I didn’t want any distractions, just the essentials.
I also imagined a threatening sky over the old constructions of Québec City. But how to express this danger without retouching a normal photo? Indeed, the sky is often too beautiful or too banal to convey a sufficient impression of discomfort.
Editing the sky from a RAW file remained the solution. After digital processing, I achieved a combination of mismatched colours that disrupted the scene. The semblance of a face appeared in the clouds, an effect I hadn’t intended. But I kept it. The whole thing takes us back to a world somewhere between dream and reality.
Beautiful Old Quebec night reflections on Saint-Louis Street. Photo by François Ouellet, 2025.
Another perfect evening to photograph Old Quebec in winter! I consider myself very lucky to have daily access to this magical place. It is as you know a UNESCO jewel and one of Canada’s major tourist attractions.
Photography theory and technique
It’s all there: calm winds, light snow, acceptable temperature, low cloud ceiling. Here is a great opportunity to improve one’s photography technique. What’s more, Quebec City finds itself between two busy tourist periods. This means fewer blurred people during night photography.
The snow melts immediately upon reaching Saint-Louis Street. It creates multiple reflections, ideal for special effects.
The quality of the lighting is superb, even in the middle of the nighttime. The city’s glow mirrors off cloud bases and precipitation. This in turn illuminates the old buildings.
Now it’s a question of locating an unusual angle to capture rue Saint-Louis. I’m trying to avoid the over-rehearsed postcard frame!
The viewer’s eye must remain focused on the street and the architecture. It must travel towards the background to discover a section of the National Assembly structures in the distance. The photographic composition is easily achieved.
In order to reach the objective, the viewer’s attention must be captured. A nice object can serve as foreground. It can also remain partially hidden. The vase installed on the Monument Samuel-de-Champlain will be good enough. We’re not really interested in it, but it serves as an entrance to the scene.
Those are simple but efficient photographic tips for winter photography in Old Quebec!
Streets and buildings of Old Quebec. Picture by François Ouellet
Here’s a scene from Quebec City, specifically Old Quebec, captured in autumn. I rarely use the square format to present a photo, but this time it suited the photographic composition perfectly. Digital processing enhanced the effect of the clouds and lessened the impact of the setting sun in the west.
For this photo of rue Dauphine in Old Quebec, I chose a period when everything changes rapidly. The blue hour still allows us to make out the most significant details of this night photography session. Winter is just around the corner and the rain showers, momentarily halted, are trying to erase the snow that now lingers on the ground in early December.
The freshly fallen rain reflects the light from the streetlamps on rue Dauphine and from the windows of the former church, now the Maison de la littérature.
This kind of photo can only be taken with frequent visits to the old town, in all seasons and weather conditions. The photographer’s eye immediately catches sight of a scene around a bend in the road that needs to be captured.
On an evening when isolated showers were continually changing the atmosphere in Quebec City, I visited the old part of the town, especially “rue du Trésor”. Today’s article features four photos of the same street captured from different angles. About three hours separates the shots.
Above, passers-by seem to be followed by an individual. I’ve maximized the effect of tension by taking advantage of a moment when the tourists in the background are in the light and the lone walker remains in shadow. To accentuate the discomfort, I opted for a cold tone and undersaturation in post-processing.
Below, two young people chat quietly at the entrance to rue du Trésor, while pedestrians go about their business. The tiles have had time to dry out a little since the last shower.
Conversation near rue du Trésor, Old Quebec 2024
The photo is legal in Quebec because it’s not just about the two persons in the foreground. There’s a street setting where other passers-by are also present. This is always a factor to consider when publishing for non-commercial use. If the couple is alone in the scene and it’s a close-up, I can capture the scene, but under Quebec law, I don’t publish. For added precaution, it is sometimes better to wait a while between the moment the photo is taken and its distribution. Finally, I make sure that people are not portrayed in such a way as to damage their reputation. So, there are always multiple factors to consider before a photo is taken and distributed.
Reflections after the rain in the rue du Trésor, Old Quebec 2024
Above, a couple takes a walk immediately after a rain shower. I set up the camera a few inches off the ground, in front of a puddle to get a reflection.
The goal of the picture is the water reflection but, since I want to publish the photo, I have to think about the persons. The couple becomes possibly the main subject for some viewers. Using added precaution, I put an artificial obstacle in front of the man’s eyes to make him less recognizable. As for the woman, her head turned to one side makes identification impossible.
Below is a view of the Rue du Trésor during the “blue hour,” after the showers. The last tourists take the opportunity to choose a piece of art before the shopkeepers leave.
Here’s a photo taken late autumn on Île d’Orléans. The sun shines through the cumuliform clouds, helping to create interesting contrasts of light and shadow on the mountains in the background. Towards noon, the more direct sunshine dissipates these clouds, and late in the afternoon, the new-found coolness helps to form a uniform stratocumulus ceiling over the region. The photo was taken around 10 am, at a time when there is still a mixture of clear skies and clouds, making the photo more dynamic.
Above, a photo of the Château Frontenac in autumn with a cruise ship that has just docked at the Port of Québec. The photo was taken from Île d’Orléans. Also visible in the center of the photo is the Concorde Hotel’s revolving restaurant, “Ciel! Resto-bar”.
The photo shows the Battlefields Park in early autumn, as the trees begin to change color. In the distance on the right is the revolving restaurant “Ciel! Bistro-bar” and, on the left, the turret of Saint-Dominique church.
