Pileated Woodpecker (female) at work on a silver maple in 2020.
Last week, a Pileated Woodpecker female landed on our silver maple. When it digs a hole in a tree to find food, the bird hits the trunk harder and at a much slower rate than the Hairy Woodpecker. This is what caught our attention.
This Woodpecker is impressive, especially when it is the first time that we have the chance to observe it at work. The Pileated Woodpecker measures between 40 and 49 cm and is found in Canada and the United States. When its work is completed, it leaves a hole of about 10 x 7 cm in the tree.
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February 7th 2020 snowstorm at Place d’Youville in Quebe City.
The photo above shows Place d’Youville, in Quebec City, during the February 7, 2020 snowstorm.
The original color photo practically showed only a general white veil. The processing in black and white photo helps to accentuate the effects of blowing snow in this winter scene. Transformation into black and white is a very useful photography technique when it comes to highlighting elements that are difficult to detect.
The subsequent enhancement using an image processing software also helped to highlight otherwise secondary elements.
Between the snow bank in the foreground and the buildings on the right, the cars are moving slowly along what is still visible of this entrance to Old Quebec.
The St. Louis street and the La Bûche restaurant in Old Quebec.
The scene
above shows St-Louis street partially obstructed by snow. On this Friday
evening, the Quebec carnival has just started. However, not everyone is
celebrating. The driver of the snow blower in the background is immobilized.
The trucks in which he would normally blow snow have been delayed.
In the foreground, the restaurant La Bûche. I’ve been there a few times since it opened. Always the same excellent recipes, impeccable service and an extra kilo after the meal. A very good restaurant in Quebec, near the Chateau Frontenac. And for those interested, what is happening in the kitchen is visible to some of the customers. (No I am not paid for this advertisement!)
A cyclist in a snowstorm in Old Quebec on February 7th 2020.
For the bravest, winter cycling is an alternative way to travel in extreme weather. The reduced visibility forces the cyclist above to use the sidewalk for his own protection. However, beware of walking down sidewalks at the corner of streets where ice sometimes accumulates. Having often been in Old Quebec to do night and day photography, I witnessed spectacular pirouettes that would make the elastic acrobats of Cirque du Soleil jealous.
The photos were taken with a Canon 5DSr full-frame camera.
Place d’Youville under moderate snow. Seen from the Porte St-Jean during Winter 2020.
The photography technique adopted above uses the arch offered by Porte St-Jean to frame the main photo showing Place d’Youville and its buildings at the time of heavy snowfall.
This winter night photograph represents several challenges, including the need to show the snowflakes falling in front of the headlights of moving cars while respecting the natural light of the buildings in the background.
The two pedestrians strolling on St-Jean Street add a human touch and depth to this scene.
The photo below shows part of Pub St-Patrick with some of its Christmas decorations during the snowstorm of February 7, 2020. Old Quebec is full of decorated buildings long after the holiday season is over.
A pedestrian in front of Pub St. Patrick in Old Quebec, Winter 2020
The photo was taken just before nightfall because the light is particularly
soft at that moment. I waited for a rare pedestrian to add a bit of humanity to
this scene.
The photographic composition takes into account the two diagonal lines starting from the upper and lower left corners and meet on the right side of the photo, roughly in its center.
The diffuse light coming from a lamp post located on the right and outside
the frame of the photo adds a little warmth to this winter scene.
A narrow street in Old Quebec during a winter storm in 2020
The few Christmas decorations still remaining in Old Quebec enhance the winter scenery during a snowstorm on February 7 2020. The presence of several interesting elements add to the photographic composition: the color of the lights in the fir tree and its reflection on the snow, the yellowish lights , the pedestrians walking in the snow covered alley, the smoke escaping from one side of the building and the « blue hour », a period that lasts a few minutes before darkness when one can still see the color of the sky.
Winter storm in Quebec in 2020
The black and white photo above has received infrared treatment. This way, the characters passing in front of the car’s headlights are clearly visible, while also making it possible to distinguish the surrounding objects. Night photography with moving characters and such dramatic light contrastsrequires a higher ISO if you do not want to leave out objects that would be of interest in the photographic composition.
Despite an adjusted ISO, the car’s headlights made it harder for the camera’s sensor to correctly read the average brightness of the scene. Without digital image processing, the surrounding buildings would all be extremely dark. Using infrared solved part of the problem.
A winter photography project can consist of planning a photo session during a huge winter storm. The next few articles related to photography will concern the snowstorm that took place on February 7, 2020 in Quebec.
The photo above was taken near Côte de la Fabrique, in Old Quebec, after the storm which left 35 centimeters of snow. I chose a black and white photo because the colors added nothing significant, even going so far as to distract the viewer.
The technique of black and white photography works very well here at showing the contrasts between light and dark. The pedestrian and the vehicle headlights emerge much better and the blowing effect near the buildings is more visible.
Delayed snow removal in Old Quebec.
Interestingly, the rise and fall of tides in the St. Lawrence Seaway impacts snow removal in upper town of Old Quebec.
If the storm occurs during high tides, there may be an overflow of the St. Lawrence Seaway on certain sections of the highway in the lower town. The trucks responsible for collecting snow then have to make a long detour which brings them back to areas already affected by automobile congestion and where speed limits are considerably lower.
While the snowblower is on site and ready to clear the streets of Old Quebec, trucks are caught in traffic, thus slowing the snow removal process. (To be continued).
These pictures were taken in October in the St-Gilles region, in Quebec. In the photo above, the sunlight was streaming through the leaves, giving the peach color even more intensity. To make the leaves the main subject of interest, I positioned myself under a branch and reduced the aperture of the Canon 5DSR to 3.5. The leaves in the foreground were now in focus while everything else became blurred, adding to the atmosphere.
Cows and autumn colors in Quebec.
St-Gilles countryside in autumn.
The owner of a nearby house in St-Gilles had a thought for walkers and left two chairs near the water. The chairs became the main interest in the photo and are therefore in focus. The forest and the colored leaves in the background are deliberately kept blurred.
The St-Jacques de Leeds region, in Quebec, offers interesting opportunities for photographers who like very diversified autumn colors.
A house in the St-Jacques de Leeds countryside in Autumn.
At the time
this picture was taken, most red leaves had already fallen. But the contrast
between the dark tones of the evergreens and the other colors still offered
beautiful landscapes.
To compose the picture above, I decided to keep the trail. It leaves the main road where I stood and heads, with a few curves, towards the house. The trail starts at the left of the picture and the observer naturally follows it to the house, then to the forest in the background. With my position, I was also able to hide part of the house with the colored trees.
St-Jacques de Leeds countryside in Autumn.
During late afternoon in Autumn, the light is quite softer than in Summer. It is not necessary to wait for the evening to get interesting results. The scenery above offered a natural contrast between the blue of the sky and the orange tones of the trees. I kept part of the evergreen, for its position in the foreground as much as for its dark tone, to add to the dynamism of the picture.
Autumn evening in St-Jacques de Leeds.
The tripod was necessary for the picture above. The Canon EF 85mm f/1.2L USM lens, that is normally used for portrait, requires less light than the human eye. It perfectly captured the atmosphere and the colors that were prevailing a few minutes before nightime. All the pictures were taken with a Canon 5DSR full frame camera.
This year I have searched for new sites to capture autumn colours. I drove by Val-Bélair and stopped by a house that looked abandoned. The colour of the chair and the yellow background allowed me to compose my first shot.
Multicolored trees near Val-Bélair.
There are superb trees between Val-Bélair and L’ Ancienne-Lorette. The picture above represents only a section of the forest.
Val-Bélair in Autumn.
Val-Bélair is a region with both agricultural and city life. It was natural to compose a picture that would include a car and a tractor. The colored leaves are used as a natural frame around the vehicles. The Canon 5DSR full frame camera’s aperture was adjusted to have only the middle ground in focus.
An outside exhibition presenting metal office furniture installed in a glass cage allowed me to show Montreal under an unusual angle. The picture was then digitally treated to give it the desired look.
This picture of the Château Frontenac and Dufferin Terrace was taken during the Quebec Summer Festival 2018. From where I stood, near the Citadel, I could hear the crowd present on the Plains of Abraham during Patrice Michaud’s performance.
The picture was taken with a full frame Canon 5DSR camera equipped with a Canon EF70-200mm f/2.8L IS II USM. The focal length was set at 70mm. As the sun was setting, an ISO set at 200 would have caused the moving persons to be blurred. It was thus necessary to set the ISO at 4000.
Working without a graduated filter to attenuate the background light, I had to correct the exposure at +1, otherwise the middle ground would have been too dark and it was the main subject of the picture. I then slightly reduced the clear tones of the sky with Photoshop for a more balanced result.
The focus was done manually while the camera was installed on a tripod. The aperture was limited to 4.5 to limit the exposure time so that a compromise could be found between an acceptable depth of field and the moving people. This allowed for a shutter speed of only 1/15 sec, even in a relatively low light.
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