Categories
Photos of Europe

Photography in Europe: Gruyères and the Moléson in Switzerland

Gruyères and the Moleson in the background, Switzerland 2013
Gruyères and the Moleson in the background, Switzerland 2013

The city of Gruyères is located in the Prealps, in the Friburg County in Switzerland. It is a very charming small medieval town where cars are forbidden (the white van shown in the picture above is only used for morning delivery). In the city, one can visit the Gruyères Castle (Château de Gruyères), the H.R.Giger Museum (creator of the “Alien” in the movie Alien), the Tibet Museum, a cheese factory and boutiques. There are also some restaurants.

In the picture above, shot with a Canon 5D MKII, it is possible to see the Moléson in the background, a mountain that rises only 512 metres above the surrounding terrain but is still at more than 2000 meters above sea level. It is a tourist attraction that should not be neglected since it is very well equipped for all types of visitors, with a funicular and cable car. The visitors also have access to very interesting walking paths, for all ages and experiences.

Moleson cable car, in the Gruyeres region, Switzerland 2013
Moleson cable car, in the Gruyeres region, Switzerland 2013

When you use a cable car and do not see where it is leading due to the presence of clouds, you have to trust human engineering. But we are in Switzerland, so it should be all right!

The Moleson cable car, Switzerland 2013
The Moleson cable car, Switzerland 2013

The Moléson summit offers superb views. The small cumuliform clouds visible in the morning around the mountain progressively lift up due to daytime heating and eventually become beautiful cumulus clouds that add life to any pictures.

Moleson summit in the clouds, Switzerland 2013
Moleson summit in the clouds, Switzerland 2013

Once on top of the Moléson, it is possible to use a modern metal stairway to gain even more height and access a platform allowing an unobstructed panoramic view. The picture above was taken with a Canon EF 16-35mm f2.8L II USM wide-angle zoom lens equipped with a polarizing filter.

Metal stairs leading to an observation post on top of the Moleson, Gruyeres region, Switzerland 2013
Metal stairs leading to an observation post on top of the Moleson, Gruyeres region, Switzerland 2013

When ready to go down the mountain, the visitor has two choices: travel with the cable car and funicular he used when coming up, or slowly walk along an easily accessible path through beautiful green landscapes. The more experienced trekkers might decide to walk along the crests of surrounding mountains. We chose to walk on paths covered with flowers.

Path on the Moleson, Switzerland 2013
Path on the Moleson, Switzerland 2013

Back to Gruyères, a visit of the Château de Gruyères and both museums is a must, as well as a tour of the cheese factory. You might want to spend some time in the boutiques too and try the local restaurants. It is also the moment to take a few pictures…

Inside the Gruyeres medieval city, Switzerland, 2013
Inside the Gruyeres medieval city, Switzerland, 2013

The old architecture of the buildings in Gruyères as well as the neighbouring countryside allow for very interesting photographic compositions. A well-known photography technique consists in using an opening in a building and using it as a second frame (a frame within a frame). I made sure that the background was clear enough to improve the visual effect. An aperture around 16 allowed for an appropriate depth-of-field.

Spiraling stairs in the Gruyeres Castle, Switzerland 2013
Spiraling stairs in the Gruyeres Castle, Switzerland 2013

The picture above shows a spiraling staircase inside the Château de Gruyères. I can barely imagine what the results would have been if I had had access to the new Canon 11-24mm wide-angle lens. But nonetheless, the Canon EF 16-35mm f2.8L II USM zoom lens did a good job.

The beauty of the full frame sensor mounted on the Canon 5D MKII DSLR is that a wide-angle shot taken at a 16mm focal will stay at 16mm while with a smaller sensor, like the APS-C, the photographer is facing a conversion factor of 1.5 or 1.6X, which transforms the 16-35mm wide-angle into a 24-52mm, in the best of cases. The APS-C sensor is interesting when used with a telephoto lens but a bit less when comes the time to take wide-angle shots.

The picture below presents the Château de Gruyères seen from a neighbouring field.

Gruyeres old architecture, Switzerland 2013
Gruyeres old architecture, Switzerland 2013

As the sun was setting down, I tried a shot from inside the castle. It was interesting to see the two little boys standing up alongside the wall and admiring the sunset. At the same time, it was possible to see the Moléson in the distance, its summit hidden in the clouds.

Due to the strong light contrasts, it was necessary to use a Hi-Tech ND graduated filter installed on my Canon 16-35mm wide-angle zoom lens. The Digital SLR Photography magazine, in one of its recent editions, made a comparison between ND grad filters and indicated that the Hi-Tech filter had a slight magenta coloration instead of a neutral grey. I think it is easily visible in the picture below. The photo could have been corrected with Photoshop but I thought of keeping it as it was since the scenery looked somewhat unreal already.

View from the Gruyeres Castle and the Moleson, Switzerland 2013
View from the Gruyeres Castle and the Moleson, Switzerland 2013

Once the sun was below the horizon, the more subtle colours gave a totally new look to the countryside. On the picture below, it is possible to see on the right a small path that a visitor can take to head down to the nearby village.

Gruyeres region in the sunset, Switzerland 2013
Gruyeres region in the sunset, Switzerland 2013

All the sceneries are not that easy to capture and it is sometimes necessary to use HDR photography to extend the dynamic range and take care of extreme light contrasts. The photo below needed five different exposures that were subsequently processed with the Photomatix image editing software. Useless to say, it was necessary to use the mirror lock-up function, a tripod and a remote control release.

View from the Gruyères Castle, Switzerland, in HDR 2013
View from the Gruyères Castle, Switzerland, in HDR 2013

Here is, as the final picture, an idea of what is waiting for you at the H.R. Giger Museum. If there is a strange but very interesting museum, it is this one.

Artwork in front of the H R Giger Museum, Gruyeres, Switzerland 2013
Artwork in front of the H R Giger Museum, Gruyeres, Switzerland 2013

Other pictures of Europe and around the world will be posted in the coming months…

Categories
Aviation photography

Aviation photography: plane spotting at the Toronto Lester B. Pearson international airport (CYYZ)

Air Canada Airbus A330-343 C-GHLM in Toronto 2016
Air Canada Airbus A330-343 C-GHLM in Toronto 2016

Here is some information aimed at helping tourists visiting Toronto, who like photography and aviation, and would think of booking one day during their visit to head to the Toronto Lester B. Pearson international airport (CYYZ) for a plane spotting photo session.

Initial planning

If you can, get a scanner or download an app on your cell phone to get real time information on air traffic around the airport: you will then know in advance the type and nationality of inbound or departing aircrafts.

http://www.torontopearson.com/app/#

Search for websites giving you access to Toronto airport VHF frequencies and program your scanner if you decided to get one.

http://www.canairradio.com/yyz.html

Have a look at different plane spotting websites for the Toronto airport: there are many precious advices from experienced plane spotters that will prove useful in heading to the best spots and avoiding common mistakes. I used the two links below:

https://www.google.com/maps/d/viewer?mid=zdHrYLKKTr6s.kVyJADEEDD94&hl=en_US

https://www.google.com/maps/d/viewer?mid=zoK-gCuBpw20.kihycrsJLTH8&hl=en

Print two or three maps of secondary routes around the airport so that you can orient yourself when there is a change in runway use due to different winds or if you use a taxi ride to move around the airport: the driver will always ask you details on how to get there since those secondary routes are not a common destination for him (and chances are that he will not know where to go if you ask him to head to threshold of runway 05. Basically, he needs road names, not runway numbers).

Cessna 560XL S5-BAV Toronto 2016
Cessna 560XL S5-BAV Toronto 2016
British Airways Boeing 777-236 G-ZZZA in Toronto 2016
British Airways Boeing 777-236 G-ZZZA in Toronto 2016

Before leaving your Toronto hotel

Before you leave the hotel, look at the Toronto weather forecast, among them the TAF, to know the wind pattern for the day. The Nav Canada site has everything you need to know and there is a possibility to choose between coded or plain aviation language.

https://flightplanning.navcanada.ca

The Environment Canada site is also very useful:

https://weather.gc.ca/city/pages/on-143_metric_e.html

Don’t forget to bring many snacks as well as a bottle of water since you will possibly be at a good distance from a restaurant for many hours, depending on which runway is in use. The same goes for additional batteries and memory cards for the camera.

Don’t forget the scanner, the cell phone (to call a taxi driver or get access to the arrivals and departures information) and all the photo equipment needed, as well as an abnormally high number of clothing layers necessary in case of winter photography: eight hours almost immobile outside in February calls for an appropriate preparation if you want to appreciate your experience. If you economize on clothing, it is certain that you will have to shorten your photography session.

I chose February for its very interesting light and not for its temperature! Most of the shots in this article were taken in only one day at the Toronto airport, between 10h30am and 18h30.

American Airlines MD-82 N482AA final 05 Toronto 2016
American Airlines MD-82 N482AA final 05 Toronto 2016

From the hotel to the airport

If you chose to stay at a downtown hotel in Toronto, the best way to get to the Toronto international airport is to use the UP Express train, from the Union Station on Front Street. Its use is very simple and departures are made every fifteen minutes. In February 2016, the cost was CDN $44.00 for a return trip to the airport, while a taxi ride cost $130.00.

UP Express Toronto 2016
UP Express Toronto 2016

The UP Express ride only takes 25 minutes and the train stops at Terminal 1.

It is preferable to avoid using your car around the Toronto international airport since some secondary roads are private and no stopping is allowed. You will take more time to look for police than to enjoy your plane spotting photography session.

Once you are at Terminal 1

Once you exit the UP Express at Terminal 1, get your scanner and monitor the ATIS frequency (120.825) to get the latest information on the runways in use for take offs and landings. For my photo session, the ATIS announced that runway 05 and 06L were in use, both for arrivals and departures. I took a taxi, showed the map with secondary roads to the driver and within few minutes I was where I needed to be and started the photo session.

Air Transat Airbus A-330 C-GTSN Toronto 2016
Air Transat Airbus A-330 C-GTSN Toronto 2016

A preliminary internet search allowed to discover that heavies mostly arrive from Europe during the afternoon et that runway 05/23 is favored for Emirates Airline Airbus A-380 arrival. I thus decided to position myself near runway 05 instead of 06L.

There are two or three quite isolated spots around the airport that provide interesting point of views for aircraft photos but that can present security problems for a photographer working alone with expensive equipment. Experienced plane spotters suggest that you should be accompanied by friends if you decide to opt for those spots (see the “plane spotting” internet sites suggested at the beginning of this article).

Emirates A-380 final for Toronto (CYYZ)
Emirates A-380 final for Toronto (CYYZ)
Emirates A-380 on final for Toronto (CYYZ) 2016
Emirates A-380 on final for Toronto (CYYZ) 2016
Emirates A-380 on final 05 for Toronto (CYYZ) 2016
Emirates A-380 on final 05 for Toronto (CYYZ) 2016

Technical advices

For precise photos of aircrafts in movement, I use the following parameters with my Canon 5D MKII camera:

1. Only the central AF Point of the auto focus system is selected and not the surrounding ones in order to avoid that the camera sets the focus on other objects than what I desire (trees, ILS structure, buildings).

2. The AI Servo setting is more efficient than the AI Focus or One Shot. The aircraft will be followed precisely.

3. If I want to include surrounding objects in the photo, I adjust the aperture to 7.1 or 8, instead of 11 or 13. I thus avoid increasing the ISO too much, which would affect the picture’s quality if it has to be enlarged with Photoshop.

Westjet Boeing 737-8CT C-GWSV Disneyland Livery in Toronto 2016
Westjet Boeing 737-8CT C-GWSV Disneyland Livery in Toronto 2016

4. To take pictures of an approaching propeller powered aircraft, a speed adjusted to 1/125 is generally adequate. You must pivot according to the aircraft movement so that it looks like it is immobile in your viewfinder. The picture is easier to take when the aircraft is farther away but becomes more of a challenge when it gets closer and flies by you since you must constantly change your pivoting speed.

Porter Q-400 C-GLQD on final for Toronto Billy Bishop airport (CYTZ) 2016
Porter Q-400 C-GLQD on final for Toronto Billy Bishop airport (CYTZ) 2016
Air Canada DHC-8-102 C-FGQK Toronto 2016
Air Canada DHC-8-102 C-FGQK Toronto 2016

5. A shutter speed that is too high will immobilize the propeller of an aircraft and make it look like the engine is not working, which will take away realism.

6. Throughout the day, position yourself so as to have the sun behind you (if there is any sun!), unless you are looking for special effects.

Global 5000 GL5T C-GJET in Toronto 2016
Global 5000 GL5T C-GJET in Toronto 2016

7. A very high quality lens, like the Canon 50mm 1.4, allows for beautiful pictures during the evening since there is no compromise on ISO, as the lens does not need much light. The grain size stays relatively small.

Air Canada Boeing 777 final 05 Toronto 2016
Air Canada Boeing 777 final 05 Toronto 2016

8. I use a very low ISO if the photo includes an interesting but far away aircraft, in order to be able to crop the picture with Photoshop. Since I cannot compromise on the speed to avoid a blurred picture, it becomes obvious that it is the aperture that pays the price.

Air Canada Airbus A-330 final 06L Toronto 2016
Air Canada Airbus A-330 final 06L Toronto 2016

9. If the situation allows it, add visual references other than clouds to get a bit more variety in your aircraft photo collection.

Air Canada Boeing 777 final runway 05 Toronto 2016
Air Canada Boeing 777 final runway 05 Toronto 2016

10. Try a black and white photo if the cloud formation is particularly interesting.

C-GQBG CL-415 and cirrus clouds on a black and white picture
C-GQBG CL-415 and cirrus clouds on a black and white picture

11. RAW+JPEG files allow for important adjustments when necessary. A JPEG only photo gives you little leeway when you want to correct mistakes or during problematic lighting conditions.

12. Variable sky conditions and constant direction winds are preferable for your photo session since the runway in use will not be changed in the afternoon and your pictures will benefit from different light intensity and cloud formations.

13. If you want to take the aircraft in relation to the ILS poles and you are looking for a symmetrical photo, just move few inches to the right or left while the aircraft is approaching or going away from you. You will also want to avoid that the horizontal poles of the ILS cut the plane and make it difficult to see.

Westjet Boeing 737-800 final 05 Toronto 2016
Westjet Boeing 737-800 final 05 Toronto 2016

14. Have fun experimenting, like taking a shot just above your head while including other objects for added interest.

On the ILS 05 for Toronto 2016
On the ILS 05 for Toronto 2016

15. Instead of always showing the whole aircraft, try a close-up view.

Air Canada Boeing 787-9 C-FNOI in Toronto 2016
Air Canada Boeing 787-9 C-FNOI in Toronto 2016

16. The close-up view might be such that even passengers of an aircraft on final will look at you while you immortalize them.

United Express on final at the Quebec Jean-Lesage international airport.
United Express on final at the Quebec Jean-Lesage international airport.

17. Chances are that you will meet other enthusiast plane spotters in the same area as yours since they also prepared themselves for a successful photo session.

Westjet Boeing 737-800 C-FYPB in Toronto 2016
Westjet Boeing 737-800 C-FYPB in Toronto 2016

18. Since you are in Toronto, head to Toronto Harbour when you are back downtown. You will witness the air traffic surrounding the Toronto Billy Bishop airport (CYTZ), formerly known as Toronto Island, and possibly take some original shots.

Porter Q-400 C-GLQM and C-GLQB at Toronto CYTZ 2016
Porter Q-400 C-GLQM and C-GLQB at Toronto CYTZ 2016

19. This is the photo equipment used for my Toronto airport plane spotting session: Canon 5D MKII camera and the following Canon lenses: EF 50mm f/1.4 USM, EF 16-35mm f/2.8L II USM, EF 24-70mm f/2.8L USM, EF 70-200mm f/2.8L IS II USM. No polarizer was used that day since I wanted to increase my margin of manoeuver with fast moving aircrafts under the February low intensity light.

Air Canada Rouge Boeing 767-300ER final 05 at Toronto 2016
Air Canada Rouge Boeing 767-300ER final 05 at Toronto 2016
American Eagle CRJ-701ER N523AE Toronto 2016
American Eagle CRJ-701ER N523AE Toronto 2016

Aviation photography requires much planning for successful photos. But all your efforts will rapidly bear fruits once you are on site and you will not see time pass! Have a great plane spotting session and give me some news of your experience if you can!

Air Canada Boeing 767-375 (ER) C-FCAB in Toronto 2016
Air Canada Boeing 767-375 (ER) C-FCAB in Toronto 2016

You can have access to other aircraft photos taken at Toronto through this link on my site:
photo galleries/aviation only

For other articles on aviation and photography, click on the following link: Aviation photography

Categories
Photography

HDR Photography

HDR (High Dynamic Range) Photography

Quebec Bridge, 2012.

1. A picture you would never have thought possible, because of extreme contrasts between brightness and darkness, is now accessible to you through HDR.

2. For a good HDR picture, you need at least 1) an interesting subject 2) an appropriate setting or background 3) the appropriate light and 4) a wide range in contrasts. That seems basic, but HDR will not save a picture that was not thought through.

3. You need a software like Photomatix, to transform several pictures taken at different exposures into one HDR picture. But this is only the first step. You will also need another editing software to improve the general result after Photomatix has been used.

4. A tripod is required to help Photomatix align the pictures and create the HDR effect.

5. As with your normal pictures, it is always better to try to use the lowest ISO as possible.

Gruyères, Switzerland, 2013.
Gruyères, Switzerland, 2013.

6. It is safer to work with manual focus. This way, none of your shots will have been influenced by external objects without you noticing. It will always be the exact same focus throughout the HDR photo session. With automatic focus, you generally notice your blurred pictures when you’re back home and then it is too late (it will often happen under low light conditions).

7. The greater the contrast, the more exposures you need to take (up to nine) in order to match the dynamic range of your eyes.

8. The idea is to take each exposure at a different exposure setting. If you need seven exposures, an example of settings would be: -1, -2/3, -1/3, 0, +1/3, +2/3, +1. You might decide that three exposures only are necessary and go for -2, 0, +2 or -1, 0, +1. The choice is yours but you must take only the required number of exposures to avoid including too much noise in your shots.

Canon, 16-35mm, HDR format.
Canon, 16-35mm, HDR format.

9. Throughout your HDR exposures of a specific scene, always keep the same aperture.

10. A scene is rarely perfectly balanced with light and shadows. If there are many shadow areas in the photo you want to take, then take more exposures over the recommended settings to ensure that you caught the whole dynamic range of the scene.

A house in Sainte-Pétronille, on Île d'Orléans, autumn 2012. HDR picture.
A house in Sainte-Pétronille, on Île d’Orléans, autumn 2012. HDR picture.

11. Inversely, if your scene has lots of highlight areas, take more exposures under the recommended settings.

12. Setting your camera to “automatic bracketing” is preferable because all the pictures are taken quickly thus avoiding to show any blurred picture in the final HDR picture. But if you want to show the movement of water in a creek, you don’t need bracketing: just take few shots with different time of exposure (in number of seconds). Just don’t overdo it otherwise it will give place to an uninteresting undefined white surface.

13. Check your LCD monitor so that none of the highlights are blown out. There would be a loss of details. For the same reason, you must avoid to block the shadows.

14. Always work with RAW files, it gives you better results. The RAW file already provides you with more f/stops then the JPEG file, and this before the transformation in HDR has even started).

15. Of all the lenses I’m using, the wide angle lens is my preferred one with it comes to HDR photography.

Spring light in the lower town of Quebec City
Spring light in the lower town of Quebec City

16. To improve the composition or enhance the general impact, crop the picture.

17. Not all pictures are appropriate for HDR transformation. If you want a dramatic silhouette as the final result, for example, HDR will not be appropriate. It will reveal too many details in the shadows and you will lose the high contrast effect that you were looking for. With practice, you will recognize where HDR is the most effective.

18. Whether you want a realistic picture or not, you can obtain surprising results with the combined effects of softwares like Photomatix, Topaz, Photoshop, Nik Software, Lightroom, Lucis Pro and so on. It’s only a matter of taking your time to experiment.

19. If you have only one picture on hand, like a shot you took years ago, and you would like to give it an HDR effect, you can use a software likeTopaz Adjust. There is an HDR effect section in that software that allows you to get a wide range of effects. But this is not going to be nearly as good as the real HDR resulting out of many pictures. The final editing step is, most of the time, done using Photoshop.

20. An unpretentious book about HDR is “Rick Sammon’s HDR Photography Secrets for Digital Photographers”. It is simple, colorful, well written and loaded with practical informations.

Eiffel Tower at night with HDR effect
Eiffel Tower at night with HDR effect

Note: All the photos were taken with a Canon 5D MKII