We’ve had some very mild weather recently in Quebec City. A rainy day in the middle of winter melts the snow at an accelerated rate and creates widespread fog over the region. Just before nightfall, this weather phenomenon combined with road traffic and the imposing trees on Grande-Allée prompted me to take a photo from the moving car. Digital processing was then applied to achieve the desired effect.
Here’s another shot of rue Saint-Louis in Old Quebec in the rain in the middle of winter. I took the photo at the end of 2023, when the Christmas decorations added a little cheer for lack of snow, which is fairly rare for Quebec City. Many tourists had to readjust their plans for outings with children during this period.
An interesting vantage point to photograph the Grand Prix Cycliste de Québec is at the intersection of Grande-Allée and the avenue leading to the famous Gilmour hill. The cyclists are riding at high speed and must brake hard before making a sharp left turn to begin the descent to the portion that will take them along the St. Lawrence River. There are no obstructions for the photographer at this point.
To capture the effect of the cyclists’ movement, the shutter speed must not be set too fast, preferably between 1/125 and 1/160. Otherwise, everything looks immobile, even the wheel spokes.
Positioning yourself immediately after the curve allows you to capture a long line of bicycles. You can focus on the cyclists on the right in the viewfinder and leave the line of cyclists around the curve out of focus. To do this, make sure that the chosen aperture will blur the background. It is also important to follow the movement of the cyclists with the camera. If you stand still, all the riders will be out of focus, as the shutter speed is too slow for the high speed of these riders.
An occasional close-up obtained through cropping allows us to see details that we would otherwise miss. In the case of the photo above, it is clear that not only is the rider in the front relaxed, but he has also recently crashed, with his right arm still in recovery. Sometimes we also see the result of deformities in the knees of cyclists following numerous surgeries.
The cyclists want to maintain their position in this tightly packed group that must maneuver in a small space. With a telephoto lens, one can see the facial expressions change as they approach the turn for the Gilmour hill. Note the concentration on the faces of the cyclists in the foreground…
Following moving cyclists with a camera remains a difficult art to master. Several pictures are taken before a successful one is achieved. Fortunately, film photography is behind us and we don’t worry as much about missed shots. The important thing is to have fun and try to get a little better with each photo session!
Tonight, the weather is too nice to stay at home. Thousands of people are already walking in the streets of Old Quebec on this day of Saint-Jean-Baptiste, the national holiday of Quebecers.
People are positioning themselves early around the Tourny Fountain and on the Parliament grounds in anticipation of a multimedia show whose images will be projected on the façade of the National Assembly.
Once the show is over, it’s the rush to Old Quebec or the restaurants of the Grande-Allée. The photo above was taken from the top of the St. Louis Gate.
I love this view of the northern sector of Quebec City in the late evening. Normally, a filter would be needed to neutralize the intense light generated by a setting sun. But tonight, the clouds act as a natural attenuator and the sensor of the Canon 5DSr camera can do its job well.
The last picture below is of St-Jean Street, in Old Quebec, in the late evening of June 24, 2022. This street is being revitalized and new businesses and restaurants have recently settled there. During the summer, a section of the street is reserved to pedestrians and the strollers have access to many terraces.
On the picture above, there is a sign indicating that the Quebec Summer Festival does not garantee an access to any sites. Under normal circumstances, this makes sense.
But to say such a thing to the crowd who came to see Metallica would have been quite a challenge : « Ladies and gentlemen, as the person in charge of the Quebec Summer Festival, I would like to take the opportunity to remind you that the ticket you bought does not garantee an access to any specific site. A sign has been posted to that effect and the people at the beginning of the waiting line for the Metallica show can actually read it. Today happens to be such a day where you do not have access to the site. But there are other shows in town, so have a good festival and have fun! »
But all went well and the Metallica show, as well as the other shows presented at the Quebec Summer Festival were a success in 2017.
On a more technical side, the full-frame camera used to take the huge crowd was a Canon 5DSR equipped with a Canon EF 85mm f/1.2L II USM lens. The top of the St.Louis Gate, on Grande-Allée, was the perfect place to capture all those people waiting for Metallica.
For other photos on the province of Quebec and also Quebec City, click on the following links from my blog:
On June 24th 2016, during the National Holiday of Quebec, the new Pierre Lassonde pavilion of the Musée National des Beaux-Arts du Québec (MNBAQ) on Grande Allée in Quebec City was inaugurated. This pavilion, that has been expected for a very long time, will allow the Museum to expose art that had to be stored, up to now, due to lack of floor space. This new pavilion will double the exibition space.
Many political personalities were present, among them the Prime Minister of Canada Justin Trudeau and Quebec’s Prime Minister Philippe Couillard, as well as the MNBAQ director Line Ouellet. International actuality caught up with the Canadian Prime Minister during his presence in Quebec and he had to comment on United Kingdom’s exit from the European Union (Brexit) which was voted on the precedent day.
The Pierre Lassonde pavilion architectural project, valued at about $103 millions, was the result of an international competition won by the American architectural firm OMA from New York. Fifteen thousand people were expected to show up for the inauguration. Instead, thirty thousand people visited the pavilion to get a glimpse of the creation directed by the architect Shohei Shigematsu.
Lots of compromises to limit the expenses had to be made, like in all serious projects. Nonetheless, the pavilion is a success and I am eager to see what kind of atmosphere will be generated this coming winter when the light shines through the glass panels and colors the snow around the pavilion. This new building, with its original architecture and the light that emanates from it, already adds a new dynamic when night falls on Grande Allée.
For those of you who are interested in photography, here are some details about the photographic equipment used for my photos : they were all taken with a DSLR Canon 5DSR camera. The Canon lenses that were used were : EF 14mm f/2.8L II USM, EF 50mm f/1.4 USM and telephoto lens EF 70-200 mm f/2.8L IS II USM. The use of a flash being forbidden inside the museum, I had to carefully adjust the ISO, speed and aperture settings, especially where the use of a tripod was not authorized. For those occasions, the EF 50 mm f/1.4 USM was of great help.
For other photos on the province of Quebec and also Quebec City, click on the following links from my blog: