The comics ” 13h17 dans la vie de Jonathan Lassiter”.
“When you’ve got nothing left to lose, you can take all the risks…”. This is the sentence [translated] on the back of the comic strip “13 h 17 dans la vie de Jonathan Lassiter” (13:17 in the life of Jonathan Lassiter), which best sums up this French-language work published in 2023.
Jonathan Lassiter works as an insurance agent in Keanway, a small, remote town in Nebraska. Overnight, his wife leaves him, he loses his job and his wallet is stolen. In short, his life suddenly takes an unexpected turn. He has two choices: either he feels sorry for himself, or he changes. His chance encounter with Edward, a “distinguished, cultured and cynical” man, forces him to take a stand.
It was the quality of the graphics that caught my eye. This isn’t one of those publications where you wonder whether the design can be done in a month, and which pretends to be original through the absence of detail, and therefore of work. A great deal of effort went into this album, and it shows at first glance.
Back cover of the comic strip “13h17 dans la vie de Jonathan Lassiter”.
It’s got it all: the judicious choice of angles, the refined, masterful drawing, the skilful maintenance of atmosphere through well-dosed, under-saturated colors, the well-crafted script. This comic strip keeps the reader’s interest from start to finish, with no downtime.
The main character reminded me of the famous actor Vincent Price.
The graphic novel “Un tournage en enfer – Au coeur d’Apocalypse Now”.
The graphic novel “Un tournage en enfer: au cœur d’Apocalypse Now” takes us right to the heart of the creation of Francis Ford Coppola‘s famous film, brought to the screen in 1979. As the director points out, [my translation] “[…] we were in the jungle. There were too many of us. We had access to too much money and too much material, and little by little, we all went crazy…”.
It didn’t start well. Right from the start, the director was unable to convince well-known actors to get involved in his film. In turn, actors such as Jack Nicholson, Al Pacino, Robert Redford and James Caan refused to join the adventure. Coppola continues his research and interviews.
As readers, we go behind the scenes of the production and hear from those close to the filmmaker. Filming begins in the jungle of the Philippines, even though Coppola has no idea on how the film will end. This would haunt him throughout the production, causing him sleepless nights when he was already quite exhausted.
A page from the graphic novel “Tournage en enfer – Apocalypse Now”.
Cost overruns followed, and the pressure on the director from financial backers increased. He was asked to complete his film as quickly as possible, which he proved unable to do. Coppola came to guarantee the required funds by pledging to pay off the debt himself if box-office receipts failed to reach $40 million.
In addition, it was taken for granted that the U.S. government would provide the helicopter gunships required for the film’s action. But in the aftermath of the Vietnam War, the interest of American politicians in such requests waned. The director had to turn to the then President of the Philippines, Ferdinand Marcos, to obtain helicopters and personnel, in return for certain fees and compensation. But these aircraft sometimes left the scene on Marcos’s orders to go hunting for the regime’s enemies. Coppola was falling behind again…
A page from the graphic novel “Tournage en enfer – Apocalypse Now”.
They thought that Harvey Keitel would be the ideal actor to play Robert Duvall. Many sequences later, the obvious becomes clear: the man just didn’t cut it for a number of reasons. On the verge of disaster, they urgently contacted Martin Sheen and beg him to replace Keitel. Multiple scenes had to be reshot with the new actor, and the delays and associated costs continued to mount.
All sorts of other pitfalls awaited the director and his crew throughout the shoot, including the language barrier with the Filipinos and a storm that destroyed the set. The widespread use of drugs and alcohol by staff and helicopter pilots didn’t help matters either.
The mosquitoes, the heat and Coppola’s constant demands took their toll on the actors. Martin Sheen fell seriously ill, and his brother had to be used for some of the secondary scenes. Rather than use only actors to simulate deaths, a staff member went to the morgue and returned with a corpse. This prompted the arrival of the police force, and the problem was solved with generous sums of money.
There were many other factors that delayed the end of the shoot and increased costs. Marlon Brando’s demands were a case in point. They managed to get him back on set for an extra day, provided that he received $70,000 more than planned.
Shooting finally ended in 1977. The team chartered a private plane to fly 381 kilometers of original film to the United States. Editing the film proved to be an ordeal. There was too much material to analyze. In 2001, Coppola presented a modified version of his original 1979 production. In 2019, he finally delivered a final 182-minute version, Apocalype Now “Final cut” , more than forty years after the initial release.
Earnings met the director’s expectations, and he ultimately won his bet. In all, the film generated $140 million from a total budget of $30 million.
Cover page of the manga “Les montagnes hallucinées”, by Gou Tanabe.
Gou Tanabe presents H.P. Lovecraft’s masterpiece “Les montagnes hallucinées” (the French version of “At the Mountains of Madness”) as a two-volume manga. Leafing through Lovecraft is in itself a journey into the strange, but to do so by starting at the end of a book and reading from right to left adds to the weirdness of the experience.
