(This section includes graphic novels, graphic books and comics).
A graphic novel – Jours de sable
The graphic novel “Jours de sable” is a historical reminder of the famous Dust Bowl which struck the central United States between 1930 and 1940. These were ten years of misery that inspired John Steinbeck for his work “The Grapes of Wrath“.
The sand and dust storms that engulfed parts of Oklahoma, Kansas, Texas, New Mexico and Colorado came from a multitude of combined causes, including farmers’ overuse of the soil and repeated droughts.
Add to these factors linked to the economic crisis and multiple epidemics, and we can understand the mass exodus of American households. They left everything behind, including many family members who died of dust-related respiratory complications. Most headed for the West Coast, but this massive influx of people only served to increase the region’s already high unemployment.
The strangest thing is that, decades later, the climate changes experienced today in these same states could help to repeat the phenomenon, without it necessarily covering such a long period.
Author Aimée de Jongh uses fictional characters, but the scenario respects the reality experienced by the population. In her story, a young photographer leaves New York in 1937 to report on the Dust Bowl. He has been briefed on the subjects to be covered, but soon realizes that he is dealing with a human tragedy of unsuspected proportions.
Asking suffering people who have lost everything to pose for the New York media was not as simple as he had thought. The situation becomes even more complicated when he gets to know these people and experiences their difficulties first-hand.
In addition to the deftly drawn panels that delight the reader, there are plenty of period photos gleaned from various museums, as well as official historical content. I loved this award-winning book.
Title : Jours de sable
Author : Aimée de Jongh
Edition: Dargaud, 2022
ISBN: 978-2-5050-8254-5
A graphic novel – Super canon
With “Super canon— Le marchand d’armes qui visait les étoiles”, writer Philippe Girard offers us a high quality graphic novel, as much for the scenario as for the drawings and colour choices. For this work, he benefited from an author residency in Liège. He certainly enjoyed his experience in Belgium much more than his writer’s residency in Poland, where he had to fend for himself because the hosts hadn’t respected the scheduled introductions and appointments. At the time, he used his misfortune to produce a very interesting graphic novel entitled “Le Starzec — un mois à Cracovie”.
“Super Canon” is based on a true story, that of Canadian engineer Gerald Vincent Bull. Of course, it’s impossible to retrace this man’s life step by step, so the author has created a character named Doctor Gerry.
On reading the book, we realize the incredible talent of Gerald Bull, the scientist who revolutionized ballistics. We bear witness to his chequered destiny, tormented as he was between his youthful dreams and his boundless ambitions.
To balance his research budgets and keep his company afloat, he gradually transformed himself into an arms dealer. He offers his service to multiple states, including Canada, the United States, Israel, Iraq, Iran, China. In the process, he becomes the object of constant surveillance by many agencies and accumulates enemies.
We’re dealing with a genius who has purposely blocked any critical thinking about his weapons of destruction. He dreams of a powerful cannon to send satellites into space, but the intelligence agencies of other countries hold very different plans for his invention.
He naively believes that he will be able to serve several masters with divergent interests, without this causing him the slightest problem. It borders on childish reasoning, on wilful blindness in the pursuit of the high life.
My only reservation regarding the content concerns the first page of the story. I find an ambiguity about Iraq and weapons of mass destruction (box 5, page 3). This was indeed the initial fear raised by the United States, but repeated follow-ups by UN inspectors had shown that Saddam Hussein had no such weapons. The invasion of Iraq couldn’t be justified on such a basis. The invasion went ahead anyway, and none of these supposed armaments were found in Iraq. I would have liked the UN’s conclusions to have been mentioned. This would have allowed to establish the book’s scenario on a basis that left no room for doubt.
Otherwise, one thing’s for sure: you’ll enjoy this extremely well-crafted graphic novel.
Title: Super canon
Author: Philippe Girard
Publisher: Casterman, 2023
ISBN: 978-2-203-24112-1
A graphic novel – La disparition de Josef Mengele
This new graphic novel is based on the non-fiction novel “The Disappearance of Josef Mengele” which was translated into 25 languages.
The graphic novel “La disparition de Josef Mengele” is a wonderful surprise for me, both in terms of the scenario and the graphics. Anyone interested in true stories will devour this book as it represents a goldmine of astonishing information on the life, or rather the survival, of the Nazi criminal in Latin America.
Who provides him with the money he needs? How does he protect himself? Does he lead the existence of a pasha? How does he behave abroad? Does his thinking on race show any sign of evolution, or is it still sclerotic? Why does Argentina encourage the arrival of these fugitive assassins?
For the general public, there are two categories of National Socialist criminals: the first concerns the names that received most media coverage at the Nuremberg Tribunal. The second involves Nazi criminals who fled abroad, thanks to political or family support. Josef Mengele belongs to both groups. He is holed up in Latin America and knows that several organizations are seriously looking for him, including Mossad.
How does he remain roaming for so long? It soon becomes clear that the Mossad is not only concentrating on Nazi criminals on the run. The book introduces us to some other priorities for the agency, one of which is very urgent: the elimination of former German scientists working in Egypt to create radioactive waste weapons designed to destroy Israel. The secret services must choose between Mengele, a past threat, or a more immediate danger. With limited resources, they have to adjust and deal with the most pressing situation.
Nazis were integrated into the new German government.
There is, however, a third category that the public has heard very little about, and which is also discussed in the graphic novel: these are Nazis who rejoined the new German government a few years after the end of the Second World War.
Indeed, the Allied powers of the time – the USA, Great Britain, France and the Soviet Union – administered the occupation zones of the German territory after the Second World War. But tensions between East and West grew rapidly. Each side accused the other of imperialist or communist expansionism.
To offer a better-organized resistance to the Soviet Union, Germany’s autonomy had to be quickly restored. The former Nazis had experience of governance that was immediately available.
If the Allies adopted the clear-cut position of preventing the Nazis from attaining essential functions in the public apparatus of the future Bonn Republic, then people with little or no knowledge had to be trained to carry out the more complex tasks. Time was short, as was the will to bring all possible war criminals to justice.
So, many Nazis found work in government agencies. One thing led to another, and some of these former Nazis recycled as government agents became part of the inner circle protecting the most prominent war criminals who had fled abroad. Josef Mengele benefited from this high-level support.
But several additional Germans, also in high places, acted in the opposite direction, striving to flush out the biggest criminals, at the risk of their own health and safety. One such person is introduced in the book: Fritz Bauer. This man contacted Mossad with information that eventually help to capture Adolf Eichmann. The latter went on trial in Israel and sentenced to hanging.
Mengele reads the newspapers and suspects that his end will resemble that of Eichmann. The graphic novel shows him as a hunted animal, talking to himself. His racist, backward-looking words drive away the individuals who could support him most in the last years of his life. He withered slowly and died on a beach in Brazil. But it was not officially known until 1985.
The book covers a period of several decades. It features a brief summary of Mengele’s actions as a doctor at Auschwitz. He is not alone, even if he remains very high-profile to the general public. A large number of scientific assistants carried out experiments on humans, including one who became rector of the University of Münster after the end of the Second World War.
The authors mention in passing the idea of a Fourth Reich pursued by Mengele and his ilk. In short, readers won’t get bored with this skilfully constructed graphic novel.
Title: La disparition de Josef Mengele
Authors: Olivier Guez and Matz-Jörg Mailliet
Edition : Les Arènes, Paris, 2022
ISBN : 979-10-375-0714-3
MBS – L’enfant terrible d’Arabie Saoudite
When they hear the name Mohammed Ben Salmane (MBS), most people don’t react, as they can’t associate him with anything. If they are told that it was he who had a journalist cut up into small pieces and stuffed into garbage bags in the Saudi Arabian embassy in Turkey, it resonates more.
The graphic novel “MBS— L’enfant terrible d’Arabie Saoudite” introduces us to the life of this implacable ruler who tries to forge links with the great powers. By negotiating his support with the United States, Russia, China, India, or France, he seeks to position his country as a major player on the world stage.
The book is also a very interesting first approach to the history of Saudi Arabia, especially with regards to the Saud family and its reign. We realize the importance of alliances and radical decisions by MBS if he wishes to attain supreme power and hold to it.
Domestic and regional stability remains a top priority for MBS. Even if he wants to modernize society and appeal to young individuals, he must at the same time avoid upsetting the Wahhabi clerics too much. The latter enjoy ancestral prestige and have a marked influence on the way people behave and think.
When it comes to imposing his ideas, MBS hasn’t invented a thing. Like most rulers of the world’s major countries, he has learned to use the media and spares no expense to achieve the desired results.
Top managers of intelligence and news organizations know very well the limits within which they can operate. You won’t see any photos of MBS spouses, or articles that would enlighten the public about the nightlife of the leader and his friends.
This graphic novel maintains interest by interspersing surprising anecdotes with pertinent information accessible to all. As the back cover of the book states, “This ambitious prince happens to be our ally in the Middle East : oil, the fight against terrorism, Arab-Israeli peace, arms sales … we need him. But what price will we pay?”
Title: MBS— L’enfant terrible d’Arabie Saoudite
Authors: Antoine Vitkine and Christophe Girard
Publisher: Steinkis/Les Escales
© 2023
ISBN: 978-2-365696-88-3
Warbirds: B-25 Mitchell – Tonnerre sur Tokyo
This comic book, published in 2023, is the third in the Warbirds series, published by Editions Soleil.
On April 18, 1942, a few months after the Pearl Harbor raid, sixteen B-25B Mitchell bombers took off from the new Hornet aircraft carrier for a surprise attack on five Japanese cities. The mission was known as the “Doolittle Raid“.
These machines, which were not designed to operate from an aircraft carrier, would not be able to reach their targets and return safely to port for lack of sufficient fuel. All the pilots were well aware of this, and volunteered.
The fleet of sixteen aircraft, commanded by Jimmy Doolittle, successfully achieved its objective of confusing the enemy and showing that Japan remained vulnerable to surprise attacks. The Japanese wondered how it was possible that American bombers could have reached and hit their country. Where did they take off from? They know that the B-25 Mitchells were not designed to take off from an aircraft carrier, and that they were incapable of landing on one.
The genius of the operation laid in the combination of a number of highly risky decisions which, taken together, took the enemy by surprise. Firstly, as it was impossible to land the planes on the Hornet, they were installed with a crane, knowing full well that they would never return to the ship.
In addition, the captains were trained to take off over distances unthinkable for them, using a technique pushed to the extreme. The ship sailed at high speed into the wind, improving the headwind component so essential for such perilous maneuvers.
The pilots had to be extremely skilful to keep to the departure trajectory on a platform that moved from left to right in the middle of a storm. Buildings on the Hornet’s side had to be avoided at all costs, and the available gap between the wing tip and the ship’s tower was no more than two meters. Despite all the obstacles, all the B-25s managed to take off. It was to be a one-way mission to Japan.
Doolittle piloted the first B-25 to take off from the carrier. He had only a very small portion of the deck to work with, as there were still fifteen other bombers waiting their turn to take off. The second pilot to leave the deck narrowly avoided a water landing, as the aircraft sank slightly and a landing gear wheel touched the water. But the plane gained just enough speed to stay airborne.
Bombers and crews suffered different fates once the bombing raids on Japanese targets had been completed. The authors conclude: “The raid destroyed 112 buildings and killed 87 people, in about 6 minutes. […] The destruction of 15 of the 16 B-25s, unable to reach Chinese airfields for landing, was nevertheless to be deplored, the 16th B-25 having landed safely in the USSR. Also to be deplored was the accidental death of three airmen (planes 3 and 6) and the capture of 8 others (planes 6 and 16) by the Japanese, 4 of whom never returned home, 3 having been executed as “war criminals” and the 4th having died in captivity. Worse still, the Japanese took revenge on the Chinese, who had helped all the surviving airmen, by organizing the massacre of some 250,000 civilians in the Zhejiang and Jiangxi provinces then under their control. This was to leave its mark…”.
Landing and takeoff tests on an aircraft carrier, the Forrestal, were also made decades later for a C-130 Hercules. I tried to repeat the experience in flight simulation. The flight can be found in the “challenging virtual flights” section of my blog. As the Forrestal is not available in virtual mode, I used the aircraft carrier USS Enterprise.
Title: Warbirds: B-25 Mitchell: Tonnerre sur Tokyo
Authors: Richard D. Nolane and Vladimir Aleksic
Edition : Soleil/D. Nolane/Aleksic
ISBN : 978-2-302-09745-2
© 2023
Accidental Czar
Note: The excerpts are taken from the French version of “Tsar par accident” and re-translated into English using DeepL.
Author Andrew S. Weiss has worked at the White House, the Pentagon, the State Department, and so on. He points out: “If someone had told me at the time that a former KGB non-commissioned officer – who had never really shone – a certain Vladimir Putin […] – would be promoted from the back rooms of the Kremlin directly to the head of the country, I would have told you to get yourself treated”. He adds: “What we think we know about him is often a clever mix of counter psychology and misinterpretations of Russia‘s thousand-year-old history “. His staging as a tough guy “allows him to come across as more intelligent – and more competent – than he really is. […] “.
The graphic novel “Accident Czar” tells the story of how Vladimir Putin found himself in power at a time when his rather lacklustre career was destined for a lesser position. But the same could be said of some of the world’s dictators, presidents, kings and ministers over the ages who have been blessed with good fortune. They too have taken advantage of favorable opportunities to climb the ladder too high for their natural talent. The nation then pays the price until the person’s overthrow, exile or death.
Still, we have to give Putin credit for persisting, for hanging on, despite setbacks and rejections. To join the KGB, he was told to study or join the army. He did so and received his diploma.
In 1975, he joined the KGB. But it wasn’t the big missions he had dreamed of that awaited him, but local fieldwork. He failed to impress his superiors with the results he achieved. Following a brawl in the subway, he was transferred to Dresden in 1985, where his missions were meaningless due to lack of budget. In 1999, President Clinton was told that Putin would be the next Russian president. What had happened between 1985 and 1999 for Putin to suddenly emerge from obscurity and become President of Russia?
Credit must be given to his work ethic, but above all to his loyalty to his bosses in an organization that favors personal ties. Yeltsin, the president at the time, sensed his end was coming and offered Putin a deal. The author writes: “He would make him president if he agreed to protect him and his family“.
Just as Hindenburg believed he could manipulate Hitler by giving him access to the highest echelons of government, so Yeltsin thought he could do the same with Putin. In both cases, it was a costly mistake for Europe and the world.
The book reviews the rise of the Russian oligarchs, and the rapprochement of power for Putin’s friends. Andrew Weiss points out: “One of the points that foreigners don’t always grasp is that Russia is a society that operates on the basis of personal ties, rather than within the framework of institutions or the rule of law.“
In the years following the fall of the Berlin Wall, important sectors of the Russian economy were taken over by corrupt officials and KGB agents, as well as by the mafia. As the author writes: “Vladimir Kumarin, all-powerful boss of the notorious Tambov gang, ruled the country“.
Vladimir Putin’s support for the United States after the attacks of September 11, 2001 brought him closer to George W. Bush and his father George H. W. Bush, with whom he even went fishing in Kennebunkport. He hoped to revive the moribund Russian economy and gain the freedom to control the Russian media.
What’s most astonishing to me is that, during this period, Putin approved the highly controversial establishment of American and NATO bases across the former Soviet Union (Uzbekistan,Tajikistan, Kyrgyzstan ). With this gesture, he was seeking stabilization with the West. With the causes of the September 11th 2001 attacks still being debated around the world today, especially in the most informed circles, Putin was later forced to reflect on the relevance and consequences of his decision to authorize new American and NATO bases near Russia.
The Russian president quickly realizes that he doesn’t carry much weight in the diplomatic balance against a superpower like the United States. He is not recognized as a player to be reckoned with. With a view to better understanding between the West and Russia, the author stresses the importance of better understanding the grievances of both sides. He points out that this is sorely lacking.
Especially since the Kremlin is convinced that “demands for political change are always the result of Western-backed conspiracies“. All the major nations, by dint of monitoring each other and trying to influence the internal management of other countries, are projecting their intentions and no longer believe that a protest can come from the bottom up, based on a serious desire to improve certain detestable policies.
The author takes a look back at the problems surrounding Russia’s territorial security through the ages, invaded in turn by the Mongols, Napoleon and Hitler: “[Russia] traditionally relies on annexed territories to act as a buffer between the motherland and any external threat“. He also discusses the Chechen conflict, the fight against terrorism, political interference in neighboring states and Russian involvement in the 2016 US elections.
Andrew S. Weiss covers a lot of ground, and other themes find their way into the book: the history of the Cold War, Trump, Snowden, Wikileaks, the Sochi Olympics and the work of Maria Butina, a Russian agent who managed to penetrate the upper circles of the American Republican Party.
It was his belief in the irreversible decline of the West that enabled Vladimir Putin to invade Ukraine.
The author concludes with a remark on the invasion of that country and the indiscriminate bombing of civilian targets: “The world is beginning to understand that Putin was never the strategist he claimed to be. He is an improviser caught in his own trap”.
Allow me to make a comment about the invasion of Ukraine. This country is to receive fighter planes from the Allied States to protect its territory, which deeply offends Russia. However, I would like to remind you that during the Second World War, the Soviet Union accepted a great deal of outside help for its defense on the Eastern Front. To name just one aircraft and country, the Soviet Union obtained 877 B-25 Mitchell bombers from the USA.
Title: Accidental Czar: The life and lies of Vladimir Putin.
Author: Andrew S. Weiss. Illustrator: Brian « Box » Brown
Edition: Macmillan Publishers
ISBN: 9781250760753
© 2022
Le passager du Polarlys
The Dargaud publishing house has come up with the excellent idea of choosing some of Georges Simenon’s novels (excluding those in which Inspector Maigret takes centre stage), and converting them into comic books. They intend to use two scriptwriters in turn, as well as different illustrators, for each of the eight publications planned over the next few years.
The first of these publications is entitled “Le passager du Polarlys”. I wasn’t sure when I saw this new title in bookstores, but the name of Georges Simenon on the album convinced me to give it a try. And what a great reading experience it was. Everything is there: an interesting plot, very well-executed drawings, endearing characters and, above all, the sea with all its challenges, especially at the time when the novel was written.
We sail along the Norwegian coast, with its small villages and perilous access in heavy weather for a summarily equipped ship. The colours chosen also lend themselves well to the drama unfolding on the boat. In short, you finish reading and immediately want to pick up the story again. You won’t be disappointed.
Title: Le passager du Polarlys
Authors: José-Louis Bocquet and Christian Cailleaux, based on the work of Georges Simenon © 1932
Edition: Dargaud Benelux (Dargaud-Lombard s. a.)
© 2023 ISBN: 978-2-5051-1223-5
Une saison à l’ONU.
The graphic novel “Une saison à l’ONU” (A season at the UN) makes it easy to understand the various challenges facing the UN, this necessary organization, but one that is largely hampered in its interventions.
International crises and the complexity of day-to-day political maneuvering are not lost on the author, who nevertheless chooses to adopt a light-hearted tone to keep the reader’s interest throughout the book. Funny stories, humor and confidences alternate to bring the story to life.
We all know how difficult it is for the UN to pass resolutions. There is pressure from all sides and the use of veto powers. As a North American, I hear more about the use of the veto by Russia or China than by the United States. The author puts a figure on the use of veto by all the major powers and the result is surprising.
The reader gains a better understanding of the grammatical mastery and compromises required to ensure that a note from the UN receives international approval. You have to know how to dilute and spare sensitivities if you want to be able to publish without generating too much opposition.
In short, “Une saison à l’ONU” is a graphic novel full of interesting and relevant real-life stories. The book demystifies some of the UN’s activities in New York as well as abroad.
Title: A Season at the UN
Author: Karim Lebhour and Aude Massot
Publisher: Steinkis
© 2022
ISBN: 978-2-36846-610-3
Environnement toxique (Ducks).
To pay off her student debts quickly, Kate Beaton, a young Nova Scotia resident, decided in 2005 to go and work in northern Alberta for oil companies exploiting the tar sands. At the time, this trip west was popular with Canadians looking for a lucrative job. So she left the paradisiacal landscapes of Cape Breton to plunge into the world of Syncrude and Shell in Fort McMurray.
It was then that she realized what life was like on construction sites occupied mostly by men far from their families, many of whom had behavioral problems. Wherever she found herself, she suffered harassment in the form of derogatory remarks, insults, and eventually sexual assaults.
For these workers, loneliness and survival take on a completely different meaning than for the rest of the male employees in these isolated posts.
A multi-talented storyteller and cartoonist, Kate Beaton published a graphic novel in 2023 describing her experiences. She denounces “a harsh and complex system, which exploits natural resources as coldly as it does human beings”.
“Toxic Environment” is less about the destruction of habitat caused by tar sands mining than about the toxic working environment endured by the few women working on these sites.
Time Magazine, The Guardian and The New Yorker hailed this graphic novel, which also happened to be the winner of the Canada Reads 2023 contest. It was published in English under the title “Ducks“, probably to remember all those ducks caught in the oil that made headlines at the time.
Happy reading!
Title: Environnement toxique (Ducks in English)
Author: Kate Beaton
Publisher: Casterman, for the French version
ISBN: 978-2-203-24223-4 (French version)
©2023
Scale drawing of “The Valley of the Immortals, step 1”.
In February 2023, I began transferring the cover of the Blake and Mortimer album “The Valley of the Immortals – Part 1“ to a 24 x 36 inch canvas.
The photo above shows the original album sitting on top of the canvas and the work in progress. There is still a lot of work to do before the drawing and lettering are finished.
Then comes the coloring stage, to get the tones as close as possible to the original album. The cover has a lot of colors, which is not the case with many other Blake and Mortimer albums.
This particular album resonates with me for several reasons. First of all, the authors use in the scenario a Cessna C-170B type plane, which brings back memories of flying. Indeed, by a happy coincidence, in 1981 I flew across Canada in this small aircraft dating from 1952. The plane was not equipped with any air navigation instruments, except for an old compass. We were not yet in the GPS era! I published the story of this flight from St-Jean to Edmonton on my blog.
Another reason that increases my interest in the album is also related to a memory. On the cover, Mortimer is in Wan Chai District, a district I visited in 1990 during a trip to Hong Kong and the New Territories. At that time, the Cathay Pacific Boeing B-747 used the legendary Kai Tak airport and flew the approach over a huge demonstration of more than 100,000 people commemorating the anniversary of the Tiananmen Square massacre.
I will be posting more photos of “The valley of the immortals” painting over the next few months, numbering the title of each article so that those interested in the subject can find their way around.
Scale drawing of “The Valley of the Immortals, step 2”.
This is step 2 of the enlargement work I started from the Blake and Mortimer comic book: The Valley of the Immortals. The original album is at the bottom of the image above to give an idea of the original scale.
I want to use the entire 24 × 36 canvas space starting from a standard size comic book. I must modify the scale by adding an extra 10% to the height. However, when comes the time to draw the perfect circle located at the top left of the album, a standard 1:1 scale must be used so as not to transform the faces of the two heroes who are looking at us from the front. A painting made with two different scales does not produce a true copy, but it is still acceptable and realistic.
Trying to match an album’s original colour often requires mixing four different colours or more. Experience has shown that any newly created colour should be allowed to dry for several minutes on another canvas to ensure that it does not deviate too much from the desired colour, because it darkens when it dries. Mistakes are inevitable, however…
It looks as I will complete the canvas within the next few months, providing I work a few hours each day.
Scale drawing of “The Valley of the Immortals, step 3”.
I finally completed the final stage of the 24″ x 36″ canvas of Blake and Mortimer , “The Valley of the Immortals, Volume 1“. I had hoped to finish the whole thing before the summer, but other more pressing obligations disrupted the planned schedule.
The whole project will have taken around 200 hours and required the creation of some 130 colors in an attempt to imitate the album, at least in part.
I deliberately lightened the original work, especially the left-hand side, as I hang the painting on a wall and found the scene far too dark. My version respects the idea of chiaroscuro while adding a little light. Painting the canvas yourself also lets you play with the different shades of the bricks on the left-hand wall.
Eight Hours in Berlin.
This new album of Blake and Mortimer adventures has received excellent comments from the faithful readers. It is the first time that José-Louis Bocquet, Jean-Luc Fromental and Antoine Aubin work together and they make a great team.
For several years, the combinations of authors and artists have followed one another to ensure a constant rhythm of publication, that is to say, one comic book of Blake and Mortimer per year.
For Dargaud-Lombard, this is a significant source of revenue, as the series has had a worldwide following for several decades.
“Eight Hours in Berlin” plunges us into the Cold War, at the time the Berlin Wall was just built. Older readers will be familiar with the events surrounding the construction of the wall, but for younger readers it will generally be a first but accessible approach to this period.
Everything is well thought through in this album: there are notions of history and politics, period reconstructions of the exterior architecture, beautifully designed furniture, superb vehicles and the colors are judiciously chosen by Laurence Croix.
The scenario brings us between Germany and the former communist bloc countries. As we progress in the story, we walk through a tunnel created at the time by the West to listen to the conversations taking place in East Berlin, we enter an old asylum supposedly abandoned long ago, etc. Moreover, as always in this comic book, the mixture between reality and science fiction adds to the interest.
The authors try to rejuvenate the old Mortimer a little without losing the fans along the way. The women get a positive or a negative role but they are no longer handbags holding potiches. It’s hard to imagine that we would have ever seen a nude on a garage calendar in an album of this series. What a scandal! It wouldn’t have been accepted at the time Edgar P. Jacobs wrote his first album, after having worked with Hergé for the Tintin albums…
In short, this twenty-ninth album of the series is a great success. It is obvious that this trio of creators will be entrusted with other albums.
Scale drawing of “Tintin and the black island”.
In the photo above, you may have recognized Tintin dressed as a Scotsman as he faces the evil Dr. Müller. These two characters are from the comic book Tintin and the Black Island. A majority of French speakers probably read this album in their youth. And, even as adults, some of us (myself included) have revisited this work by Hergé to get a fresher look at the album.
The restrictions and confinement of the Covid-19 pandemic allowed me to devote more time to drawing and painting. I decided to copy the cover of the Tintin album “The Black Island” using acrylic.
The scale drawing of a Tintin album is close to a 2:3 ratio and so the 24″ by 36″ format was almost a perfect fit. Below, you can compare the difference in scale between the original book and the drawing in the making.
A 2H graphite pencil for drawing on canvas will require less dedication when it comes to erasing the most obvious strokes and laying down the paint. The one I used (HB) was too dark and required more work than expected.
Reproducing a Tintin album leads us to progressively notice the genius of Hergé, this Belgian creator. We linger on his editorial choices, the composition, the angles. Drawing the rocks of the Black Island and their shadows is, in this respect, very revealing.
In the photo above, Tintin is heading towards the Black Island. We can feel him anxious, hence his slightly forward-leaning posture. He scans the island straight ahead. Hergé could have drawn him straight on his boat, confident. He chose to position him as an observer of a problematic situation. Similarly, Snowy looks at us with a worried expression and we have to repeat his expression exactly so as not to change the atmosphere of the scene.
Still missing are the black birds around the island, one of which seems to be heading straight for Tintin. You will see them in the next article: they are numerous, black and do not seem very friendly.
The sky, meanwhile, is not covered with pretty cumulus clouds but rather with streaky, tapered clouds invading the horizon, many of them dagger-like. Placed obliquely across the cover for added dynamism, Hergé also gave them a slightly circular shape.
When painting the letters, one realizes the editorial choices of Hergé. Several of these features require attention, including the letter “O” which is not round but oval and leaning to the side. Also, Hergé aligns the two words of the title to the right and this has an impact when calculating the spaces between the letters.
In trying to reproduce a color exactly, one must make several attempts to discover the recipe. Often, three or four colors are combined to achieve a satisfactory result. And when we are satisfied with the tone, a surprise awaits us: once placed on the canvas, the acrylic paint changes color and becomes much darker as it dries. Trying to predict the result after drying is therefore a must.
The photo above shows the clouds almost completed. The yellow sky was a problem, because once on the canvas, the color became too dark as it dried. I had to find a recipe for a lighter yellow than the one on the original cover so that as it dried the color would get darker and match the color of the album.
The photo above shows the progression of the castle and the island, but this time with the birds as a bonus. Hergé drew a lot of black birds around the castle, which adds to the sinister look of the place. But he also thought of drawing two larger birds in the foreground, of which one seems to be heading towards Tintin.
The painting is progressing rapidly. I have already worked on it for about a hundred hours to get to this point. The sea has received all its touches of black paint to form the appearance of waves.
The picture above gives an idea of the size of the painting. The painting must often be placed on a table to paint the elements that require great precision.
In the background of the photo, a journalist from the Canadian news channel RDI is seen on television. He is commenting on the street blockage situation in Ottawa by truckers during the Covid-19 pandemic. The protesters fight for their rights, but do not respect the rights of the citizens of Ottawa who, for weeks, are trapped in their neighborhoods. The Canadian government finally put an end to the situation by invoking the Emergency Measures Act with the added bonus of a $306 million lawsuit brought by residents against the protesters.
Above is the completed painting. You will notice that the white tones of the boat differ on the back and side. There is white combined with black and a touch of yellow for the side of the boat, rather than the pure white required for the back. It took some experimenting with colors to finally realize the need for yellow.
The waves flattened by the boat are now just rounded bubbles behind the boat. However, on the sides, the appearance differs because the movement of the boat breaks the waves: Hergé therefore ensures a different treatment of the foam. He thought of everything, as usual!
It is now time to move on to another project. I am not sure yet, but I am thinking of “Blake and Mortimer” these heroes of Edgar P. Jacobs, a great master of the clear line style who initially worked with Hergé.
Glénat just published a book titled “Edgar P. Jacobs le rêveur d’apocalypses”, if you want to learn more on the subject…
Mégantic – Un train dans la nuit
We have all heard of the tragedy experienced by the inhabitants of Lac-Mégantic in 2013, when a driverless oil train from the CP railway company pulling hundreds of cars of explosive petroleum derails in the middle of the night, explodes and kills 47 inhabitants of the city.
The comic book (or graphic novel according to some) “Mégantic – Un train dans la nuit ” adds to the information that we already knew about this tragedy. It also exposes several key pieces of information overlooked by the media.
Author Anne-Marie Saint-Cerny worked for years on the file and, in order to convey the content and the emotions in images, enlisted the help of Christian Quesnel. The result is extremely interesting. The formula works: the drawings are very precise, the layout leaves room for the reader to reflect on the events, the colours are appropriate.
In the train explosion in Lac-Mégantic, there are multiple factors to consider, among others:
1) Executives of the CP company making catastrophic choices.
2) As always, a desire to meet the demands of shareholders. There is a reduction in staff and the company self-assesses when it comes to safety.
3) One driver only is allowed for a train carrying hundreds of tanks of explosives.
4) Politicians agree to the new cuts proposed by the company.
5) There is some magical thinking involved: if something goes wrong with the driver, the train stops on its own thanks to a mechanism which, however, is always likely to fail eventually.
6) Dated rails.
7) The transport of dangerous goods is granted to the MMA, a company with a dubious reputation .
8) The DOT-111 tanks are too fragile for hazardous materials and targeted in more than 25 surveys.
9) There is an agreement to tamper with the oil bill of lading. Instead of indicating the code PG1 (the most dangerous, the most explosive) as it should be, it is instead PG111 (not dangerous) that is written.
10) The lead locomotive is terribly worn.
11) The driver reports a problem with his old locomotive. He is ordered to continue on his way.
12) In Lac-Mégantic, the train is heating up. The driver is ordered to apply the brakes and let the engine run. The driver is then allowed to leave the premises and go to bed. This is one of the repercussions of allowing a single driver on a train.
13) During the night, a fire starts on the lead locomotive, the one that had problems. The firefighters shut down the engine. “By turning off the engine, the air pressure in the air brakes is released. Eventually, the train will start to move on its own and descend the slope towards Lac-Mégantic.”
With just one driver gone to sleep somewhere, there are now 5,000,000 litres of explosives starting to move on the rails and no one will stop them.
“Firefighters believe they are fighting low flammable oil. They are unaware that the CP and World Fuel have falsified the papers, camouflaging their oil classified as the most explosive and dangerous.” There are 47 dead, including several suicides.
Now that there has been a disaster, those involved directly or indirectly are passing the buck, as is the custom in tragedies. The graphic novel mentions, at the political level, the names of Denis Lebel, Lisa Raitt, John Baird and later Marc Garneau. At CP, the author mentions Hunter Harrison. The MMA’s CEO Edward Burkhardt is also mentioned.
Changes happen, but not the ones you would think…
Naomi Klein analyzes the “shock strategy” devised by Milton Friedman. In step 1, “we take advantage of what the population while it is still dazed: they will not be able to oppose what we want to impose on them.” The zoning is being quickly changed to include the expropriation of houses that are totally outside the disaster-affected area. There are some people who are interested in these properties…
In step 2 of the “shock strategy”, we “use the excuse of mandatory decontamination to wipe out the Old World. Excluding the population from the scene of the tragedy, so that they cannot cling to it, so that there is no going back. “
Finally, step 3: “Faced with a population whose shock has been exacerbated by the destruction of its landmarks and habits, we can launch a reconstruction or reinvention which will be received with resigned acceptance“. We have the case of people living in Fatima, a remote area spared by the disaster: owners must quickly sign their expropriation or they shall lose everything. When the former owners are finally gone, a Jean Coutu pharmacy comes to settle on the vacated land.
On the legal side, the small players are targeted and the investigation is limited as much as possible. Takeovers are carried out and returns to shareholders multiplied.
The book flaunts some of the political and entrepreneurial maneuvers aimed at protecting the railway companies. Even at the dawn of 2022, eight years later, the rails still pass through downtown Lac-Mégantic.
“MMA-Canada, essentially bankrupt, has paid nothing and has not been sued.“
“Nothing has changed in rail laws in Canada since the tragedy: companies self-regulate, self-monitor and, in the event of an accident, self-investigate. Thus, it was the CP itself that investigated the deaths of three of its employees in an accident in February 2019 in British Columbia. The CP investigator, prevented from investigating, denounced his employer and called for an independent investigation by the Royal Canadian Mounted Police (RCMP) and the Transport Safety Board (TSB), an investigation immediately accepted by the chief investigator responsible for the case at the TSB. That same day, this TSB investigator was dismissed from his post. The CP investigator concluded on a CP no-fault.”
Title: Mégantic – Un train dans la nuit
Author: Anne-Marie Saint-Cerny
Edition : Écosociété, 2021
ISBN : 978-2-89719-686-8
Hostage
Guy Delisle took fifteen years to write this graphic novel. He tells the story of the kidnapping for ransom (K&R) in 1997 of a French citizen, Christophe André, while he was working for a medical NGO in the Caucasus region.
Faithful to his habits, this Quebec author offers us a fascinating and humane narrative. A work that looks at a real life story often adds tension, when properly put together. This is what happens with the work of Guy Delisle. This 428-page graphic novel can be read in one sitting.
As it often happens in dramatic events, humans discover in themselves more character and strength that enable them to cope with abuse, loneliness and stress.
The pace and the quality of the drawings and the script make it easy for the reader to dive into the story and imagine themselves in the place of the captive. Would the decisions made by the hostage also have been made by the reader? Would he have used other means to deal with his captivity?
I discourage the reader from trying to discover the conclusion of this story before starting to read the book. Resist this temptation, the read is worth the effort!
Title : Hostage.
Author : Guy Delisle
Editions : Drawn & Quarterly (25 April 2017)
©2016 et 2017 ISBN-13 : 978-1770462793