Even so, if you look carefully, it’s always possible to spot a lone walker, as in the photo above. Most people take the marked trails for ease, but others, like the individual above, venture out on snowshoes near the Jacques-Cartier River, which is completely covered in snow at this time of year.
Jacques-Cartier National Park’s landscape, Winter 2024.
Approximately three kilometres from the Discovery and Services Chalet is a bridge. From here, the hiker can capture some very beautiful scenes. In winter, an interesting effect can be achieved by positioning yourself close to the banks.
November in the Jacques-Cartier National Park in Quebec, 2023
This scenery relaxes me so much, yet there are no spectacular elements. Rather, all the components are in perfect harmony: reflections in the water, some bluish snow here and there, brushes and a few leaning trees lit from the side by a soft late afternoon light. As the large trunks occupy the majority of the scene, I chose a vertical format for the photographic composition.
Photo of the Jacques-Cartier national park, Winter 2024.
Above, the landscape attracts the eye with its combination of horizontal, vertical and oblique lines, as well as its alternating black and white in the foreground. I positioned myself to include in the scene a large branch that enters the photo from the top right-hand corner.
The foreground features open water, snow-covered ice, pure ice and snow-covered ice again. In the middle ground, coniferous and deciduous trees. In the background, a forest revealing the snow on the mountain floor. I’ve left only a hint of sky, as the latter offers no particular interest on this cloudy February day, other than to add some white to complete the alternation of colours.
An Old Quebec view with the Château Frontenac in the distance using a Canon 11-24mm zoom lens.
Luck plays a significant role in the acquisition of an original shot. To put chance on our side, we need to go on photo expeditions frequently, whatever the weather, and seize opportunities when they arise.
For this outing in Old Quebec, I thought I’d use a Canon 11–24mm f/4L USM super-wide-angle zoom lens. It allows you to get very close to a tall building and obtain vertical lines without the top of the structure disappearing.
Indeed, many high-performance zooms require the utilization of image-processing software to produce an almost perfect vertical effect. But doing so cuts off the top of the edifice.
So, I was looking for a different perspective to shoot the Château Frontenac. I saw it more in the background, as a point of arrival for the eye, rather than taking up all the space. Even as a small edifice in a photo, you recognize it before any other structure.
To do this, I chose an architecturally interesting building as my starting element. It reminded me vaguely of the Flatiron Building in New York. Naturally, it’s not as high and offers that rounded effect when captured in wide-angle format.
I’ve observed a lot of representations of Old Quebec so far. However, I don’t recall previously noticing the street and the old edifices in this way. Usually, the building in the foreground is partially visible.
Lost in the analysis of the ideal angle, I heard a strange engine sound. On my left, a vintage car was moving slowly and would pass in front of the Canon 5DSr lens in a few seconds.
I quickly lifted the camera and placed it in the right spot. The auto was already gaining speed and I had to seize the opportunity. This vintage car blended perfectly into the scene. Only the slightly more contemporary station wagon indicates a more recent picture.
Modernity and the past still come together in harmony in a developer-protected Old Quebec. To capture interesting pictures, you need to get out into the old town frequently.
Cyclists turning for côte Gilmour in Quebec City in 2022
An interesting vantage point to photograph the Grand Prix Cycliste de Québec is at the intersection of Grande-Allée and the avenue leading to the famous Gilmour hill. The cyclists are riding at high speed and must brake hard before making a sharp left turn to begin the descent to the portion that will take them along the St. Lawrence River. There are no obstructions for the photographer at this point.
2022 Quebec City Grand Prix Cycliste
To capture the effect of the cyclists’ movement, the shutter speed must not be set too fast, preferably between 1/125 and 1/160. Otherwise, everything looks immobile, even the wheel spokes.
Quebec City Grand Prix Cycliste in 2022
Positioning yourself immediately after the curve allows you to capture a long line of bicycles. You can focus on the cyclists on the right in the viewfinder and leave the line of cyclists around the curve out of focus. To do this, make sure that the chosen aperture will blur the background. It is also important to follow the movement of the cyclists with the camera. If you stand still, all the riders will be out of focus, as the shutter speed is too slow for the high speed of these riders.
Cyclists racing on Grande-Allée in Quebec City 2022
An occasional close-up obtained through cropping allows us to see details that we would otherwise miss. In the case of the photo above, it is clear that not only is the rider in the front relaxed, but he has also recently crashed, with his right arm still in recovery. Sometimes we also see the result of deformities in the knees of cyclists following numerous surgeries.
Quebec City Grand Prix Cycliste 2022
The cyclists want to maintain their position in this tightly packed group that must maneuver in a small space. With a telephoto lens, one can see the facial expressions change as they approach the turn for the Gilmour hill. Note the concentration on the faces of the cyclists in the foreground…
Grand Prix Cycliste in Quebec City in 2022
Following moving cyclists with a camera remains a difficult art to master. Several pictures are taken before a successful one is achieved. Fortunately, film photography is behind us and we don’t worry as much about missed shots. The important thing is to have fun and try to get a little better with each photo session!
Motorcycle policemen lead the convoy bringing the Pope to Old Quebec in 2022.
If you don’t have privileged access, the main difficulty in photographing the arrival of Pope Francis in Old Quebec in 2022 lies in the vague and sometimes contradictory information offered to journalists in an obvious effort to protect the itinerary of the head of state.
You also have to deal with the strong police presence and the barriers that open and close according to the mood of the moment, blocking bicycles and pedestrians long before the Pope has crossed the Saint-Louis gate. As a photographer, you don’t want to find yourself suddenly stuck in a place of no interest.
Other aspects to consider are purely photographic, such as the ambient light and the distance from the subject at the time of the photo, which will influence the choice of equipment carried.
The official convoy arrives on Saint-Louis Street. It is important to know that in the afternoon, the sun crosses directly the axis of the Saint-Louis Street in its slow descent towards the west. If you position yourself along this street to take the picture, there is no physical obstacle, but you photograph against the light a convoy which passes at full speed. The camera sensor does not appreciate backlighting, because it has difficulty evaluating which light takes precedence. The choice of a straight line on Saint-Louis Street is therefore not very interesting.
The crowd greets Pope Francis on his arrival in Old Quebec in 2022.
The Pope’s driver sits on the left (at least in Canada). The Pope will therefore be on the right, whether forward or backward. If one stands in the Place d’Armes, one gives priority to the driver rather than to the Pontiff.
As the sun travels progressively from the axis of St. Louis Street to the west, the tall trees of the Place d’Armes will create a natural veil blocking the effects of backlighting. This will increase the chances of successful photos.
On St. Louis Street, the convoy is moving quickly in a long straight line. The chances of getting a good picture decrease. When the security cars reach the end of Saint-Louis, they have to brake because of a sharp curve near the Château Frontenac. If you position yourself immediately after the curve, the chances of getting an acceptable picture increase greatly.
As for photographic equipment, a camera lens that requires little light will help optimize shutter speed and depth of field, especially in the late afternoon. The Canon EF 85mm f/1.2L II USM lens offers more flexibility.
A camera with a full-frame sensor will also allow the cropping necessary to magnify the photo without loss of quality. For the photos included in this article, the camera used was a Canon 5DSR.
The riskiest technique which therefore requires a little more experience is to take the picture of the head of state in his car in focus while leaving the outside blurred, to show that the car is moving fast. You follow the car with the camera’s viewer. The closer it gets to you, there is an obvious feeling of acceleration. It is thus necessary to increase the rotation of your body to adjust to the car’s relative speed change. The autofocus does its job as the vehicle approaches.
There is only a fraction of a second where you get a completely clear view of the head of state. A second too early and you only see a portion of the face with a piece of the car, a second too late and you get a three-quarter rear view. A continuous shooting mode becomes absolutely necessary.
Pope Francis arrives in Old Quebec on his trip to Canada in 2022.
An adequate shutter speed captures the face of the head of state accurately and keeps the background blurred. A shutter speed that is too fast makes the whole scene clear and sharp, and the photo loses its dynamism. Too slow a speed and the face lacks definition. There is only one chance to get it right.
So, those were a few ideas to remember if you want to photograph important events in Old Quebec. A prior knowledge of the terrain and of the sun’s position at specific times remains essential if you want to increase your chances of success.
The historic area of Brockville in Ontario is surprising for its architecture, its large mature trees and the presence of a very well-planned marina. At the end of each day, many vehicles come to park along the boardwalk which provides a beautiful view of the St. Lawrence River near the Thousand Islands Archipelago.
The photo above shows one of these old buildings covered with ivy and other vines. The unstable weather on this day allowed us to capture a towering cumulus cloud (TCU) in the background, which adds to the overall atmosphere.
Isolated tree near the historic area of Brockville in Ontario.
While walking around the historic district of Brockville, we spotted this huge tree standing alone at the curb. Although it is not protected by other trees in the area to endure the storms and high winds over the years, it managed to survive and reach maturity without too much damage.
Both pictures were taken with a Canon 5DSr full frame camera.
Winter photography holds great surprises during snowstorms. The picture above was taken on February 27, 2020, a day when Quebec City received between 30 and 35 centimeters of snow.
This little street in Quebec City still has its old wooden posts from which hang many electric wires. In several new neighborhoods, the wires are now buried and the lampposts are no longer made of wood.
The photographic composition did not require much effort, because everything attracted me to this traditional winter scene: the people, the diffused light at the end of the day, the horizon obscured by snow, the steeples in the background, the traditional architecture of buildings pressed against each other and the cars buried under the snow.
As for people, there was only the person shoveling her
entrance when I took my first photo. Then a man walking his dog appeared in the
distance. I took the photo when he was well in view but not in the foreground.
The scene was captured with a Canon 5DSr full-frame DSLR camera. Image processing software was then used to refine the final result.
This year I have searched for new sites to capture autumn colours. I drove by Val-Bélair and stopped by a house that looked abandoned. The colour of the chair and the yellow background allowed me to compose my first shot.
Multicolored trees near Val-Bélair.
There are superb trees between Val-Bélair and L’ Ancienne-Lorette. The picture above represents only a section of the forest.
Val-Bélair in Autumn.
Val-Bélair is a region with both agricultural and city life. It was natural to compose a picture that would include a car and a tractor. The colored leaves are used as a natural frame around the vehicles. The Canon 5DSR full frame camera’s aperture was adjusted to have only the middle ground in focus.
Ogunquit, Maine. It is 5h15 in the morning and in the hotel room, the thick curtains do not allow me to know what type of light is offered by the sunrise. A quick glance outside gives me the signal that my night is over. The light is worth being captured.
On the beach, there are already a few people who have arrived, either to fish, meditate, jog or take pictures. I will spend the next few hours, capturing the different nuances of light on the water and through the waves.
I will try to include a few of these photos in the coming editions of my blog.
For this picture of the Kelowna Yacht Club, in British Columbia, I was more interested in capturing the general atmosphere rather than the whole yacht club with all its boats and installations.
The words Kelowna Yacht Club and the boats being obvious in the midground, there was no need to add more details. It was nonetheless important to position the tent in the superior right corner of the picture since the name of the yacht club was showing and it was well lighted.
The photographic composition includes elements of the surrounding natural environment that made Kelowna’s reputation. The boats are framed between the rocks and the plants in the foreground while the mountains are visible in the background.
In order to achieve a good photo at this time of the day, a tripod was necessary. It was nonetheless mandatory to limit the exposure time due to the winds, in order to avoid a blurred picture. The shutter speed was limited to 3.2 seconds and the ISO adjusted to 320 to limit the photographic grain. An aperture set at 13 allowed a sufficient depth of field to offer a sharp image.
A Canon EF 24-70mm f/2.8L USM lens mounted on a full frame Canon 5DSR was used for the picture. The focal was limited to 32mm. The visibility was somewhat limited due to the active forest fires in the region, but the additional condensation nucleis in the air helped to obtain beautiful colors in the sky.
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Freezing rain and nature during the winter 2019 in Quebec City.
The effects of the freezing rain that fell over Quebec City this winter were not only negative. Photographers seized the opportunity to immortalize rapidly changing situations.
In the picture above, the “blue” that is visible in the ice represents the reflection from the magnificent winter sky. On a bigger screen, the ice shows the white birch trees that were surrounding the scene.
In order to avoid any distractions, the background was keptblurred by setting the aperture to 3.5. The presence of moderate wind required a higher shutter speed, in this case 1/6400. The ISO was limited to 250, to protect the quality of the picture during the enlargment. The 50.6 megapixel full frame sensor offered all the necessary flexibility during the digital processing.
The picture was taken with a Canon 5DSR equipped with a Canon EF 70-200mm f/2.8L II USM telephoto lens. I only had that lens at the moment of my walk. The focal length was 200mm with the stabilizer “on” and a setting of “1.2 meter/infinite” instead of the usual “2.5 meters / infinite”.
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