On an evening when isolated showers were continually changing the atmosphere in Quebec City, I visited the old part of the town, especially “rue du Trésor”. Today’s article features four photos of the same street captured from different angles. About three hours separates the shots.
Above, passers-by seem to be followed by an individual. I’ve maximized the effect of tension by taking advantage of a moment when the tourists in the background are in the light and the lone walker remains in shadow. To accentuate the discomfort, I opted for a cold tone and undersaturation in post-processing.
Below, two young people chat quietly at the entrance to rue du Trésor, while pedestrians go about their business. The tiles have had time to dry out a little since the last shower.
Conversation near rue du Trésor, Old Quebec 2024
The photo is legal in Quebec because it’s not just about the two persons in the foreground. There’s a street setting where other passers-by are also present. This is always a factor to consider when publishing for non-commercial use. If the couple is alone in the scene and it’s a close-up, I can capture the scene, but under Quebec law, I don’t publish. For added precaution, it is sometimes better to wait a while between the moment the photo is taken and its distribution. Finally, I make sure that people are not portrayed in such a way as to damage their reputation. So, there are always multiple factors to consider before a photo is taken and distributed.
Reflections after the rain in the rue du Trésor, Old Quebec 2024
Above, a couple takes a walk immediately after a rain shower. I set up the camera a few inches off the ground, in front of a puddle to get a reflection.
The goal of the picture is the water reflection but, since I want to publish the photo, I have to think about the persons. The couple becomes possibly the main subject for some viewers. Using added precaution, I put an artificial obstacle in front of the man’s eyes to make him less recognizable. As for the woman, her head turned to one side makes identification impossible.
Below is a view of the Rue du Trésor during the “blue hour,” after the showers. The last tourists take the opportunity to choose a piece of art before the shopkeepers leave.
After all, it’s quite possible to have the right to photograph without having the right to publish. You also need to know the nuances between editorial and commercial distribution, as well as how to obtain written authorization where applicable.
There are also nuances between the privacy laws of the following two groups: the first made up of Quebec and France, and the second made up of the rest of Canada, the United States and the majority of Western countries.
In addition, a distinction must be made between the person who is the main subject of the photo and those who are merely incidental to it. The laws also change depending on whether the photo is taken from a public or private place. Finally, there are always exceptions to each category. As you can see, nothing is simple in this area…
The author uses case law to flesh out his points. He also discusses the limits of police and security officer powers, and what is legally permissible on Facebook and other social networks when it comes to disseminating an image.
He also elaborates on the difference between patrimonial, moral, integrity and authorship rights. He even expands on the changes to copyright before and after November 7, 2012. A section of the book tells you how to detect if your images are being used illegally, and how to request corrections and compensation.
Finally, Francis Vachon uses the last sections of his book to show us how to obtain photos legitimately, and sometimes free of charge. He also shows us how to protect ourselves from a lawsuit.
In short, a book full of vital information for the amateur and professional photographer, as well as for all social media users. Many of these users are full of good intentions, but can find themselves in trouble pretty quickly for inadvertent negligence.
Livre de photographie: “The new street photographer’s manifesto” par Tanya Nagar
Tanya Nagar is an award-winning photographer from London. Her book, “The new street photographer’s manifesto” is perfect for those who aim to improve their street photography techniques. The present article is not a comprehensive critic of her book but an overview of what a reader will find. I also highlighted some tips in photography that will help to improve the street photographer’s performance.
Tanya’s manifesto not only contains technical advices helping a photographer to improve his shots but also some tips to avoid common mistakes. Subjects include: timing, composition, shooting portraits, framing and juxtaposition, perspective and angles, the choice between landscape and portrait, depth of field, shutter speed, exposure, night photography, rule of thirds, etc.
The book’s content is divided in six categories: 1. Street Photography 2. Where & What to Shoot 3. Seize the Moment 4. Equipment 5. Digital Processing 6. Showcase.
1. Street photography requires the ability to seize a life moment with precision and timing. It is about candid shots and does not have to include humans, as long as it fixes a moment in life. It certainly can include animals (in fact, animals are a very popular subject).
2. It is best if you use a light, discrete camera (even an I-Phone). Walking with a huge camera with big lenses makes you look like a professional photographer and people will see you coming. The trick is to avoid drawing attention. Coughing while clicking drowns out the sound of the camera. You might also think of “shooting from the hip” or “shooting blind”. Those techniques are explained in the book and can be mastered with a bit of practice.
3. It takes a bit of courage to photograph situations that include people since you never know what to expect when you raise your camera. Respect the different cultures and personal space and don’t be afraid to smile and explain what you are doing. If somebody refuses to be photographed, move on, don’t dwell on the situation.
4. In order to gain experience and a feeling of security at taking pictures of people on the street, start with protests or parades.
5. It is a good thing to know the laws pertaining to photography of the country you are visiting. Police officers in some countries might be tempted to order you to delete a shot while they actually don’t have the right to. Often, a misunderstanding by police or security guards of anti-terrorism legislation leads to different interpretations and subsequently to abuse towards a photographer. Just make sure you stay up to date with the country’s regulations.
6. You might think of shooting from within your vehicle to obtain interesting results (while respecting the country’s laws).
7. Use graffitis, signs, graphical billboards, text and advertising logos.
8. Use contrasts like big versus small, light versus dark, rich versus poor, etc.
9. Bear attention to details and look for second degree interpretation of a situation.
10. Look for amusing, funny and unusual captures.
11. Make sure you master your camera in order to be quick when the perfect opportunity comes. Set most of the parameters of the camera before actually arriving on a scene (you already have an idea of the light intensity in the area and the ISO setting that will be required to obtain the speed you desire).
12. Be cautious when it comes to taking pictures of children. Societies change and authorization from the child’s parents is required almost every time.
13. “The only way to avoid missing a moment is by carrying your camera at all times”. Therefore, get something small and light.
Endos du livre de photographie “The new street photographer’s manifesto”
The book holds a section dedicated to multiple types of cameras: rangefinders, SLR and DSLR, four thirds and micro four thirds, medium format, point-and-shoot compact cameras, camera phones, toy and pinhole cameras. Their advantages and disadvantages are clearly explained.
The reader will also find some information about lenses (the best for street photography and what to avoid) and the effects obtained through the use of different type of films (colored, black and white, expired).
The fifth section of the book relates to digital processing and the basic image editing techniques like cropping, rotating, the use of the “Curves” command, as well as dodging and burning.
The final section, “Showcase”, presents many well-known street photographers from around the world, including few photos taken by each of them to allow the reader to have an overview of each photographer’s personal style and creativity. Presented in order are: Antonio Navarro Wijkmark, Brian Quentin Webb, Charlotte Gonzalez, Claire Atkinson, Danny Santos II, Felix Lupa, Ferhat Çelik, Mustafa Abdulaziz, Ronya Galka, Seamus Travers and Severin Koller.
This is certainly a very interesting and practical photography book that will help you avoid costly mistakes (missed photo opportunities or buying the wrong photography equipment) while helping you to improve your knowledge on street photography as much as the quality of your shots.
Here is a link towards Tanya Nagar’s website: Tanya Nagar
