Freezing rain and nature during the winter 2019 in Quebec City.
The effects of the freezing rain that fell over Quebec City this winter were not only negative. Photographers seized the opportunity to immortalize rapidly changing situations.
In the picture above, the “blue” that is visible in the ice represents the reflection from the magnificent winter sky. On a bigger screen, the ice shows the white birch trees that were surrounding the scene.
In order to avoid any distractions, the background was keptblurred by setting the aperture to 3.5. The presence of moderate wind required a higher shutter speed, in this case 1/6400. The ISO was limited to 250, to protect the quality of the picture during the enlargment. The 50.6 megapixel full frame sensor offered all the necessary flexibility during the digital processing.
The picture was taken with a Canon 5DSR equipped with a Canon EF 70-200mm f/2.8L II USM telephoto lens. I only had that lens at the moment of my walk. The focal length was 200mm with the stabilizer “on” and a setting of “1.2 meter/infinite” instead of the usual “2.5 meters / infinite”.
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The crowd on the Plains of Abraham, in Quebec City, during the 2018 Festival d’été de Québec.
The Quebec Summer Festival draws huge crowds every year to each one of its shows. I decided to use the crowds to compose a photo in which there are only two subjects. In the foreground, one of the trees on the Plains of Abraham. I use the tree to create a diagonal that crosses the picture and, at the same time, helps balance the colours in the picture.
In the background, the crowd, without any other distraction. The people fill every available corner of the picture. They are the ones bringing the picture to life. It is also because of their presence every year that the Quebec Summer Festival is a success.
The picture was taken with a Canon 5DSR camera equipped with a Canon 70-200 f2.8L IS II USM lens. The focal length was 200mm and the shutter speed 1/250. Despite a 200mm focal, the people were still too far to be clear enough.
The goal being to crop the picture enough to enlarge the people, the ISO had to be quite low. It was set at 640. Once those priorities were established, the aperture could only be set at 5.0, which was good enough for the result I was trying to obtain. The 50.6 megapixels full frame sensor of the Canon 5DSR helped a lot.
For other pictures of Quebec City, click on the following
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This Cedar Waxwing was photographed in June 2018 as it stopped in our Russian mountain ash. The bird had spotted a few dried out fruits left from the Autumn 2017 season.
The picture was taken with a Canon 5DSR camera in order to use the cropping facility of its full frame sensor. A Canon EF 70-200mm f/2.8L IS II USM was mounted on the camera. The aperture was set at 3.5 to ensure a blurred background.
The ISO was set at 320 since considerable cropping would be required to enlarge the bird, even with a 200mm focal length. The grain remained reasonably small through the cropping process, ensuring an acceptable image.
Click on the links for more photos of Quebec and Canada on my blog.
Jeanne d’Arc and the snow geese. Parc Jeanne d’Arc, Quebec City, 2017.
When someone wants to do street photography, he must continually ask himself: “What don’t I see, but that is there? What do I take for granted but that would deserve a different approach?”
While I was heading to Old Quebec, I walked by the Jeanne d’Arc park. This park is known for its beautiful flowers and its huge statue of Jeanne d’Arc. But how could I get the statue without the flowers?
I was looking left and right when I finally looked straight up to see, in the background, hundreds of snow geese flying at high altitude and enroute for the Arctic. I had to very rapidly find a way to photograph the statue and the snow geese.
A few seconds later, the tip of Jeanne d’Arc’s sword was pointing towards the snow geese, making a link between the two subjects.
On a more theoretical note, an abstract diagonal line crossed the photo, starting from the front of the horse and going through the rider, the tip of the sword and following the two lines of geese, ending in the upper right corner of the picture.
The picture was taken with a Canon 5DSR full frame camera equipped with a Canon EF 85mm f/1.2L II USM.
The pictures below were taken in Vancouver and Victoria, in British Columbia. They were all taken with a Canon 5DSR full frame camera.
In the Vancouver harbour, several condo towers have been built in the last few years. Many condos in those towers can now be rented by travellers through Airbnb, thus entering in direct competition with the hotels located nearby. I was trying to use the water reflections in the harbor to show one of the towers when this seagull appeared in the viewfinder, adding a touch of life to the scenery.
Another way of showing the Vancouver Harbour architecture (2016)
Floatplanes of all types constantly maneuver in the Vancouver harbour. The two photos below show a Saltspring Air Turbo Otter as it is being helped to park. You can also see a row of Harbour Air Beavers (DHC-2) parked after a day of uninterrupted flights.
Saltspring Air Turbo Otter C-FLAP in Vancouver Harbour 2016
Harbour Air DHC-2 Beaver floatplanes in Vancouver, British-Columbia (2016)
In the Willows Beach’s Park, in Victoria, I was able to photograph this Cooper’s Hawk using a Canon 70-200 f2.8L IS II USM telephoto lens. The full frame sensor 50 megapixels allowed for some serious cropping to bring the bird closer. The hawk clearly annoyed all the crows that considered themselves as the owners of the territory.
Cooper’s Hawk in a Victoria’s public park (2016)
In the evening, the fishing boats come back to the Victoria Fisherman’s Wharf. Since I was standing on a moving platform, the use of a tripod would have been useless because of vibrations impossible to eliminate. The solution was to use a lens requiring little light, like the Canon EF 50mm 1.4 USM. By increasing the aperture and the ISO, the picture could be taken with a high enough shutter speed to avoid a blurred photo.
Government of Quebec Challenger CL-600 C-GQBQ airborne from the Québec Jean-Lesage international airport
I return in the past with this photo of the Governement of Quebec Challenger 600 C-GQBQ. It is seen here after the take-off from the Quebec Jean-Lesage international airport. The picture was taken during fall 2012 with a Canon 5D MKII full frame camera, from the stairway surrounding the Quebec control tower.
With regards to photographic composition, the rule of thirds can be detected in the two wooden zones in the background, one at the top and the other at the bottom of the photo. The aircraft’s position in the frame happens to also meet the same rule of thirds.
I used the spectacular colors of fall to add some interest to the scene.
The Magdalen Islands, in the Province of Quebec, are recognized for the magnificent sunsets. The picture above was taken while I was coming back from Havre Aubert with my family during summer 2017. The ponds are located between Havre Aubert and Cap-aux-Meules, immediately alongside the main road.
The day had been cloudy and there was no indication that the evening would offer a possibility to get an interesting picture. But around 8 PM, while the sun was still relatively high above the horizon, a few sunrays were able to pierce through the cloud deck. The stratocumulus being well defined, it became obvious that when the sun would be close enough to the horizon, it would light the cloud deck from below as well as light up the ponds. It was important to act rapidly in order to capture the beautiful atmosphere.
When the winds are calm and you must stand still close to ponds in order to do photographic adjustments, one must accept to lose some blood to swarming moskitos. That night, I must have lost a pint of blood!
The absence of wind allowed for a good reflection of the electric poles in the foreground.
The picture was taken with a Canon 5DSR full frame camera equipped with a Canon 70-200 f2.8L IS II USM telephoto lens and a graduated filter used to avoid the underexposure that would be caused by the highlights in the horizon. I used aperture priority and set it at F18 to get a proper depth of field. The ISO was set at 200 and the focal length at 135 mm.
For other photos on the province of Quebec and also Quebec City, click on the following links from my blog:
The Harlequin in front of the Jean Gaulin refinery in Lévis, 2017.
The picture above shows the Harlequin, a bulk carrier built in 2012 that has a 9.7 meter draught. It sails under the Cyprus convenience flag. On June 18th 2017, when the photo was taken, it was in front of the Jean Gaulin refinery in Lévis, Quebec, and was about to cross the Atlantic heading to Rouen, France. The Jean Gaulin refinery is Quebec’s largest refinery and ranks second in Canada when it comes to refining crude oil.
The photo was taken at 21:07, just before nightime. Since I was positioned on the highest floor of the Quai des Cageux wooden tower, there were constant vibrations associated with people going up and down the stairs. The tower’s movement combined with a moving vessel made the use of of tripod totally useless. It was thus necessary to make a handheld photo, which seriously increased the risk of a blurred picture considering the lack of light.
A Canon EF 85mm f/1.2 II USM fixed lens installed on a Canon 5DSR full frame camera helped to make a successful shot. The fact that this kind of lens requires very little light increases the photographer’s margin of manoeuver. It would obviously have been possible to increase the ISO to 6000 and more to compensate for the poor lighting, but that would have degraded the photo’s quality. The ISO was thus limited to 2000, with a shutter speed of 1/200 sec and a 1.6 aperture.
In order to limit the risk of a blurred picture, it was necessary to follow the movement of the ship with the camera. The closer one gets to immobilizing the ship in the viewfinder, the better the chances of a defined photo.
