Categories
Graphic novels and comics

Graphic Novel: Le murmure de la mer

The graphic novel "Le murmure de la mer", by Hippolyte.
The graphic novel “Le murmure de la mer”, by Hippolyte.

The graphic novel “Le murmure de la mer” is a tribute to the work of the Ocean Viking’s crew, the rescue ship belonging to the SOS Méditerranée group. Its mission is to rescue migrants leaving North Africa, particularly the Libyan inferno.

Those refugees find themselves overcrowded on makeshift boats, drifting endlessly in the middle of the sometimes raging Mediterranean Sea. Often, the rafts brush up against Libyan oil platforms. Day and night, the coast guards pursue the migrants and brutally drag them back to Libya.

After a first blocked attempt to participate in a rescue, the author climbs aboard the Ocean Viking in 2020 as a journalist, cartoonist and crew member. He’s directly involved in the salvage operations, and recounts his experience in a series of beautiful sketches and touching photos.

Readers appreciate the great discipline and preparation required to carry out salvage missions in an orderly and safe manner for all concerned. Sentimentality has no place when rescuing migrants in crisis. Not following procedures can result in further deaths, including those of crew members.

A page from the graphic novel "Le murmure de la mer".
A page from the graphic novel “Le murmure de la mer”.

We bear witness to the crew’s successes and failures in their attempts to rescue as many people as possible. The sailors of the Ocean Viking face administrative blockades from Italy, which seeks to limit the considerable arrival of refugees.

First among these attempts to hinder rescue operations is the obligation for the ship to remain docked for long periods for different reasons.

Next is the requirement to transfer the new migrants to ports far from the Ocean Viking’s position. These ports are deliberately chosen by the Italian government to generate fuel costs and lengthy delays between each recovery mission. This drag prevents thousands of refugees from being salvaged.

We must, however, question the involvement of other states when it comes to admitting migrants. The misfortune of people living in countries disadvantaged by ruthless dictatorships, climate change or poverty accelerated by the plundering of wealth is everyone’s responsibility.

Once the refugees are on the boat, the crew still has to secure them, care for them and prepare them for transfer to their next land of welcome. We all know the story of those vessels which have picked up hundreds of Africans in difficulty, and which remain immobilized for weeks while awaiting clearance to transfer the survivors to a new territory. Yet the law of the sea states that any ship’s captain who learns that human beings are in peril on a body of water must render assistance.

In short, a fascinating and informative read. It increases our understanding of the challenges faced by crews helping humans in danger on the Mediterranean Sea.

Click on the link for more graphic novels and comics on my blog.

Title: Le murmure de la mer

Author: Hippolyte

Publisher: Les Arènes, Paris, 2024.

ISBN: 979-10-375-1156-0

Categories
Graphic novels and comics

The graphic novel ” Un tournage en enfer “.

The graphic novel "Un tournage en enfer - Au coeur d'Apocalypse Now".
The graphic novel “Un tournage en enfer – Au coeur d’Apocalypse Now”.

The graphic novelUn tournage en enfer: au cœur d’Apocalypse Now” takes us right to the heart of the creation of Francis Ford Coppola‘s famous film, brought to the screen in 1979. As the director points out, [my translation] “[…] we were in the jungle. There were too many of us. We had access to too much money and too much material, and little by little, we all went crazy…”.

It didn’t start well. Right from the start, the director was unable to convince well-known actors to get involved in his film. In turn, actors such as Jack Nicholson, Al Pacino, Robert Redford and James Caan refused to join the adventure. Coppola continues his research and interviews.

As readers, we go behind the scenes of the production and hear from those close to the filmmaker. Filming begins in the jungle of the Philippines, even though Coppola has no idea on how the film will end. This would haunt him throughout the production, causing him sleepless nights when he was already quite exhausted.

A page from the graphic novel "Tournage en enfer - Apocalypse Now".
A page from the graphic novel “Tournage en enfer – Apocalypse Now”.

Cost overruns followed, and the pressure on the director from financial backers increased. He was asked to complete his film as quickly as possible, which he proved unable to do. Coppola came to guarantee the required funds by pledging to pay off the debt himself if box-office receipts failed to reach $40 million.

In addition, it was taken for granted that the U.S. government would provide the helicopter gunships required for the film’s action. But in the aftermath of the Vietnam War, the interest of American politicians in such requests waned. The director had to turn to the then President of the Philippines, Ferdinand Marcos, to obtain helicopters and personnel, in return for certain fees and compensation. But these aircraft sometimes left the scene on Marcos’s orders to go hunting for the regime’s enemies. Coppola was falling behind again…

A page from the graphic novel "Tournage en enfer - Apocalypse Now".
A page from the graphic novel “Tournage en enfer – Apocalypse Now”.

They thought that Harvey Keitel would be the ideal actor to play Robert Duvall. Many sequences later, the obvious becomes clear: the man just didn’t cut it for a number of reasons. On the verge of disaster, they urgently contacted Martin Sheen and beg him to replace Keitel. Multiple scenes had to be reshot with the new actor, and the delays and associated costs continued to mount.

All sorts of other pitfalls awaited the director and his crew throughout the shoot, including the language barrier with the Filipinos and a storm that destroyed the set. The widespread use of drugs and alcohol by staff and helicopter pilots didn’t help matters either.

The mosquitoes, the heat and Coppola’s constant demands took their toll on the actors. Martin Sheen fell seriously ill, and his brother had to be used for some of the secondary scenes. Rather than use only actors to simulate deaths, a staff member went to the morgue and returned with a corpse. This prompted the arrival of the police force, and the problem was solved with generous sums of money.

There were many other factors that delayed the end of the shoot and increased costs. Marlon Brando’s demands were a case in point.  They managed to get him back on set for an extra day, provided that he received $70,000 more than planned.

Shooting finally ended in 1977. The team chartered a private plane to fly 381 kilometers of original film to the United States. Editing the film proved to be an ordeal. There was too much material to analyze. In 2001, Coppola presented a modified version of his original 1979 production. In 2019, he finally delivered a final 182-minute version, Apocalype Now “Final cut” , more than forty years after the initial release.

Earnings met the director’s expectations, and he ultimately won his bet. In all, the film generated $140 million from a total budget of $30 million.

Click on the link for more graphic novels and comics on my blog.

Title: Un tournage en enfer – Au cœur d’Apocalypse Now

Author: Florent Silloray

Publisher: Casterman

© Casterman 2023

ISBN : 978-2-203-21653-2

Categories
Photos of Canada Photos of Quebec

The 2018 Grand Prix Cycliste de Québec.

The 2018 Grand Prix Cycliste de Québec took place on September 7th on a beautiful day. The cyclists had to repeat a 12,6 km pattern across Old Quebec and the Battlefields Park sixteen times, which amounted to 201,6 km.

The circuit’s height difference from start to finish was 186 meters, for a total difference of 2976 meters. It is the Australian Michael Matthews who won the race during the final sprint.

Here are a few photos that I took with a Canon 5DSR camera. I used a Canon 14mm 2.8L ultra wide angle lens and a Canon 70-200 2.8L IS II USM telephoto lens.

The Grand Prix Cycliste Québec 2018. The cyclists are passing under the St. Jean Gate.
The Grand Prix Cycliste Québec 2018. The cyclists are passing under the St. Jean Gate.
The Grand Prix Cycliste Québec 2018. Turning on St-Louis street.
The Grand Prix Cycliste Québec 2018. Turning on St-Louis street.
The Grand Prix Cycliste Québec 2018. Turning on Côte de la Fabrique.
The Grand Prix Cycliste Québec 2018. Turning on Côte de la Fabrique.
The Grand Prix Cycliste Québec 2018. The cyclists are passing under the St. Louis Gate.
The Grand Prix Cycliste Québec 2018. The cyclists are passing under the St. Louis Gate.
The Grand Prix Cycliste Québec 2018, in front of Place d'Armes.
The Grand Prix Cycliste Québec 2018, in front of Place d’Armes.
The Grand Prix Cycliste Québec 2018. The car from each team is never far behind the racers.
The Grand Prix Cycliste Québec 2018. The car from each team is never far behind the racers.
A few official photographers at the UCI World Tour Quebec 2018.
A few official photographers at the UCI World Tour Quebec 2018.
The Grand Prix Cycliste Québec 2018. The winner, Michael Matthews, from the Sunweb team, raises his fist.
The Grand Prix Cycliste Québec 2018. The winner, Michael Matthews, from the Sunweb team, raises his fist.

Pour d’autres photos de la ville de Québec, cliquez sur les liens suivants de mon blogue :

Ville de Québec et Île d’Orléans en automne
Ville de Québec et Île d’Orléans en hiver
Ville de Québec et Île d’Orléans au printemps
Ville de Québec et Île d’Orléans en été
Categories
Intelligence

The secret life of Bletchley Park

This book is about the daily operations and lifestyle of the people who worked at decoding German messages in Bletchley Park, England, during the Second World War. The reader quickly realizes the incredible impact of the shadow workers on major battles like the Battle of England, El Alamein or eventually the D-Day. Moreover, it allows the reader to enter the Park’s installations to witness the rigor and professionalism of the men and women who worked day and night, through high tension and exhaustion, to accomplish their duties.

The Secret Life of Bletchley Park
The Secret Life of Bletchley Park

Their efforts to obtain results bordered with obsession. Even while sleeping, brains were at work. A major breakthrough happened after a researcher woke up in the middle of the night with a long awaited solution. Naturally, names like Alan Turing, John Herivel or Dillwyn Knox are repeated on a regular basis. But they are just a few in a crowd who played an essential role.

Bletchley Park was highly efficient for many reasons:

1. A wise combination of employees with diversified training and capabilities. A wide cross-section of abilities and general culture were sought after. Women and men working at decoding were gifted with a highly superior intelligence and focusing capacity. Multiple fields of knowledge were required: there were experts in mathematics as much as in history, classical letters or linguistic. Dillwyn Knox, one of the Bletchley stars, was himself an expert in old papyrus. The combination of intelligence resulted in important innovation.

2. The ability to keep a secret: the employees were scrupulously screened and could not walk in any other buildings than the one that they were assigned for their work. If there had been a mole in one of the buildings, that person would not have been able to have a physical access to other buildings to try to acquire secret information. A common goal and a deep understanding about the importance of their sole objective helped the staff to deal with fatigue and keep the unavoidable personal conflicts under control. The discretion about the operations at Bletchley was even maintained by the employees after the war was officially over.

3. A special treatment for the code breakers: even if Bletchley Park was officially created for military purposes, there was no strict military regime implemented: [my translation] “Throughout the years and centuries, we observe that British intelligence is partly a military affair, but is mostly managed by talented civilians”. The code breakers needed a special treatment: [my translation] “It was deemed very important that the “experts” benefitted from enough space and liberty so that their brilliant thinking could be used at its full potential”. They did not have to deal with restrictions and discipline applied to other employees. This objective to avoid useless pressure on highly skilled employees has been repeated in successful international companies aimed at innovation.

4. Collaboration between countries: it is important to mention the essential collaboration between Poland, England and France at gathering results aimed at cracking the Enigma code. Up to the moment that France was defeated, all the found solutions were shared. Besides, Polish cryptanalysts where the first to decipher the codes on the first version of the Enigma machine, results that were shared with the two other countries.

5. The importance of the chance factor in the success of the operations: the chance factor would eventually play a key role in the ability for Bletchley Park to maintain its operations for a prolonged period. In spite of the intense German bombings, very little damage was inflicted to the buildings where the code breakers were working: [my translation] “We owe it to a miracle that only two bombs fell on Bletchley Park […]. Moreover, another bomb fell near the site where Knox and Lever were working, but it never exploded”. Furthermore, two other bombs fell on the Park, also without exploding.

There were nonetheless obstacles to efficient operations. These included the existence of useless levels of administration: primary information starts to be transformed as soon as it is passed to another level for interpretation. The more levels there are, the more the message is transformed. Some people become masters at protecting their own status and job and eventually become superfluous. Because of their higher status, they are harder to dislodge. This situation could not be avoided at Bletchley Park: [my translation] “Our working place is actually overcrowded by intelligence officers who mishandle our results and make no efforts to double check their arbitrary correction”.

A book passage that particularly touched me was the story of three British sailors who swam up to a slowly sinking U-Boat, the U-559, and helped protect and bring back a four rotor Enigma machine (the most complex version) as well as all the Stark keys used with the machine. The two sailors who entered the U-Boat drowned as they had insufficient time to get out on time. The third sailor, who had stayed outside, was able to bring back all the secret material (wisely placed in a sealed bag) to his ship. To get a hold of this Enigma machine and all its keys would be deemed of capital importance to help neutralize the German forces on the oceans.

I conclude with a quote from Mavis Batey which resumes quite well the state of mind of the people who worked at Bletchley Park: [my translation] “You do things or not, but if you don’t act, nobody will do it at your place”.

©2012 Ixelles Publishing SA
ISBN 978-2-87515-178-0
©Sinclair McKay 2010 (author), original English title: The Secret Life of Bletchley Park