The story takes place in 1977 in West Germany. A road accident that claims the lives of a woman and her child attracts the attention of a morgue employee, a man with high standards of professionalism and who is well regarded by his general manager.
This employee is Monsieur Martin, a former soldier who once fought in the Second World War and for whom the word “responsibility” weighs heavily in his existence as an older man. He conducts his own investigation, and naturally upsets people in high positions who have decided to look the other way to preserve their reputations.
Such a theme will always be relevant, as it affects not only German society but all nations across the planet, where individuals who have the most to lose in a given situation choose to disregard their obligations, despite the injustices.
The graphic novel “L’expert” is very well done. I like the drawings, the scenario, the choice of colours, the period and the location where the story takes place. The Germans must certainly have appreciated its publication in 2022.
Novel cover “Dans le ventre de Klara” by Régis Jauffret
[For the presentation of this book published in French, I did my best to translate some sentences in English, but a professional translation would have better reflect the quality of Régis Jauffret’s writing].
“In July 1888, around Saint James’s Day, Uncle made me pregnant”. So begins Régis Jauffret‘s novel “Dans le ventre de Klara” (In Klara’s Belly) , that master of punchlines and synthesis. The Klara in question is Klara Hitler, who at the time of the story is carrying within her an Adolf Hitler already capable of infusing her on occasion with visions of the disaster he would orchestrate years later.
The author has found a unique way to position Klara’s terrible premonitions in the text. They are suddenly imposed in the midst of the mother-to-be’s daily reveries, often right in the middle of a paragraph or sentence.
In this tale of fact and fiction, the wife must stay in her place and hope for nothing. The writer has Klara say: “I’m afflicted with the mania of hoping for something other than my fate“. The husband decides everything. The local church’s confessor would love to have as much control as the spouse, but this proves more difficult than expected. The husband and abbot are a good example of the excessive power they wield over women in this era. A military officer with little combat experience who dictates his conduct to his wife as if she were a soldier, and a fanatical abbot who imposes the arbitrary rules of a sickening religion, enslaving women and imposing his dogmas on couples from a distance.
Back cover of the novel “Dans le ventre de Klara” by Régis Jauffret
Speaking of God and women, the author writes: “A Christian woman must bear children, help to populate the Earth He has given us as a theater for our sins”. And when Klara finds herself back in the confessional and being chastised by the priest: “Far from the voice of Christ gone, it was now Abbé Probst who was busy putting me through the wringer of language. Sentences as long as straps. Words as heavy and blunt as bludgeons. Subtle, sharp words, in places bristling with reddened spikes. Punctuation like broken glass […].” You get the idea…
I particularly appreciate Régis Jauffret’s writing, having read many of his works, including “La ballade de Rikers Island“, “Le dernier bain de Gustave Flaubert“, “Papa” and the three volumes entitled Microfictions, published respectively in 2007, 2018 and 2022. He even won the Goncourt short story award for the 2018 edition.
Régis Jauffret explains the intention behind his latest novel in a video on Youtube, if you’re interested in digging deeper into the subject.
The novel “Un monde au-delà des hommes” by Catherine Hermary-Vieille.
The novel ” Un monde au-delà des hommes” will be of particular interest to readers whose knowledge of early Antarctic expeditions is limited. If you don’t know whether Norway’s Roald Amundsen or Britain’s Robert Scottreached the South Pole in Antarctica first, don’t do the research before opening this book. You’ll find it much more interesting.
In the days of the great conquests of the planet’s uncharted territories, explorers risked their lives for the glory of their country. Here, Norwayand Great Britainrace to reach the South Pole first.
This historical novel runs to just 134 pages, allowing the author to concentrate on the essentials. She has divided the book into two parts. The first focuses on Amundsen, the second on Scott. The two men used very different methods to achieve their ends. At the beginning of the book, she includes a map showing the routes chosen by each team and the stopovers they agreed on.
Author Catherine Hermary-Vieille discusses the preparation of the journey, the strategic choices made regarding objectives, the obstacles encountered along the way, not to mention the mental attitude adopted by each explorer and the members of the expedition.
Back cover of the novel “Un monde au-delà des hommes” by Catherine Hermary-Vieille.
On this trip, one of the two expedition leaders will use sledge dogs as their main means of transport, while the other will try to make progress with mules. One will have only one objective in mind, the other will have several goals to achieve. One will behave as a flexible leader, the other will be more intransigent. The choices and attitude of each explorer will have a direct impact on the success of the expedition.
It’s worth noting that the two competitors don’t start their journey to Antarctica at the same time, so there’s an imbalance right from the start as to when they’ll arrive at the South Pole. But even so, once you know this, there’s still a frozen continent to cross, men to feed, crevasses to avoid and frostbite to treat. You also have to be able to come back alive.