Since the ship was farther than it appears on the picture above, some cropping was mandatory to bring the vessel to a decent size. If the ISO had been too elevated to start with, the ensuing photographic grain would have been too big after the cropping and the quality of the picture would have suffered. With an ISO limited to 2000, the image kept a decent definition.
For other pictures of ships on my website, click on the following link : Ship photography.
The chilean vessel Esmeralda and its crew during the Tall Ships Regatta 2017 in Quebec City.
In July 2017, the four masted Chilean sailboat Esmeralda arrived in Quebec City for the Tall Ships Regatta 2017. The arrival was quite spectacular, as the whole crew sang together for several minutes for the people standing along the pier.
In order to avoid any distraction, the full frame picture has been taken in the portrait mode and the cropping was tight enough to bring forward the crew members standing up high away on the masts.
The picture below offers another point of view of the sailboat masts but this time the importance is given to the colored chairs directly installed in water, allowing the tourists to cool down during a particularly hot summer day. The wide angle lens used for the shot was a Canon 14mm f/2.8L. Two diagonal lines created by the pool in the foreground progressively meet with each other in the distance, in front of the sailboat.
The vessel Esmeralda during the Tall Ships Regatta 2017 in Quebec City.
When the Tall Ships Regatta 2017 ended, several small boats approached the Esmeralda and other sailboats to slowly travel with them from Quebec City until they cleared île d’Orléans. In the picture below, you can see the cruise ship Maasdam, which has been repositioned to a new pier in the Port of Quebec in order to accomodate the sailboats.
The ship Maasdam and the vessel Esmeralda during the Tall Ships Regatta 2017 in Quebec City.
In the picture below, the sailboat Esmeralda his heading towards the north of île d’Orléans as the final parade is completed. On the left, you can see the Château Frontenac and, directly behind, the Hotel Le Concorde Québec, with in its upper ring a revolving restaurant offering a superb view of Quebec City. The hand held photo was taken from île d’Orléans with a Canon EF 70-200mm f/2.8L IS II USM telephoto lens. This lens is equipped with an integrated stabilizer.
It would nonetheless have been quite difficult to succeed with such an important cropping without the performance of the 50.6 megapixel full frame sensor used in the Canon 5DSR. Considering the great distance over water that is present between the camera and the sailboat, it is possible that you notice a mirage effect, even with the small picture presented here.
The vessel Esmeralda in Quebec City during the Tall Ships Regatta 2017. In the background, the Château Frontenac and the hotel Le Concorde.
I thought the crew would use all of the sailboat’s sails once passed île d’Orléans, but it was not the case. The picture below was taken from the top of a wooden tower installed at the north east extremity of île d’Orléans, while the Esmeralda is still navigating using its engine.
Even without the sails, the photographic composition benefited from a yellow field, a merchant ship and a lively horizon line showing the Appalachian mountains. No tripods were used for the shot as the wooden tower was constantly moving. The telephoto lens used was a Canon EF 70-200mm f/2.8L IS II USM and a slight cropping was necessary.
An approximative rule of thirds is behind the composition of the photo : you can imagine three fictive horizontal lines dividing the frame. The sailboat also finds itself on one of the rule of thirds vertical line on the right.
The vessel Esmeralda, from Chile, sailing on the St. Lawrence Seaway after its departure from the Tall Ships Regatta 2017 in Quebec.
For other pictures of ships on my blog, click on the following link : Ship photography.
Here is a night picture that speaks volume about the ambiance that generally prevails in Quebec City. Wherever he walks, the photographer will notice citizen and tourists admiring the town.
The photo was captured with a Canon 5D MKII full-frame camera equipped with a Canon EF 50mm f/1.4 fixed lens. This kind of maximal aperture allows to take pictures at this time of the day without the need of a tripod and without grossly increasing the ISO, thus protecting the picture’s quality. The use of a tripod is always giving better results, but for the occasions where the photographer does not have one with him, the maximal aperture of 1.4 (or even better 1.2 for the lucky ones) can save the day.
The stars surrounding the city lights do not result from using a special photography equipment. Instead, they are produced by the multiple elements present in the Canon EF 50mm f/1.4 fixed lens. Since every lenses available on the market are not of equal quality, some lenses naturally offer a much nicer bokeh than others.
It is quite difficult to obtain something else than human silhouettes when the light is so weak. The lower third of the image also proves to be a problem for the camera, as the luminosity created by the streetlights is much more intense. Nonetheless, it was not too difficult to correct the contrasts using an image editing software, since the photo was taken using RAW files.
For other photos on the province of Quebec and also Quebec City, click on the following links from my blog:
