Canada Geese over the Strait of Georgia in British-Columbia, in 2016.
Night photography is not always planned and the photo above, taken late in the evening, was certainly not one I would have been able to take when I started as a photographer.
There was a superb sunset on the strait of Georgia, in British Columbia, and I had taken multiple pictures until late in the evening with my Canon 5DSR full-frame camera. The photography session was almost over.
Once I decided that it was time to pack-up for the night, I heard a flock of Canada Geese. They were flying in formation over the mountains to the west and were heading north in the darkness. In order to photograph those fast moving birds in the remaining light, drastically different settings would have to be made on the camera, and this, very rapidly.
The camera was equipped with a Canon 70-200 f2.8L IS II USM telephoto lens mounted on a tripod and facing west. It was on manual focus, the stabilizer was inactive and the ISO setting was very low. A ND graduated filter was already mounted on an adapter which was installed on the lens.
That meant dismantling the camera from the tripod, activating the automatic focus as well as the stabilizer, increasing the ISO, removing the ND graduated filter, limiting the aperture to insure sufficient shutter speed, composing the photo and taking few rapid shots before the geese were too far away.
Few seconds later, those birds and the landscape were becoming another souvenir of a beautiful summer holiday spent in British Columbia.
For more articles in the category « Photos of Canada », click on the following link : Photos of Canada
Merchant navy vessel in the Juan de Fuca Strait near Victoria (2016)
Photographers know that the most interesting hours of the day are either early in the morning or late at night, but before nighttime. These periods are ideal for subtle colors and very atmospheric shots.
The Vancouver Island coast offers absolutely everything to attract many categories of photographers: the wildlife, the mist over water bodies in the morning or late at night and the mountains that are visible almost everywhere.
Travelling through British Columbia, I noticed the great number of merchant navy vessels passing through the Juan de Fuca Strait. But to try to photograph them during daytime would only have given average pictures. Waking up early to get the right picture is never easy, but it always gives interesting results.
The only problem with regards to ship photography is that the latter often navigate quite far from the photographer, thus becoming tiny uninteresting dots on a picture. However, the Canon 5DSR camera and its 50.6 megapixels full-frame sensor solve that problem: new experiments are then possible . The scenery above was shot from a beach in Victoria, very early in the morning. It was mandatory to ensure of the total immobility of the camera since some serious cropping would be needed later on in order to significantly enlarge the ship. The slightest vibration would have been amplified through enlargment and the picture would have been useless.
Here is the method that was used: the ISO was set on 250, the tripod planted on the beach (but not in the soft sand part where the tripod could have moved a little during the photo session). Moreover, the remote trigger was used, as well as the mirror lock-up function. In order to achieve an optimal focus, the latter was done manually using Liveview with a 16X enlargment.
A Canon 70-200 f2.8L IS II USM telephoto lens was installed on the camera, with a 200mm focal setting. A ND graduated filter was installed to compensate for the rising sun’s brighter light behind the mountains. Being early on the beach also allowed for a minimal wind speed, limiting even more any tripod vibrations. I tried several shots and decided to keep the one with a bird in the scenery, so as to add a touch of life to the scenery.
For other ship photos posted on my website, click on the following link:
A crow in flight over the Georgia Strait in British-Columbia
This picture of a crow in flight over the Georgia Strait in British Columbia was taken with a Canon 5DSR full-frame camera. The aperture was set around 4.0. This allowed for a faster shutter speed. A reasonable ISO setting also kept the digital noise to a minimum.
In order to increase my chances of getting a precise photo of the crow, and to ensure that the background was blurred to limit distractions, I decided to follow as much as possible the exact speed of the bird with the camera. This is always risky as one can lose unique photo opportunities. But when it works, the picture is always interesting.
A significant cropping was then necessary to increase the size of the crow in the photo but this had no negative impact on the image’s quality since the initial ISO setting was quite low and I had access to the Canon 5DSR’s 50 megapixel full-frame sensor. Such a huge number of megapixels makes it easier when comes the time to enlarge pictures.
A bit of patience was necessary in order to capture an interesting subject but the wait was worth it. The specimen above landed about fifty feet from me on a Parksville beach. It started to look for small pieces of wood and, when satisfied of its finding, took-off for its nest.
For more articles in the category « Photos of Canada », click on the following link : Photos of Canada
The photography book « Full Frame », by David Noton, was written in 2010 but the content is still totally pertinent today. It’s possibly the best photography book I’ve ever read. The images are fantastic and the text is loaded with practical and accessible information.
Photography book “Full Frame” by David Noton
The author is known as one of the best landscape photographer in the world. Every page of his book is divided in three sections: before, during, after. This means that you read about everything that the author had to deal with as he travelled around the world with his wife to capture landscapes: the preparation, technique, priorities, obstacles, successes, etc.
All along the book, I had the feeling that a friend was writing me since the text is written with a light and humoristic approach in mind, and certainly without pretend. Here are some of his remarks and advices:
“Luck is where preparation and opportunity combine.” (p.38) This certainly applies to everything we do in life.
“Stick with the full frame quality and crop as when required, keeping all the [sensor’s megapixels] information in reserve”.
“Sometimes a new lens or format will serve as a catalyst for a whole new way of looking. It’s all part of the evolutionary process.” (p.64)
Sharpen all digital images. Pictures are made of square pixels and need microadjustments.
To choose among your interesting similar photos which one is the best, start with a very good one and compare it with each other photo, one at a time, throwing away the ones that are inferior. You will save a lot of time.
A bit of blinking in the highlights is not terrible since RAW files can easily be adjusted. Don’t forget that the camera’s monitor shows an histogram adjusted for JPEG files.
Use a grad filter to control the contrasts only, not to add mood or create an artificial contrast.
There is no need to always show the tops of mountains.
“The best pictures are the simplest. Composition is the art of knowing what to leave out.” (p.71)
“Be flexible and strive to extract the most from seemingly adverse conditions.” (p.77)
“For wide angle views on the world, a full-frame sensor is imperative.” (p.93)
Back cover of the photography book “Full Frame” by David Noton
“Scout the location, analyse the options in different lighting situations, previsualize the image, plan the shoot then keep returning until it’s nailed.” (p.113)
“Location finding is everything; the photography is the easy bit.” (p.125)
“Don’t be afraid of “blinkies” in the brightest part of the sky where the sun shines through […]. We don’t expect to see detail there.” (p.138)
“Using movement is an essential technique in a photographer’s repertoire.” (p.143)
“The classic, golden rule of thirds is a good starting point, but it’s only a guideline to ignore at will.” (p.149)
“A camera’s sensor is not a linear device so the right half of the histogram contains far more information than the left. Those apparently overexposed images, when processed with the brightness brought back to the desired density, will have richer tones and less noise than a frame exposed to the left.” (p.153)
“We photographers can only continue to improve if we keep pushing ourselves.” (p.187)
Harbour Air Twin Otter floatplane C-GQKN and Turbo Otter floatplane C-FODH in the sunset in the Port of Vancouver during summer 2016
The picture above has been taken with a Canon 5DSR full-frame camera in the Port of Vancouver, in British Columbia, during summer 2016. Following a very busy day of take-offs and landings, everything is now peaceful. The Harbour Air Twin Otter floatplane C-GQKN and Turbo Otter floatplane C-FODH are now parked for the night.
Pictures taken at dusk or dawn benefit from a unique light. Nonetheless, taking pictures of aircrafts against the light, with the last sunrays still visible, requires a special attention with regards to blown out highlights.
When contrasts are too important, it is possible to correct the situation by taking several pictures with different exposures and merging them using an image editing software like Photomatix (HDR photography). This is done in a few minutes only. Nonetheless, with floatplane aircrafts that are still slightly moving even when tied for the night, there is an increased risk of a blurred picture. The best way to proceed is to use a ND grad filter and to place it exactly where the light is the strongest. Naturally, there will still be some blown out highlights.
This being said, you still have a good margin of manoeuver, since there is no problem in showing a limited amount of over-exposed highlights in the brighter part of the sunrays, as there is not much details to lose there anyway. While purists would argue otherwise and spend hours in front of their computer trying to correct everything, you are making the best of another day of photographic exploration.
If the picture was taken using RAW files (or RAW with JPEG), it is possible to improve the scene even more by correcting some aspects like the contrasts, the brightness, the colours, the saturation and ambient light, etc. This also requires very limited time in front of the computer once you understand the basic principles of an image editing software.
Westcoast Air Twin Otter floatplane C-FGQH arriving in Vancouver Harbour, in British-Columbia, during Summer 2016. The photo was taken with a Canon 5DSR camera.
The picture above was taken in British Columbia, during summer 2016, with a Canon 5DSR full-frame camera equipped with a Canon 70-200 f2.8L IS II USM telephoto lens.
A Westcoast Air (C-FGQH) Twin Otter floatplane (DHC-6) was about to land in the Vancouver Harbour. It is obvious that adjusting the shutter speed to 1/1200 would have given enough speed to obtain a clear image. But this would have taken away any movement sensation by freezing the propellers and background.
The shutter speed had to be slow enough to allow the rotation of propellers. It is clear that an aircraft’s propeller rotates more slowly on final for landing than during take-off. So the camera had to be adjusted for a shutter speed varying between 1/40 and 1/125.
A slower shutter speed increases the risk of getting a blurred photo, especially when the photograph must move with the camera to obtain the desired effect of movement. The fact that a telephoto lens is used also increases the possibility of a blurred picture. It is thus imperative to activate the stabilizer and horizontal panning function of the telephoto lens.
To obtain a background without any precise details, the camera is panning and follows exactly the aircraft’s movement. This requires a progressive acceleration of the panning, according to the aircraft’s position from the photographer.
When the Twin Otter gets closer, things get a bit more complicated as everything speeds up. It is necessary to already have positioned the feet in the appropriate direction in order to avoid a major switch in the body’s posture. The slightest useless or brisk movement would immediately be visible on the photo.
With a bit of practice, a photographer will achieve success by respecting the following elements: a shutter speed between 1/40 and 1/125, an appropriate position of the feet, no brisk movement while pivoting and a progressive acceleration of the body’s rotation aligned with the aircraft’s speed. A slower shutter speed will enhance the aircraft movement. But expect more blurred pictures when working with speeds between 1/40 and 1/60.
A last detail: as soon as the aircraft’s floats touch the water, the deceleration starts. The photographer’s pivoting speed must immediately slow down otherwise the photo will be blurred.
Here are some photos of Toronto that were taken in February 2016 with a Canon 5D MKII DSLR camera. The photos were all saved in RAW and JPEG files to facilitate any additional work that could have been required with an image editing software.
Architecture and photography both offering unlimited possibilities, I did not impose any limitations. The primary goal was to profit from any opportunity that would arise while profiting from the softer light offered by the winter season.
Toronto Harbourfront, Winter 2016
The first article with regards to photography in Toronto that was published on my website showed only one subject: the CN Tower. It was published during Winter 2016:
In the present article, I develop other angles of Toronto which is a city in constant evolution and where you can find multiple styles of architecture. In the picture below, a recent rain shower helped to add unexpected reflections.
Toronto and CN tower by night. Winter 2016
Some architectural subjects are naturally imposing. This is the case when all you have to do is look straight ahead, enjoy what you see and immediately try to compose an interesting photo.
A good example is the interesting reflected shapes that can be seen on the windows of a building. I could not help to take the picture below as I was surprised that a windowed building could send back images that were so totally different from each other. I am curious why there is so much distortion between the windows…
Toronto building reflections (2016)
Instead of taking pictures of the newly designed Art Gallery of Ontario, I used its reflective properties to capture something a lot older, which was the design of the row of older houses on the other side of the street.
Some houses are reflecting on the Art Gallery of Ontario (2016)
It is also possible to add variety and fun to a photo session by looking for special shapes, angles or contrasts that are not already obvious.
As I was walking downtown, I passed by the Brookfield head office. The architecture of this relatively new building is quite interesting. The architects were able to preserve the facades of older surrounding buildings by integrating them and assigning each one a role inside the new construction, possibly because the city required their protection in case of any new development.
But it is only once I was leaving the sky rise that I found the idea for the next photo: a vertical wide-angle shot from which all lines would be straight, all this possible by using the advantages of the Canon 5D MKII full frame sensor coupled to a Canon 14mm 2.8L wide-angle fixed lens. Image sharpness was insured through manual focus, a tripod, a remote trigger and the mirror lock-up function.
Toronto sky rise, Ontario 2016
The last photo is essentially about contrasts: the colour contrasts (light and dark) and the density contrasts that one can find in different constructions of Toronto.
In the foreground, we see the aquarium, with its pale and inviting colours, as well as lots of space where only few people are visible. In the background, there is the exact opposite, with very dark high-density condo towers, very close to each other, where every inhabitant hopes to have an interesting view on the Lake Ontario. All this in a photo divided in two parts and cropped very tightly to increase the differences and eliminate any visual distractions.
Contrast between the Ripleys Aquarium of Canada and the condominiums in the background. Toronto, Ontario (2016)
For more articles in the category « Photos of Canada », click on the following link : Photos of Canada
The container ship Maersk Pembroke under the Quebec Bridge, May 2016
Choosing what is important in a camera
Since there is actually no camera that has everything, whatever the brand, the buyer of a new camera must make choices: the type of sensor, the number of megapixels, the weight and size of the camera, the automatic focus’s speed and ability to follow a subject, the number of images per second, the performance under low light, the possibility to greatly enlarge a picture while maintaining its quality, advanced video functions, electronic communications with other devices, an extensive choice of lenses, etc. The list can be quite long…
The Canon 5DS(R): a specialized camera
A photographer happy with the Canon 5DS or 5DSR is one who needs a specialized camera offering both sharp images and the possibility of greatly enlarging the pictures it takes while maintaining the initial quality. This camera allows for more creativity as the possibility of extreme cropping beats, for now, everything that is on the market in the DSLR format.
Testing the potential of the Canon 5DSR when it comes to enlarging a picture
Here is an example of what this means: the photo below shows the yellow M of the McDonald’s restaurant photographed with a 50mm lens. Not easily visible…
Mc Donald’s restaurant’s yellow M captured with a 50 mm lens. Hard to see, of course!
Then the next photo was taken with a Canon EF 70-200mm f/2.8L IS II USM telephoto lens set at a 200mm focal length.
Testing the Canon 5DSR: the Mc Donald’s restaurant’s yellow M enlarged through a Canon EF 70-200mm f/2.8L IS II USM telephoto lens. Focal length used: 200mm.
But the picture can be enlarged a lot more using the amazing resolution of the Canon 5DSR. The following picture shows the result after cropping the 200mm image: the yellow M now takes the whole vertical space available in the picture without any loss in quality.
The Mc Donald’s restaurant’s yellow M, after having been enlarged (focal 200mm) and cropped within the Canon 5DSR.
From my position on the hill, the yellow M was barely visible with the naked eye. By using a 200mm focal length, followed by serious cropping, I was able to obtain the result above. So it is possible to photograph a subject that is almost invisible without a telephoto lens and transform it into the principal subject of the picture without any loss in quality.
I chose the 5DSR because the anti-aliasing filter has been neutralized in the model R to offer even sharper images, although there is a risk of occasional moire effect when there are repetitive patterns in a scene. This is the compromise that Nikon users must also have to deal with.
Rethinking photography
The 50.6 megapixel full frame sensor in the Canon 5DS or 5DSR allows a new approach of photography for those who do not have access to a much more expensive and larger medium format camera that does not necessarily give really superior pictures.
When I go outside for a photo session, it seems to me that I now carry a huge telephoto lens without the weight and the cost. A lot of what seemed to be unavailable possibilities are now accessible.
Taking pictures of people in the street is now less complicated: there are no more suspicious looks, artificial poses or people hiding their face. This is an ideal camera to capture people acting naturally without disrupting their routine. Gone is the feeling that you are bothering them in any way.
Quartier Petit-Champlain Old Quebec May 2016
The photo below was taken while I was standing at least 300 meters from the scene, just after sunset. For those who are from Quebec City, I positioned the tripod on a high wall on the other side of Chemin St-Louis, near the St. Louis Gate. I had to slightly brighten up the picture to make the details more visible, risking at the same time to increase the digital noise. It was a May 2016 warm misty evening, which is clearly visible by the lack of details in the background as we look in the distance.
Quebecers defying gravity in Old Quebec, May 2016
But those are not the only possibilities of this camera. The Canon Company, in its promotional video, explains what exactly the camera was designed for:
How can someone maximize the use of a 50.6 megapixel full frame sensor
In order to bring a subject closer to you while fully benefiting from the Canon 5DSR 50.6 megapixel full frame sensor, it is obvious that there must be absolutely no vibrations. The photographer must therefore use a tripod, a remote control release and the mirror lock-up function. This allows for a very low ISO setting while avoiding a blurred picture.
The mirror lock-up function is very well thought through, with the possibility to choose a totally automatic processus according to a timing chosen by the photographer (between 0 and 2 seconds). The system eliminates any secondary micro vibrations.
In order to ensure an even better picture, the photographer must use Liveview and set it to the 16X enlargement available on that camera (versus 10X on my Canon 5D MKII) to manually adjust the focus. It is then possible to see the slightest vibrations caused by the wind. Doing so, I realized that my camera strap, lightly swaying in the wind, was causing some minimal vibrations. Every detail taken into consideration will improve the final result.
One must then ensure to immobilize the strap and even diminish the tripod height if possible when the wind is blowing. These steps will allow an incredible enlargement of a subject while maintaining the initial quality of the image offered by a full frame sensor.
Superior mirage effect (cold mirage)
The photo below shows a ship being helped by two Ocean tugboats on its way towards the Quebec Harbour. The ship was at a good distance from the harbour; it is then possible to witness the superior mirage effect (cold mirage) resulting from a temperature inversion immediately over the water. The boats are deformed but the important close-up has not lowered the image quality. It has instead allowed to increase the atmospheric phenomenon effect.
Superior mirage (cold mirage) effect. Vessel and two Ocean tugboats on the St-Lawrence seaway heading to the Quebec Harbour, May 2016.
Once closer to the Quebec Harbour, the cold mirage effect decreased, as shown on the picture below:
Quebec Harbour, May 2016
The Canon 5DS or 5DSR without the use of a tripod or mirror-lock
Obviously, a tripod is not necessary if you do not intend to use a lot of cropping to enlarge a photo. You will obtain excellent results with the hand-held camera providing that you remember that this Canon DSLR is a specialized tool.
So many megapixels on a sensor of that size require that the photographer adapts his technique. But, as you can see from the picture below, it is totally possible to capture an aircraft in movement, even at dusk (May 11, 19:49), when the camera’s parameters are correctly adjusted. A higher shutter speed than normal is, in this case, absolutely mandatory.
The photo below shows an Air Canada Express Bombardier DHC-8-402NG (C-GSJZ) on final for runway 29 at the Quebec Jean-Lesage international airport (CYQB).
Bombardier DHC-8-Q-402NG (C-GSJZ — Air Canada Express) on final for the Quebec Jean-Lesage international airport, May 2016. Photo taken with a DSLR Canon 5DSR.
The Maersk Pembroke with the camera hand-held
The photo below shows the Maersk Pembroke container ship photographed with a hand-held camera using a Canon EF 70-200mm f/2.8L IS II USM telephoto lens during Spring 2016 near Quebec City. The focal length was only 140mm and the shutter speed 1/1000. The lens was equipped with a polarizing filter and the photo taken when the vessel was approaching the Quai des Cageux.
The Maersk Pembroke container ship on the St-Lawrence seaway near Quebec City, May 2016
The colours produced by the Canon 5DSR
The digital processing of the image and colours produced by the Canon 5DSR require different adjustments than what was necessary with the Canon 5D MKII. I am still learning how to handle the results produced by this camera so I will wait a bit before commenting.
View of Old Quebec from the St. Louis gate. Quebec City, May 2016
Night photography
Here are two photos taken during the evening in Quebec City. The photo below required a 200mm focal, an ISO set at 4000 and a shutter speed at 1/30 in order to obtain something else than trailing lights. Luckily, the traffic was moving slowly…
Night photography, Grande-Allée avenue, Quebec City, May 2016
The picture below, taken with a 200 mm focal, required an exposure time a bit longer that one second with the ISO set at 800. To take the photo, I took advantage of the fact that the cars were momentarily stopped at a red light, so that they would be clearly visible.
Night photography, Tourny fountain and Quebec lower town, May 2016
The images per second of the Canon 5DS(R)
The Canon 5DSR is so far quite an impressive camera. I would have appreciated that Canon offer a higher rate of images per second (7 instead of 5) to make it more versatile.
The camera allows taking pictures with smaller formats than 50.6 MP, the two other options being 28 MP and 12 MP. If the camera can deliver five images per second with 50.6 MP RAW files, we can deduct that it is able to offer more speed for smaller formats. But the camera is blocked at 5 IMS so that it, I suppose, does not compete with other existing Canon models of the same category…
Nonetheless, Canon says that the rapid sequence of shooting lasts longer if the photographer uses the smaller files provided. So it is not faster, but it keeps on firing for a longer period. My guess is that it would only require a new firmware version to improve this camera’s number of images per second.
For other night pictures, click on the following link to my site:
A Bombardier CL-415 water bomber, property of the Government of Quebec, is being prepared for its flight towards Fort McMurray, May 2016
Quebec’s CL-415s helping out in Fort McMurray
On May 5th, 2016, according to what had been announced by the Government of Quebec, four CL-415s took off from the Quebec Jean-Lesage international airport (CYQB) heading to Fort McMurray, Alberta, to help in the fight against widespread forest fires in that province. It is the worst natural disaster that Canada has known in its history.
Preparing flight crews and aircrafts for such a long cross-country trip naturally demands much coordination from the SOPFEU (Society for the protection of forests against fires). Once they will have landed at the Fort McMurray airport, the pilots of those CL-415s will be under the direct command of the Albertan authorities in charge of fighting the wildfires, since the latter are best positioned to know exactly what the local needs are.
I figure that the flight service specialists (FSS) of the Nav Canada flight information center (FIC) in Edmonton must have quite busy days with the increased aerial activity associated with the numerous fires…
Crew members are walking towards the Government of Quebec CL-415; they will soon be airborne and heading to Fort McMurray in Alberta, to fight the forest fires (2016)
The picture above shows crew members heading towards their assigned aircraft. Once they start working in the Fort McMurray region, they will not only have to directly fight the forest fires but also head to sectors that have not yet been touched by fire and water the area thoroughly to prevent new wildfires.
A Government of Quebec CL-415 number 245 is taxiing at the Quebec Jean-Lesage international airport to take-off towards Fort McMurray, in Alberta, to help fight the out of control forest fires in that province during May 2016.
Taking pictures of propeller-driven aircrafts
A Bombardier CL-415 water bomber takes off from the Quebec Jean-Lesage international airport heading to Fort McMurray, in Alberta, to help fight the forest fires (2016)
It is a bit touchy to photograph propeller-driven aircrafts while making sure that there is a sensation of movement. In a natural reflex to want to avoid blurred pictures, the photographer uses a shutter speed that corresponds to the focal used for the shot. In the case of the picture above, the focal was 400mm. But if a shutter speed of 1/400 had been used, the propellers would have been totally immobilized and the aircraft would have looked like its climbing while not using its engines.
It was necessary to reduce the speed to 1/160, thus increasing the risk of obtaining a blurred picture. In order to get both image sharpness and moving propellers visual effect, the photographer has to follow exactly the movement of the aircraft with the camera so that it looks totally immobile in the viewfinder. This asks for a bit of practice but allows for more realistic photos.
The CL-415 in a black and white photo
Black and white photo of a Bombardier CL-415 (C-GQBG) flying over Quebec City in 2015
The government of Canada helping out Alberta’s citizens
The government of Canada, under Justin Trudeau, has promised to match the amounts of money offered by all Canadians to the Red Cross society toward helping the Fort McMurray population.
Obviously, its contribution will not stop there (in fact, far from it), but the message is for the whole Canadian population to contribute generously to support the efforts of the Red Cross. It is already estimated that the material damages will reach at least nine billion dollars and that numerous years will be required to rebuild everything. The Liberal Party of Canada had built its political campaign around the need to invest for the renewal of infrastructures. With the Fort McMurray fires, there will be plenty of new unplanned expenses ahead.
More than 1,400 firemen are fighting the wildfires. So few, there has been very few lives lost, although “very few” is always too much. The crisis is, according to everyone, well managed by the government of Alberta.
At the time of writing, there was still no rain forecasted for days to come and the drought was also extending to the southern half of Saskatchewan and part of Manitoba. The winds were expected to increase, which would mean that even more resources would be needed in the near future to bring those wildfires under control.
It seems to me that the government of many Canadian provinces would benefit in acquiring new water bombers like the CL-415 to give them an increased margin of manoeuver that would allow them to react more quickly, if we take into account the tendency for the ever growing number and size of forest fires. In the picture below, the government of Quebec CL-415 number 247 is just airborne from Quebec to Fort McMurray.
A Bombardier CL-415 C-GQBK airborne from the Quebec Jean-Lesage international airport heading to Fort McMurray, Alberta, in May 2016
The CL-215s will not head to Fort McMurray
While several CL-415s are leaving for Alberta, few water bombers, like the two Canadair CL-215s shown below, stay at the Quebec Jean-Lesage international airport in case of forest fires in the province and also to be used for the seasonal rehearsal needed for every pilot before they are dispatched across the province of Quebec.
Two Canadair CL-215 water bombers parked at the Quebec Jean-Lesage international airport in May 2016.
Global warming
Some people can say that global warming is not responsible for the increasing number of extended wildfires. They might be right, but I prefer to adopt a wider view than only what is going on in Alberta. Heat transfer between the north and south are now more extreme in order to equalize the temperatures around the globe. All means to reduce the difference in temperatures between the equator and the poles are at work and this causes increasing problems to particular regions.
The Kamloops region in British-Columbia, when numerous forest fires were raging 2014.
A powerful El Nino phenomenon, repetitive Omega blocks, the air circulation in different cells (Hadley, Ferrell, polar, Walker) all participate in the heat exchange. At a more reduced scale, we also regularly hear of cold and warm fronts in the meteorological forecasts.
It is certainly not local warm fronts that are responsible for the fact that a thinner layer of permafrost is unable to ensure the stability of Arctic runways anymore. Nor are fronts responsible for the fact that houses on stilts do not have a stable foundation anymore. Many heat records have been established these past years in northern Canada. There will certainly be large amounts of money to spend to rebuild the Nordic infrastructures.
Brush fires as soon as April in Alberta
This year, as soon as April, there were widespread brush fires in a region as north as Fort McMurray in Alberta because winter has not brought much snow to humidify the land during Spring. I thus wondered what would happen once in July. Albertans did not need to wait that long to get the answer.
Western Canada forest after a fire (2014)
The modelization of climatic changes indicates that, in the Fort McMurray region, the forest fire season is already fifteen days longer that it used to be. More heat might favor more droughts. But an increase in temperature also favors the development of thunderstorms and with them comes lighting that will start up new fires.
One thing is sure: insurance companies will not lose time with the different theories on global warming. The reinsurers (those who insure the insurance companies) have the obligation to limit their losses to stay afloat and premiums will quickly increase to answer to the thousands of claims following an increasing number of natural disasters.
Photos of the local air traffic in Quebec, just after the CL-415s departed to Fort McMurray
FedEx ATR 72-202F C-FTAR and Air Canada Express Bombardier DHC-8-Q-402NG (C-GIJZ) at the Quebec Jean-Lesage international airport in May 2016
At the Quebec airport, between the take offs of the four Bombardier CL-415 towards Fort McMurray, I was able to take few pictures of the local air traffic. In the photo above, it is possible to see a FedEx ATR 72 (C-FTAR) taxiing toward the ramp after a landing runway 06. An Air Canada Express Bombardier DHC-8-402 (Q-400) (C-GIJZ) was also being towed for is imminent departure.
ATAC’s Hawker Hunter N339AX
Being in luck, I was able to capture a Hawker Hunter (N339AX) belonging to the American company ATAC, just airborne from Quebec. As for any military jet, it is difficult to ignore them on take-off: the reactor’s noise is there to remind you of their presence…
A Hawker Hunter belonging to the american company ATAC is airborne from the Quebec Jean-Lesage international airport (CYQB), May 2016
A Hawker Hunter, from the american company ATAC, is airborne from the Quebec Jean-Lesage international airport (CYQB) in May 2016
The pictures above have been taken with a Canon 5D MKII camera, equipped with a telephoto lens Canon 70-200 f2.8L IS II USM with a polarizing filter and a Canon Extender EF 2X III which brought the focal length to 400 mm. Even then, more cropping was necessary to enlarge the aircraft since I was quite far away from the runway.
Wishing to ensure that the image was sharp (a blurred picture is more probable with a 400 mm focal length while the photographer attempts to follow a fast flying jet), I adjusted the shutter speed to 1/1600 and made sure that the automatic focus was set on AI servo.
I now realized that a slower speed could have worked a bit better since it would have allowed showing a blurred forest in the background while keeping the aircraft sharp. But it is not often that you have the opportunity to see a Hawker Hunter in flight these days and I played safe with the shutter speed. The ideal shot will be for another day…
CL-415s and CL-215s together in Quebec (2012 photo)
CL-415 and CL-215 water bombers belonging to the Gouvernment of Quebec. Quebec Jean-Lesage international airport (CYQB) 2012
A last picture, taken few years ago, during autumn 2012, shows numerous water bombers CL-415 and CL-215 parked at the Quebec Jean-Lesage international airport (CYQB). During the off- season, the water bombers are brought back to Quebec City from the different bases were they have been in operation during summertime.
For other articles on aviation and photography, click on the following link: Aviation photography
Gruyères and the Moleson in the background, Switzerland 2013
The city of Gruyères is located in the Prealps, in the Friburg County in Switzerland. It is a very charming small medieval town where cars are forbidden (the white van shown in the picture above is only used for morning delivery). In the city, one can visit the Gruyères Castle (Château de Gruyères), the H.R.Giger Museum (creator of the “Alien” in the movie Alien), the Tibet Museum, a cheese factory and boutiques. There are also some restaurants.
In the picture above, shot with a Canon 5D MKII, it is possible to see the Moléson in the background, a mountain that rises only 512 metres above the surrounding terrain but is still at more than 2000 meters above sea level. It is a tourist attraction that should not be neglected since it is very well equipped for all types of visitors, with a funicular and cable car. The visitors also have access to very interesting walking paths, for all ages and experiences.
Moleson cable car, in the Gruyeres region, Switzerland 2013
When you use a cable car and do not see where it is leading due to the presence of clouds, you have to trust human engineering. But we are in Switzerland, so it should be all right!
The Moleson cable car, Switzerland 2013
The Moléson summit offers superb views. The small cumuliform clouds visible in the morning around the mountain progressively lift up due to daytime heating and eventually become beautiful cumulus clouds that add life to any pictures.
Moleson summit in the clouds, Switzerland 2013
Once on top of the Moléson, it is possible to use a modern metal stairway to gain even more height and access a platform allowing an unobstructed panoramic view. The picture above was taken with a Canon EF 16-35mm f2.8L II USM wide-angle zoom lens equipped with a polarizing filter.
Metal stairs leading to an observation post on top of the Moleson, Gruyeres region, Switzerland 2013
When ready to go down the mountain, the visitor has two choices: travel with the cable car and funicular he used when coming up, or slowly walk along an easily accessible path through beautiful green landscapes. The more experienced trekkers might decide to walk along the crests of surrounding mountains. We chose to walk on paths covered with flowers.
Path on the Moleson, Switzerland 2013
Back to Gruyères, a visit of the Château de Gruyères and both museums is a must, as well as a tour of the cheese factory. You might want to spend some time in the boutiques too and try the local restaurants. It is also the moment to take a few pictures…
Inside the Gruyeres medieval city, Switzerland, 2013
The old architecture of the buildings in Gruyères as well as the neighbouring countryside allow for very interesting photographic compositions. A well-known photography technique consists in using an opening in a building and using it as a second frame (a frame within a frame). I made sure that the background was clear enough to improve the visual effect. An aperture around 16 allowed for an appropriate depth-of-field.
Spiraling stairs in the Gruyeres Castle, Switzerland 2013
The picture above shows a spiraling staircase inside the Château de Gruyères. I can barely imagine what the results would have been if I had had access to the new Canon 11-24mm wide-angle lens. But nonetheless, the Canon EF 16-35mm f2.8L II USM zoom lens did a good job.
The beauty of the full frame sensor mounted on the Canon 5D MKII DSLR is that a wide-angle shot taken at a 16mm focal will stay at 16mm while with a smaller sensor, like the APS-C, the photographer is facing a conversion factor of 1.5 or 1.6X, which transforms the 16-35mm wide-angle into a 24-52mm, in the best of cases. The APS-C sensor is interesting when used with a telephoto lens but a bit less when comes the time to take wide-angle shots.
The picture below presents the Château de Gruyères seen from a neighbouring field.
Gruyeres old architecture, Switzerland 2013
As the sun was setting down, I tried a shot from inside the castle. It was interesting to see the two little boys standing up alongside the wall and admiring the sunset. At the same time, it was possible to see the Moléson in the distance, its summit hidden in the clouds.
Due to the strong light contrasts, it was necessary to use a Hi-Tech ND graduated filter installed on my Canon 16-35mm wide-angle zoom lens. The Digital SLR Photography magazine, in one of its recent editions, made a comparison between ND grad filters and indicated that the Hi-Tech filter had a slight magenta coloration instead of a neutral grey. I think it is easily visible in the picture below. The photo could have been corrected with Photoshop but I thought of keeping it as it was since the scenery looked somewhat unreal already.
View from the Gruyeres Castle and the Moleson, Switzerland 2013
Once the sun was below the horizon, the more subtle colours gave a totally new look to the countryside. On the picture below, it is possible to see on the right a small path that a visitor can take to head down to the nearby village.
Gruyeres region in the sunset, Switzerland 2013
All the sceneries are not that easy to capture and it is sometimes necessary to use HDR photography to extend the dynamic range and take care of extreme light contrasts. The photo below needed five different exposures that were subsequently processed with the Photomatix image editing software. Useless to say, it was necessary to use the mirror lock-up function, a tripod and a remote control release.
View from the Gruyères Castle, Switzerland, in HDR 2013
Here is, as the final picture, an idea of what is waiting for you at the H.R. Giger Museum. If there is a strange but very interesting museum, it is this one.
Artwork in front of the H R Giger Museum, Gruyeres, Switzerland 2013
Other pictures of Europe and around the world will be posted in the coming months…