A novel like this can be read in a day. We can forgive a few sketchy descriptions and even a small error like the one on page 19, where the name of the Inuit dog “Funcha” appears twice in the list. These distractions don’t detract from the intensity of the story. These are, after all, the stories of men who went to the very end of themselves for the glory of their country.
Today, we’re witnessing a similar race between countries to send humans to the planet Mars. Which country will get there first? And once it gets there, will it have the right to claim a planet for itself at the expense of Earth’s other humans?
Click on the link for more biographybooks on my blog.
Brüsel will delight fans of well-crafted comics. There’s everything in this book: top-quality graphics, attention to detail, an overflowing imagination on the part of the authors, a little humor and sensuality, a touch of cynicism.
We find ourselves with familiar themes, but developed backwards from common sense to pique the reader’s curiosity. Society will be saved by the advent of plastics, a veritable revolution. And we’ll finally be able to get rid of the plants we have to look after, which wither away and constantly need a little water.
The authors also take an original approach to the deterioration of hospital care. The script shows us a patient who is always promised incredible treatments by a doctor whose reputation is beyond reproach. However, no intelligent action is taken, and the patient gradually recovers from the lack of treatment.
The hero of the story and an employee he meets by chance form an unconventional duo and take us into the twists and turns of a city in the making that a megalomaniac is designing without consulting the citizens.
The few people appointed to obey the wishes of a single man walk around with scaled-down buildings under their arms and place here and there the skyscrapers of the future city. It’s all decided behind closed doors and in the interests of a few, as sometimes happens in city planning.
In short, if you’re looking for a story and graphics out of the ordinary to escape from déjà vu, this is the comic for you.
Frédéric Pierucciis a senior executive at Alstom, a gigantic French energy company. Thanks to a US extraterritorial law (FCPA Foreign Corrupt Practices Act) which allows the US government to prosecute any foreign firm targeted for corruption, he was arbitrarily arrested in 2013 as he got off the plane in New York.
Pierucci had not received any money from these operations, but he was aware that Alstom was targeted for embezzlement and that the company used “intermediaries” to secure contracts. He was incarcerated for months, and Alstom finally abandoned him, believing that the Americans would be satisfied with the imprisonment of this high-ranking executive. Pierucci must now try to extricate himself from the quagmire into which he has been plunged.
A page of the graphic novel “Le piège américain”.
Even if he is not directly implicated in the bribes, the American justice system wants to pressure Pierucci into revealing details that would incriminate Alstom’s management, including CEO Patrick Kron. Pierucci’s harsh judicial treatment is also intended to intimidate the firm’s other top executives, showing them what awaits them if they do not cooperate in rectifying past mistakes.
The primary aim seemed to correct unfair schemes that were damaging American companies and, by the same token, to obtain very substantial monetary compensation. The operation was a success: the effects of Pierucci’s arbitrary arrest paved the way within a few years for the sale of a strategic Alstom subsidiary to General Electric, its main competitor.
Back cover of the graphic novel “Le piège américain”.
The maneuvers also allow to obtain information that would otherwise remain confidential. This U.S. extraterritorial law works well and is used to attack numerous corporations around the world, including the German international group Siemens. Each time, the offender is obliged to pay substantial fines and must submit internal documents considered confidential or even secret to the prosecutor.
It’s hard to know who exactly will have access to these documents. Is it possible that agents (we won’t call them “spies” for the sake of politeness) are passing on trade-secret information to people working outside the U.S. Justice Department? Such actions would enable American companies to improve their competitiveness at little cost. But these are questions that the executives of the targeted companies are asking themselves.
Be that as it may, not everything in this story is squeaky clean. Author Matthieu Aron writes: “In autumn 2018, after Frédéric [Pierucci] was finally released, we finished our book. But again, it was not without difficulty. The day after we sent our manuscript to our publisher, my home was ‘visited’ and my computer disappeared. Simple burglars, spooks, or action by a foreign service? We’ll probably never know.”
The graphic novel “Le piège américain”, prix littéraire nouveaux droits de l’homme 2019.
My view on the subject.
China is watching and learning.
The effectiveness of this American extraterritorial law has not escaped the attention of China, which is planning to devise a similar law that would allow it to lay its hands on otherwise inaccessible information and archives.
Faced with these two behemoths, the United States and China, Europe has fallen behind, and it too will have to create its own law enabling it to extend its judicial power outside the continent. For no one is fooled: bribes to obtain contracts involve multiple countries. Prosecutions under extraterritorial legislation give access not only to large sums of money, but also to documents containing important data and possibly industrial secrets.
Another book on the graphic novel “Le piège américain”.
The Alstom experience will at least have had the effect of better preparing France for the moment when, a little later, the giant Airbuswas targeted for malfeasance by the same American law. Airbus manufactures not only airplanes, but also many strategic military products protected by secrecy. This time, the widespread collection of the company’s confidential information was refused, without a French citizen being named as intermediary and the documents handed over to the Americans being reviewed to ensure that they did not contain military secrets or other information not directly related to the corruption charges.
Today, Airbus is a great success, selling more aircraft each month than Boeing, which is experiencing difficulties with the way it builds its aircraft. And we have every right to believe that senior management at Airbus has improved its business practices.
The comics ” 13h17 dans la vie de Jonathan Lassiter”.
“When you’ve got nothing left to lose, you can take all the risks…”. This is the sentence [translated] on the back of the comic strip “13 h 17 dans la vie de Jonathan Lassiter” (13:17 in the life of Jonathan Lassiter), which best sums up this French-language work published in 2023.
Jonathan Lassiter works as an insurance agent in Keanway, a small, remote town in Nebraska. Overnight, his wife leaves him, he loses his job and his wallet is stolen. In short, his life suddenly takes an unexpected turn. He has two choices: either he feels sorry for himself, or he changes. His chance encounter with Edward, a “distinguished, cultured and cynical” man, forces him to take a stand.
It was the quality of the graphics that caught my eye. This isn’t one of those publications where you wonder whether the design can be done in a month, and which pretends to be original through the absence of detail, and therefore of work. A great deal of effort went into this album, and it shows at first glance.
Back cover of the comic strip “13h17 dans la vie de Jonathan Lassiter”.
It’s got it all: the judicious choice of angles, the refined, masterful drawing, the skilful maintenance of atmosphere through well-dosed, under-saturated colors, the well-crafted script. This comic strip keeps the reader’s interest from start to finish, with no downtime.
The main character reminded me of the famous actor Vincent Price.
The graphic novel “Un tournage en enfer – Au coeur d’Apocalypse Now”.
The graphic novel“Un tournage en enfer: au cœur d’Apocalypse Now” takes us right to the heart of the creation of Francis Ford Coppola‘s famous film, brought to the screen in 1979. As the director points out, [my translation] “[…] we were in the jungle. There were too many of us. We had access to too much money and too much material, and little by little, we all went crazy…”.
It didn’t start well. Right from the start, the director was unable to convince well-known actors to get involved in his film. In turn, actors such as Jack Nicholson, Al Pacino, Robert Redford and James Caan refused to join the adventure. Coppola continues his research and interviews.
As readers, we go behind the scenes of the production and hear from those close to the filmmaker. Filming begins in the jungle of the Philippines, even though Coppola has no idea on how the film will end. This would haunt him throughout the production, causing him sleepless nights when he was already quite exhausted.
A page from the graphic novel “Tournage en enfer – Apocalypse Now”.
Cost overruns followed, and the pressure on the director from financial backers increased. He was asked to complete his film as quickly as possible, which he proved unable to do. Coppola came to guarantee the required funds by pledging to pay off the debt himself if box-office receipts failed to reach $40 million.
In addition, it was taken for granted that the U.S. government would provide the helicopter gunships required for the film’s action. But in the aftermath of the Vietnam War, the interest of American politicians in such requests waned. The director had to turn to the then President of the Philippines, Ferdinand Marcos, to obtain helicopters and personnel, in return for certain fees and compensation. But these aircraft sometimes left the scene on Marcos’s orders to go hunting for the regime’s enemies. Coppola was falling behind again…
A page from the graphic novel “Tournage en enfer – Apocalypse Now”.
They thought that Harvey Keitelwould be the ideal actor to play Robert Duvall. Many sequences later, the obvious becomes clear: the man just didn’t cut it for a number of reasons. On the verge of disaster, they urgently contacted Martin Sheen and beg him to replace Keitel. Multiple scenes had to be reshot with the new actor, and the delays and associated costs continued to mount.
All sorts of other pitfalls awaited the director and his crew throughout the shoot, including the language barrier with the Filipinos and a storm that destroyed the set. The widespread use of drugs and alcohol by staff and helicopter pilots didn’t help matters either.
The mosquitoes, the heat and Coppola’s constant demands took their toll on the actors. Martin Sheen fell seriously ill, and his brother had to be used for some of the secondary scenes. Rather than use only actors to simulate deaths, a staff member went to the morgue and returned with a corpse. This prompted the arrival of the police force, and the problem was solved with generous sums of money.
There were many other factors that delayed the end of the shoot and increased costs. Marlon Brando’s demands were a case in point. They managed to get him back on set for an extra day, provided that he received $70,000 more than planned.
Shooting finally ended in 1977. The team chartered a private plane to fly 381 kilometers of original film to the United States. Editing the film proved to be an ordeal. There was too much material to analyze. In 2001, Coppola presented a modified version of his original 1979 production. In 2019, he finally delivered a final 182-minute version, Apocalype Now “Final cut” , more than forty years after the initial release.
Earnings met the director’s expectations, and he ultimately won his bet. In all, the film generated $140 million from a total budget of $30 million.
Through drawings and superb photographs, this graphic novel recounts the events that contributed to the creation of Magnum, the famous international photography agency.
Before Magnum, there were only photographers trying to make a name for themselves and earn a meagre living in the face of media giants like Time. These big companies reframed original images, did not recognize copyright and made gigantic profits on the backs of photographers like Robert Capa, David “Chim” Seymour, Gerda Taro, Henri Cartier-Bresson and George Rodger. It was in reaction to this abuse that these photographers created the new agency.
The book makes us aware of the enormous risks involved in bringing back images of the world’s various conflicts. Robert Capa and Gerda Taro lost their lives in the heat of the action.
A page from the graphic novel “Magnum Generations”.
Magnum’s evolution, its internationalization and the change in its primary vocation are brought to life. From an initial focus on war coverage, photographers gradually turned to diversifying their activities, to accommodate the specific needs of both the media and film productions.
The agency now protects them from abuse. However, photographers remain mindful of the need of support from contractors to survive financially. Still, they reserve some leeway for pure creativity, depending on each photographer’s personality and the mood of the day.
Keeping this agency alive, made up of professionals with different ambitions, is no small task. There are crises, schisms and reinventions, all essential to the evolution of this internationally renowned institution.
For those who know nothing about Magnum, this graphic novel offers a very accessible first approach.
Cover page of the manga “Les montagnes hallucinées”, by Gou Tanabe.
Gou Tanabepresents H.P. Lovecraft‘s masterpiece “Les montagnes hallucinées” (the French version of “At the Mountains of Madness”) as a two-volume manga. Leafing through Lovecraft is in itself a journey into the strange, but to do so by starting at the end of a book and reading from right to left adds to the weirdness of the experience.
This transposition of Lovecraft into manga is a success. And the statistics prove it. The 382 reviews left on Amazon show clear customer satisfaction, with a total of 4.9/5 stars at the time of writing.
I normally prefer color comics and graphic novels, but the black-and-white interpretation of Lovecraft’s work is a perfect match for the fantasy world into which Tanabe plunges us.
A page from the manga “Les montagnes hallucinées” from Lovecraft, by Gou Tanabe.
Lovecraft makes a phantasmagorical work credible by integrating a well-balanced mix of real and fictional elements into the plot. Unless you’re an archaeologist and paleontologist yourself, it’s hard to tell which data really belong to science. This helps to frame the reader. You recognize moments of pure imagination, but you’re still hooked.
I put myself in the shoes of someone who lived in Lovecraft’s time, when Antarcticawas still a mysterious continent, unexplored in its entirety. A story filled with elements of fiction would gain in credibility, while no one could really confirm or deny some of the author’s statements.
A page from the graphic novel “Les montagnes hallucinées”.
In “Les montagnes hallucinées”, we read about sailing, aviation, extreme weather and survival in icy, isolated spaces. Readers witness the problems experienced by the various crews exploring Antarctica. The scientists’ increasingly startling discoveries force them to make risky decisions that plunge them into an unknown world. In short, themes that still appeal to most people today.
The two volumes total around 650 pages, which can be flipped through with interest in a single day, since many plates include no text at all.
Blake and Mortimer “La vallée des immortels tome 1” final version of my 24×36 acrylic painting.
I finally completed the final stage of the 24″ x 36″ canvas of Blake and Mortimer , “The Valley of the Immortals, Volume 1“. I had hoped to finish the whole thing before the summer, but other more pressing obligations disrupted the planned schedule.
The whole project will have taken around 200 hours and required the creation of some 130 colors in an attempt to imitate the album, at least in part.
I deliberately lightened the original work, especially the left-hand side, as I hang the painting on a wall and found the scene far too dark. My version respects the idea of chiaroscuro while adding a little light. Painting the canvas yourself also lets you play with the different shades of the bricks on the left-hand wall.
Painting of Blake and Mortimer : la vallée des immortels.
For the progression of the various stages over the past year, click on the link to the graphic novels and comicson my blog. There are several publications in that section, but you’ll get there gradually.