This transposition of Lovecraft into manga is a success. And the statistics prove it. The 382 reviews left on Amazon show clear customer satisfaction, with a total of 4.9/5 stars at the time of writing.
I normally prefer color comics and graphic novels, but the black-and-white interpretation of Lovecraft’s work is a perfect match for the fantasy world into which Tanabe plunges us.
A page from the manga “Les montagnes hallucinées” from Lovecraft, by Gou Tanabe.
Lovecraft makes a phantasmagorical work credible by integrating a well-balanced mix of real and fictional elements into the plot. Unless you’re an archaeologist and paleontologist yourself, it’s hard to tell which data really belong to science. This helps to frame the reader. You recognize moments of pure imagination, but you’re still hooked.
I put myself in the shoes of someone who lived in Lovecraft’s time, when Antarctica was still a mysterious continent, unexplored in its entirety. A story filled with elements of fiction would gain in credibility, while no one could really confirm or deny some of the author’s statements.
A page from the graphic novel “Les montagnes hallucinées”.
In “Les montagnes hallucinées”, we read about sailing, aviation, extreme weather and survival in icy, isolated spaces. Readers witness the problems experienced by the various crews exploring Antarctica. The scientists’ increasingly startling discoveries force them to make risky decisions that plunge them into an unknown world. In short, themes that still appeal to most people today.
The two volumes total around 650 pages, which can be flipped through with interest in a single day, since many plates include no text at all.
The graphic novel “Accidental Czar: The life and lies of Vladimir Putin”.
Note: The excerpts are taken from the French version of “Tsar par accident” and re-translated into English using DeepL.
Author Andrew S. Weiss has worked at the White House, the Pentagon, the State Department, and so on. He points out: “If someone had told me at the time that a former KGB non-commissioned officer – who had never really shone – a certain Vladimir Putin […] – would be promoted from the back rooms of the Kremlin directly to the head of the country, I would have told you to get yourself treated”. He adds: “What we think we know about him is often a clever mix of counter psychology and misinterpretations of Russia‘s thousand-year-old history “. His staging as a tough guy “allows him to come across as more intelligent – and more competent – than he really is. […] “.
The graphic novel “Accident Czar” tells the story of how Vladimir Putinfound himself in power at a time when his rather lacklustre career was destined for a lesser position. But the same could be said of some of the world’s dictators, presidents, kings and ministers over the ages who have been blessed with good fortune. They too have taken advantage of favorable opportunities to climb the ladder too high for their natural talent. The nation then pays the price until the person’s overthrow, exile or death.
Still, we have to give Putin credit for persisting, for hanging on, despite setbacks and rejections. To join the KGB, he was told to study or join the army. He did so and received his diploma.
In 1975, he joined the KGB. But it wasn’t the big missions he had dreamed of that awaited him, but local fieldwork. He failed to impress his superiors with the results he achieved. Following a brawl in the subway, he was transferred to Dresden in 1985, where his missions were meaningless due to lack of budget. In 1999, President Clinton was told that Putin would be the next Russian president. What had happened between 1985 and 1999 for Putin to suddenly emerge from obscurity and become President of Russia?
Credit must be given to his work ethic, but above all to his loyalty to his bosses in an organization that favors personal ties. Yeltsin, the president at the time, sensed his end was coming and offered Putin a deal. The author writes: “He would make him president if he agreed to protect him and his family“.
Just as Hindenburg believed he could manipulate Hitler by giving him access to the highest echelons of government, so Yeltsin thought he could do the same with Putin. In both cases, it was a costly mistake for Europe and the world.
The book reviews the rise of the Russian oligarchs, and the rapprochement of power for Putin’s friends. Andrew Weiss points out: “One of the points that foreigners don’t always grasp is that Russia is a society that operates on the basis of personal ties, rather than within the framework of institutions or the rule of law.“
In the years following the fall of the Berlin Wall, important sectors of the Russian economy were taken over by corrupt officials and KGB agents, as well as by the mafia. As the author writes: “Vladimir Kumarin, all-powerful boss of the notorious Tambov gang, ruled the country“.
Vladimir Putin’s support for the United States after the attacks of September 11, 2001 brought him closer to George W. Bush and his father George H. W. Bush, with whom he even went fishing in Kennebunkport. He hoped to revive the moribund Russian economy and gain the freedom to control the Russian media.
What’s most astonishing to me is that, during this period, Putin approved the highly controversial establishment of American and NATO bases across the former Soviet Union (Uzbekistan,Tajikistan, Kyrgyzstan). With this gesture, he was seeking stabilization with the West. With the causes of the September 11th 2001 attacks still being debated around the world today, especially in the most informed circles, Putin was later forced to reflect on the relevance and consequences of his decision to authorize new American and NATO bases near Russia.
The Russian president quickly realizes that he doesn’t carry much weight in the diplomatic balance against a superpower like the United States. He is not recognized as a player to be reckoned with. With a view to better understanding between the West and Russia, the author stresses the importance of better understanding the grievances of both sides. He points out that this is sorely lacking.
Especially since the Kremlin is convinced that “demands for political change are always the result of Western-backed conspiracies“. All the major nations, by dint of monitoring each other and trying to influence the internal management of other countries, are projecting their intentions and no longer believe that a protest can come from the bottom up, based on a serious desire to improve certain detestable policies.
The author takes a look back at the problems surrounding Russia’s territorial security through the ages, invaded in turn by the Mongols, Napoleon and Hitler: “[Russia] traditionally relies on annexed territories to act as a buffer between the motherland and any external threat“. He also discusses the Chechen conflict, the fight against terrorism, political interference in neighboring states and Russian involvement in the 2016 US elections.
Andrew S. Weiss covers a lot of ground, and other themes find their way into the book: the history of the Cold War, Trump, Snowden, Wikileaks, the Sochi Olympics and the work of Maria Butina, a Russian agent who managed to penetrate the upper circles of the American Republican Party.
It was his belief in the irreversible decline of the West that enabled Vladimir Putin to invade Ukraine.
The author concludes with a remark on the invasion of that country and the indiscriminate bombing of civilian targets: “The world is beginning to understand that Putin was never the strategist he claimed to be. He is an improviser caught in his own trap”.
Allow me to make a comment about the invasion of Ukraine. This country is to receive fighter planes from the Allied States to protect its territory, which deeply offends Russia. However, I would like to remind you that during the Second World War, the Soviet Union accepted a great deal of outside help for its defense on the Eastern Front. To name just one aircraft and country, the Soviet Union obtained 877 B-25 Mitchell bombers from the USA.
Looking at the title, we imagine that this book is either cynical or humorous. Anticipating the reader’s reaction, the author quickly announces where he stands: “These pages are actually the result of a constructive effort to detect, understand and perhaps neutralize one of the most powerful dark forces that impede welfare and happiness of mankind.”
Written by Carlo M. Cipolla and originally published in English in 1976, this little book became an international bestseller when published in 1988 in Italian, his native language, and integrated into a bigger publication called Allegro ma non troppo.
The book contains five basic laws of human stupidity. Each is outlined and explained. In order to take the analysis one step further, the author explains the method he uses to qualify a person’s actions. It is obvious that all may not agree with the author. The same thing happens with subjects like religion or politic. These are sensitive issues.
Distribution of stupidity
I will mention only the first law that sets the tone of the book :[My translation]: “Everyone inevitably always underestimates the number of stupid persons existing in the world.“
All men are not equal: some are stupid and others are not. Culture, race, social class, education, wealth or where you live has nothing to do with the case. Nature randomly decides. Stupidity is shared equally between men and women and uniformly distributed in a constant proportion.
The four major categories
The author divides humanity into four broad categories: idiots, intelligent people, bandits and stupid people. He considers that the most dangerous category is the one that relates to stupidity. These persons show a consistency to inflict losses to others while making no gain themselves through their own actions. In fact, most of the time, they suffer losses.
Impact on society
The degree of danger of the stupid person is function of the genetic combination (the dose of stupidity received at birth!) and the power he holds in society: [My tranlation]:” Stupid people cause losses to others without personal gain consideration. Society as a whole is impoverished.” There is more damage inflicted to society if the stupid actions are the result of a high ranking individual.
In a desire to protect the reader against associating with a stupid person, the author writes: [My translation]: ” You always hope to manipulate stupid people, and it is often achieved, to a certain extent. But because of the erratic side of their behavior, we cannot predict all the actions and reactions of stupid people and we find ourselves very quickly pulverized by the unpredictable decisions of the stupid associate.“
Composition of the population of a country on a downward slope
The final microanalysis attempt to present the composition of individuals in a country that is on a downward slope. The author believes that the percentage of stupid persons is always equal to the proportion found in countries that are on the rise. The difference is instead found in the increasing number of people being found in 1) the category of bandits with a stupid trend (those who get a minor gain while inflicting major losses to others) and 2) a similar increase in the number of idiots in this country (those who cause losses to themselves by constantly generating gains for others).
One positive effect to read and understand this book
This book is likely to reconcile yourself with the past by allowing you to put a final qualifier on the actions of one or more individuals who may have caused you problems while making no serious gain and, eventually, who suffered significant setbacks due to their inappropriate actions and behaviour toward you.
Bonus
Four blank grids are provided at the end of the book to allow the reader to put a qualifier on the actions of persons of his choice.
