The full harvest moon rises in the Matane sky in September 2024.
The photo above was taken in Matane, Quebec, in September 2024. It’s more a matter of chance than planning. I was on the beach photographing the sunset, and when the sky got too dark, I turned around to see if there was anything interesting left to capture. And I came across this full harvest moon rising in the firmament.
Photographing a full moon is a good challenge. We often capture only an almost white, very bright disk, losing the nuances of colour and the details of the lunar geography.
The advice available on the Internet on how to successfully shoot a full moon with a normal camera goes in all directions. But one thing’s for sure: to improve your chances of success, it’s best not to wait until nightfall, because then the very high luminosity of the star becomes impossible to attenuate while still retaining a view of the planetary topography.
Most of the time, the choice is between an excellent photo of a full moon, but a very dark surrounding earth relief where nothing is discernible, or a visible earth relief of acceptable quality, but a moon that represents nothing more than a large, white circle of light.
The method that works for the photo above is as follows: you have to be on the spot at the right time, i.e., during the blue hour and not the whole night. So, in my case, I was lucky because it wasn’t planned.
You need a tripod and an extension cable. There are two reasons to avoid long exposures: firstly, the moon is a moving object. The longer the exposure, the more the disk moves. You end up with an oval rather than a round moon. A long exposure also picks up more light, and the moon’s disk turns completely white.
Full harvest moon rising in Matane, Québec 2024
Compromises become necessary. Trying to get a perfect moon and foreground at exactly the right brightness is quite a challenge. By the time every attempt has been made to achieve a flawless result, the moon is already too high in the sky. We have to act quickly.
We’re advised to lower the ISO to 200, but if I do that, I’m increasing the exposure time and introducing too much light into the camera. Instead, I use a higher ISO to reduce exposure, and use all the camera functions likely to reduce the amount of light entering the camera: higher shutter speed, if necessary, strong negative exposure compensation, and so on.
By not overdoing the settings and using RAW files, there’s still enough flexibility to bring out the foreground, in this case the houses lining Matane’s beaches and the surrounding lights.
In short, shoot during the blue hour, act quickly, accept compromises, limit exposure time in every way possible and use RAW files to facilitate post-production work.
In photography, it’s not just planning that makes for interesting results. Luck also plays an important role. But you need to get out frequently, in all kinds of light and weather conditions. The photo above is a good example of it.
I’m in a district of Old Quebec that is shunned by tourists late at night, because it’s less well lit. The location is close to Rue St-Jean, a popular thoroughfare lined with restaurants and other businesses. The contrast in traffic is striking.
I visited the area to try my luck with HDR photography. The photo session being over, I am preparing to head home quietly as nighttime falls.
Suddenly, a woman on a bicycle stops under a lamppost. The scene, with its plants, old bricks, neon sign and play of shadows, looks promising. But a quick reaction is needed, because with so little light, even the slightest movement will result in a blurred picture. Fortunately, the woman consults her cell phone, which immobilizes her for a few seconds.
HDR photography is out of the question here. She’ll never be still long enough in this subdued light for me to take multiple pics with different apertures. I snap twice, quickly. The young woman puts her phone away and disappears from the scene. There’s only one quality shot, the other being too blurred.
This photo session shows me once again the importance of getting out frequently to try one’s luck. Combined with an acceptable reaction time and the right equipment for working in low light, you’re likely to come home with one of life’s unexpected gifts.
After all, it’s quite possible to have the right to photograph without having the right to publish. You also need to know the nuances between editorial and commercial distribution, as well as how to obtain written authorization where applicable.
There are also nuances between the privacy laws of the following two groups: the first made up of Quebec and France, and the second made up of the rest of Canada, the United States and the majority of Western countries.
In addition, a distinction must be made between the person who is the main subject of the photo and those who are merely incidental to it. The laws also change depending on whether the photo is taken from a public or private place. Finally, there are always exceptions to each category. As you can see, nothing is simple in this area…
The author uses case law to flesh out his points. He also discusses the limits of police and security officer powers, and what is legally permissible on Facebook and other social networks when it comes to disseminating an image.
He also elaborates on the difference between patrimonial, moral, integrity and authorship rights. He even expands on the changes to copyright before and after November 7, 2012. A section of the book tells you how to detect if your images are being used illegally, and how to request corrections and compensation.
Finally, Francis Vachon uses the last sections of his book to show us how to obtain photos legitimately, and sometimes free of charge. He also shows us how to protect ourselves from a lawsuit.
In short, a book full of vital information for the amateur and professional photographer, as well as for all social media users. Many of these users are full of good intentions, but can find themselves in trouble pretty quickly for inadvertent negligence.
Dornier DO X stops its engines on a Swiss lake with Microsoft’s flight simulator
Microsoft has made the famous German Dornier DO X seaplane available to flight simulation enthusiasts. Designed in 1929 by Claude Dornier, this seaplane far surpassed anything else on the market at the time, in terms of weight, length and power.
Flyingboat Dornier DO X.
Unfortunately, the Germans couldn’t make a commercial success of it, as the aircraft was really too heavy to cover long distances at high altitude in an economical way. What’s more, bad experiences were piling up during the various stopovers: the left-wing canvas caught fire in Portugal, there was some problems with tropical weather, the tail was torn off during a poorly-planned ditching in Passau. What remains of the empennage after the accident can now be seen in the Dornier Museum in Friedrichshafen.
The Germans built the three DO X models at Altenheim, on the Swiss side of Lake Constance, to get round the restrictions imposed by the Treaty of Versailles.
Inside the flyingboat Dornier DO X with Microsoft flight simulator
One crew member was in charge of controlling and monitoring the engines. He obeyed the captain’s instructions.
Dornier DO X engine control
Dornier DO X engine room with Microsoft flight simulator
The layout of the engines caused headaches for the mechanics. Six propellers pulled the aircraft forward, while another six pushed the DO X. The engines driving the rear propellers received less air than those in front of the aircraft. This led to cooling problems, which reduced reliability on long-distance flights.
Dornier DO-X flyingboat over the Atlantic ocean with MSFS 2020 flight simulator.
The seaplane made its first test flight from Lake Constance (Bodensee) in 1929. Below, a screenshot of the flight near Lake Brienz in Switzerland.
Dornier DO X flyingboat over Lake Brienz in Switzerland with Microsoft flight simulator.
On its international routes, the DO X made stopovers in several European countries, Africa, South America, Miami, New York and Newfoundland. At the time, Newfoundland was not yet part of Canada. Newfoundlanders issued a stamp to commemorate the plane’s passage through Hollyrod. Naturally, those who kept a copy of the stamp have seen its value rise sharply over the years.
This legendary seaplane is still admired by aviation enthusiasts today. It’s available as a glue-on model, a desktop model and even as a remote-controlled model.
Comfortably seated on the new terrace of Quebec City’s Station de la Plage, I wrote this article sheltered from the elements.
Phase 3 of the Promenade Samuel-De Champlain in Quebec City will have cost around $190 million. A site foreman confides: “The most complex part of all this was complying with the actual government requirements. We had to do a lot of digging and install infrastructure to prevent wastewater from being discharged into the St. Lawrence River. We also had to deal with the sudden increase in inflation: to avoid a $50 million overrun, we had to shorten the width of the children’s romper and cut where it had to least impact “.
While out cycling, I took the opportunity to snap a few shots of the construction progress around what will develop into the “station de la Plage”.
Construction of the stairs at the “station de la Plage”, Quebec City.
The picture above shows the production of the reinforced concrete for the main staircase.
Below, the finished steps can be seen. What will become the swimming pool (on the left of the photo) receives its first coat of paint. A modification to the pool’s depth necessitated the installation of a fence.
Painting the swimming pool at the “station de la Plage” and installing the fence.
It can disappear completely into the ground as soon as swimming is allowed. However, its operation is currently causing serious problems, as with all novelties. When the motor exerts too much force to raise a section of fence, it falls back down on its own. The presence of sand in the vicinity may have been ignored, or at least its effect underestimated, when the railing was designed. Sand is inserted into the gears with each day’s activity. And there’s no question of using grease to make it easier to raise and lower the panels: the sand would stick to the lubricant and further complicate operations. A technician has been working for weeks to rectify the situation.
The “station de la Plage” is almost completed.
The pool has now received a coat of blue paint. This creates a clear demarcation with the color of the river water, an effect that will also benefit photographers. Only a few preparations remain before the population can officially access the site. The Commission de la capitale nationale de Québecwants people to be able to bathe just in time for the Fête nationale des Québécois, on June 24.
From now on, the incredible popularity of the site with the public will have to be managed. Indeed, in their eagerness to access the beach, few individuals bother to read the current regulations. This task will fall to the security staff, who will have to utilize their teaching skills and diplomacy to get the message across.
Motorcycle policemen lead the convoy bringing the Pope to Old Quebec in 2022.
If you don’t have privileged access, the main difficulty in photographing the arrival of Pope Francis in Old Quebec in 2022 lies in the vague and sometimes contradictory information offered to journalists in an obvious effort to protect the itinerary of the head of state.
You also have to deal with the strong police presence and the barriers that open and close according to the mood of the moment, blocking bicycles and pedestrians long before the Pope has crossed the Saint-Louis gate. As a photographer, you don’t want to find yourself suddenly stuck in a place of no interest.
Other aspects to consider are purely photographic, such as the ambient light and the distance from the subject at the time of the photo, which will influence the choice of equipment carried.
The official convoy arrives on Saint-Louis Street. It is important to know that in the afternoon, the sun crosses directly the axis of the Saint-Louis Street in its slow descent towards the west. If you position yourself along this street to take the picture, there is no physical obstacle, but you photograph against the light a convoy which passes at full speed. The camera sensor does not appreciate backlighting, because it has difficulty evaluating which light takes precedence. The choice of a straight line on Saint-Louis Street is therefore not very interesting.
The crowd greets Pope Francis on his arrival in Old Quebec in 2022.
The Pope’s driver sits on the left (at least in Canada). The Pope will therefore be on the right, whether forward or backward. If one stands in the Place d’Armes, one gives priority to the driver rather than to the Pontiff.
As the sun travels progressively from the axis of St. Louis Street to the west, the tall trees of the Place d’Armes will create a natural veil blocking the effects of backlighting. This will increase the chances of successful photos.
On St. Louis Street, the convoy is moving quickly in a long straight line. The chances of getting a good picture decrease. When the security cars reach the end of Saint-Louis, they have to brake because of a sharp curve near the Château Frontenac. If you position yourself immediately after the curve, the chances of getting an acceptable picture increase greatly.
As for photographic equipment, a camera lens that requires little light will help optimize shutter speed and depth of field, especially in the late afternoon. The Canon EF 85mm f/1.2L II USM lens offers more flexibility.
A camera with a full-frame sensor will also allow the cropping necessary to magnify the photo without loss of quality. For the photos included in this article, the camera used was a Canon 5DSR.
The riskiest technique which therefore requires a little more experience is to take the picture of the head of state in his car in focus while leaving the outside blurred, to show that the car is moving fast. You follow the car with the camera’s viewer. The closer it gets to you, there is an obvious feeling of acceleration. It is thus necessary to increase the rotation of your body to adjust to the car’s relative speed change. The autofocus does its job as the vehicle approaches.
There is only a fraction of a second where you get a completely clear view of the head of state. A second too early and you only see a portion of the face with a piece of the car, a second too late and you get a three-quarter rear view. A continuous shooting mode becomes absolutely necessary.
Pope Francis arrives in Old Quebec on his trip to Canada in 2022.
An adequate shutter speed captures the face of the head of state accurately and keeps the background blurred. A shutter speed that is too fast makes the whole scene clear and sharp, and the photo loses its dynamism. Too slow a speed and the face lacks definition. There is only one chance to get it right.
So, those were a few ideas to remember if you want to photograph important events in Old Quebec. A prior knowledge of the terrain and of the sun’s position at specific times remains essential if you want to increase your chances of success.
Merchant navy vessel in the Juan de Fuca Strait near Victoria (2016)
Photographers know that the most interesting hours of the day are either early in the morning or late at night, but before nighttime. These periods are ideal for subtle colors and very atmospheric shots.
The Vancouver Island coast offers absolutely everything to attract many categories of photographers: the wildlife, the mist over water bodies in the morning or late at night and the mountains that are visible almost everywhere.
Travelling through British Columbia, I noticed the great number of merchant navy vessels passing through the Juan de Fuca Strait. But to try to photograph them during daytime would only have given average pictures. Waking up early to get the right picture is never easy, but it always gives interesting results.
The only problem with regards to ship photography is that the latter often navigate quite far from the photographer, thus becoming tiny uninteresting dots on a picture. However, the Canon 5DSR camera and its 50.6 megapixels full-frame sensor solve that problem: new experiments are then possible . The scenery above was shot from a beach in Victoria, very early in the morning. It was mandatory to ensure of the total immobility of the camera since some serious cropping would be needed later on in order to significantly enlarge the ship. The slightest vibration would have been amplified through enlargment and the picture would have been useless.
Here is the method that was used: the ISO was set on 250, the tripod planted on the beach (but not in the soft sand part where the tripod could have moved a little during the photo session). Moreover, the remote trigger was used, as well as the mirror lock-up function. In order to achieve an optimal focus, the latter was done manually using Liveview with a 16X enlargment.
A Canon 70-200 f2.8L IS II USM telephoto lens was installed on the camera, with a 200mm focal setting. A ND graduated filter was installed to compensate for the rising sun’s brighter light behind the mountains. Being early on the beach also allowed for a minimal wind speed, limiting even more any tripod vibrations. I tried several shots and decided to keep the one with a bird in the scenery, so as to add a touch of life to the scenery.
For other ship photos posted on my website, click on the following link:
Here are some photos of Toronto that were taken in February 2016 with a Canon 5D MKII DSLR camera. The photos were all saved in RAW and JPEG files to facilitate any additional work that could have been required with an image editing software.
Architecture and photography both offering unlimited possibilities, I did not impose any limitations. The primary goal was to profit from any opportunity that would arise while profiting from the softer light offered by the winter season.
Toronto Harbourfront, Winter 2016
The first article with regards to photography in Toronto that was published on my website showed only one subject: the CN Tower. It was published during Winter 2016:
In the present article, I develop other angles of Toronto which is a city in constant evolution and where you can find multiple styles of architecture. In the picture below, a recent rain shower helped to add unexpected reflections.
Toronto and CN tower by night. Winter 2016
Some architectural subjects are naturally imposing. This is the case when all you have to do is look straight ahead, enjoy what you see and immediately try to compose an interesting photo.
A good example is the interesting reflected shapes that can be seen on the windows of a building. I could not help to take the picture below as I was surprised that a windowed building could send back images that were so totally different from each other. I am curious why there is so much distortion between the windows…
Toronto building reflections (2016)
Instead of taking pictures of the newly designed Art Gallery of Ontario, I used its reflective properties to capture something a lot older, which was the design of the row of older houses on the other side of the street.
Some houses are reflecting on the Art Gallery of Ontario (2016)
It is also possible to add variety and fun to a photo session by looking for special shapes, angles or contrasts that are not already obvious.
As I was walking downtown, I passed by the Brookfield head office. The architecture of this relatively new building is quite interesting. The architects were able to preserve the facades of older surrounding buildings by integrating them and assigning each one a role inside the new construction, possibly because the city required their protection in case of any new development.
But it is only once I was leaving the sky rise that I found the idea for the next photo: a vertical wide-angle shot from which all lines would be straight, all this possible by using the advantages of the Canon 5D MKII full frame sensor coupled to a Canon 14mm 2.8L wide-angle fixed lens. Image sharpness was insured through manual focus, a tripod, a remote trigger and the mirror lock-up function.
Toronto sky rise, Ontario 2016
The last photo is essentially about contrasts: the colour contrasts (light and dark) and the density contrasts that one can find in different constructions of Toronto.
In the foreground, we see the aquarium, with its pale and inviting colours, as well as lots of space where only few people are visible. In the background, there is the exact opposite, with very dark high-density condo towers, very close to each other, where every inhabitant hopes to have an interesting view on the Lake Ontario. All this in a photo divided in two parts and cropped very tightly to increase the differences and eliminate any visual distractions.
Contrast between the Ripleys Aquarium of Canada and the condominiums in the background. Toronto, Ontario (2016)
For more articles in the category « Photos of Canada », click on the following link : Photos of Canada
A Canada goose about to take off from Oak Bay, Victoria, British-Columbia in 2014
Obviously, the Canon 5D MKII is not the ideal camera for sport photography, but it still can offer very good results with its full frame sensor. You don’t get a high number of frames per second, but you get the benefit of a bigger image than one produced with an APS-C sensor. I was thus able to capture the full take-off run of this Canada goose in Victoria, British Columbia, while leaving enough space on the right side of the frame, which was essential for a balanced photographic composition.
Deer on a private property in Uplands, Victoria, British-Columbia in 2014
Deer move freely in Victoria’s Uplands sector and you can easily find them on private property lots. Since they are so numerous and have no natural enemies, the city has imposed new regulations to control their ever growing number. The picture above was taken from my vehicle: it was only necessary to slow down and proceed quickly to capture the animal while it was looking at the car.
Heron in flight in Oak Bay, Victoria, British-Columbia 2012
There are numerous herons in Victoria’s Oak Bay sector. This picture was taken very early in the morning, while there was a mixture of mist and low clouds and the rising sun was still blocked by some low clouds. The wind was calm. A graduated filter was nonetheless necessary to tone down the contrasts caused by a horizontal light.
Fighting herons in Oak Bay, Victoria, British-Columbia in 2012
Every bird has to fight for its own territory and those two herons are no exception.
Eagle observed in the Campbell River region, British-Columbia, Canada. Summer 2012.
While taking a little scenic cruise in British-Columbia’s Campbell River area, we were able to see numerous eagles diving to catch fishes then climbing back up in high trees to deliver the catch of the day. Pictures were hard to take since the captain had to keep the boat at a good distance from the eagles to respect their hunting territory. Moreover, it was windy and the boat was constantly moving.
Two eagles near Campbell River, British-Columbia, Canada in 2012
The two pictures of eagles were taken with a Canon 5D MKII equipped with a Canon 70-200 f2.8L IS II USM telephoto lens. An extender (2X) was also added to increase the focal distance to 400mm. Even then, I had to crop quite a lot to bring the birds to an acceptable distance, which increased the digital noise. A quality APS-C equipped camera (like the Canon 7D MKII) would have been very useful here (10 frames per second and a reduced amount of cropping, if you are ready to compromise on the size of the image).
A full frame camera like the Canon 5DSr would have also been appropriate, with its 50.6 MP resolution, as long as a high shutter speed is selected. Due to all those pixels crammed on a regular full frame sensor (not a medium format), the slightest camera movement is recorded. But if you succeed in totally freezing a long distance shot, the exceptional resolution of the Canon 5DSr would allow you to greatly increase the size of the bird while protecting the sharpness of the image, especially now that the low pass filter has been neutralized in the model R.
Chipmunk near highway 93 towards Jasper, Alberta
On the car ride between Lake Louise and Jasper, we had to stop on numerous occasions to take pictures in the fantastic Jasper National Park. At one point, a little chipmunk, familiar with rest areas, paid us a visit hoping to add something new to his diet. The picture’s depth-of-field has deliberately been adjusted to make sure the chipmunk would be easily visible, since both animal and background had the same colours.
Mountain goats in the Jasper National Park, Alberta, Canada in 2014
It was hot, very hot, during summer 2014 in the Jasper National Park. The car’s thermometer was recording 38C between Lake Louise and Jasper. Numerous forest fires were raging. So much so that we had to delay our trip towards Jasper by 24 hours since Highway 93 had been closed by authorities. Mountain goats nonetheless had to endure part of their winter fur in that very high heat…
Canadian bighorns near Kamloops, Alberta, Canada in 2014
Near Kamloops, in Alberta, we were able to observe about twenty Canadian bighorns coming down from the surrounding mountains to help themselves from the cultivated lands in the valley. The picture above was taken with a Canon 70-200 f2.8L IS II USM telephoto lens, almost without cropping, the bighorns being close enough.
Brown bear near the Yellowhead Highway, Alberta, Canada in 2014
The picture above was taken alongside the Yellowhead Highway in Alberta. We saw the bear in a field and when he detected our presence, he changed direction and started moving toward us. Here, everything is about moderation and although I love photography, comes a time when a bear is big enough in the viewfinder to indicate that it is time to retreat…
Other pictures on Western Canada will be available in the coming months…
For more articles in the category « Photos of Canada », click on the following link : Photos of Canada
Livre de photographie: “The new street photographer’s manifesto” par Tanya Nagar
Tanya Nagar is an award-winning photographer from London. Her book, “The new street photographer’s manifesto” is perfect for those who aim to improve their street photography techniques. The present article is not a comprehensive critic of her book but an overview of what a reader will find. I also highlighted some tips in photography that will help to improve the street photographer’s performance.
