There are only a few leaves left in the trees of this clearing in Quebec City, but the scene retains all its charm. The broken tree cuts the landscape diagonally and guides the eye to the center of the photo where a small pond reflects part of the blue sky.
For me, this peaceful place represents the opposite of what we keep seeing as a standardized representation of autumn, without losing interest.
The Fall colors are particularly intense in Quebec towards the end of the first week of October. Rather than sticking to pure landscape photography by framing only the trees and mountains, one can choose to include in the foreground the result of the work of one or more people. Far from distracting, the addition of people or objects related to everyday activities often increases the interest of a photo.
In the photo above, an apple grower from Île d’Orléans is spreading out his harvest.
Cycling around L’Îsle-aux-Coudres is a good exercise and even a photography project for landscape photography enthusiasts. The following information will therefore help you both for the exercise and for planning a photography trip …
The ferry is taken at St-Joseph-de-la-Rive, just down the Côte des Éboulements. Transportation is free, but make sure you’re in the queue thirty minutes before departure: if you make it at the last minute, you’ll have to take the next ferry, an hour later. The trip only takes about 15 minutes to L’Îsle-aux-Coudres.
Once you have reached the island with the car, you drive up the hill (no other choice) to the first intersection and you immediately see a church on the left: this is where motorists carrying bicycles park, free of charge.
Cycling around L’Îsle-aux-Coudres is not really difficult, as the distance to be covered is only 23 kilometers. There are only a few hills to climb and they can be walked up alongside the bike if the challenge is too great. Along the route you will find rest stops, small craft shops and a few restaurants.
Driving around the island in the low season is ideal if you don’t enjoy driving in the presence of too many cars. I was there in September and really wasn’t bothered by traffic. The photo above shows the view in the fall, from the south side of the island. For several kilometers, the cyclist enjoys a perfect view of the St. Lawrence River and the road is directly on the edge of the banks.
There are some beautiful views along the way. Above, a view of the distant mountains that lie on the north shore of the St. Lawrence.
Wind is the main factor to consider when traveling around the island. In the photo above, the wind is strong enough for the smoke from the MSC Annick ship’s chimney to flow in the same direction as the boat, rather than gradually drifting astern.
This means that on days with high winds, there is a side of the island where you will have to put more effort as a cyclist, but you will then be rewarded with a good tail wind in the second portion of the journey.
One last photo taken on the return trip by ferry. Strong winds aloft visibly have an effect on cloud structure.
Have a good ride, and possibly a good photo shoot!
The photo above was taken in the vicinity of Saint-Léon-de-Standon, in the province of Quebec, in the fall of 2021.
I often stop to photograph the beautiful automn colors, but this time the scene had an added interest: a semi-circular cirrus cloud to be included in the photographic composition.
Of all the cirriform clouds in the region that day, this one stood out in a remarkable way. It was the first time that I could observe this high-altitude cloud with such a peculiar shape. All you had to do was position yourself correctly so that the cloud was above the house in the photo …
The above photo was taken while returning from a photography session in the Jacques-Cartier National Park on Route 175, near Quebec City. The rapid drop in temperatures in the early evening allowed the rapid formation of low clouds in the valley. The autumn colors and the effects of the setting sun on the clouds help bring the landscape to life. Landscape photography is often the result of careful planning; but one should not overlook unforeseen opportunities, as is the case here.
Route 175 is heavily used by semi-trailer trucks for trips between Québec and Saguenay-Lac-Saint-Jean. So I waited a bit for an eighteen wheeler to get close enough to include it in the photo.
A view of Mount Robson in 2014 on our way to southern British Columbia, bound for Kamloops. We were fortunate to see enough of Mount Robson as there are more and more forest fires in the summer in western Canada and visibility is often reduced.
On the road in Chaudière-Appalaches, a beautiful region in the province of Quebec, I saw an interesting landscape in my rearview mirror. This was the perfect start for autumn photography.
Rather than getting out of the vehicle to capture the scene and its autumn colors, it seemed to me that a modified « frame in the frame » technique could be applied very well to capture most of this bucolic landscape.
In order for the photo to be sufficiently in focus, it is necessary to stop the engine. Otherwise, the minute vibrations are transmitted to the rearview mirror, making it impossible to obtain a correct focus, even when using the manual mode.
The photographic composition is determined in the rearview mirror by a zigzagging path through houses and forests. The leaves are starting to change color and the buildings in the foreground as well as the shades of green in the fields help bring the scene to life.
This photo was taken at the end of a beautiful day in the Chaudière-Appalaches region. The sun is almost on the horizon and is hitting the sides of the trees directly, further enhancing the autumn colors .
By this time, people are home having dinner and there are hardly any vehicles on the road. Rather than photographing an empty road, which certainly would have been a logical choice, I waited for a vehicle to show up and advance into the foreground of the photo. We are in the countryside and, luckily for me, the old Ford pick-up fitted perfectly in the landscape.
In terms of the photographic composition, the ideal position to capture the scene seemed to be near the curve, so as to use the white line of the road as a guideline leading to the subject of interest. The 16×9 format also allowed for a photo large enough to include the set of transmission line poles on the left, which itself was certainly as old as the pick-up. The latter was positioned according to the rule of thirds, without any compromises being necessary.
The posts on the left allowed a better framing of the subject. In the distance, the sun shines on the road and we assume there is a field on the left that lets the sun’s rays pass through.
The picture was taken with a Canon 5DS R full frame camera.
The St-Jacques de Leeds region, in Quebec, offers interesting opportunities for photographers who like very diversified autumn colors.
At the time
this picture was taken, most red leaves had already fallen. But the contrast
between the dark tones of the evergreens and the other colors still offered
beautiful landscapes.
To compose the picture above, I decided to keep the trail. It leaves the main road where I stood and heads, with a few curves, towards the house. The trail starts at the left of the picture and the observer naturally follows it to the house, then to the forest in the background. With my position, I was also able to hide part of the house with the colored trees.
During late afternoon in Autumn, the light is quite softer than in Summer. It is not necessary to wait for the evening to get interesting results. The scenery above offered a natural contrast between the blue of the sky and the orange tones of the trees. I kept part of the evergreen, for its position in the foreground as much as for its dark tone, to add to the dynamism of the picture.
The tripod was necessary for the picture above. The Canon EF 85mm f/1.2L USM lens, that is normally used for portrait, requires less light than the human eye. It perfectly captured the atmosphere and the colors that were prevailing a few minutes before nightime. All the pictures were taken with a Canon 5DSR full frame camera.
This year I have searched for new sites to capture autumn colours. I drove by Val-Bélair and stopped by a house that looked abandoned. The colour of the chair and the yellow background allowed me to compose my first shot.
There are superb trees between Val-Bélair and L’ Ancienne-Lorette. The picture above represents only a section of the forest.
Val-Bélair is a region with both agricultural and city life. It was natural to compose a picture that would include a car and a tractor. The colored leaves are used as a natural frame around the vehicles. The Canon 5DSR full frame camera’s aperture was adjusted to have only the middle ground in focus.