Tanya’s manifesto not only contains technical advices helping a photographer to improve his shots but also some tips to avoid common mistakes. Subjects include: timing, composition, shooting portraits, framing and juxtaposition, perspective and angles, the choice between landscape and portrait, depth of field, shutter speed, exposure, night photography, rule of thirds, etc.
The book’s content is divided in six categories: 1. Street Photography 2. Where & What to Shoot 3. Seize the Moment 4. Equipment 5. Digital Processing 6. Showcase.
1. Street photography requires the ability to seize a life moment with precision and timing. It is about candid shots and does not have to include humans, as long as it fixes a moment in life. It certainly can include animals (in fact, animals are a very popular subject).
2. It is best if you use a light, discrete camera (even an I-Phone). Walking with a huge camera with big lenses makes you look like a professional photographer and people will see you coming. The trick is to avoid drawing attention. Coughing while clicking drowns out the sound of the camera. You might also think of “shooting from the hip” or “shooting blind”. Those techniques are explained in the book and can be mastered with a bit of practice.
3. It takes a bit of courage to photograph situations that include people since you never know what to expect when you raise your camera. Respect the different cultures and personal space and don’t be afraid to smile and explain what you are doing. If somebody refuses to be photographed, move on, don’t dwell on the situation.
4. In order to gain experience and a feeling of security at taking pictures of people on the street, start with protests or parades.
5. It is a good thing to know the laws pertaining to photography of the country you are visiting. Police officers in some countries might be tempted to order you to delete a shot while they actually don’t have the right to. Often, a misunderstanding by police or security guards of anti-terrorism legislation leads to different interpretations and subsequently to abuse towards a photographer. Just make sure you stay up to date with the country’s regulations.
6. You might think of shooting from within your vehicle to obtain interesting results (while respecting the country’s laws).
7. Use graffitis, signs, graphical billboards, text and advertising logos.
8. Use contrasts like big versus small, light versus dark, rich versus poor, etc.
9. Bear attention to details and look for second degree interpretation of a situation.
10. Look for amusing, funny and unusual captures.
11. Make sure you master your camera in order to be quick when the perfect opportunity comes. Set most of the parameters of the camera before actually arriving on a scene (you already have an idea of the light intensity in the area and the ISO setting that will be required to obtain the speed you desire).
12. Be cautious when it comes to taking pictures of children. Societies change and authorization from the child’s parents is required almost every time.
13. “The only way to avoid missing a moment is by carrying your camera at all times”. Therefore, get something small and light.
Endos du livre de photographie “The new street photographer’s manifesto”
The book holds a section dedicated to multiple types of cameras: rangefinders, SLR and DSLR, four thirds and micro four thirds, medium format, point-and-shoot compact cameras, camera phones, toy and pinhole cameras. Their advantages and disadvantages are clearly explained.
The reader will also find some information about lenses (the best for street photography and what to avoid) and the effects obtained through the use of different type of films (colored, black and white, expired).
The fifth section of the book relates to digital processing and the basic image editing techniques like cropping, rotating, the use of the “Curves” command, as well as dodging and burning.
The final section, “Showcase”, presents many well-known street photographers from around the world, including few photos taken by each of them to allow the reader to have an overview of each photographer’s personal style and creativity. Presented in order are: Antonio Navarro Wijkmark, Brian Quentin Webb, Charlotte Gonzalez, Claire Atkinson, Danny Santos II, Felix Lupa, Ferhat Çelik, Mustafa Abdulaziz, Ronya Galka, Seamus Travers and Severin Koller.
This is certainly a very interesting and practical photography book that will help you avoid costly mistakes (missed photo opportunities or buying the wrong photography equipment) while helping you to improve your knowledge on street photography as much as the quality of your shots.
Here is a link towards Tanya Nagar’s website: Tanya Nagar
